1 . Early in the Iliad, Homer's epic poem(史诗)about the legendary, Trojan War, there occurs a famous anecdote known as the catalogue of ships, which names all the Greek leaders and contingents(小分队) who came to fight at Troy. Before unfolding this impressive muster roll (花名册),Homer makes a special, public appeal to the Muses to ensure he gets the facts right:
Tell me now, Muses, who have your homes on Olympus-- for you are goddesses, and ever-present, and know all things, and we hear only rumour: nor do we know anything
These lines reflect a central claim of epic poetry—that through the inspiration of the Muses, daughters of Memory, it can preserve the knowledge of people and the events of the past —a formidable power in the non-literate, oral cultures in which the Iliad evolved. The Iliad was composed around 750-700 BC, but its origins lie at least some five centuries earlier, deep in the Mycenaean Bronze Age---the world the Iliad poetically evokes.
The Iliad is keenly aware of its role as the keeper of memory, and credibility is central to its storytelling. The epic is a work of fiction, and relates the events of a few weeks in the tenth and final year of the Trojan War fought between Greeks and Trojans over beautiful Helen, the Greek queen who deserted her husband to elope with a Trojan prince. Its cast of characters includes not only warriors and their captives and families, but the immortal Olympian gods, who perform many supernatural acts in the course of their eager participation in the action around Troy.
The Iliad has the reputation for being an exclusively(专门地) male epic, weak on female characters, but to choose only one example—Homer's delicate characterization of Helen as a woman driven by reluctant remorseful(悔恨的) passion is as hauntingly(萦绕心头地)credible as any Anna Karenina.
Longinus, a scholar in the 1st Century AD wrote that in recording as he does the wounding of the gods, their quarrels, vengeance, tears, imprisonment and all their passions Homer has done his best to make the men in the Iliad gods and gods men. The scene between Achilles and Priam displays this inversion and crystallises what the Iliad poets had learned in the course of the epic’s Journey. That the gods we worship might not answer, and on occasion humanity must rise to fill their place. That glory is closely associated with painful loss. That the victor shares the humanity of the most vulnerable of the vanquished(战败者); that there is no such thing as pure victory in war.
1. The Iliad about the legendary Trojan War, might date back to _______.A.the third century BC | B.the seventh century BC |
C.the eighth century BC | D.the thirteenth century BC |
A.being reliable is essential to the storytelling of the Iliad |
B.Trojan War between Greeks and Trojans lasted over a decade |
C.Trojan War ended owning to the Olympian gods’ absence |
D.beautiful Helen is a woman worth respecting in the Iliad |
A.Because it focuses only on men and war. |
B.Because too few females were well depicted. |
C.Because its cast of characters includes only males. |
D.Because Helen was described as a passionate woman. |
A.Pure victory in war does not exist at all. |
B.Glory is naturally accompanied with saddening loss. |
C.The victor gains everything without any emotional loss. |
D.Both the victor and the vanquished share the same humanity. |