1 . In 2016, Mark Raymond learned the hard way that life can change in a split second(一瞬间). One day, Raymond went boating with his friends. He jumped off the back of the boat and hit a sandbank, leading to a severe injury to his neck. He became paralyzed(瘫痪的)and spent months in the hospital receiving treatment. When he was allowed to leave the hospital, he realized that the hard part was just beginning. He still needed to exercise to recover his strength after finishing the outpatient(门诊病人)treatment.

However, when Raymond returned home, he realized there was a serious lack of accessible gyms or facilities that could help people with different abilities work out and improve their health in his community. The lack of them caused Raymond to take action. In 2018, he established the Split Second Foundation, a non-profit organization that provides treatment that takes up from where outpatient treatment left off.

“The Split Second Foundation has equipment for people who have different disabling conditions,” Raymond explained.“Our specially trained staff will evaluate(评估)disabled customers’ physical needs and limitations and then provide recovery, education, and ongoing fitness classes suitable for them. We’re able to push them in a recovery driven fitness environment to be their best selves.”

Raymond’s goal is to open more accessible gyms, not just in New Orleans where he lives. He hopes the Split Second Foundation can help even more people get their lives back after disastrous accidents. “People with disabilities should also be thought of as productive members of society,” said Raymond. “Anybody’s life can change in an instant due to some kind of injury or disabling condition, and we are providing what’s next.”

When Raymond couldn’t find the services he needed, he made some for himself and others. This is the sort of cleverness we love to see in the world.

1. What does the underlined part “the hard part” in Paragraph 1 refer to?

A．The mental problem.	B．The process of recovery.
C．The high pressure of work.	D．The treatment in the hospital.

2. What inspired Mark Raymond to set up the Split Second Foundation?

A．His love for a variety of sports.

B．His dream of becoming a businessman.

C．A boating accident that happened to his friend.

D．A lack of accessible exercise resources in his community.

3. What can we know about the Split Second Foundation?

A．It provides treatment by cooperating with hospitals.

B．It focuses on holding basic classes for poor children.

C．It offers fitness and recovery services to the disabled.

D．It creates plenty of job opportunities for disabled people.

4. Which of the following is the best title for the text?

A．Mark Raymond’s Journey from Paralysis to Recovery

B．Mark Raymond: Help the Disabled Rebuild Their Lives

C．The Importance of Accessible Gyms for Disabled People

D．Split Second Foundation: Offer Patients Postoperative Treatment

3 . Why do we talk the way we do? It might date back to when our ancestors left the jungle for the open plain. Between 5.3 million and 16 million years ago, Africa’s landscapes changed from thick, leafy forests to wide-open grasslands. This environmental change pushed our ancestors out of the trees and onto the ground. Along with all of the physical and behavioral changes this may have caused, researchers also believe it may have changed the way we speak.

“Open landscapes provide us with fewer objects to affect signal communication, meaning our voices can travel further compared with that in thick forests,” Charlotte Gannon, a researcher who studies language development, told Newsweek. “The move to these open spaces may have increased the effectiveness of our communication.”

By comparing the vocal calls of the orangutan (大猩猩) , Gannon and her team were able to establish how different calls could travel across different landscapes. In their study, the team played 487 calls from orangutans and measured their audibility (可听度) at set length over an overall distance of over 1,300 feet in the South African plain.

“Our results were surprising,” Gannon said, “The rule of sound spread suggests that lower-frequency (低频率) sounds (the grumphs) would have traveled further than higher-frequency sounds (the kiss squeaks). Our results actually found the opposite to this.” In these environmental settings, consonant (辅音)-like calls traveled a lot further than vowel (元音) -like calls. Actually, around 80 percent of consonant-based calls were audible at 1,300 feet, compared to only 20 percent of vowel-based calls.

Gannon said these results highlight the importance of studying living orangutan to learn about our species’ history. “We can view them as time machines that allow us to recreate key moments of our history so we can learn more about the development of our language,” Gannon said. “Despite their popularity in modern languages, consonants have often been forgotten when discussing speech development. Our research highlights not only their presence in ancient times but their importance to the development of language.”

1. What led to the speech development?

A．Behavioral change.	B．Time development.
C．Physical development.	D．Environmental change.

2. What makes communication happening 10 million years ago more effective?

A．Less block.

B．Better tools.

C．Louder voice.

D．Larger vocabulary.

3. What is paragraph 3 mainly about?

A．The results of the study.

B．The process of the research.

C．The purpose of the program.

D．The participants of the project.

4. What can be inferred from the last two paragraphs?

A．The living orangutan can recreate our language.

