The lantern fair in Zigong. Southwest China’s Sichuan province, boasts a history of more than 1, 000 years. To mark the Year     1     the Dragon, many of the lanterns show the Chinese sign of the zodiac(生肖), but there are also     2     wide variety of other lantern designs to meet different needs. Visitors     3     prefer traditional lanterns can find lanterns with flowers and birds, and legendary figures, while lanterns with modem patterns such as cultural     4     (trend) and online games are gaining popularity among young people

In addition to the     5     (elegance) craftsmanship, modem technologies such as 3D printing and artificial intelligence have also been used to make the lanterns     6     (nice) and more vivid. The lantern show is also accepting the concept of environmental protection. A set of lanterns     7     (feature) the famous Chinese statue “Bronze Galloping Horse Treading on a Flying Swallow” from the Eastern Han Dynasty (25-220AD) was created by using 21 different kinds of waste materials, including tires and plastics     8     (form) its outside decorations.

This year’s show will run until July 30. The sets of lanterns     9     (update) to keep up with other traditional Chinese festivals, such as the Qingming Festival and the Dragon Boat Festival. Visitors can also enjoy folk arts and Chinese music performances during     10     (they) lantern-viewing tours.

The celebrations of Chinese New Year, also     1     (call) Chinese Spring Festival, were born out of fear and myth (神话). Legend (传说) spoke of the wild beast Nian (which also is the word for “year”)     2     appeared at the end of each year,     3     (attack) villagers. Loud noises and bright lights were used     4     (scare) the beast away, and the Chinese New Year celebrations were born. Today, the Spring Festival     5     (observe) with a week of vacation in China. Much like the Western New Year (January 1st), the biggest celebration is on the eve of the holiday.

The Chinese New Year’s Eve meal is the most important dinner of the year.     6     (typical), families gather at a designated (指定的) relative’s house for dinner, but these days, more and more families choose to hold New Year’s Eve dinner at a restaurant. Many restaurants require     7     (reserve) months ahead.

There are also some families that hire (雇用) a professional chef to come cook at home. Chefs are often busy running from one home     8     another cooking dinners for different families on New Year’s Eve.

Chinese New Year is a 15-day celebration and each day, many families take turns to hold celebrations among homes of     9     (they) relatives. The festivities are day-long and sometimes, a family ends up cooking two meals for relatives, once at lunch     10     once at dinner.

6 . I was the only kid in college with a reason to go to the mailbox, because my mother never believed in email or cell phones. I was literally waiting to get a letter to see how her weekend had gone, which was usually the warmest comfort for a girl of my age.

So when I moved to New York and got sucker-punched in the face by depression, I did the only thing I could think of. I wrote those same kinds of letters like my mother for strangers, and slipped them all over the city. I blogged about those letters and crazily promised if asked for a hand-written letter, I would write one.

Overnight, my inbox became this harbor of heartbreak — a single mother in Sacramento, a girl being bullied in Kansas, a 22-year-old immigrant, all asking me to write them and gave them a reason to wait by the mailbox. And this is how I initiated a global organization, fueled by those trips to the mailbox.

It is awesome. In fact, the thing about these letters is that most of them have been written by people who have grownup into a paperless world where some best conversations happen on a screen. We have learned to record our pain on to Facebook, and we speak swiftly in 140 characters or less.

But it’s not about efficiency. And I could tell you about a woman whose husband was traumatized (受精神创伤) by his war experiences in Afghanistan and isolated himself, and her love letters slipped throughout the house eventually got him back to her. Or a man, who decides to take his own life, finally sleeps soundly with a stack of letters from strangers slipped beneath his pillow.

The scare the kinds of stories that convince me that letter-writing will always be needed even in these days, because it is an art now.

7 . After ten years in the same company, I found my job was no longer fun. However, I didn’t have the confidence to apply for new jobs due to lack of experience. I felt _______ .

