1 . Louis Wain’s Cute Cats
Louis Wain was one of the most popular illustrators (插画师) in the history of England. Born in 1860, Wain was well-known for his anthropomorphic (拟人化的) pictures of cats and his work helped to upraise the profile and popularity of our feline (猫科的) friends to extraordinary heights. Before Wain, cats in England were often thought of without respect but his work humanised them and helped to show them as something to be liked, admired and even loved. “He made the cat his own,” H. G. Wells once remarked. “He invented a cat style, a cat society, a whole cat world.”
In his early years, Wain aimed at becoming a press artist. He specialised in drawing animals and country scenes and had work published in several journals including the popular Illustrated Sporting and Dramatic News. It wasn’t until 1884, when Wain was twenty-four, that he sold his first drawing of a cat to The Illustrated London News. Two years after this he got his first real taste of success when he was appointed to illustrate a children’s book. His illustrations seem a lot more traditional when compared to his later work. Yet even in these early examples, we can see signs of his ability to give a cat a personality and a playful nature.
Despite the happiness seen throughout his work, the tale of Wain’s interest in cats is sadly a heartbreaking one. In 1883, Wain married Emily Richardson. Not long after the couple married, Emily became unwell. Over the course of her illness, Wain drew their cat as a way to keep her spirits up. There must have been even more reason for joy when a few months later Wain was appointed again by The Illustrated London News to draw more illustrations based on their cat. His work, A Kitten’s Christmas Party was hugely popular and a great success. It set Wain on the road to artistic greatness and wealth but sadly he was unable to enjoy this achievement as a few months later Emily passed away.
The loss of his wife had a huge impact on Wain and he became increasingly more inward-looking. As his success went from strength to strength, he continued to struggle with anxiety and depression, and despite his professional accomplishments, his personal life was never quite the same again.
1. What did people in England think of cats in early times?| A．They thought cats were respectful. | B．They saw cats as their great friends. |
| C．They thought cats were like humans. | D．They regarded cats as negative creatures. |
| A．He created persons like cats. |
| B．He achieved his first success at the age of 26. |
| C．He had always dreamt of being a cat illustrator. |
| D．He drew animals and country scenes for The Illustrated London News. |
| A．She made Wain earn a lot of money. |
| B．Her death changed Wain’s mental state. |
| C．She married Wain because she liked his illustrations. |
| D．She became unwell after A Kitten’s Christmas Party was released. |
| A．Ability | B．fortune | C．emotion | D．personality |
2 . Cayce Zavaglia is an artist with a unique transformation to her work.
Cayce starts with the hair and forehead, then moves on to the shoulders and clothing, and finally the face. The human face is what she most enjoys creating in her art.
Cayce believes her success depends on three things: her choice of colors, the length and direction of the stitches, and her ability to make the portrait look true. She loves the surprise when people view her art. From a distance, people believe the portraits are painted.
| A．She makes sure the person looks straight into her. |
| B．The biggest challenge is making the skin look real. |
| C．Instead of painting with a brush,she sews with a needle. |
| D．Cayce's first step is deciding who will be in the portrait. |
| E．She loves creating portraits of her family and close friends. |
| F．It requires a lot of patience, for you often have to rethread your needle. |
| G．But when they take a closer look, they see the portrait has been embroidered. |
3 . After written art had to fight a tough battle for attraction during the first decade of social media, owing to a certain group of writers, it is now on a significant rise. How Instagram and Twitter have offered jumpstarts to careers of authors like Dean Cocozza sets a blueprint for thousands of ambitious writers.
Cocozza started writing lyrics for his music as a teenager. He immediately had to experience that translating art to social media is not as simple as posting whatever his pen put down.
“Anyone who uses the platform with an intent will quickly learn that you only have the glimpse of a moment to catch the viewer’s attention. So the work I shared shifted to be more to the point, often one-liners. Then stuff started to go viral.”
The success and demand for more poems resulted in his first book Zero Dark Thirty, which sold out quickly. Despite the book containing mostly short writings, even said one-liners, Cocozza emphasizes that he doesn’t write for social media. “It was a very personal project resulting from a certain period of time” in his life. There are much bigger things that he works on and plans to get involved in.
Dean Cocozza has brought back emotional depth. In-between monetized (货币化的) content, blatant (明目张胆的) advertising and “perfect lives”, social media holds a spot for a new generation of artists, including literature. Critical thinkers and authentic writers remind the app’s consumers of their emotional human nature. Art galleries and bookstores might have lost a big part of their audience to digital media — but the art itself will always find ways to survive.
1. What does the underlined word “it” in paragraph 1 refer to?| A．Written art. | B．A tough battle. | C．Social media. | D．A group of writers. |
| A．To earn a living. | B．To draw readers’ attention. |
| C．To protect his personal life. | D．To show emotional depth. |
| A．Works with emotional depth are widely accepted on social media. |
| B．People with perfect lives like social media better. |
| C．Art galleries and bookstores will soon disappear. |
| D．Arts of emotion depth still hold value on social media. |
| A．Positive. | B．Carefree. | C．Doubtful. | D．Disapproving. |
