1 . Isadora Duncan is considered by many to be the progenitor of modern dance. To Duncan, classical ballet, with its strict rules of posture and formation, was “ugly and against nature”. She refused to accept traditional ballet steps, preferring to emphasize improvisation(即兴创作), emotion, and the human form. She said, “I spent long days and nights in the studio seeking that dance which might be the expression of the human spirit through the body’s movements.” By making connections between human emotion and the movements of dance, Duncan hoped to make dance a form of high art rather than simple entertainment. She developed free and natural movements inspired by the classical Greek arts, folk dances, social dances and natural forces. She drew on a number of sports moves, including skipping, running, jumping, leaping, and tossing. The athleticism and classical roots of her style are reflected in her innovative costume choice of a Grecian tunic(束腰外衣) and bare feet, which allowed for a physical freedom that could not be achieved in the traditional ballet costumes and pointed shoes that limited dancers. With time, she gained a very wide following and set up several schools in Europe and the United States.
Duncan’s fame, however, did not bring her wealth. In the later years of her life, her financial situation worsened, and finally she had to live in apartments rented by friends and supporters. Duncan also received criticism for some of her personal opinions.
In spite of the problems, Duncan is remembered today for her artistic achievements: the creation of modern dance and its high place among the arts. While Duncan’s own schools no longer exist, her style of dance continues to be practiced. Her life inspired novels, ballets, and films, and her likeness was included in the sculpture created by Antoine Bourdelle over the entrance of the Théâtre des Champs-Élysées.
1. What does the underlined word “progenitor” Paragraph 1 probably mean?| A．Sponsor. | B．Originator. | C．Instructor. | D．Competitor. |
| A．It allowed dancers to move naturally and freely. |
| B．It included newly designed pointed shoes. |
| C．It was white and extremely simple. |
| D．It was introduced from Greece. |
| A．To explore the connection between art and wealth. |
| B．To characterize Duncan as a dishonorable person. |
| C．To prove Duncan was adored by friends and relatives. |
| D．To show Duncan lived a hard life in her declining years. |
| A．Her inspiration for artists. | B．The invention of a new-form dance. |
| C．Her special personal views. | D．The foundation of many dance schools. |
2 . Top Piano Players in the World
Martha ArgerichMartha Argerich could be considered the next Beethoven, as she is one of the most outstanding pianists ever to play. Argerich preferred being on stage with others instead of performing solo; therefore, she has been performing in a concerto format since the 1980s. Argerich was not one for the spotlight, as she often avoided public appearances such as interviews; however, her great talent was all the publicity she needed, standing out during concertos and sonatas.
Leif Ove AndsnesKnown for his appealing performances of Edvard Grieg’s works, Andsnes has won praise for his performances at some of the world’s most famous concert halls. Andsnes has certainly made his mark in Norway, as he is the founding director of Norway’s Rosendal Chamber Music Festival. Because of his unique voice and interesting approach, he was praised by The New York Times as a “pianist of authoritative elegance, power, and insight.”
Alfred BrendelKnown for his beautiful interpretations of Beethoven, Haydn, Schubert and Mozart, Alfred Brendel was considered one of the greats. He played in various concertos throughout his career and became known for his interpretive coldness in recreating these works. Brendel was considered one of the greatest musicians of the 20th century, as he made his mark in the classical music industry. Brendel was self-taught and learned his love of piano at an early age.
Arthur RubinsteinArthur Rubinstein was certainly one of the greats. His career began in the early 20th century when he began to come into contact with some of the world’s most important composers, such as Maurice Ravel, Paul Dukas, and Jacques Thibaud. He made various trips worldwide and visited nearly every continent, where crowds met him with great praise and encouragement.
1. What does the female pianist focus on in her career?| A．Skills in hosting concertos and sonatas. | B．Cooperation with other musicians. |
| C．Close relationships with the media. | D．Unique ways to interpret music. |
| A．Martha Argerich. | B．Leif Ove Andsnes. |
| C．Alfred Brendel. | D．Arthur Rubinstein. |
| A．He was the director of a Norwegian festival. |
| B．He made a difference in classical music. |
| C．He was the best musician of the 20th century. |
| D．He got in touch with some famous composers. |
3 . Louis Wain’s Cute Cats
Louis Wain was one of the most popular illustrators (插画师) in the history of England. Born in 1860, Wain was well-known for his anthropomorphic (拟人化的) pictures of cats and his work helped to upraise the profile and popularity of our feline (猫科的) friends to extraordinary heights. Before Wain, cats in England were often thought of without respect but his work humanised them and helped to show them as something to be liked, admired and even loved. “He made the cat his own,” H. G. Wells once remarked. “He invented a cat style, a cat society, a whole cat world.”
