1 . New England holds some special museums. They are devoted largely or entirely to the work of just one person. And they are the artists’ birthplaces or onetime homes. Here are four examples of such museums.

Cyrus E. Dallin Art Museum

The name Cyrus E. Dallin (1861-1944) might not be familiar, but several of the artist’s sculptures (雕塑) are, especially those related to Native Americans. A good example is his “Appeal to the Great Spirit” standing in front of the Museum of Fine Arts. Born in Utah, he lived in Arlington for the final four decades of his life. The museum is in the Jefferson Cutter House, an 1830 Greek styled building.

Norman Rockwell Museum

Rockwell (1894-1978) was America’s well-known artist. The museum, founded in 1969, moved into its present location, Robert A.M. Stern-designed building in 1993. Its 998 paintings and drawings are the largest single collection of Rockwell's artworks.

Kids 16 and under: free; adults: $20; the old: at a 10% discount (折扣)

Edward Gorey House

Edward Gorey (1925-2000) was an artist, but he was also an author and clothes designer. Gorey bought this 18th-century house in 1979 and lived there for the rest of his life. Edward Gorey House is also known as the Elephant House. Gorey had respect for animals. The activities of the house, from art education to exhibits, show Gorey's support of animal well-being.

Gibert Stuart Birthplace and Museum

Gilbert Stuart (1755-1828) is responsible for what may well be the most familiar work of any American artist, His drawing of George is the basis of the first president’s portrait (画像) on the dollar. Stuart painted more than a thousand portraits throughout his life.

2 . Arun Kumar Bajaj has a very unusual skill — he can paint with a sewing machine. Technically, it’s embroidering, not painting, but his artworks are so detailed that they can pass as paintings to the untrained eyes. And the fact that he does it all with a sewing machine just makes that much more impressive.

Arun was really good at drawing and painting while growing up and dreamed of becoming a famous painter, but his father died suddenly 15 years ago, which destroyed his plans and forced him to give up school in order to run the family business. His father was a tailor and he became one too, but he didn’t let the artist in him die. He started “painting” with a needle and thread, but instead of using his hands, he decided on a rather unusual tool — the sewing machine. It took him a while to master this unique art form, but today he is recognized as the world’s only sewing machine artist. His works become very popular both in India and abroad. It’s easy to see why, just by looking at them, but what really makes his embroideries special is the tool he uses.

“You need to be very careful because once you’ve stitched the cloth, there’s no way you can repair it,” Arun said. “It’s all done in a single layer to give the painting a neat look.”

Some of Arun’s most impressive works include a 4×2 feet painting of the court of Ranjit Singh which took the artist over a year to finish. Arun runs a tailoring business in the Adalat Bazar of Patiala, but he devotes a lot of his time to his artistic dream as well.

3 . After written art had to fight a tough battle for attraction during the first decade of social media, owing to a certain group of writers, it is now on a significant rise. How Instagram and Twitter have offered jumpstarts to careers of authors like Dean Cocozza sets a blueprint for thousands of ambitious writers.

Cocozza started writing lyrics for his music as a teenager. He immediately had to experience that translating art to social media is not as simple as posting whatever his pen put down.

“Anyone who uses the platform with an intent will quickly learn that you only have the glimpse of a moment to catch the viewer’s attention. So the work I shared shifted to be more to the point, often one-liners. Then stuff started to go viral.”

The success and demand for more poems resulted in his first book Zero Dark Thirty, which sold out quickly. Despite the book containing mostly short writings, even said one-liners, Cocozza emphasizes that he doesn’t write for social media. “It was a very personal project resulting from a certain period of time” in his life. There are much bigger things that he works on and plans to get involved in.

Dean Cocozza has brought back emotional depth. In-between monetized (货币化的) content, blatant (明目张胆的) advertising and “perfect lives”, social media holds a spot for a new generation of artists, including literature. Critical thinkers and authentic writers remind the app’s consumers of their emotional human nature. Art galleries and bookstores might have lost a big part of their audience to digital media — but the art itself will always find ways to survive.