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题型:阅读理解-阅读单选 难度:0.65 引用次数:76 题号:22761478

At the start of my first lesson in Chinese calligraphy, my teacher told me to write my name. After I put it down, he said, plainly: “Now I will teach you how to make it beautiful.” I felt my breath catch.

Growing up in Singapore, I had an uneasy relationship with my Chinese name. My parents are ethnically Chinese but they didn’t speak Mandarin. Unfamiliar with Chinese characters, they used fortune tellers to decide my name based on the ideal number of strokes (笔画) for each character, which was calculated for the best fortune. Chinese names can be truly poetic. Not mine. Embarrassingly, the characters for my Chinese name mean, roughly, “old,” “barley” and “warm.” My personal and cultural histories were messy knots.

When I arrived in America for college at 18, I embraced critical analysis and creative expression. It felt like a way to abandon the strict formalities that defined my early years in Singapore’s high-pressure education system, and with it, perhaps, parts of my identity. Suddenly, I felt the need to present myself in a way that Americans would accept. I put on an American accent and set aside my Chinese name. Ultimately, after 14 years in the States, I decided to learn calligraphy. Why not get back in touch with my heritage? I thought.

In calligraphy, the idea is to replicate (复制) the old masters’ techniques, thereby enhancing your own. Every week, my teacher would evaluate my writing. “You need to be braver,” he once observed. “Your challenge is in producing a bold stroke.” For years, I had prided myself on developing an image of integration and confidence despite deep insecurities, but my writing betrayed me.

I had been learning calligraphy to try to get in touch with my cultural roots, but what I was really seeking was a return to myself. That first lesson came with the terrific promise that what had been shameful in myself could be made beautiful—and that I could be the one to do that work. I know now that what calligraphy teaches me is not the value of replication but the possibility that I could know myself more fully.

1. What criterion guided the selection of the author’s Chinese name?
A.Poetic sound patterns.B.Ideal symbolic images.
C.Favorable stroke counts.D.Positive literal meanings.
2. Why did the author adopt an American accent?
A.To break with tradition.B.To fit into the community.
C.To achieve academic success.D.To facilitate language learning.
3. What have we learned about the author’s experience with calligraphy?
A.It revealed her inner self.B.It improved her public image.
C.It presented no challenge to her.D.It enhanced her replication skills.
4. What has the author learned from calligraphy?
A.Fortune favors the bold.B.Embrace who you truly are.
C.Our roots define our identity.D.Planning is good, but doing is better.
【知识点】 记叙文 个人经历

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【推荐1】When she moved the covering cloth to look upon his tiny face, she was shocked. The doctor turned quickly and looked out the tall hospital window. The baby had been born without ears.

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One day, he urged his father, “Who gave so much for me? I must know! I could never do enough for him.”

“I do not believe you could, ”said the father, “but the agreement was that you are not to know. . . not yet. ”

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“Mother said she was glad she never let her hair be cut,” he whispered gently, “and nobody ever thought Mother less beautiful, did they?”

Real beauty lies not in the physical appearance, but in the heart. Real treasure lies not in what can be seen, but in what cannot be seen. Real love lies not in what is done and known, but in what is done and not known.

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【推荐2】It was a very hot day in late Summer. I was a young dad working in a local wood mill. It was dangerous, back - breaking work that paid very little. In the year I worked there, only four other people hadn't quit and been replaced with new feces (渣滓).Those of us who stayed did so only because there was no other work to find to support our families.

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