1 . Cyndi Decker, a schoolteacher in Florida, had recently taken an art class and made a painting of a huge white bird called an egret (白鹭). Her proud son posted a photograph of Decker on Reddit, shyly holding her painting. Below it he wrote, “My mom painted this and said no one would like it.“
Then Kristoffer Zetterstrand, an artist in Sweden, saw the photo, deciding to pay respect to the teacher by painting Decker holding her painting. He even captured the shy look on her face. Zetterstrand photographed himself holding his painting of Decker holding her painting. He posted the image on Reddit. The caption for his photograph is “I painted somebody’s mom.” Two days later, Amer, a student in Canada, painted a picture of Zetterstrand holding his painting of Decker holding her painting. Her caption read, “I painted the guy who painted the other guy’s mom.” The artist Vince Law was the next to join in. The caption for his photo of his painting is “I painted the girl who painted the guy who painted the other guy’s mom who painted an egret.” Artist Travis Simpson continued the fun.
And it happened again and again and again!
By this time, more than one million people had seen the paintings and pictures of paintings on a number of social media websites. Many artists around the world jumped into the process, many at the same time.
“I was in fear I was going to read a lot of hateful comments. You all have proven me so wrong. I’m assuming most of you could be my kids, and you all get an unjust accusation in this world. You all are caring and a ton of fun! Thanks for uplifting me! You all have inspired me instead,” she wrote on Reddit.
1. How did people join in the painting?A.By painting the same bird. |
B.By means of sharing painting process. |
C.By organizing voluntary painters on the Internet. |
D.By painting the photo posted by the previous painter. |
A.Considerate and entertaining. | B.Ambitious and patient. |
C.Demanding and stubborn. | D.Caring and funny. |
A.She was afraid of her painting skill. |
B.Most of kids like non-photorealistic art form. |
C.There exists language violence on the Internet. |
D.She was instructed by the professionals. |
A.The Social Media Changed a Woman Art-lover. |
B.One Painting Started a Worldwide Painting Party. |
C.How the Painters Reacted to a Kid’s Hope. |
D.How a Woman Won the Respect of People. |
2 . A Timeless Legacy 2022:Artists of Glacier, Past and Present
Exhibition time:August 27~October 29,2022
Since the first A Timeless Legacy exhibition in 2015, our beloved annual and now biennial (两年一次的) exhibition celebrating the history, life and works of Glacier National Park artists has taken many forms. For the 2022 exhibition,we feature works from both contemporary (当代的) artists working in and around Glacier National Park, as well as historic artworks from the Hockaday Art Museum’s collections.
Nancy Dunlop Cawdrey
Nancy Dunlop Cawdrey lives in a world of color. And she likes to paint that way as well. After living for some years abroad in England and Europe,she eventually returned to the United States and settled down in Montana.
Carole Cooke
Artist Carole Cooke writes, “When I paint on location in remote areas, I feel a sense of excitement beyond description. It is my hope that sharing images of the land, trees and waters will give the viewers a strong sense of connection to nature. ”
Michelle Grant
Born and raised in Calgary, Alberta, Michelle Grant has been working professionally as an artist since 1994. She currently works in a contemporary realistic style. Her inspiration comes from owning horses and attending lots of horse-related events, which provide reference for her paintings.
Julie Jeppsen
Wildlife artist Julie Jeppsen is known for her paintings combining realism and atmosphere of wild animals in landscape. Julie is a self-taught artist, whose subject matter is a wide range of animals. She has been involved in art all her life and will continue doing it because it’s a major part of who she is.
