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题型:阅读理解-阅读单选 难度:0.65 引用次数:96 题号:12266146

Listening to new music is hard. Not hard compared to going to space or war, but hard compared to listening to music we already know.

There is a physiological explanation in our desire to seek comfort in the familiar. It can help us understand why listening to new music is so hard, and why it can make us feel uneasy, angry, or even riotous. It has to do with the plasticity of our brains.

When it comes to hearing music, a network of nerves in the auditory cortex called the corticofugal network helps classify the different patterns of music. When a specific sound maps onto a pattern, our brains release an amount of dopamine, the main chemical source of some of our most intense emotions. This is the essential reason why music triggers such powerful emotional reactions.

Take the chorus of a song by Adele or Bruce Springsteen, many of which have very recognizable melody. The majority of our brains have memorized these melodies and know exactly what to expect when each comes around. When the corticofugal network registers that Springsteen chorus, our brains release just the right amount of dopamine.

But when we hear something that hasn't already been mapped onto the brain, the corticofugal network goes a bit out of control, and our brains release too much dopamine as a response. When there is no map or pattern to attach to, music can register as unpleasant or bad.

That’s what happened one night in Paris in 1913. The piece that was shown at the Théatre des Champs- élysées for the first time that night was Igor Stravinsky’s The Rite of Spring. As described in the daily newspaper Le Figaro, many members of the audience could not understand this new music. After the failure of that evening, however, the ballet continued running at the theater for many months. At the second, there was noise only during the latter part of the ballet; at the third, “thunderous applause” and little protest. At a concert performance of Rite one year later, “excitement and adoration” swept over the crowd, and admirers surrounded Stravinsky in the street afterward, in a riot of delight.

We are built to avoid the uncertainty of newness and our brains actually fight against the unfamiliarity of life. The act of listening to new music is hard, but it's necessary. Our brains change as they recognize new patterns in the world, which is what makes brains useful.

1. According to the passage, why is it hard to listen to new music?
A.Because our brains tell us it’s unpleasant.
B.Because new music tend to be unappealing.
C.Because new music can trigger emotional reactions.
D.Because our brains release dopamine when listening to new music.
2. Why do people like the chorus of Adele’s song?
A.Because it is familiar to us.B.Because it is easy to memorize.
C.Because it has a specific sound map.D.Because it affects the network of nerves.
3. What’s the purpose of paragraph 6?
A.To show that people are changeable.B.To introduce an event happening in 1913.
C.To appeal to people to listen to new music.D.To prove that people tend to dislike new music.
4. What may be talked about next?
A.Ways of listening to new music.
B.Other activities that benefit our brains.
C.Benefits we can get from listening to new music.
D.Reasons why we are built to avoid the uncertainty.

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【推荐1】Adele’s new album, “30”, is finally available. Last month, hundreds of millions of us streamed its first single, “Easy On Me.” This song arouses feelings not easily put into words, but we can probably agree it is a sad song.     1     Yet sad music does pull us in and lift us up.

Let’s start with a biological theory. When we experience real-life loss, or empathize (体会) with another’s pain, certain hormones are released within us.     2     They do so by making us feel calmed and supported. Feeling Adele’s pain, or recalling our own, may cause such chemical changes within us.

Psychologically, a key reason we enjoy sad songs is that they profoundly move us. Feeling moved can come from us suddenly feeling closer to other people. Indeed, when we have listened to “30”, we may turn to reaction videos to see how others feel.     3    And it boosts our feeling of being moved and triggers feelings of comfort and belonging.

    4     Adele’s songs allow us to view the pleasure in terms of the meaning she helps us make. Adele takes hard life experiences and makes sense of them. This is what much sad art does. It takes the pain and suffering of the world and gives it meaning. As philosopher Friedrich Nietzsche once put it, someone who has a why to live can bear almost any how.

Ultimately, we listen to Adele’s songs when we want to recall, reflect, or belong. They let us feel her sadness, share our suffering, and connect with others. To all of us, Adele’s songs say:     5    

A.You are not alone in your pain.
B.Music speaks louder than words.
C.These help us to tackle loss and pain.
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E.Few people are aware sad music makes us feel good.
F.This lets us share an emotional experience with others.
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【推荐2】To American ears, hearing the words “Black Grace” used together makes them feel a kind of quiet strength in times of hardship or perhaps a positive cultural stereotype (刻板印象). To choreographer Neil Ieremia, the words represent the joining of two ideas born from personal and cultural conflict.

In New Zealand, where Ieremia grew up in what he describes as “a fairly tough town” northeast of Wellington, black was used to describe brave, daring behavior. In Ieremia’s youth, brave people were called “black”, linking them to the neighborhood’ s heroes, New Zealand’ s great All Blacks, the national rugby (橄榄球) team.

Ieremia was born in New Zealand to Samoan immigrants who arrived in the country during the 1960s. Illnesses kept him from actively participating in the country’s widespread sports culture. This was difficult for a Pacific Island boy living in a neighborhood where boys were expected to be sporty and tough. In this world, he developed a passion for music.

At the age of 19, Ieremia decided to attend dance school. At his first ballet class, the instructor told him he lacked grace. Ieremia wasn’t discouraged. When he started his own dance company in 1995, he looked to his own experiences for a name that would also reflect his ambitions for dance grace and storytelling. Thus Black Grace was born. Since then, he has changed the face of modern dance in New Zealand and turned Black Grace into one of the most recognizable and successful cultural brands.

In the early years of Black Grace, Ieremia struggled with the conflict between Samoan and New Zealand cultures. Questions of how and where one belongs were at the forefront of his work. Ieremia draws inspiration from his Samoan and New Zealand roots to create innovative dance works that reach across social, cultural and generational barriers. The work itself is highly physical, rich in the storytelling traditions of the South Pacific, and expressed with unique beauty and power.

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The music chosen as walking music will usually be music that he or she finds especially motivating. This may not be as fast paced as music chosen for running.    2    . How it is chosen will depend a great deal upon the musical preferences of a person.

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