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题型:阅读理解-阅读单选 难度:0.65 引用次数:36 题号:12353102

Artists always treat businessmen people as money-obsessed bores. Or worse, many business people, for their part, assume that artists are a bunch of pretentious wasters. Bosses may stick a few modernist paintings on their boardroom walls. But they seldom take the arts seriously as a source of inspiration.

The prejudice starts at business school, where “hard” things such as numbers and case studies rule. It is reinforced by everyday experience. Bosses constantly remind their underlings that if you can’t count it, it doesn’t count. Few read deeply about art. Sun Tzu's The Art of War does not count while some tasteless business books are pleasing to them: consider Wess Roberts' Leadership Secrets of Attila the Hun.

But lately there are welcome signs of a thaw (缓和) on the business side of the great cultural divide. Business presses are publishing a series of books such as The Fine Art of Success by Jamie Anderson. Business schools such as the Rotman School of Management at the University of Toronto are trying to learn from the arts.

Mr. Anderson points out that many artists have also been superb entrepreneurs. Damien Hirst was even more enterprising. He upturned the art world by selling his work directly through Sotheby’s, an auction (拍卖) house. Whatever they think of his work, businessmen people cannot help admiring a man who parted art-lovers from £ 75.5 million on the day that Lehman Brothers collapsed.

Studying the arts can help businessmen people communicate more effectively. Most bosses spend a huge amount of time “messaging” and “reaching out”, yet few are much good at it.

Studying the arts can also help companies learn how to manage bright people. Rob Goffee of the London Business School points out that today’s most productive companies are dominated by what they call “clevers”, who are the devil to manage. They hate being told what to do by managers, whom they regard as dullards. They refuse to submit to performance reviews. In short, they are prima donnas. The arts world has centuries of experience in managing such difficult people. Directors persuade actresses to cooperate with actors they hate. Their tips might be worth hearing.

1. What kind of person is Damien Hirst actually?
A.An artist whose works changed the art world.
B.A businessman who just cares about money.
C.An artist who is good at doing business.
D.A businessman who had prejudice toward the arts.
2. The underlined words “prima donnas” probably refer to those who are _______.
A.quite stupidB.rather proudC.really brightD.very efficient
3. What does the author mainly discuss in the text?
A.Good management takes skill and patience.
B.Artists should show respect for businessmen.
C.Painting is a special form of communication.
D.Businessmen have much to learn from artists.
20-21高三上·浙江杭州·期中 查看更多[9]

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【推荐1】Electronic heroes

As an internet influencer, there seems to be nothing special about Miquela Sousa. The 19-year-old lives in Los Angeles, US, posts pictures of herself sporting fashionable looks, and has just made her way into the March edition of Vogue magazine. But Miquela isn't real – she is a computer-generated character.

Her fans don't seem to mind – she has 855,000 followers on US social networking platform Instagram. And her first single Not Mine – yes, she ''sings'' too – also reached No. 8 on music streaming (流媒体) platform Spotify last August.

It's kind of curious that in a time when authenticity (真实性) and ''being real'' are valued more than ever, ''fake'' celebrities like Miquela are appreciated and seen as icons (偶像).

Perhaps the reason for Miquela's popularity lies behind the fame of a similar star, Hatsune Miku. This 16-year-old animated singer from Japan has held singing concerts not only in her home country but also in the US and China.

Even though Hatsune's no more than a 3-D figure projected (投射) onto the stage, her fans are more than willing to pay to actually see her ''in person'', because to them, she's better than human singers. ''She's rather more like a goddess: She has human parts, but she transcends (超越) human limitations. She's the great post-human pop star, '' wrote reporter James Verini on Wired magazine.

Critics may say that 3-D stars could never replace the authenticity of humans, but when it comes to being authentic, are humans really the best example of how to do it? Most of us edit our photos before posting them online, and we tend to create a fantasy that we're living a perfect life by letting people only see the brighter side of it.

''Miquela is no less real to me than any other internet stranger with whom I've interacted (互动), '' wrote reporter Leora Yashari on the website Nylon. “Her existence in itself represents a new breed (种类) of influencer – someone who is breaking the boundaries (界限) of what is real and what is fake. ''

1. Who is Miquela Sousa?
A.She's a life-like character with musical talents.
B.She's a new sports star with fashionable looks.
C.She's an experienced singer with thousands of fans.
D.She's an animated figure created by a Japanese company.
2. Why did the author mention Hatsune Miku?
A.To show the similarities 3-D stars share.
B.To make a comparison with Miquela Sousa.
C.To explain why 3-D stars are well received.
D.To stress how 3-D stars go beyond human limitations.
3. What can be concluded from the last two paragraphs?
A.3-D stars could match the authenticity of humans one day.
B.Animated celebrities are not as real as human celebrities.
C.Human celebrities have greater influence than animated ones.
D.3-D stars' public personalities may be just as authentic as humans'.
2020-03-24更新 | 58次组卷
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【推荐2】Fat-shaming comments and weight-loss advice from classmates and relatives have been a constant in my life for years. One vivid memory is from ninth grade when a friend embarrassed my sister in the cinema by calling her “fat”. In university, this pattern continued with my uncle’s frequent questioning about my diet and progress in losing weight.