1. When can people enjoy the exhibits in A Timeless Legacy 2022?A.On August 25. | B.On October 28. |
C.On November 29. | D.On December 30. |
A.She can paint in urban areas. |
B.She can return to the United States. |
C.Her works can get people closer to nature. |
D.Her inspiration can help with wildlife protection. |
A.Their works focus on trees. |
B.Their works are connected with animals. |
C.They own horses. |
D.They are self-taught artists. |
In 1991, Wang Wei went on a tour, when he became fascinated by the shakuhachi, a kind of Japanese bamboo flute. Later, he found out that the shakuhachi,
Ashamed of how he was
In the past three decades, he has traveled around to find
He also gathered a group of
4 . Gilliam was born in Tupelo, Mississippi, in 1933 as the seventh child of eight to a father who worked on the railroad and a homemaking mother. He attended the University of Louisville for both bachelor’s and master’s degrees, but in 1962 he moved to Washington, D. C., where he lived and had his studio for the rest of his life. He became one of the leading artists of the Washington Color School.
He was very interested in freeing his paintings from the limit of canvases (画布) and frames. Instead, in his Drape works of the 1960s, he took unstretched canvases and hung them from ceilings or pinned (钉) them to walls. Each time his work—part painting, part sculpture—was shown in an exhibition, it hung differently, never the same way twice.
In a 2018 Morning Edition profile, Gilliam explained that the intention behind his Drape work was “to develop the idea of movement into shapes”—and that he was inspired by laundry (洗衣店) hanging from a clothesline.
His work is represented in the collections of some of the world’s most celebrated museums, including the Art Institute of Chicago; the Tate Modern in London; and the Musée d’Art Moderne in Paris. In 2015, he was awarded State Department’s Medal of Arts Lifetime Achievement Award.
In the 2018 Morning Edition profile, the then 84-year-old Gilliam said that he felt that he was in his prime, despite health challenges. “I’ve never felt better in my life. I live for this period of being in the studio and actually working.”
1. When did Gilliam set up his studio?A.While he lived in his birthplace. | B.Before he left his birthplace. |
C.While he studied at university. | D.While he lived in the capital of the USA. |
A.Gilliam tended to make his paintings unusually hung. |
B.Gilliam appreciated his own paintings very much. |
C.Gilliam created a large number of different paintings. |
D.Gilliam used to set a limitation to his paintings. |
A.The idea of movement into shapes. | B.His strange imagination. |
C.His attention to paintings. | D.Laundry hanging from a clothesline. |
A.He was old enough. | B.He was at his most successful stage. |
C.He was in good health. | D.He was very puzzled. |
5 . Marcelo Toledo usually creates sculptures and jewelry out of metal. Now the Argentine artist is working with a new material: waste from the COVID-19 pandemic (传染病), such as masks, to create an exhibition exploring the painful impact of the virus.
Toledo, who has made jewelry for the musical “Evita” on Broadway and unique pieces for many famous people, was among the first in Argentina to be infected with COVID-19, which left him hospitalized for eight days. The experience had a great effect on his life and led to a series of artworks, including a 14-meter mask with the Argentine flag that he placed on the famous obelisk (方尖纪念碑) in Buenos Aires to raise awareness about organ donation during the pandemic.
For his new exhibition, the “Museum of the After”, Toledo is collecting recycled waste from the COVID-19 sent by hospitals, laboratories and strangers, including old medical parts and newspapers about the pandemic.
“I am excited to be able to turn pain into beauty and this exhibition is just recording everything that is happening to us as a society,” said Toledo. The artworks, which will go on show from September in a public space in downtown Buenos Aires, will all be made from waste materials or garbage that people send him. “It is the first time that I have done an exhibition in which I do not have to buy any of the elements,” he said.
In the exhibition there will be a real ship that will symbolically cross a “storm” and recycling islands to raise awareness about the importance of caring for the environment. “The exhibition will tell the story of this ship that went sailing and was stranded (搁浅) by a storm, which is a great metaphor (比喻) for what is happening to us. This pandemic is a great global storm,” said Toledo.
As with the huge mask, which was replicated (复制) in countries such as the United States and Japan, the artist dreams of replicating the new exhibition in other cities around the world.
