A.A social trend. | B.A writer. | C.A shoe company. | D.A book |
A.New styles of shoes were developed. |
B.Designers started wearing the shoes. |
C.The company made efforts to advertise its shoes. |
D.Manhattan clubs promoted the shoes to the customer. |
A.They will spread much faster. | B.Advertising campaigns stopped. |
C.Only a few people will notice them. | D.Word-of-mouth marketing began to work. |
2 . Now let us look at how we read. When we read a printed text, our eyes move across a page in short, jerky movement. We recognize words usually when our eyes are still when they fixate (固定). Each time we fixate, we see a group of words, this is known as the recognition span or the visual span. The length of time for which the eyes stop — the duration of the fixation — varies considerably from person to person. It also varies within one person according to his purpose in reading and his familiarity with the text. Furthermore, it can be affected by such factors as lighting and tiredness.
Unfortunately, in the past, many reading improvement courses have concentrated too much on how our eyes move across the printed page. As a result of this misleading emphasis on the purely visual aspects of reading, numerous exercises have been devised to train the eyes to see more words at one fixation. For instance, in some exercises, words are flashed on to a screen for, say, a tenth or a twentieth of a second. One of the exercises has required students to fix their eyes on some central point, taking in the words on either side. Such word patterns are often constructed in the shape of rather steep pyramids so the reader takes in more and more words at a successive fixation. All these exercises are very clever, but it is one thing to improve a person’s ability to see words and quite another thing to improve his ability to read a text efficiently. Reading requires the ability to understand the relationship between words. Consequently, for these reasons, many experts have now begun to question the usefulness of eye training, especially since any approach which trains a person to read isolated words and phrases would seem unlikely to help him in reading a continuous text.
1. The time of recognition span can be affected by the following facts except .A.lighting and tiredness | B.one’s purpose in reading |
C.the length of a group of words | D.one’s familiarity with the text |
A.demands more mind than eyes |
B.demands a deeply-participating mind |
C.requires a reader to see words more quickly |
D.requires a reader to take in more words at each fixation |
A.The ability to see words is not needed when an efficient reading is conducted. |
B.The reading exercises mentioned can’t help to improve one’s ability of efficient reading. |
C.The reading exercises mentioned have done a great job to improve a person’s ability to see words. |
D.The reading exercises mentioned can’t help to improve both ability to see and to comprehend words. |
A.The emphasis on the purely visual aspects is misleading. |
B.Many experts begun to question the efficiency of eye training. |
C.The visual span is a word or a group of words we see each time. |
D.The eye training will help readers in reading a continuous text. |
A.She plans to read more than the required books. |
B.The books are all required for the history course. |
C.Some of the books are for courses other than history. |
D.She’s worried she may not finish the required reading. |
A. equal B. demanding C. benefits D. employ E. reach F. increase G. access H. convey I. conditions J. superior K. approached |
There is distinction between reading for information and reading for understanding. Thus we can
The first sense is the one in which we read newspapers, magazines, or anything else. We can get
The second sense is the one in which we read something that at first we do not completely understand. Here the thing to be read is at the first sight better or higher than the reader. The writer is communicating something that can
What are the
Besides gaining information and understanding, there’s another goal of reading -- entertainment. It is the least
5 . The red phone box in Britain is a perfect example of the British traditional culture. However, with the fast development of mobile phones, it has lost its place in people’s everyday life. In order to save their loved red phone boxes, people have thought up many ideas, for example, to turn them into toilets or art houses.
In a village in Somerset, a place in South West England, villagers have found a novel way to save their red phone box. They turned it into a mini library to deal with the shortage of libraries in their area. The idea was given by a local villager, Janet Fisher, who lives opposite the phone box. Villagers rallied together to set up the book box. Over 100 books and a variety of movies and music CDs are available at this tiny library. The books are of different kinds, ranging from cooking books to the classics and children’s books.
People can put the books that they have read inside the phone box, and take away the books that they’d like to read. The books are always changing. There is a regular check on the books to keep the phone box collection fresh.