In his early years, Wain aimed at becoming a press artist. He specialised in drawing animals and country scenes and had work published in several journals including the popular Illustrated Sporting and Dramatic News. It wasn’t until 1884, when Wain was twenty-four, that he sold his first drawing of a cat to The Illustrated London News. Two years after this he got his first real taste of success when he was appointed to illustrate a children’s book. His illustrations seem a lot more traditional when compared to his later work. Yet even in these early examples, we can see signs of his ability to give a cat a personality and a playful nature.
Despite the happiness seen throughout his work, the tale of Wain’s interest in cats is sadly a heartbreaking one. In 1883, Wain married Emily Richardson. Not long after the couple married, Emily became unwell. Over the course of her illness, Wain drew their cat as a way to keep her spirits up. There must have been even more reason for joy when a few months later Wain was appointed again by The Illustrated London News to draw more illustrations based on their cat. His work, A Kitten’s Christmas Party was hugely popular and a great success. It set Wain on the road to artistic greatness and wealth but sadly he was unable to enjoy this achievement as a few months later Emily passed away.
The loss of his wife had a huge impact on Wain and he became increasingly more inward-looking. As his success went from strength to strength, he continued to struggle with anxiety and depression, and despite his professional accomplishments, his personal life was never quite the same again.
1. What did people in England think of cats in early times?| A．They thought cats were respectful. | B．They saw cats as their great friends. |
| C．They thought cats were like humans. | D．They regarded cats as negative creatures. |
| A．He created persons like cats. |
| B．He achieved his first success at the age of 26. |
| C．He had always dreamt of being a cat illustrator. |
| D．He drew animals and country scenes for The Illustrated London News. |
| A．She made Wain earn a lot of money. |
| B．Her death changed Wain’s mental state. |
| C．She married Wain because she liked his illustrations. |
| D．She became unwell after A Kitten’s Christmas Party was released. |
| A．Ability | B．fortune | C．emotion | D．personality |
4 . Ask an art historian about 15th-century Italian art and they’ll probably bring up Sandro Botticelli’s Primavera, Leonardo da Vinci’s Last Supper or the early career works of Michelangelo. Meanwhile, assessments of the Florentine sculptor Donatello often pale in comparison with praise of his superstar contemporaries. Donatello deserves better, argues an ambitious new exhibition. On view through July 31 at two museums in Florence, Italy, “Donatello: The Renaissance” tries to place the sculptor at the center of the era, writes reporter Elisabetta Povoledo for The NewYork Times.
“This is an extremely unusual exhibit, since Donatello is a father of the Renaissance,” Donatello scholar Francesco Caglioti tells The Times. Arturo Galansino, director of the Palazzo Strozzi, takes the argument one step further, telling The Wall Street Journal’s J. S. Marcus that the exhibition identifies Donatello as “the inventor of the Renaissance.”
Donatello’s masterpieces we repaired with works by Filippo Brunelleschi, Giovanni Bellini, Michelangelo and Raphael to showcase his significant impact on generations of Italian artists. “Some exhibitions are once in a lifetime, but this show is the first time in history,” said Galansino earlier this month.
While some people think of Michelangelo’s marble (大理石) David (1501―1504) as an incomparable work, Donatello actually sculpted one of the statue’s key inspirations: a bronze (青铜) David. Created between 1435 and 1450, likely for the Medici family, the sculpture was conceived (构思) independently of any architectural surroundings. Scholars, therefore, consider Donatello’s David the first of such a style in Renaissance history.
Besides, Donatello’s Madonna influenced similar works by Italian Baroque painter Artemisia Gentileschi. Just as Donatello has been relatively overlooked in favor of his contemporaries, Gentileschi and a handful of other Renaissance women artists are just starting to get their due—a trend evidenced by a recent exhibition at the Detroit Institute of Arts.
“Donatello: The Renaissanc” follows the artist’s life and work, moving through his early years in his native city and a long-term residency in Padua. By the end of his life, Donatello’s work was primarily financed by the powerful Medici family.