1. What inspired Toledo to make the 14-meter mask?A.His fear of the pandemic. | B.His Broadway experiences. |
C.His hospital stay. | D.His research on organ donation. |
A.They will be exhibited in hospitals. | B.They are greatly praised by the public. |
C.They are created by people from all walks of life. | D.They are made out of rubbish about the pandemic. |
A.Our awareness of environmental protection is improving. |
B.We should spare no effort to defeat the pandemic. |
C.We suffer a lot from the COVID-19 pandemic. |
D.Our irresponsible behavior leads to natural disasters. |
A.Reproduce his exhibition in other places. | B.Host exhibitions on different themes. |
C.Make more huge masks to be on display. | D.Collect exhibition elements from around the world. |
6 . Not only was Gene Stratton-Porter one of Indiana's most well-known authors, but she was also an environmentalist, photographer, and artist. Gene shared her passion for the environment and wildlife in her writing and used her influence to fight for the preservation of nature and alert others to the importance of their natural surroundings.
Born in 1863 in Indiana, she grew up with a love of nature and spent most of her innocent childhood wandering through farms and forests, catching butterflies and observing birds like doves and small animals like geese. In 1886, Gene married Charles Porter. Although she expressed happiness with her family life, Gene lived a more independent life traditionally unavailable to women in the late nineteenth century. Gene insisted on writing and photographing wildlife around her cabin near Limberlost Swamp. There she expressed her passionate feelings towards nature and its preservation. She spent much time in Limberlost, and later the cabin became the site where she conducted field studies on Indiana's natural environment.
Early in her life, Gene studied nature in the Limberlost Swamp and recorded her thorough observations through photographs and detailed writings. Gene published dozens of books—novels, nature studies, poetry collections and children's books. Her books mainly connect readers to natural settings and earn her a high reputation. One of her best-known novels, A Girl of the Limberlost is about a lonely girl who lives on a farm and escapes from her sufferings in Limberlost.
Gene's legacy (遗留物)is visible not only within her books, photography and films but also within the Limberlost Swamp, which eventually faded away to the farmland. Fortunately, through her hard work and dedication, the land is slowly being restored to its natural state, with over 400 acres preserved for nature study today.
1. Which of the following can best describe Gene?A.Considerate. | B.Mysterious. | C.Productive. | D.Generous. |
A.She conveyed her passion for natural conservation. |
B.She was absorbed in her happy family life totally. |
C.She spent an unforgettable childhood on the farm. |
D.She moved to Limberlost to enjoy independence. |
A.Publishing many books of different types. | B.Teaching herself to learn photography. |
C.Taking various pictures of surroundings. | D.Getting her readers more access to nature. |
A.It centers on preserving the wildlife. | B.It is turning into its original condition. |
C.It offers cabins for scientific research. | D.It has transferred to farmland forever. |
Qiao Yu is a songwriter who penned timeless classics that
Qiao is said to have started his
Qiao rose to fame in 1955 after writing “Let’s Pull on Our Oars (桨)” known to most Chinese children. “Our boat is
But Qiao’s greatest hit came in 1956,
Genius as these lines now are,
8 . Jan or Johan Vermeer was a Dutch Baroque painter from the “Golden Age of Dutch Painting”. He was obscure during his lifetime; but in the nineteenth century, his work was brought to light, and he is now regarded as one of the greatest figures of Baroque painting-with his focus on simple portraits and household scenes. He is admired for the ability to present everyday objects with great dignity(庄重)and light.
There is not much information about Jan Vermeer’s early life, He didn’t travel much outside Holland, and most of his paintings were bought by a local man. His father was a dealer of paintings and also a local inn owner. When his father died in 1652, Jan took over the business of selling pictures and ownership of a small inn. When his mother died in 1670, he also inherited her local restaurant, and he often worked there at night selling alcohol and dishes to customers.
In 1653, Jan married a young girl named Catherina Bolies. Together they had fourteen children, though four died soon. Jan did a significant portion of his painting within his large house. He liked to paint in his own studio, even though household life may have been noisy with 14 children and his mother-in-law, whom he often argued with.
Jan was a slow worker, producing only three paintings a year. This was partly due to his technique of granular(似颗粒状的)painting. He was careful in capturing the light and colour of his various subjects. Unusually for the time, Jan often focused on simple household scenes such as “The Milkmaid” or the “Music Lesson”.