Anyone is free to come to read books there. The phone box library is open every day around the clock and is lit at night. “It’s very pleasing that the red phone box has been saved. More importantly, it can continue providing a service for us,” said one of the villagers.
1. The red phone box has been a symbol of ________.A.the European architecture | B.the British culture |
C.the development of technology | D.British people’s daily life |
A.separate | B.traditional | C.ridiculous | D.new |
A.keep its original function |
B.make up for the lack of library service |
C.provide a place to exchange ideas |
D.to enlarge the collection of the local library |
A.The library is open to the public only at night. |
B.The library was set up by a local villager living opposite a phone box. |
C.People can borrow books and other audio-visual products there. |
D.Regular check is made to keep the books in good order. |
6 . What makes a certain piece of writing great? Well, it depends on whom you ask. There are, in my mind, three different readers: casual readers, lit critics, creative writers. They would say the following about Charlotte Brontë’s Jane Eyre:
Casual reader: Jane’s story is very relatable, especially to women who survived their teenage years. The story’s elements of romance, mystery, and coming-of-age make it enjoyable to read.
Literary critic: Jane Eyre pulls inspiration from the Gothic and romantic literary traditions. The atmospheric setting mirrors Jane’s inner world and serves as a character itself.
Creative writer: Jane has an appealing character and her pursuit of a fulfilling life is timeless. While Jane’s emotions are often verbose (冗长的), each word still feels necessary in most passages.
All of these responses are reasonable interpretations of the great literary work Jane Eyre. What’s the difference between these three? The casual reader is primarily interested in the story’s relatability and entertainment value; the literary critic, who knows how to read literature like a professor, looks for ways to situate this work in its broader literary context.
The creative writer must do both: the job of the casual reader and the job of the critic. He/she engages with the work on a personal level while also researching what makes a work successful. This is Reading Like a Writer (RLW), which means being impacted by a piece of literature while investigating how the writer did it. Successful works of writing succeed for different reasons-a distinctive voice, moving storytelling, an empowering message, etc. Writers don’t make the achievement randomly: they earn it by crafting every plot point and character, every line break, with care and precision. It’s up to you to pay attention to these craft elements, the choices the writer makes and how they contribute to the work as a whole.
Yes, reading like a writer is extra work. But it’s necessary work to the writing practice. By observing the strategies writers employ to tell convincing stories or write engaging arguments, you equip yourself with the knowledge to perform these strategies yourself.
1. The author cites three reader responses to Jane Eyre ________.A.to argue that the novel is poorly written |
B.to explain different reading perspectives |
C.to prove how detailed literary analysis can be |
D.to show the misinterpretation by creative writers |
A.Discussing fascinating plots and characters in a novel. |
B.Examining the literary sources a Greek classic draws on. |
C.Analyzing why a short story is popular and how it is structured. |
D.Summarizing the main events of a short story for a class assignment. |
A.Care and precision in writing | B.Recognition of works as success |
C.Investigation of writing style | D.Character analysis through words |
A.write lengthy novels like Jane Eyre | B.gain knowledge in employment |
C.become professional literary critic | D.improve their own writing craft |
A.Boring and uninteresting | B.Dull and slow-paced |
C.A real page-turner | D.Too complex to follow |
8 . We all wish we had our very own libraries at home. They’re a great way to keep what you love reading best organized in one place. Technology has taken over our lives and everything seems to be accessible
Unlike the Internet, printed books are much more
Unlike electronic devices that can have problems such as the loss of
Libraries are a great place that dates back to a time when
A.finally | B.digitally | C.carefully | D.equally |
A.harmful | B.unnecessary | C.impossible | D.convenient |
A.reliable | B.expensive | C.natural | D.important |
A.printed | B.checked | C.kept | D.decorated |
A.data | B.story | C.picture | D.cover |
A.spread | B.published | C.read | D.stored |
A.colorful | B.physical | C.unreal | D.imaginary |
A.applies | B.reminds | C.lacks | D.ensures |
A.Above all | B.In addition | C.In a word | D.On the contrary |
A.helpful | B.recommended | C.attractive | D.printed |
A.electronic | B.expensive | C.harmful | D.valuable |
A.sell | B.read | C.design | D.recall |
A.knowledge | B.technology | C.information | D.printing |
A.function | B.appearance | C.location | D.building |
A.getting rid of | B.turning down | C.accounting for | D.getting involved in |
Should Writers Be Paid for Their E-books Lent by Libraries?
