1 . Top Piano Players in the World
Martha ArgerichMartha Argerich could be considered the next Beethoven, as she is one of the most outstanding pianists ever to play. Argerich preferred being on stage with others instead of performing solo; therefore, she has been performing in a concerto format since the 1980s. Argerich was not one for the spotlight, as she often avoided public appearances such as interviews; however, her great talent was all the publicity she needed, standing out during concertos and sonatas.
Leif Ove AndsnesKnown for his appealing performances of Edvard Grieg’s works, Andsnes has won praise for his performances at some of the world’s most famous concert halls. Andsnes has certainly made his mark in Norway, as he is the founding director of Norway’s Rosendal Chamber Music Festival. Because of his unique voice and interesting approach, he was praised by The New York Times as a “pianist of authoritative elegance, power, and insight.”
Alfred BrendelKnown for his beautiful interpretations of Beethoven, Haydn, Schubert and Mozart, Alfred Brendel was considered one of the greats. He played in various concertos throughout his career and became known for his interpretive coldness in recreating these works. Brendel was considered one of the greatest musicians of the 20th century, as he made his mark in the classical music industry. Brendel was self-taught and learned his love of piano at an early age.
Arthur RubinsteinArthur Rubinstein was certainly one of the greats. His career began in the early 20th century when he began to come into contact with some of the world’s most important composers, such as Maurice Ravel, Paul Dukas, and Jacques Thibaud. He made various trips worldwide and visited nearly every continent, where crowds met him with great praise and encouragement.
1. What does the female pianist focus on in her career?| A．Skills in hosting concertos and sonatas. | B．Cooperation with other musicians. |
| C．Close relationships with the media. | D．Unique ways to interpret music. |
| A．Martha Argerich. | B．Leif Ove Andsnes. |
| C．Alfred Brendel. | D．Arthur Rubinstein. |
| A．He was the director of a Norwegian festival. |
| B．He made a difference in classical music. |
| C．He was the best musician of the 20th century. |
| D．He got in touch with some famous composers. |
2 . Sakamoto Ryuichi, who died on March 28 after a long battle with cancer, once described his musical method thus: “I open my ears to the world.” But what Mr. Srakamoto heard, few others could. As a member of the Japanese techno-pop band Yellow Magic Orchestra, he helped pioneer modern electronic music. As a composer, he brought the work of directors such as Bernardo Bertolucci to life. His passing brought about mourning from the whole music world.
Mr. Sakamoto was born in Tokyo in 1952 and took to music early. He graduated from one of Tokyo’s top colleges of music, where he studied Western classical music, and explored an interest in the traditional music of Japan’s Okinawa as well as in that of India and Africa. Early in his career, Mr. Sakamoto trained his ears on the sound of technology. Yellow Magic Orchestra, a group he formed in 1978,used synthesisers(合成器)in instrumental songs intended for dancing - a novel combination at the time. “Errors or noises absorb me and I wonder if new musical currents could come from this imperfection,” Mr. Sakamoto said. That was exactly what happened: Mr. Sakamoto’s music helped inspire what would later become techno and hip-hop. Then he turned towards the sound of nature. He listened to the wind blowing, the water dropping, the rocks moving and the leaves falling, which he introduced into his music.
Unusually for a Japanese musician, Mr. Sakamoto used his fame to speak out on social and political issues, including environmental preservation and nuclear(原子核的)power. In 2011, an earthquake and tsunami rocked northeast Japan and set off a nuclear meltdown in Fukushima. In the wake of the disaster, Mr. Sakamoto travelled often to the region to support local residents.
In 2014, the cancer shook Mr. Sakamoto’s life. But even that could not weaken his longing to hear more. In the next few years, he composed the score for “The Revenant”, and produced a film about sound called “Coda”.
1. What’s paragraph 1 mainly about?| A．The style of Sakamoto Ryuichi’s music. |
| B．Sakamoto Ryuichi’s comments on music. |
| C．Sakamoto Ryuichi’s contributions to music. |
| D．The influence of Sakamoto Ryuichi’s music. |
| A．He liked nature scenery. |
| B．He got inspired from noises. |
| C．He created techno and hip-hop. |
| D．He became interested in music at college. |
| A．Intelligent and frank. | B．Talented and caring. |
| C．Generous and enthusiastic. | D．Determined and humorous. |
| A．A musician: making sounds into music |
| B．Sounds of nature: sources of music composition |
| C．Yellow Magic Orchestra: memories of generations |
| D．Sakamoto Ryuichi: speaking out for the common people |
3 . Distinguished Baltimore artist John D. Ferguson died Sept 16. The Catonsville resident was 81.