1. What does the new exhibition intend to do?| A．Restress Leonardo da Vinci’s achievements. |
| B．Retell the stories of artists in the Renaissance. |
| C．Rediscover Italian art in the contemporary context. |
| D．Rethink the key role Donatello played in his time. |
| A．It is historically significant. | B．It is more comprehensive than others. |
| C．It has met with lots of criticism. | D．It has presented a completely new art form. |
| A．It disappointed the Medici family. | B．It was a copy of the marble David |
| C．It was created two hundred years ago. | D．It inspired Michelangelo to some extent. |
| A．Fall into disfavor. | B．Receive recognition. |
| C．Reshape their styles. | D．Suffer discrimination. |
5 . When storm clouds gather, and the wind howls in anger, the natural reaction for most people is to seek shelter. But some run toward the danger. Photographer Liu Yijing is one of that rare type as he captures nature’s violence.
For the past year, Liu, 21, has traveled about 24,000 kilometers across 11 provinces chasing and recording thunderstorms. From the first signs — a stronger breeze developing into a turbulent (汹涌的) sky and birds fleeing — he prepares for what appears to be a frightening task. In 2021, he took more than 48,000 photos, showing the most violence of Mother Nature.
Liu has received a great deal of recognition for his work. His photos captured a complete supercell (雷暴) structure that occurred in the Inner Mongolia autonomous region on Aug 22. This image has been picked as the cover photo for the Advances in Atmospheric Sciences, a key publication in its field.
“It is a typical supercell and I still have a vivid memory about how thrilled I felt the moment it formed. While recording, I couldn’t control myself and kept screaming,” he says, adding that the picture and video have spread rapidly on the Internet. The term supercell is even used by meteorologists (气象学家) to describe a type of a lasting thunderstorm that rotates and is usually accompanied by dangerous weather conditions including damaging winds and sometimes tornadoes.
Many social media users nicknamed him “storm chaser”. A Sina Weibo user named Guanwaidelin comments that Liu’s photos and videos show how amazing and powerful nature is and how insignificant humans are. Another called Lucia Wei says that before Liu, storm-chasing photographers were rarely heard of in China and that it is a career for those who are not only brave but also armed with sufficient meteorological knowledge.
1. How does Liu Yijing respond to the approaching storm?| A．He expresses anger. | B．He looks for shelter. |
| C．He takes photos of it. | D．He runs away from it. |
| A．He traveled across the world to record tornadoes. |
| B．He was acknowledged for an image of a supercell. |
| C．He felt thrilled when his works became a hit. |
| D．He described the supercell as a great discovery. |
| A．Boring. | B．Well-paid. | C．Adventurous. | D．Discouraging. |
| A．A supercell going around. | B．A storm showing power. |
| C．A career exploring space. | D．A cameraman chasing storm. |
6 . Classical musician Titcomb feels strongly about Symphony No. 2 and its composer, Mahler. “Mahler is just... It’s so remindful. It’s so emotional and maybe it is a cheap thrill, but to me it is a deep emotional work.”
Titcomb played the trombone (长号) professionally for more than thirty years. He says it was a difficult decision to stop playing and to do something else. “When I had to decide to stop my career as a player and move on to just the organizing of an orchestra, it was my heart and soul to play in orchestras and after a 30-year career I think I have done my part and wanted to move aside. Now I’m semi-retired. I only play the trombone in my wife’s rock and roll band, but for 30 years I was a member of the New York City Opera Orchestra and I also played very often with the Metropolitan Opera and various other organizations and the New York City Ballet as well.”
Now Titcomb is the Managing Director for PONY, which hopes to bring new audiences to classical music and aims to make performances higher-tech and more affordable. PONY is composed of many New York’s finest musicians and many of them continue to work in the major companies at Lincoln Center including Metropolitan Opera, New York Philharmonic. And musicians come together shortly after some big events, such as natural disasters.
Mahler Symphony No. 2 music is reflective of a project dear to Titcomb’s heart. Titcomb has worked effortlessly on bringing the Philharmonia Orchestra of New York, which aims to use performances to support disaster relief, and to give people in disaster some inspiration to continue to deal with their troubles. Seeing an orchestra of 90 players on the stage and making music together with a chorus of 200 made him smile.
Titcomb’s devotion to music is wonderfully inspiring. He built a hugely successful career with little more than plain hard work and determination.
