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阅读理解-阅读单选(约350词) | 较难(0.4) |
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文章大意:本文是一篇说明文。文章介绍了随着互联网的速度和连通性的发展,技术的进步和点播娱乐公司的兴起,大多数人们都存在追剧行为。这种追剧对人们的生活、健康都产生了许多消极影响,就此作者建议看剧要坚持适度原则。

1 . Binge-watching (刷剧) is when a person watches more than one episode of a show in a row. With developments in the speed and connectivity of the Internet, increases in technology and the rise of on-demand entertainment companies, people can now have their favorite shows stream (流播) directly to their television at their convenience.

This behavior is nothing new. In fact, binge-watching has been officially listed in dictionaries since 2015. The entertainment companies recognize this behavior and many take steps to encourage it. Often, instead of releasing each episode on a week-by-week basis, an entire series will become available concurrently. Once the episode finishes, many platforms will display pop-ups with “you might like” suggestions, or will automatically play the next episode.

However, recent research suggests that out of the more than half of British adults who watch more than one episode of a show back-to-back (一集接一集地), almost a third have admitted missing sleep or becoming tired as a result; and 25% have neglected their household chores (家务活). Next we’ll be missing work!

Bingeing has other connections — binge eating, binge drinking and binge smoking. All of them are often associated with a lack of control and a possible route to addiction. Lindsey Fussell, consumer group director, said, “The days of waiting a week for the next episode are largely gone, with people finding it hard to resist (抗拒) watching multiple episodes around the house or on the move.” If people find binge-watching hard to resist, are we witnessing the birth of a new type of addiction?

The countless number of information and entertainment that television and online media can bring us is, many would say, a good thing. However, when the activity begins to bleed into other areas, causing us to stop functioning, then it becomes a problem. So, what’s the answer? Moderation! Neither a tiny amount, nor too much. After all, as the old proverb says, “A little of what you fancy does you good.”

1. How did the writer develop the first paragraph?
A.By giving a definition.B.By telling a story.
C.By listing some examples.D.By analyzing the cause and effect.
2. Which of the following can best replace the underlined word “concurrently” in Paragraph2?
A.For convenience.B.At the same time.
C.In detail.D.Free of charge.
3. What Lindsey said in Paragraph 4 implies that ______.
A.people can’t control their feelingsB.people can’t resist the temptation of Bingeing
C.people have no patience to do workD.people are addicted to waiting for a new episode
4. What advice did the writer give at last?
A.To keep online media from stopping functioning.
B.To enjoy entertainment as much as possible.
C.To learn life lessons from the episodes.
D.To watch episodes in a moderate way.
阅读理解-阅读单选(约330词) | 适中(0.65) |
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文章大意:这是一篇说明文。文章主要说明了与被动屏幕时间相比,互动性活动,如与朋友发短信或玩视频游戏,对睡眠的影响更大,尤其是对青少年而言。

2 . While screen time is known to affect sleep, new research suggests that interactive (互动的) activities, such as texting friends or playing video games, put off and reduce the time spent asleep to a greater degree than passive (被动的) screen time like watching television, especially for teens.

The team studied the daytime screen-based activities of 475 teenagers using daily surveys. They asked the teens how many hours they had spent that day communicating with friends through social media and how many hours they spent playing video games, surfing the internet and watching television or videos. Finally, the researchers asked if they had joined in any of these activities in the hour before bed.

Next, the team measured their sleep time for one week. The researchers found that the teens spent an average of two hours per day communicating with friends via social media, about 1.3 hours playing video games, less than an hour surfing the internet and about 1.7 hours watching television or videos. For every hour throughout the day that they used screens to communicate with friends, they fell asleep about 11 minutes later averagely. For every hour to play video games, they fell asleep about 9 minutes later. Those who talked, texted or played games in the hour before bed lost the most sleep: about 30 minutes later.

