1 . Consisting of 39 episodes, the drama Knockout (狂飙) was directed by Xu Jizhou in 2021. It stars actors Zhang Songwen and Zhang Yi, who respectively play a fishmonger-turned-gang boss and a devoted police officer, recounting how they turn from friends to enemies over a period of two decades. Not only does it become a hit in China,     1    .

Set against the background of two decades of major social development in China and progress in it law-enforcement methods and capabilities, the story earned 8.6 points out of 10 on Douban and has won the market largely,     2    . Zhang Songwen’s character Gao appears as a humble fishmonger who relies on his small business to take care of two younger siblings.     3    . Luckily, he occasionally receives protective assistance from police officers he knew before. After tasting the benefits brought by guanxi, or “a special relationship” Gao is seduced (引诱) by the criminal underworld, a dark network that he once hated and fought against. In contrast, the police officer An Xin (played by Zhang Yi) is a lonely hero and idealist.     4    .

The show’s popularity index has reached 11,800—normally, 8000 marks a hit—on iQiyi.     5    . Despite describing the drama as “a shrimplike delicacy”, referring to its plain beginning and end, but with an excellent middle section, many viewers suggest the show signals the rise in quality of domestic TV offerings and express their hope that more, equally appealing, homegrown series will be forthcoming.

2 . To stream or not to stream? That is a question facing both music listeners and musicians.

Taylor Swift made news recently by pulling her music off Spotify, the world’s biggest streaming music service and turned to iTunes downloading and stores for sales. Back in July, Swift swept the pop music industry by selling almost 1.3 million copies of her album, 1989 in its first week. In an article Swift wrote, “The music industry is not dying... it’s just coming alive.”

Her cheerful attitude surely comes from her own unique position. So far this year, Swift has made $64 million, according to Forbes. She’ll make plenty more by bringing in about 70 cents for each dollar paid to download her music. It is much more than the royalty (版税) rate paid out by Spotify of between $0.006 and $0.0084 per song stream.

According to the Recording Industry Association of America (RIAA), money from streaming on YouTube, Pandora and Spotify has helped bring in more money. But the small amount Spotify pays to musicians still caused many of them to withhold some or all of their music from the service, like artists from Beyoncé to The Beatles.

Yet for bands struggling to get by, struggling even to be heard, keeping their music off streaming services is not so easy. Such bands need to get their music out any way they can, and if they’re going to make money, they need to make their music easily accessible to listeners.

To stream or not to stream is a difficult choice for fans, too. The streaming model puts ownership (所有权) of the music in the hands of the music industry. Rather than letting you own your collection, the music business is moving toward a model similar to on-demand cable TV. Every song written is available online whenever and wherever you’d like to hear, but the problem is that you, the user, need to pay over and over again each time you stream it.

3 . Do you find yourself waiting for the next MrBeast video to drop so you can see his latest challenge? Or perhaps the newest experiment from Mark Rober? Maybe you’re wild about Harry Styles or Timothee Chalamet. You follow them on social media, connect with other fans online and maybe even message them now and again. Even though these people are celebrities, you feel like you know them.

Most of us form relationships of some sort with celebrities and fictional characters. We imagine having a conversation with that person or asking for advice. Sometimes we develop a more romantic crush. Embarrassing as it may sometimes feel, this is perfectly normal. Scientists call these faux friendships “parasocial relationships”. Social relationships involve two or more people. Parasocial ones, on the other hand, are completely one-sided.

Decades ago, parasocial relationships happened between TV viewers and the people on screen. This was especially true for talk-show hosts and newscasters who spoke directly to the camera. People watching felt as though these TV personalities were talking directly to them. Over time, they felt a close connection with them. It wasn’t just people on TV. Beatles fans went wild for the band, just as Harry Styles fans do today.

More recently, parasocial relationships have shifted to other types of screens. Many people, from children to adults, have some form of screen that they use for entertainment. Even young children form parasocial relationships with on-screen personalities. Big Bird and Elmo from Sesame Street can seem like friends. So can animated characters or superheroes.

“We root for them,” says Kristin Drogos. “We want them to do well.” Drogos is a communication researcher at the University of Michigan in Ann Arbor. It’s that positive feelings toward these on-screen personalities that cause us to form a parasocial bond with them. And that connection can be powerful.