B．Consonants are significant in language development.

C．The sound of grumphs travels further than that of kiss squeaks.

D．Consonant-like calls travel four times further than vowel-like calls.

4 . Books That Celebrate Diverse Holidays and Traditions

It’s important to remember there are a diverse set of holidays available to explore. Below are a few books that help introduce children to different holiday cultures and traditions.

Too Many Tamales by Gary Soto, illustrated by Ed Martinez

While helping her mother with Christmas celebration, Maria is tempted to try on her mother’s diamond ring. After getting caught up in the joy of the holiday and playing with her cousins, Maria realizes the ring is missing! That’s when she and her cousins come up with a plan to eat all of the tamales, in hopes of finding the ring.

Together for Kwanzaa by Juwanda G. Ford, illustrated by Shelly Hehenberger

This is a story about a little girl named Kayla who wants to see her older brother Khari come home so they can celebrate Kwanzaa together as a family. Khari is stuck at college when a snowstorm hits and his car breaks down. Will he make it home in time for Kwanzaa?

A Child’s Christmas in Wales by Dylan Thomas, illustrated by Trina Schart Hyman

This book is a funny, nostalgic tale of Christmas Eve afternoon through Christmas night in Wales, and is full of unique imagery and poetic prose. It will arouse a sense of familiarity for some young readers while introducing them to different aspects of Christmas traditions.

We Are Grateful: Otsaliheliga by Traci Sorell, illustrated by Frane Lessac

The word otsaliheliga is used by members of the Cherokee Nation to express gratitude. This is an amazing story that describes a journey through the seasons with a modern-day Cherokee family. Cherokee history and traditions are also woven into the story in a very kid-friendly way.

1. What makes it difficult for Khari to return home in time for Kwanzaa?

A．A car crash.

B．Delayed flights.

C．Extreme weather.

D．Academic pressure.

2. Who provides pictures for A Child’s Christmas in Wales?

A．Traci Sorell.

B．Ed Martinez.

C．Dylan Thomas.

D．Trina Schart Hyman.

3. The four books all inform readers of ______.

A．how to find hidden treasures at home	B．how to strengthen bonds with friends
C．the lifestyles of different ethnic groups	D．different holiday celebrations and customs

6 . The Music Educator Award, this year, went to Annie Ray, an orchestra(管弦乐队)director at Annandale High School.She was recognized for her efforts to make music accessible to all students, particularly those with disabilities.Ray got to attend the awards ceremony in Los Angeles and bring home a $10,000 prize.

Ray created the Crescendo Orchestra for students with severe intellectual and developmental disabilities, as well as a parent orchestra that teaches nearly 200 caregivers a year to play the same instrument as their child.Ray also works with a local charity to give damaged instruments a second life in her classroom.

The orchestra is about much more than just making music.The most important is to give students a chance to develop their cooperation skills, make mistakes and learn the art of refining something.Ray pushes her students to be brave, go outside their comfort zone and realize they have to learn how to make bad sounds before learning how to make good sounds.And they teach her a lot in return.” They changed my educational philosophy.I understand what it truly means to meet a student where they’re at and apply that elsewhere,” she said.

The warm reception on the ceremony was meaningful.Actually, not many people understand what exactly music educators do or how much their work matters.While her administration is supportive, that lack of understanding is a problem facing the profession in general.Another is resources.She says her school “desperately” needs new instruments.She will use some of her prize money to buy more.

Ray also plans to put some of the money towards an ongoing scholarship for students who want to pursue music when they graduate.She knows of several, those particularly interested in music, and aims to offer financial support needed to realize their musical dreams” It is hard but truly satisfying,” Ray said.“And there’s nothing else like it for them.”

1. What can we learn about Ray from the first two paragraphs?

A．She hosted the award ceremony.	B．She brought music to more people.
C．She gave away instruments to the poor.	D．She founded a local charity for children.

2. What do students benefit most from the orchestra?

A．They acquire in-depth musical knowledge.	B．They make friends with the like-minded.
C．They gain personal growth from playing music.	D．They improve their connections with educators.

3. What is paragraph 4 of the text mainly about?

A．The reception on the ceremony.	B．Importance of music education.
C．Challenges for music educators.	D．Plans to obtain resources.

4. What does Ray find satisfying according to the last paragraph?

A．Winning a scholarship.	B．Developing interest in music.
C．Making musical achievements.	D．Transforming dreams into reality.