When libraries lend books to the public, authors and publishers receive remuneration from the Government under the Lending Rights schemes.
This year, the government has distributed almost a $ 22 million under these Public Lending Rights and Educational Lending Rights Schemes. For each book in public library collections creators receive $2.11 and publishers receive $0.52.
The amount that each claimant receives is often not very significant, with the majority of authors receiving between S100-500 annually, Still, a previous study has revealed that this remuneration constitutes the second most important source of income for creators from their creative work.
E-books, however, are not covered by these Lending Rights schemes.
One of the main reasons why e-books are not covered is that e-book lending is quite different from print book lending. In case of print books, authors and publishers are arguably losing on customers and revenues when libraries loan their books for free.Creators only receive $2.11 and publishers receive $0.52 for each book in public library collections.
At present, in the case of e-books, many publishers chose not to sell these books to libraries.
While publishers charge libraries high prices for e-books, writers complain that these amounts do not reach them. Publishing contracts often don't specify whether and how much authors receive for e-books sales or for e-lending.
A.However,this is not the case when libraries lend e-books. |
B.This may not be a big issue now, for e-books are minor in publishing. |
C.Also, publishers assume get more profits from libraries where readers pay them more. |
D.Publishing contracts often don't specify whether and how much authors receive for e-books sales or for e-lending. |
E.Extension alone would do little if the current funds under the schemes were merely re-distributed from books to e-books. |
F.For this reason, authors and publishers have been talking the Government into extending the Lending Rights Schemes to e-books. |
10 .
No, it’s not their shoe size.
They read. At least two books a month. They’re also among the top 10 richest people in the world. And they’re not alone in their love for books, with 1, 200 other millionaires, who quote reading as a core part of their self-education.
You knew that reading books makes your life better. It’s not even all about money, fame and success. It’s about becoming a more knowledgeable and valuable person. Additionally, reading helps you prevent stress and keep depression at bay, while enhancing your confidence, improving your decision-making, increasing your empathy and overall satisfaction with life.
You know all the benefits of reading, so what’s stopping you from reading more books?
Time!
“I don’t have time to read.”
Have you said those words before?
You say it because...
you have an incredibly demanding college degree to study for…
your loved ones are sitting at home, counting on you to put food on the table…
you are too occupied with work to open a book…
But let’s imagine another reality for a second. What would your life look like if you read just two books every month?
Would you finally…
have what it takes to start that business?
be a better parent?
feel more fulfilled?
Hold on to that vision for a second. If you want to make it a reality, this email course, Time 2 Read, will be your guide for the next 10 days. It’s free of charge and specifically designed to help you take time back, start building a daily reading habit and turn wanting to read into actual reading.
Enter your email below to make time to read, start learning daily and become more valuable to the world.
You’ll be sent 7 lessons via email over the next 10 days, starting right after you sign up here. Each email contains a story, a principle, and an experiment. Get started, and your reading life will never be the same!
1. Where does this passage probably come from?A.A leaflet publicizing a reading activity. |
B.A website promoting a reading course. |
C.A TV program advertising reading skills. |
D.A handbook providing reading materials. |
A.To express his admiration for them. |
B.To indicate the importance of reading. |
C.To highlight their time management skills. |
D.To illustrate the success of the course. |
A.Those who are willing to read more but struggle with time. |
B.Those who are sick of making excuses to delay their life plans. |
C.Those who are eager to become a millionaire like the four guys. |
D.Those who are determined to be more and more self-disciplined. |