Interestingly, David, lead author of the study, said the team found no obvious relations between passive screen-based activities and sleep. “It could be that passive activities are less mentally exciting than interactive activities,” said Anne, co-author of the study. “It’s a tricky situation,” she said. “These screen tools are really important to everyone nowadays, so it’s hard to put a limit on them, but if you’re really looking out for a teenager’s health and well-being, you might consider limiting the more interactive activities, especially in the hour before bed.”

1. Which of the following belongs to interactive screen activities?
A.Seeing movies.B.Watching videos.
C.Texting friends.D.Surfing the internet.
2. Who might lose the most sleep according to the text?
A.Lucy who watched a three-hour movie before going to bed.
B.Jack who had a 30-minute video chat with his brother before bed.
C.Sam who played computer games for two hours throughout the day.
D.Amy who chatted with her friends on WeChat for one hour in the morning.
3. What does the underlined word “tricky” mean in paragraph 4?
A.Frightening.B.Awkward.C.Hopeless.D.Encouraging.
4. What can be a suitable title for the text?
A.Screen time activities cut down our sleep hours
B.Interactive screen use reduces sleep time in teenagers
C.Passive screen use is better than interactive screen use
D.Parents should prevent children from using social media
阅读理解-阅读单选(约470词) | 较难(0.4) |
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文章大意:本文是一篇说明文。文章主要介绍了虚拟现实技术在新闻领域的应用,并指出该技术存在一定的问题,但非常有前景。

3 . Virtual reality is quickly becoming the new technological frontier. Tech companies everywhere seem to be racing to get their foot in the VR door. However, virtual reality has a set of challenges and hurdles that it must overcome in order to work well. It should be noted that VR is heavily dependent on being very fast, very accurate and very good-looking. If it isn’t, the viewer will feel motion sick or disconnected from the world that VR is trying to create.

Now that we can actually build VR headsets that begin to meet these requirements, we are seeing a rising interest in VR. As it rises, so does the interest in creating new media to be experienced in using virtual reality. Journalism is a medium built on relevance. Journalists should always be finding new ways to tell stories and deliver content. It is a goldmine for storytelling. What better ways to tell a story to someone than to put them right in the center of it?

Virtual reality is a powerful tool for journalists. The consumer isn’t just reading or watching something play out; they’re experiencing it. The immersive nature of VR allows for people to connect with the subject matter on a much deeper level than just reading about it. The experience is emotional, speaking more to our instinct than our intellect. The possibilities for storytelling here are legion, and any storyteller wanting to do something more interesting than their peers should surely be considering the sheer power of VR.

The question of virtual reality, though, is not how powerful it is. That is immediately apparent. The question of VR is one of viability and availability. Telling stories must be easy to do, and access to those stories must be readily available. This is the biggest challenge that VR faces. If the tools to tell a story with VR aren’t easy to pick up and learn, VR will fail. If VR technology isn’t both top-of-the-line and affordable, VR will fail.

Accessibility was one concern for Thomas Hallaq, assistant professor of journalism and mass communications, who said that current VR technology, is pretty exclusive right now. Despite that, he said he doesn’t think the exclusivity of this technology will be a problem in the long run.

“I think it’s very promising,” Hallaq said. “We’re seeing more technology become accessible, and more people having access to that technology. Just look at smartphones.” Like radio, TV and the Internet before it, virtual reality will change the way we tell stories.