4 . Adapted from Liang Xiaosheng’s award-winning novel, the realistic drama A Li felong Journey recently has been a huge hit on TV and online.     1    

Given that A Lifelong Journey is set in the 1960s, it’s not surprising that the family has to deal with lots of social changes and uncertainties, like the restoration of Gaokao, the country’s reform and opening-up, the passion for private business and so on.     2     To create the neighborhood, the shooting crew built a set covering 8, 000 square meters in Changchun, Jilin province, collecting many old items, such as old-fashioned televisions and calendars, to re-create the past. The clothing, like Lei Feng-style hats, and interior spaces, also play an essential part, changing with time as the plot develops.

The five virtues in Confucianism—benevolence (仁), righteousness (义), courtesy(礼), wisdom and trust can be found in the lead character Zhou Bingkun, the youngest son in the family.     3     In the show, Zhou Bingkun used to be a factory worker, the one who has taken care of the big family and friends selflessly.

Following the lives of Zhou’s family, the drama gives viewers an insight into the lives of ordinary Chinese.     4     It is the kind of show that strikes your heartstrings and leaves you in tears even if you’ve already read the book.     5    

5 . When A33, a theater in Beijing, hosted a new stand-up comedy show（脱口秀), to the surprise of the organizers, nearly 250 people turned up and laughed together. Six years ago, that would have been unbelievable. Indeed, there were even cases of shows having more performers than viewers.

Wan Da, one of the performers, said, “Many people are worried about the future of stand-up comedy, a genre (类型) that is very popular in the U.S. after its introduction in China. Can it adapt itself here? But as the results show, there is no need to worry. We have survived and carried on some of the best American traditions.”

Programs such as Rock& Roast, a comedy talk show competition, which are thought to help people reduce their pressure, drive audiences to offline performances for a real laugh. “Generally, our audiences are in the 20-35 age group, but recently some older people are reported to go to the theatre,” said Song Qiyu, a performer and founder of Beijing Comedy Center.

Compared to traditional Chinese comedy performances, the stand-up comedy has a lower bar as it doesn't require years of professional training. This allows everyone to take part. Work experience and personal observations of life are the sources of their inspiration. Different lives and jobs make the performances varied, giving them unique individual colors.

Joe Wong, a humorist from Jilin province, whose performance in Washington, D.C. in 2010 attracted much attention across China's social media, is happy to see the development of the industry in China. However, he has a warning, too: There is huge space for the genre in China, but we should be careful of growing too fast as the market still needs good works.

In China, many fresh college graduates join. Through their efforts, the industry will improve its standards and popularity as well as influence.

7 . Have you ever heard of the group Westlife? Maybe you have, but I’m sure many of you don’t know very much about it.

Westlife is an Irish boy band group, which was made up of 6 boys in the beginning and called IOU. The group quickly became popular with young people thanks to their song Swear It Again, which was at the top of the UK charts (排行榜) in April 1999.

Chinese fans got their first chance to see Westlife on March 6th, 2006 in Beijing. Although the four-member group has been singing pop for seven years, the young boys have all grown up and their songs are still very popular. When they performed in Beijing, Westlife released (发行) their new album Face to Face in China. Face to Face has been at the top of the British charts for a long time. The album’s most popular song You Raise Me Up mixes traditional Irish music with pop music.

Although hip-hop is quite popular among the young, Westlife has no plans to change. They said, “Hip-hop is for the young, but pop can be enjoyed by moms who are busy cooking meals and raising the kids.

8 . China’s TikTok, which has taken the world by storm, is working its magic in its home nation, too.

The Chinese version of TikTok, called Douyin, has amassed (累积) 400 million daily active users, parent company Byte Dance (字节跳动) revealed in its annual report this week. This is an impressive growth for the addictive video app, which had 250 million daily active users in January last year.

The report, which describes users’ behavior and trends, shows the cultural difference between China and the US, said Katherine Wu, an investor at New York-based firm Notation Capital.

Things that trend in these two countries are completely different. For example, knowledge-based content is extremely popular in China, but less so in the U.S. Also, those creators that did the most dance videos in China are users born in the 60s, while in the US, it seems that it’s mostly teenagers who are creating the dances.

Byte Dance claimed that Douyin has established itself as the largest knowledge, culture and art platform in China. 14.89 million “knowledge-based content videos” were shared on the app last year, it claimed. For example, one of the world’s most valued startups claimed that the number of users who posts videos about chemistry reached 130 million people last year. “On the art and culture front, videos related to those topics had 543.1 billion plays on Douyin last year.” it claimed.

Education has become a main use case for Byte Dance. TikTok, which is estimated to have earned more than $50 million last year, already counts educational content as one of the most consumed categories on its app across the world. The app launched an educational campaign in India last year, where it has amassed more than 200 million users.