As a former therapist, I guided clients on body image and coping with hurtful comments, advising them to set boundaries with well-meaning but critical relatives. As for myself, I've always had to avoid questions about my body, while recognizing the natural curiosity that arises when we notice our friends’ bodies experiencing noticeable changes. It's human nature to compare ourselves to our peers.

With more weight-related ads all over bus shelters, TV and your social media feed, it's hard not to feel the impact. But is commenting on others' weight loss ever appropriate?

However well-intentioned, remarks about weight loss can be quite hurtful, says clinical psychologist Elizabeth Fedrick. Even if curiosity gets the better of you, it’s not necessary or acceptable to mention a friend’s weight gain or loss.

“We often think we’re being supportive, but in reality, saying ‘You lost weight — you look great’ actually implies that they didn’t before, or that they need to be a certain weight to look great,” says Fedrick. Such remarks can be uncomfortable and fatphobic.

Fatphobia extends beyond harmful comments; it’s also present in subtle clothing suggestions and judgments over dessert. This prejudice links our sense of self-worth closely to thinness, falsely associating it with health. To address this issue, we must value all bodies, reject food-shaming, and promote body positivity by accepting ourselves at any weight or size.

“Praise for appearance changes isn’t always welcome,” says Fedrick, “Instead, showing understanding and asking open questions”. She cautions against assuming weight loss equals good health, as it can sometimes indicate health issues or disordered eating. Fedrick says focusing on a person’s character or appearance isn’t effective support; rather, caring about their well-being as a whole person is key.

1. Why does the writer mention his uncle in Paragraph 1?
A.To introduce his uncle to readers.
B.To share his vivid memory about his uncle.
C.To show his relatives’ concern for his weight.
D.To make a comparison between classmates and relatives.
2. Which of the following is an example of Fatphobia?
A.You are pretty just to be yourself.
B.You look great in whatever clothes.
C.I think you’d better not order that cake.
D.I’m glad you’re making health a priority.
3. What does Fedrick think people should focus on according to the last paragraph?
A.A person’s diet.B.A person’s well-being.
C.A person’s characters.D.A person’s weight loss.
4. What is mainly discussed in the passage?
A.The challenges of weight loss.B.The importance of body positivity.
C.The impact of media on body image.D.The harm of weight-related comments.
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【推荐3】When John was growing up, other kids felt sorry for him. His parents always had him weeding the garden, carrying out the garbage and delivering newspapers. But when John reached adulthood, he was better off than his childhood playmates. He had more job satisfaction, a better marriage and was healthier. Most of all, he was happier. Far happier.

These are the findings of a 40-year study that followed the lives of 456 teenage boys from Boston. The study showed that those who had worked as boys enjoyed happier and more productive lives than those who had not. “Boys who worked in the home or community gained competence and came to feel they were worthwhile members of society,” said George Vaillant, the psychologist who made the discovery. “And because they felt good about themselves, others felt good about them.”

Vaillant’s study followed these males in great detail. Interviews were repeated at ages 25, 31 and 47. Under Vaillant, the researchers compared the men’s mental-health scores with their boyhood-activity scores. Points were awarded for part-time jobs, housework, effort in school, and ability to deal with problems.

The link between what the men had done as boys and how they turned out as adults was surprisingly sharp. Those who had done the most boyhood activities were twice as likely to have warm relations with a wide variety of people, five times as likely to be well paid and 16 times less likely to have been unemployed. The researchers also found that IQ and family social and economic class made no real difference in how the boys turned out.

Working at any age is important. Childhood activities help a child develop responsibility, independence, confidence and competence — the underpinnings (基础) of emotional health. They also help him understand that people must cooperate and work toward common goals. The most competent adults are those who know how to do this. Yet work isn’t everything. As Tolstoy once said, “One can live magnificently in this world if one knows how to work and how to love, to work for the person one loves and to love one’s work.”

1. What do Vaillant’s words in Paragraph 2 serve as?
A.A description of personal values and social values.
B.An analysis of how work was related to competence.
C.An example for parents’ expectations of their children.
D.An explanation of why some boys grew into happy men.
2. What does the underlined word “sharp” probably mean in Paragraph 4?
A.Quick to react.
B.Having a thin edge.
C.Clear and definite.
D.Sudden and rapid.
3. What can be inferred from the last paragraph?
A.Competent adults know more about love than work.
B.Emotional health is essential to a wonderful adult life.
C.Love brings more joy to people than work does.
D.Independence is the key to one’s success.
4. What do we know about John?
A.He enjoyed his career and marriage.
B.He had few childhood playmates.
C.He received little love from his family.
D.He was envied by others in his childhood.
2023-10-14更新 | 28次组卷
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