1. Why is VR considered a powerful tool for journalism?
A.Because it is an exclusively new tool.
B.Because it is very powerful and popular.
C.Because people can experience the story in person.
D.Because it is very fast, accurate and good-looking.
2. According to the passage, what is the biggest challenge VR is facing?
A.How powerful and interesting it can be.
B.Whether people will have easy access to it.
C.Whether qualified VR headsets can be built.
D.What new ways people will find to deliver content.
3. What’s the author’s attitude towards the future of VR technology?
A.Optimistic.B.Neutral.C.Pessimistic.D.Concerned.
4. Which of the following is the best title for the passage?
A.The Wide Popularity of Virtual Reality
B.The Future Development of Virtual Reality
C.Challenges and Hurdles of Virtual Reality
D.Virtual Reality is the Future of Storytelling
语法填空-短文语填(约170词) | 适中(0.65) |
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文章大意:本文是新闻报道。报道了杭州一个特别设计的剧场中,传统绍兴戏曲《新龙门客栈》的演出情况。该戏曲由1992年的同名电影改编而来,通过将中国传统戏曲与现代戏剧模式和戏剧性理念相结合,成功吸引了年轻一代的关注
4 . 阅读下面短文,在空白处填入1个适当的单词或括号内单词的正确形式.

In a specially designed studio theater in Hangzhou, New Dragon Gate Inn, a traditional Shaoxing Opera performance    1    (bring) to life. Recreated from the 1992 film of the same name, the opera presentation shows amazing artistic performance, successfully attracting the interest of younger    2    (generation) by mixing traditional Chinese opera with modern theater models and dramatic (戏剧性的) ideas.

    3    (compare) with traditional stages, the theater is designed as an inn,     4     the audiences becoming guests. The audience sits very close to the actors and actresses, offering them     5    unique and fascinating viewing experience. Upon leaving the theater, these audience members feel a sense of satisfaction that drives them to willingly share short clips of the performance online,     6    (promote) its popularity.

As the play gains popularity in the past weeks, Chen Lijun,     7    plays the important supporting role of Jia Ting,     8    (become) a social media hit. She said this show represents one of the     9    (challenge) skills in the opera world. It tests not only the physical strengths, vocal skills, and acting abilities of actors and actresses    10    their willpower and determination.

智能选题,一键自动生成优质试卷~
阅读理解-阅读单选(约370词) | 适中(0.65) |
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文章大意:这是一篇议论文。文章讨论了口语能力的重要性, 呼吁英国工党改革学校课程以加强口语能力的教学。

5 . As you read this, pause to reflect on your recent interactions. As a politician, husband, and father, I encounter various spoken language styles: analytical or chatty, formal or informal, pointed or gentle, cooperative or decisive. Talk is the currency of politics. It is our way of negotiating, debating, and persuading. Talk is also the currency of learning-how we develop our ideas, deepen our thinking and share our feelings.

That’s why I want speaking skills, sometimes called “oracy”, to play an important part in Labor’s plans for a reformed school curriculum (课程).

Employers value speaking skills equally with reading and writing. The ability to speak well and express yourself should be something every child should master. But the curriculum doesn’t allow us to provide this. This is short-sighted. An inability to express your thoughts fluently is a key barrier to getting on and doing well in life.

Oracy is in part about good public speaking and debating skills, but in reality, it’s about teaching young people to make strong arguments, choose wise words, understand their audience, form meaningful social connections, and use facial expressions and body language to convey their message. Above all else it’s about finding your voice. To work out who you are and what you believe. If reading opens up a world of imagination and possibility, then speaking and listening opens up a lifetime of empowerment-a chance for those who feel invisible in their own country to be heard. It is about the confidence to speak out, to call out injustice or harm.

And the other side of speaking is listening, which can also be taught. Listening, truly listening, develops tolerance and understanding. And as parents we can play our part. We’ve all been there, at mealtimes, silent as we all stare at our devices. Our job, all of ours, is to get off our screens and give young people, and adults, the gift of listening.

So, oracy―speaking and listening―needs to be placed firmly at the heart of school life.