A friend suggested another path- _______ . I had toyed with the idea of studying for a master’s degree but _______ stood in my way. Yet I found a course at London College of Communication, _______ my job and enrolled(注册).

During the 18 months that followed, I began to flourish(茁壮成长). Not only had I found the courage to take my life forward in a new and _______ direction but the self-doubt that had followed me around like a shadow began to _______ gradually. My classmates and I treated each other as _______ : Younger students _______ my experience and knowledge when it came to group work. I made new friends and joined committees.

I also decided to move out of home. Living in student halls was a(n) _______ . The life in halls added to my sense of ________ and confidence. I was ________ to new things every day. Even making myself a meal or managing my small living space made me feel ________

Soon after completing my master’s, I made my way back through the university gate-this time to ________. I am now a lecturer on the same course that I took. I ________ the person I was before and smile-she didn’t yet know her ________ .

8 . German physicist Albert Einstein is one of the most famous scientists of all time, the personification of genius and the subject of a whole industry of scholarship. In The Einsteinian Revolution, two experts on Einstein’s life and his theory of relativity―Israeli physicst Hanoch Gutfreund and German historian of science Jurgen Renn—offer an original and penetrating(厚利的) analysis of Einstein’s revolutionary contributions to physics and our view of the physical world.

By setting Einstein’s work in the long course of the evolution of scientific knowledge, Gutfreund and Renn discover the popular misconception of Einstein as an unconventional scientific genius who single-handedly created modern physics—and by pure thought alone.

As a large part of the book explains, Einstein typically argued that science progresses through steady evolution, not through revolutionary breaks with the past. He saw his theory of relativity not as something from scratch, but a natural extension of the classical physics developed by pioneers such as Italian astronomer Galileo Galilei and English physicist Isaac Newton in the sixteenth and seventeenth centuries, as well as nineteenth-century physicists.

The authors highlight how classical physics cannot be separated cleanly from modem Einsteinian physics. The book also includes substantial sections on Polish astronomer Nicolaus Copernicus and Galileo whose methods inspired Einstein. When Einstein considered himself as standing on their shoulders, he meant that, without their contributions, he would not have formulated(阐述) the theory of relativity.

The Einsteinian Revolution is an important and thought-provoking contribution to the scholarly literature on Einstein and his surprising scientific creativity between 1905 and 1925. Gutfreund and Renn might not have given the final answer as to why Einstein, of all people, revolutionized physics in the way that he did. But they argue in fascinating detail that, to understand his genius, one must take into account not just the earlier history of physics but also the history of knowledge more broadly. Although not always an easy read, the book will interest physicists and historians alike.

9 . Green Line Performing Arts Center

329 E Garfield Blvd. Chicago, IL 60637

Upcoming Programs Include:

First Monday Jazz Series: Crosswind

Monday Feb.4｜7—9 p.m.

First Monday Jazz is a monthly events how easing local Chicago jazz artists.

GreenLight Series: South Side Story Time

Sunday Feb.17｜10—11 a.m.

Bring your kids to listen, learn, sing, dance, and interact! South Side Story Time is a small gathering that centres on readings for its young attendees along with the chance for their parents to socialize. Open to families with children of all ages.

Sistergirls and Freedom Fighters: Stories: in Celebration of Women’s Power and Grace

Wednesday Feb.20|7—8:30 p.m.

Join us for an evening of storytelling featuring the dynamic singing, In the Spirit by Emily Hooper Lansana. This performance will highlight a range of stories that demonstrate women’s creative and political genius from folk heroines to Nobel Peace Prize winners.

Family Saturdays:Art together

Every 1st Saturday of the Month| 3—5 p.m.

Explore your child’s artistic curiosity with hands-on artworks bops designed to stimulate creativity and play. These interdisciplinary workshops are exciting for the entire family, offering activities from music to arts and crafts. Come to learn something new! Appropriate for families with children. Registration is encouraged.

Follow Arts+Public Life on Facebook for more event details and a full list of all upcoming performances.