1. What does the author want to tell us in paragraph 1?| A．Titcomb is very emotional. | B．Mahler is good at cheap thrills. |
| C．A music masterpiece must be strong. | D．Symphony No. 2 impresses Titcomb. |
| A．He was eager to earn money. | B．He avoided taking up challenges. |
| C．He focused on playing the trombone. | D．He organized a high - quality orchestra. |
| A．Boring. | B．Confusing. | C．Demanding. | D．Encouraging. |
| A．Well begun, half done. | B．Devotion requires enthusiasm. |
| C．He who laughs last laughs best. | D．A change of work is as good as a rest. |
7 . Niki de Saint Phalle, one of the most famous artists of the 20th century, was a French-American born in 1930. She was brought up in a very conservative family, and yet she rejected the conservative values of her family to pursue a career in painting. Her rebelliousness created a series of conflicts with her family, which led to a nervous breakdown at age 23.
Fortunately, painting offered her an effective treatment and a way to develop as an artist. Her famous “Nana” series gained universal praise. It is evidence to the glory of women. The series is mostly composed of life-size dolls(娃娃) of women in various roles such as brides and new mothers. Some of these sculptures are very big so that men would look small next to them. She used vivid colors in these works and her female subjects dance cheerfully and merrily. Through these joyful and powerful images of Nana, the artist sends a positive message to all women.
Saint Phalle’s sculptural park, “The Tarot Garden,” inspired by Tarot cards, is situated in the Italian province of Tuscany. Work on the garden began in 1979, and it was officially opened to the public in May, 1998. The park contains sculptures of the symbols found on Tarot cards. The brightly colored combinations of buildings and sculptures reflect the special qualities represented by the 22 main tarot cards. The sculptures, however, have nothing to do with fortune telling. Instead, the works focus on the elements of life experience, personality, and self-knowledge that the cards refer to.
Saint Phalle passed away on May 21, 2002, in San Diego, California, at the age of 71. Her death meant the loss of a woman of diverse creative talents.
1. What does the underlined “rebelliousness” in paragraph 1 probably mean?| A．An attitude towards life. | B．Determination to succeed. |
| C．Unwillingness to obey rules. | D．A perspective different from others. |
| A．Saint Phalle’s series “Nana”. | B．Saint Phalle’s various roles. |
| C．Skills used in Saint Phalle’s works. | D．The variety of Saint Phalle’s female subjects. |
| A．There are 22 sculptures altogether. |
| B．They are associated with fortune telling. |
| C．They are modeled on the symbols of Tarot cards. |
| D．They display women’s personality and self-knowledge. |
| A．Innovative. | B．Critical. | C．Tolerant. | D．Selfless. |
8 . To say that Spanish painter Pablo Picasso was a leader in Western art in the 20th century is to repeat an accepted fact, according to Time magazine. “No painter before him had enjoyed such a large following in his own lifetime.”
This year marks the 140th anniversary of Picasso’s birth. Born on Oct. 25, 1881, Picasso had created more than 20,000 paintings, drawings, sculptures and other pieces of art by the time he died at 91.
That’s a long time to paint! The result is not only a lot of art, but a lot of different phases in Picasso’s work. On its website, Christie’s auction (拍卖) house lists eight different periods in the course of his painting career.
Over a century ago, the painter once said that, “Every act of creation is first of all an act of destruction.” So the eight periods are all very different in their choice of subjects and yet unmistakably drawn by Picasso’s hands. Financial Express called his style unusual.
As his style changed over time, it became more simplistic. A common joke is that Picasso forgot how to paint. After all, he was classically trained at the School of Fine Arts in Barcelona.
Now he is best known for leading an artistic movement known as “Cubism (立体派)”. It used geometric shapes to create human and animal figures. With this method, Picasso tried to show his figures from multiple perspectives (视角) in two-dimensional space. For example, a person’s left eye may be shown from straight ahead while his right eye and nose are shown from the side. The result is strange and beautiful, frightening and funny.
Picasso often said that he admired primitive art and drawings made by youngsters. “When I was the age I could draw like Raphael, but it took me a lifetime to learn to draw like them,” he said. Maybe that’s why Picasso is still so popular. We look at his work and think, “Maybe I could do that!”
1. Which of the following best describes Pablo Picasso?| A．Productive. | B．Optimistic. | C．Traditional. | D．Generous. |
| A．His act of creation was destructive. | B．He created a series of simple images. |
| C．His painting style remained unchanged. | D．He drew different subjects in different periods. |
| A．It is rather difficult to understand. | B．It shows figures from various perspectives. |
| C．It covers different subjects at the same time. | D．It reflects the relationship between humans and animals. |
| A．Raphael’s works. | B．Artists. | C．Drawings. | D．Youngsters. |
9 . How can having a childlike view of the world help the environment? Danish eco-artist Thomas Dambo combines a talent for recycling with a fairy-tale imagination to bring people worldwide closer to nature.