1. How does talk help a politician?
A.It deepens his wishful thinking.
B.It enhances his analytical skills.
C.It strengthens persuasive power.
D.It provides emotional support.
2. Why does the author suggest a reform in the British school curriculum?
A.Employers underestimate the value of speaking.
B.Academic pressure makes students poor-sighted.
C.Spoken language is regarded as least important.
D.Oracy should deserve more attention at school.
3. How does the author illustrate his argument in paragraph 4?
A.By sharing different opinions.
B.By clarifying the definition.
C.By describing personal experiences.
D.By employing the concept.
4. What are parents advised to do?
A.Set a good example for their children.
B.Balance screen time and mealtime.
C.Have oral face-to-face communication.
D.Disconnect from the virtual world.
语法填空-短文语填(约290词) | 适中(0.65) |
文章大意:本文是一篇议说明文。主要讲述了成为明星给明星带来的影响、追星的历史、明星的应对名气的方法等。
6 . 阅读下面短文,在空白处填入1个适当的单词或括号内单词的正确形式。

Today’s stars are at the center of much of the world’s attention. Paparazzi (狗仔队) camp outside their homes, cameras ready. Tabloids (小报) publishing stories about their personal lives. Although being famous might sound like a dream come true, they, feeling like zoo animals, face pressures that few of us     1     imagine.

According     2     psychologist Christina Villareal, celebrities—famous people—worry constantly about their public appearance. Eventually, they start to lose track of who they really are, seeing     3     the way their fans imagine them, not as the people they were before everyone knew their names. “Over time,” Villareal says, “they feel separated and alone.”

The phenomenon of tracking celebrities     4     (be) around for ages. In the 4th century B. C. , painters followed Alexander the Great into battle,     5     (hope) to picture his victories for his admirers. When Charles Dickens visited America in the 19th century, his sold-out readings attracted thousands of fans, leading him to complain about his lack of privacy. Tabloids of the 1920s and 1930s ran articles about film-stars in much the same way that modern tabloids and websites     6    .

Being a public figure today, however, is a lot     7     (difficult). Superstars cannot move about without worrying about photographers with modern cameras. When they say something silly or do something ridiculous, there is always the Internet     8     (spread) the news in minutes and keep their “story” alive forever.

    9     fame is so troublesome, why aren’t all celebrities running away from it? The answer is there are still ways to deal with it. Some stars stay calm by surrounding themselves with trusted friends and family or by escaping to remote places away from big cities. They focus not on how famous they are but on what they love to do or     10     made them famous in the first place.

2024-01-13更新 | 47次组卷 | 1卷引用:重庆市缙云教育联盟2023-2024学年高一上学期12月月考英语试题
文章大意:本文是一篇说明文。文章介绍了成瘾的机制与康复的方法。

7 . Addiction and recovery are the two sides of the same coin. In many cases, addiction starts off at a relatively low level — misuse.     1     From this, a stage of addiction known as dependency may come about. However, addiction and recovery go together at each of these stages. In other words, it is never too late on the road down an addictive route to seek help.     2     Addicted people can be anything from a substance (物质) user to someone who has become fully dependent on an activity to be able to function normally. Consequently, addiction and recovery programmes tend to be tailored to individual needs and circumstances, often based on theoretical models of behaviour. Some addicted people find that a recovery programme they have tried is not for them. This does not mean they cannot recover, however.     3    

One of the most dramatic recovery pathways available to substance users is called “cold turkey” (突然戒毒方法).     4     Although this sometimes works for smokers and alcoholics, it is not suited to everyone. It is worth remembering that recovery pathways are not just for people who have become addicted to substances like drugs and alcohol. Other common behavioural problems can also cause great disruption (扰乱).

Nearly all forms of addiction have a negative impact on the loved ones of addicted people.     5     It is particularly hard on families when only very slow progress is made.