8 . To American ears, hearing the words “Black Grace” used together makes them feel a kind of quiet strength in times of hardship or perhaps a positive cultural stereotype (刻板印象). To choreographer Neil Ieremia, the words represent the joining of two ideas born from personal and cultural conflict.

In New Zealand, where Ieremia grew up in what he describes as “a fairly tough town” northeast of Wellington, black was used to describe brave, daring behavior. In Ieremia’s youth, brave people were called “black”, linking them to the neighborhood’ s heroes, New Zealand’ s great All Blacks, the national rugby (橄榄球) team.

Ieremia was born in New Zealand to Samoan immigrants who arrived in the country during the 1960s. Illnesses kept him from actively participating in the country’s widespread sports culture. This was difficult for a Pacific Island boy living in a neighborhood where boys were expected to be sporty and tough. In this world, he developed a passion for music.

At the age of 19, Ieremia decided to attend dance school. At his first ballet class, the instructor told him he lacked grace. Ieremia wasn’t discouraged. When he started his own dance company in 1995, he looked to his own experiences for a name that would also reflect his ambitions for dance grace and storytelling. Thus Black Grace was born. Since then, he has changed the face of modern dance in New Zealand and turned Black Grace into one of the most recognizable and successful cultural brands.

In the early years of Black Grace, Ieremia struggled with the conflict between Samoan and New Zealand cultures. Questions of how and where one belongs were at the forefront of his work. Ieremia draws inspiration from his Samoan and New Zealand roots to create innovative dance works that reach across social, cultural and generational barriers. The work itself is highly physical, rich in the storytelling traditions of the South Pacific, and expressed with unique beauty and power.

1. What is Neil Ieremia’s occupation?

A．a sports figure

B．a dancer

C．a psychologist

D．a great writer

2. What does “Black Grace” mean to Neil Ieremia?

A．Stay calm and positive when facing difficulties

B．The quality of being courageous and elegant

C．A kind of stereotype from cultural conflict

D．The expectation of being sporty and tough

3. According to the passage, what can we learn about Ieremia?

A．Ieremia immigrated from New Zealand to Samoan.

B．Ieremia played a key role in mainstream sports culture.

C．Ieremia had a talent for dance at an early age.

D．Ieremia made Black Grace become a successful cultural brand.

4. The best title for the message might be________.

A．Bridging cultures through dance	B．A conflict between two cultures
C．Breaking cultural stereotype	D．Neil Iremia—a successful choreographer

10 . Njobati, a young woman from Cameroon, faced a challenging journey when she moved from her English-speaking area to a French-speaking area of the country to attend university. The sharp differences between these areas, once part of the British and French empires, made it difficult for her to fit in, which led her to examine her own identity—who she truly was.

Seeking guidance, she turned to her grandfather who also felt disconnected from his own culture. He expressed sadness about what the Nso had lost both culturally and materially, including Ngonnso statue. Ngonnso was the founder of Nso dating back to the 14th Century, whose statue was an important cultural symbol for the Nso. However, it was taken by the Germans in 1902 and has been housed in Berlin’s Ethnological Museum ever since.

Inspired by her grandfather’s desire and saddened by the loss of culture, Njobati made a promise to bring back the statue. She believed it would not only achieve her grandfather’s wish but connect her with her Nso heritage again.

Njobati did many researches about the statue and former unsuccessful attempts. She realized that restitution (归还) was actually about facing the colonial ( 殖民主义的) past. Njobati decided to try differently. To gather support online and offline, Njobati began a grassroots campaign. She organized meetings in community halls and churches, met people one-on-one, and used the power of social media.Through Twitter, she established contact with the Ethnological Museum.

Njobati’s tireless efforts paid off. She was told that a decision about Ngonnso statue was coming, which was an important moment for her.

“Finally, this is happening. Not just for me, but for the Nso people, and for Cameroon,” She cried. “This also lends a hand to other communities that are seeking justice for stolen culture relics.”

1. What made Njobati decide to bring back the Ngonnso statue?

A．Her interest in colonial history.

B．Her grandfather’s identity problem.

C．Her desire to reconnect with Nso culture.

D．Her experience in attending university.

2. What did Njobati do to gain support for her campaign?

A．She did wide and complete researches.

B．She turned to her grandfather for guidance.

C．She contacted the Ethnological Museum directly.

D．She organized meetings and using social media.

3. What does “this” refer to in the last paragraph?

A．The fight for the statue.	B．The promise she made.
C．The grassroots campaign.	D．The return of the statue.

4. What can be a suitable title for the passage?

A．A fight against colonialism.	B．A cultural fighter.
C．A promise for grandpa.	D．A stolen cultural symbol.