Happy 18th birthday! You’ve officially reach     1     (adult) in a lot of ways, even though I know you’re already mature beyond your years.

Many bittersweet events will happen in the next ten years. There will be highs. Stick to     2     (cherish) every single second. There will also be lows, and you may feel     3     (dishearten). But you’ll surely be committed to     4     (make) it through, and    5     (gradual) you’ll get stronger than before.

The world will always throw new challenges at you.     6     a consequence, your strength will be tested again and again. Looking back to what has happened over the last decade, I feel proud of how far you’ve come. Approve     7     everything that contributes to your     8     (become) fearless and independent.

As you become an adult, jump at every opportunity     9    comes your way. Celebrate every chance you get. No doubt you’ll always ponder     10    it and make the right decision.

Happy birthday, Kelsey! See you in ten years.

28-­year-­old Kelsey

7 . Statistics from the China Film Administration, China’s box office revenue during the Spring Festival holiday hit a record high of 8 billion yuan, or more than 1.1 billion U. S. dollars, the milestone being achieved in the shortest time span in the history of the Chinese film industry.

Seizing a lot of attention due to actress-director Jia Ling’s weight loss of up to 50 kilograms in one year, YOLO—a comedy recounting Jia’s portrayal of an oversized woman striving to become her better self —earned 2.72 billion yuan, topping the festival box-office charts. Many people wanted to watch the comedy film with their families during this ‘festival of reunions’, because the film went far beyond expectation whose story in Yolo was so inspiring. So, it was a good thing to watch it with children.

Pegasus 2, the sequel to a 2019 blockbuster racing film by writer-director Han Han, ranked second at the box office with 2.4 billion yuan. Boonie Bears: Time Twist, the latest installment in the Boonie Bears animated film series, took the third spot with 1.39 billion yuan, and Zhang Yimou’s Article 20 ranked fourth with 1.33 billion yuan.

A report from Maoyan, one of the country’s largest ticketing services, revealed that 39.2 percent of the audiences purchased movie tickets while returning to their hometowns or traveling, which was the highest in the past four years. Industry analysts say family-friendly comedies align perfectly with the cultural atmosphere surrounding New Year celebrations. The films of this festive season focus on diverse and relevant topics that resonate with the viewers — such as family values and inspirational stories.

So, they attract people from all walks of life.

8 . A One-woman Cinderella Show Is Coming to Fairfield

A one-woman show that reimagines the classic fairytale Cinderella is coming to the Fairfield Community Arts Center. The Children’s Theatre of Cincinnati will present Cinderella Wore Cowboy Boots for one night only on Jan.26. The traveling show is for children ages 4 and up and promises “knee-slapping” comedic moments and heartwarming life lessons.

“I love children's theatre,” says Rosvic Siason, who plays Cinderella. “Kids are our future and we introduce them to these stories. We all have situations at one point in our life that look like this conversation. It just kind of helps you develop your brain and learn how to think as a developing person. It’s really important to expose kids to theatre and well-rounded actors they can talk to for guidance.”

These one-man, one-woman shows have so much beauty because it is very raw. People actually follow along much easier than you think. It’s easy to share a feeling. They will be expected to interact, deliver lines and repeat after Cinderella throughout the production. Cinderella Wore Cowboy Boots will deliver a funny, meaningful twist on the classic fairytale that encourages audiences to expand their imagination.

“Using imagination helps kids to think of things in more ways than one,” Siason says. “It opens them up and makes them think, ‘Hey, this is one way this could work.’ Or, ‘I could try this way,’ and then see what happens.”

Visit fairfield-city. org for tickets and more information.

10 . Pullman is a superb writer and Seagull is a brilliant communicator. They had a debate after Seagull posted a question on his social media platform: “When you were trying to create an environment for learning, what were your best pieces of classical music to listen to?” He received hundreds of suggestions — and one negative reply, from Pullman: “That’s not what classical music is for. Treat it with respect.”

That did it! Everyone — professional musicians, students, teachers — weighed into the argument, and the majority supported Seagull and were criticizing Pullman.

It’s easy to see why people are annoyed. We all want classical music to be as accessible as possible, especially to the young. If some of them are using Bach or Schubert as a tool to help them study, what’s the problem? They may also develop an attachment to classical music.

So is Pullman ridiculous and supercilious by objecting to classical music being used as background music? At first sight, his idea seems stuffy and extreme. By suggesting that classical music should be “treated with respect” and not used as background music, Pullman seems to be closing classical music of to millions of people.

It’s worth pointing out, however, that he isn’t the first to express concerns about classical music being devalued by becoming too commonplace in today’s technologically shaped world. In Benjamin Britten’s 1964 speech, the composer expressed exactly the same worries as Pullman. Britten suggested, “The true musical experience demands some preparation, some effort, a journey to a special place, saving up for a ticket, some homework perhaps”. In short, it demands as much effort from listeners as from composers and performers.

I don’t agree with such an extreme viewpoint, but I do think it touches on a reality. You will never fully grasp the beauty of classical music if you half-hear it only in the background. That doesn’t necessarily matter. Music can be enjoyed on many levels. What Pullman and Britten are really saying is that, in a drive for “accessibility”, we shouldn’t deny the emotional and intellectual complexity underpinning (构成) much classical music.