A.Addiction is not a single state of being.
B.If left unchecked, it may then progress to abuse.
C.What recovery pathways are there for behavioural issues?
D.There are many others they might try if they do not succeed the first time.
E.This will take a lifelong commitment, but the results often speak for themselves.
F.This means that they completely stop their usage and avoid such behaviour in the future.
G.Supporting someone who is overcoming an addiction often requires a long-term commitment.
阅读理解-阅读单选(约380词) | 较难(0.4) |
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文章大意:本文为一篇说明文。文章主要介绍了很多品牌推出了加码衣服,却只是为了迎合尺码包容这一趋势,而并非真正的满足客户的需要。品牌如果真的想要取得成功,就需要关心消费者的价值观。

8 . The needs of plus size consumers have long been the elephant in the room of the fashion industry until body positivity and fat acceptance movements promoted the slogan (口号) that large-bodied people are not those who are left behind. This size-inclusive (尺码包容) trend has become so popular that it is influencing mainstream culture. As a result, fashion brands have finally decided to extend their size ranges. In 2022, the plus-size market grew twice as fast as the standard size market in both North America and the UK.

Yet, many consumers say fashion brands broadening their ranges are not truly inclusive. “Inclusive sizing means that all bodies are included in fashion, not just the ones who fit in standard sizes,” says Marie Southard Ospina, a UK-based journalist who covers body-image issues. “However, what many designers do right now is pick a number that they think is big enough to include plus sizes and stop. This is even more disrespectful.”

Researchers also criticize that some brands are just taking advantage of the trend. “Brands that used to promote so-called perfect bodies in their advertisements are now trying to get in on the trend by adding a few sizes. It doesn’t feel like they really care about plus-size people,” says Tom Burgess, analyst in fashion industry. “If brands cared about large-bodied consumers, then it wouldn’t have taken until now to acknowledge that they exist,” he says. “It gives the impression that companies are just trying to gain a share of the market without a real commitment to the community.”

The fashion industry must go beyond merely producing clothing in a range of sizes if they hope to succeed with a body -diverse world. The whole industry has to connect on a personal level with consumers. That involves showing shoppers that they are seen, understood and important to brands. “Consumers care about values, and so they want to buy from brands that reflect the values they believe in. Everyone should enjoy the same range of fashion options,” says Ludovica Cesareo, professor of marketing at the College of Business in the US.

1. What do the underlined words “the elephant in the room” mean in the first paragraph?
A.The hot issue that is valued.
B.The obvious truth that is ignored.
C.The important principle that is recognized.
D.The common phenomenon that is criticized.
2. Why do consumers say fashion brands are not truly inclusive?
A.They pick sizes randomly.B.They offer limited plus sizes.
C.They treat designers disrespectfully.D.They haven’t broadened standard sizes.
3. For what do researchers mainly criticize some brands?
A.Their designs.B.Their quality.
C.Their motivations.D.Their advertisements.
4. What does the last paragraph imply?
A.Buyers may deserve fashion that fits their figure.
B.Consumers prefer brands with personalized values.
C.Brands should catch up with the size-inclusive trend.
D.A good brand image is critical in the fashion industry.
阅读理解-阅读单选(约330词) | 适中(0.65) |
文章大意:本文是一篇说明文。文章主要介绍了美国大学报纸生存困难,面临压力的现状。

9 . Student newspapers across the US are facing a dark reality. As they are free to read, they are making less money than ever, meaning that such newspapers are finding it hard to survive.

Most college papers have reduced their print editions (版本). Last year, the Daily Tar Heel printed a paper four days a week. This year, it prints a paper every three days. And while it used to produce around 22,000 newspapers each time, it only makes around: 10,000 now, said Erica Perel, general manager.

Increasingly, student journalists have turned their focus to digital versions of their newspapers, and the new ways that social media allows them to tell stories. They’ve adapted their skills to mirror what’s going on in the professional journalism world.

“I think we’re adapting very well…in moving away from that print edition. But it’s challenging.” said Jonathan Carter, a student at North Carolina State University. So what should student newspapers do? LoMonte said the best solution would be for universities to financially (财经的) support student journalism. University leaders like to talk about producing responsible students, he said, and journalism is a part of that.

In the meantime, campus newspapers are figuring out their financial models as they go along. Bruce dePyssler, adviser to North Carolina Central University’s Campus Echo Newspaper, said his students post one story a day online. The best stories are put together for a once-a-semester print edition.

