1 . Is there a friend of yours who always sings out of tune (曲调) but never realizes it? Don’t be so hard on them — they may have amusia — the inability to tell the difference in tunes.

Apart from singing out of tune, people with amusia may also find it hard to recognize music they’ve heard before without the help of song lyrics. Besides, people who suffer from Amusia can have difficulty in recognizing melodies and a total inability to tell between different musical sounds, according to Live Science. However, people with amusia can recognize common environmental sounds as well as the high and lows sounds in human voices, meaning that this inability can be specially related to music.

In many cases, people who have amusia are born with it, as 46 percent of these individuals’ family members were found to have similar conditions, according to a 2017 study. Brain imaging shows that their brains receive and respond to music pitch (音高) information, but it is not reaching conscious awareness, meaning that the mind can’t understand the information.

Scientists at the University of Otago in New Zealand also think that amusia is related to people’s special processing skills. They invited people with amusia, musicians and students from non-musical backgrounds to perform a task related to spacial imagination. They were asked to decide whether pairs of images are the same object moving around or mirror images.

The result showed that the amusia group made more mistakes than the other two groups. Amusia might be related to the way brain stores information about the high and low sounds in songs, according to the study.

Although those who aren’t confident about their singing skills often say they’re “tune-deaf”, people with amusia only make up about 1.5 percent of the population, as shown in the 2017 study. “Like dyslexics (诵读困难者) can learn how to read, those with amusia should be able to better their ability to recognize tunes if they start early enough,” Isabelle Peretz, a professor of psychology from the University of Montreal in Canada, told Live Science.

2 . We are often told that there’s no _________ limit when it comes to pursuing our goals, but it’s truly _________ to see someone achieve them later in life-especially if they are 95 years old.

Angela Alvarez is a Cuban-born singer and songwriter who finally _________ her first album in 2021. Now, she has just won the Latin Grammy for Best New Artist.

Growing up surrounded by music, Alvarez once told her father she wanted to become a (an) _________ singer. However, life wasn’t easy for their family then and she had to _________ her dream of pursuing a career in entertainment for decades, but music was always there to keep her company and bring her _________.

With time, her kids had kids, and one of her grandchildren, Carlos Jose Alvarez, _________ found out that his grandma had _________ over 50 songs throughout her life, he knew that something had to be done. He asked her if she would be interested in going to a studio and _________ her songs. “And her answer was ‘Carlos, my dream is to __________ this life knowing that somehow my music would emerge and last.’ And that was the __________,” Carlos said in an interview.

Alvarez’s story __________ caught the attention of actor Andy Garcia, who decided to become the producer and narrator of Miss Angela, a documentary about this amazing woman. “Her story just blew me away. She __________ a generation, perhaps our generation of Cubans,” said the actor.

The dream reached new __________ as she became nominated (被提名) for a Latin Grammy. When she took to the stage to accept her award, she gave an inspiring speech, “To those who have not achieved their dream, I promise, with __________ and love you can achieve it, it’s never too late.”

3 . When Belquer first joined a team to make a better live music experience for deaf and hard-of-hearing people, he was struck by how they had developed workarounds to enjoy concerts. “What they were doing at the time was holding balloons to feel the vibrations (震动) through their fingers,” Belquer said. He thought the team could make something to help hard-of- hearing people enjoy live music even more with the technology now available.

Belquer, who is also a musician and theater artist, is now the “Chief Vibrational Officer” of Music: Not Impossible, which uses new technology to address social issues like poverty and disability access. His team started by tying vibrating different cell phone motors to bodies, but that didn’t quite work. The vibrations were all the same. Eventually, they worked with engineers to develop a light haptic (触觉的) suit with a total of 24 vibrating plates. There are 20 of them tied to a vest that fits tightly around the body like a hiking backpack, plus one that ties to each wrist and ankle. When you wear the suit, it’s surprising how it feels.

The vibrations are mixed by a haptic DJ who controls the location, frequency and intensity of feeling across the suits, just as a music DJ mixes sounds in an artful way. “What we’re doing is selecting and mixing what we want and send it to different parts of the body,” said the DJ. The haptic suits were just one component of the event. There were American Sign Language interpreters; the music was captioned on a screen on the stage.

The suits are the star attraction. Lily Lipman, who has auditory processing disorder, lit up when asked about her experience. “It’s cool, because I’m never quite sure if I’m hearing what other people are hearing, so it’s amazing to get the music in my body.”

4 . It was a warm evening in August in 1995. Robert Blocker was driving to Yale University after being appointed as the university’s Dean (院长) of Music. He didn’t expect to see many people, but a couple of students met him and showed him around.

“When I looked at the history of the university and how people are devoted to the school’s art programs, I was honored by the chance to work there. I could not wait for the next day to start my job. And that excitement never changed because every day was different. My job as dean was not scheduled. I walked around the campus and students talked to me. I went to rehearsals (排演) by the students and teachers and got inspired by them,” he adds.

After nearly three decades as the Dean of Music at Yale, the 77-year-old retired from the position on Aug 31. Also an expert pianist, he remains a professor of piano at the music school, as well as professor of leadership strategies at Yale School of Management. Among his countless contributions as dean, Blocker developed long-term relationships with fellow musicians in China. He once toured cities, including Shenzhen, Shanghai and Hangzhou, giving lectures to the youngsters.

“China is a very special place for me. I am very happy to be back after the pandemic (疫情) to meet my friends and colleagues,” Blocker says, adding that he is particularly excited about being with young students.

Yang Suxian, director of the Shenzhen Piano Music Festival, says, “He has been very supportive and has participated in the Shenzhen Piano Music Festival for years, even during the pandemic.”

Blocker’s vision of a more hopeful world is reflected in his belief that music bridges the understanding between people.

“Music brings hope. People may speak different languages and have different ideas but music speaks to each other’s heart, and that’s why we keep this work going on and why the work never ends,” he says, “Our job is to let music heal the world by allowing us to understand and find a common place in our hearts.”

You might have heard of Cantonese opera, but have you heard of Nanyin — Fujian’s traditional opera? Traditional Nanyin is performed by five people,     1    (comprise) of one singer and four instrumentalists. The musicians play the dongxiao, nanpa, erxian, and sanxian. In 2009, Nanyin     2    (add) to UNESCO’s Intangible Cultural Heritage List.

    3    (wander) the streets of Quanzhou, a historical port city, one will often hear slow, soft and pleasant melodies (曲调) coming from a newsstand on a street corner, a grocery store in a marketplace     4    a residential house with its door open.

That’s the sound of Nanyin,     5     ancient music style of Minnan, or southern Fujian Province,     6     can be traced back to the Tang Dynasty. One of the country’s oldest music     7    (style), Nanyin (literally meaning “music of the south”) came into being and developed as the culture of central China spread to Quanzhou and integrated with local arts.     8     its melody was often associated with royal court music, it gradually changed to become part of local folk life, and was passed down from generation to generation. Nanyin became “the sounds of hometown and motherland” in the minds of many overseas Chinese who left Quanzhou.

It’s common for its fans     9    (collect) Nanyin albums, organize regional associations of Nanyin enthusiasts, hold salons (沙龙) and set up musical theaters. In Quanzhou alone, there are about 500 music associations devoted to Nanyin’s soft sounds, and more than a dozen festivals and competitions are held     10    (annual) both at home and abroad.