For the “Guardians of the Seeds” exhibition, Danish eco-artist Thomas Dambo built five trolls from discarded wood materials, which were appointed by Coastal Maine Botanical Gardens (CMBG) for its splendid riverside woodland.
The exhibition composed of the five trolls aims to give visitors an emotional connection with nature that will encourage them to become keepers of it. For the exhibition, Thomas came up with a story that a family of trolls hid 10 golden seeds to protect the old forest. Using a map that's provided, visitors follow clues to find where the seeds are hidden.
Besides using carefully selected recycling materials to produce his works, to challenge himself creatively, the artist allowed for a degree of production on-site. He gave a skinny troll named Birk a beard made from the roots of fallen trees. The fur of another troll Roskva is made from bark. Also, Gro, sitting with her eyes closed in a yoga pose, has a tongue made out of a nearby deserted planter.
“Thomas wants people to interact with them,” says Gretchen, president of CMBG. “He wants it to be a journey of discovery where you're walking along and all of a sudden this big magical being appears in front of you. These are friendly, happy trolls. They're not scary, mean trolls.”
Thomas hopes that “Guardians of the Seeds” gives viewers the same joy he gets from an occupation that he compares to a hobby. He says too many people lose their playfulness in their adult life. The key quality of his work is just its playfulness. One of his trolls sits on a real car on a hillside, appearing to cheerfully ride it. He wants to reactivate a childlike imagination in adults so they begin to see trash as objects that can be repurposed in practical and even picturesque ways. And he loves to entertain kids, too.
Nowadays, Mr. Dambo gets a kick out of seeking waste everywhere, hoping to find more stuff he could refashion into something amazing.
1. What does the underlined word “discarded” mean in paragraph 2?| A．Given-out. | B．Thrown-away. | C．High-priced. | D．Randomly-chosen. |
| A．To set off visitors' curiosity. | B．To get back the 10 golden seeds. |
| C．To promote the popularity of CMBG. | D．To boost the bond between visitors and nature. |
| A．His environmental awareness. | B．His creativity and artistic gift. |
| C．His working efficiency and skill. | D．His sense of social responsibility. |
| A．Thomas' Massive Troll Sculptures |
| B．Let Us Turn Trashed Wood into Elegant Art |
| C．Artist Preserves Imagination and Nature with Huge Trolls |
| D．Welcome to the Magic “Guardians of the Seeds” Exhibition |
10 . There have been many great painters in the rich history of Chinese art. Here are four of the greatest painters from China.
Li Cheng (919-967, Five Dynasties and early Song Dynasty)
Li Cheng contributed greatly to one of the golden ages of landscape paintings in world history. During his time, he was considered the best landscape painter ever. He is remembered especially for the winter landscapes he created and for simple compositions of tall, old evergreens set against a dry landscape. Several of his paintings are in thin ink which gives them a foggy appearance.
Fan Kuan (990-1020 , Song Dynasty)
Fan Kuan began his career by modeling Li Cheng's work but later created his own style, claiming that the only true teacher was nature. His finest work Travelers among Mountains and Streams is a masterpiece of landscape painting and many future artists turned to it for inspiration.
Qi Baishi (1864-1957)
One of the greatest contemporary Chinese painters, Qi Baishi is known for not being influenced by Western styles like most painters of his time. He can be considered as the last great traditional painter of China. He painted almost everything from insects to landscapes. He is regarded highly in Chinese art for the freshness that he brought to the familiar types of birds and flowers, insects and grass.
Wu Guanzhong (1919-2010)
Widely considered as the founder of modern Chinese painting , Wu Guanzhong has painted various aspects of China, like its architecture, plants, animals, people and landscapes. Wu went on to combine Western and Chinese styles to create a unique form of modern art. In 1992, he became the first living Chinese artist whose work was exhibited at the British Museum.
1. What do we know about Li Cheng?| A．He loved landscape paintings. |
| B．He copied many artists' work. |
| C．His work gained worldwide recognition. |
| D．He was considered as Fan Kuan's teacher. |
| A．They have foggy appearances. |
| B．They lack diversity in the theme. |
| C．They come under Western influence. |
| D．They show advanced traditional painting skills. |
| A．They were all modern painters. |
| B．They all created landscape paintings. |
| C．They were all impacted by Western art. |
| D．They were all pioneers in traditional art history. |