And even if student journalists don’t go into media jobs, Perel said, “They’ve still had a great education.” “The number one thing that we teach is critical thinking (批判思考) and how to be a lifelong learner, ” she said, “The ones who are living through this transition (过渡) are the ones that are going to be a lot stronger for it in the end.”

1. What do most college newspapers do to face the dark reality?
A.Improve printing quality.B.Reduce print editions.
C.Lower advertising fees.D.Increase paper price.
2. What does LoMonte suggest student newspapers do to survive?
A.Ask colleges for money.B.Continue with paper versions.
C.Publish more digital editions.D.Create their own financial models.
3. Who thinks campus newspapers are trying a new financial model?
A.Jonathan Carter.B.LoMonte.
C.Bruce dePyssler.D.Perel.
4. What’s the article mainly about?
A.The proud history of the Daily Tar Heel.B.Student newspapers are adapting well.
C.School newspapers are under pressure.D.How to refresh traditional newspapers.
阅读理解-阅读单选(约350词) | 适中(0.65) |
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文章大意:这是一篇新闻报道。文章报道了沉浸式的慢节奏城市漫步正在中国成为一种时尚。

10 . An immersive and slow-paced Citywalk is becoming trendy across China. In contrast to rushing past overcrowded tourist landmarks, the new trend has emerged as a popular alternative to explore bustling markets, ancient streets, and charming alleys at a leisurely pace.

The appeal of Citywalk caters particularly to the younger generation often caught up in demanding work schedules. As evidenced by the increasing popularity of hash tags like “City walk for vacation” on lifestyle sharing platform Xiaohong shu, with a staggering 465 million views and nearly 464, 600 engagements, the trend is truly capturing unbelievable attention.

Citywalk, or meandering through the urban landscapes, means the act of walking freely along city streets unburdened by exhaustive plans. It offers people an avenue to intimately experience urban culture and local traditions. Citywalk is not merely about sightseeing. It creates an opportunity for social interactions and deep connections with the cities. Citywalk routes are tailored to the specific interests of both out-of-town tourists and locals. For tourists, the focus is on sharing local customs and traditions, while for locals, discussions revolve around the city’s past, present, and future. The growing trend of Citywalk reflects a changing attitude towards life, embracing a warmer, more relaxed, and slower-paced lifestyle.

As Citywalk expands beyond first-tier cities like Beijing, Shanghai, and Guangzhou, to second-and third-tier cities across the county, it brings fresh opportunities for the tourism industry, in such areas as dining, shopping, and accommodation.

Governments in Beijing and Shandong have recognized the potential of Citywalk, incorporating it into their action plans to promote cultural tourism and leisure activities. In Shanghai, public bus lines specially designed have been introduced to elevate the overall Citywalk for participants.

“By slowing down and delving into the narrow alleys, observing the lives of city residents, and immersing oneself in the context of museums and art galleries, one is entitled to embrace the pleasure of life,” said Luo Jun, a cultural tourism enthusiast.

1. What’s the main reason for the popularity of Citywalk among young people?
A.It mainly focuses on urban sightseeing.
B.Social media offer many tempting videos.
C.Busywork schedule limits the choice of people.
D.Conventional tourist landmarks are losing charm.
2. What’s the meaning of underlined word “staggering” in the second paragraph?
A.Astonishing.B.Rewarding.C.Embarrassing.D.Shrinking.
3. Which of the following statements is NOT Citywalk?
A.An immersive route for foreigners to enjoy the alleys in Chengdu.
B.A holiday travel to hurriedly visit crowded landmarks in Shanghai.
C.A free walk including visiting museums and old towns in Qingdao.
D.A leisurely tour along Qiantang River to experience city transformation.
4. What have some governments done to promote Citywalk?
A.Facilities in the museums have been enhanced.
B.Cooperation has been strengthened among cities.
C.Opportunities have been offered to third-tier cities.
D.Specific public transportation routes have been introduced.
共计 平均难度:一般