“His artist eye was in everything he did. His life was art and his family,” said Jennifer C. Jackson, who was Mr. Ferguson's friend for nearly three decades.” He was a lovable man who was always willing to talk about any topic he was interested in. At shows, people would go crazy for his work,” Ms. Jackson said. “He was also an enthusiastic sailor who loved nothing more than being on the water.” “His sculptures were just memorable,” said Mr. Lund, a Washingtonian. “I used to say, ‘Ferguson, I don't think you know how to do anything that is less than monumental.’”
Mr. Ferguson earned a bachelor's degree in 1961 at Holy Cross University, where he developed an interest in painting. He served in the Army for two years until being discharged in 1963, and after studying briefly at the Boston Museum School, registered at the Chicago Art Institute, where he studied until 1966, when he entered the University of Illinois Chicago, where he obtained a bachelor's degree in 1966 in fine arts. Mr. Ferguson developed his interest and skills as a sculptor after moving to Baltimore to do further studies at the Maryland Institute College of Art's Rinehart School of Sculpture, from which he graduated in 1971 with a master's degree in fine arts.
“Over the years my work has moved gradually in the direction of elegance and simplicity,” Mr. Ferguson wrote in his artist statement. “Heavy, bulbous forms have been replaced by dancing, winglike forms. The welding process and respect for the qualities of the materials are interrelated and affect the final piece. “Most of the sculptures that are pictured in my works are made from steel, silicon bronze, and to Cor-Ten steel; shaped to create these beautiful and unique pieces of art. As you can see, my sculptures range in size anywhere from 12 inches to 30 feet or larger.”
Through the years, his work found its way into such major public and private collections. “They encourage optimism, for they show strength and affirmation; there's nothing negative, depressing or anxiety-ridden about them”, wrote the late art critic John Dorsey in a 1997 exhibition review.
1. What did Mr. Lund think of Ferguson?| A．Likeable. | B．Ordinary. | C．Unwelcome. | D．Interesting. |
| A．He studied at the Boston Museum School. |
| B．He got a bachelor's degree in fine arts. |
| C．He entered the University of Illinois Chicago. |
| D．He continued his studies at the Maryland Institute College. |
| A．An even larger scale than before. | B．The material comprised of metals |
| C．The shape of elegance and simplicity. | D．Welding process as well as material quality. |
| A．A stylish, stubborn old man | B．Sculptures towering into the clouds |
| C．John D. Ferguson—a famous sculpturer | D．The evolution of the sculptural style |
4 . The British Museum's rich collection of ancient Chinese paintings has attracted many visitors. At the heart of this preservation and revival of Chinese art history is senior conservator (文物修复员) Qiu Jinxian.
Joanna Kosek, head of Pictorial Art Conservation at the British Museum, told the Times Publications that Qiu is considered one of the museum's most priceless treasures. "We let the treasure treat the treasure," Kosek said.
In 1987, Qiu was introduced to Mrs. Jessica Rawson, director of the British Museum. At the time there were no conservators specializing in ancient Chinese art at the British Museum. The large collection of Chinese ancient paintings and cultural relics in the museum was mainly repaired by Japanese and British methods and materials. As these methods were not suitable for Chinese paintings, the art collection was kept in storage for a long time instead of on pubic display.
Just before Christmas in 1987, Qiu Jinxian had her first appointment at the British Museum. She was asked to repair an ancient scroll (卷轴) by Fu Baoshi, which had been badly damaged by fire. Qiu's methods, which included washing with warm water to separate the glue in order to repair the paper, stunned people on the spot. Some of them even got out the camera to record her methods as they'd never seen this way of restoring ancient art. Mrs. Rawson was completely amazed by Qiu Jinxian's incredible skills. She immediately invited Qiu to join the British Museum.
Chinese ancient paintings are notoriously difficult to repair because of their large size, complex materials, diverse colors, and rich composition. The most important thing is to understand the long history, meaning and culture behind the painting. Repair is an extremely time-and-energy intensive process.Each painting normally takes several months from cleaning to restoration and drying. Since 1987, Qiu has repaired more than 400 artworks.
Oiu told the media that she is very proud of her work. She wants more people to understand and appreciate Chinese history and culture through art. Although the artworks originated from China, they now belong to the people of the world.
1. Why is Qiu considered a treasure at the British Museum?| A．She understands Chinese history well. |
| B．She is the only Chinese conservator there. |
| C．She repaired the Chinese scroll successfully. |
| D．She has special skills to repair the treasures. |
| A．Panicked. | B．Inspired. | C．Shocked. | D．Influenced. |
| A．A deep understanding of the objects. | B．Incredible painting skills. |
| C．Strong determination. | D．A sound knowledge of Chinese history. |
| A．The Well-known Chinese Conservator |
| B．The Protector of Chinese Treasures at the British Museum |
| C．The Chinese Treasures Repaired at the British Museum |
| D．The Ancient Chinese Artworks Exhibited at the British Museum |