An important aspect of Vermeer’s paintings were his portraits--often of women. The portraits capture a style of reassuring calm, dignity and contentment with everyday life. To Vermeer, they may have represented an idealized view of life and women, which did not always match reality. “The Girl With A Pearl Earring” is widely considered a Vermeer masterpiece-It is also regarded as one of the greatest portrait pictures ever painted and is sometimes referred to as the “Mona Lisa” of the North.
1. What does the underlined word “obscure” mean in paragraph 1?A.Not clear. | B.Quite poor. | C.Not well-known. | D.Rather confusing. |
A.A local inn. | B.A restaurant. | C.Several paintings. | D.A job of selling wines. |
A.Hills around his town. | B.Children in the school. |
C.A boat on the foggy sea. | D.A young woman in his house. |
A.A novel about a painter. | B.A biography of a person. |
C.An analysis of painting styles. | D.A review of Vermeer’s painting. |
9 . This year sees the third edition of Zhu Yujie’s group female art exhibition, a project hosted annually with the aim of offering more opportunities to women artists. The exhibition Metaphor and Gaze opened in Shenzhen’s La Vie Art Center, on Feb 27.
“Women artists still have relatively fewer opportunities to show their works at art museums and galleries, and few group exhibitions concentrate on female topics,” Zhu says, “Only by constantly exhibiting works by female artists and writing about these artworks, can they be known by more people and be written into art history.”
The exhibition contains videos, paintings, and performance by 17 female artists. According to Zhu, the title Metaphor and Gaze is about artists expressing women's real desires, confusion and anxieties from different perspectives, and exploring the love, healing and growth shared by humans.
“In these unique times of the pandemic(疫情), we have had new life experiences and understandings, and I increasingly realize that art is the best medium to break down barriers and to bring people together. And for artists, their creation and thinking never stop,” Zhu says. “In art history, the images of women are often just objects to be gazed at. In our exhibition, women are the subject of creation.”
Zhu says that she feels an increasing amount of people are supporting female art. While she overcame various difficulties hosting previous exhibitions with a limited budget, this year she was invited by Xiao Yu, founder of La Vie Art Center, who provided the place.
The art center is an industrial space with rough concrete walls, which, according to Zhu, contrasts with the fixed impression of women being frail, and allows the artists to communicate with the viewers through powerful artworks.
The exhibition also features a reading room section entitled Writing Her Power- Women’s Situation and Writing, displaying books from 20 publishing houses on themes including female power, self-identity and relationships. Zhu says that books have played a major role in her learning.
1. What does the title Metaphor and Gaze want to show?A.The contribution of Zhu herself. |
B.Real feelings of women from different aspects. |
C.Constant exhibitions by famous artists. |
D.Fewer opportunities for women artists to present works. |
A.Women are active art creators. |
B.Women are the center objects of art. |
C.The pandemic brings art barriers. |
D.The pandemic stimulates art creation. |
A.Tough. | B.Romantic. | C.Weak. | D.Skeptical. |
A.A news report. | B.A research article. |
C.A short story. | D.A book review. |
10 . At just 21 years old, Nija Charles is one of today's most popular songwriters.
She has been
But just a few years ago, Charles was only a(n)
Charles said she first
Charles continued to learn music at New York University, where she'd make songs in her dormitory and post them online. Soon she was
"It was tough for me. There were some classes I
Talking about her success, Charles said, "It's
A.working | B.competing | C.arguing | D.entertaining |
A.unaddressed | B.labour-saving | C.award-winning | D.unsearchable |
A.clerk | B.artist | C.focus | D.fan |
A.born | B.introduced | C.invited | D.forced |
A.proposed | B.complained | C.sighed | D.recalled |
A.annoyed | B.surrounded | C.changed | D.rejected |
A.appreciated | B.evaluated | C.accessed | D.composed |
A.empty-handed | B.longing | C.absent-minded | D.unwilling |
A.honest | B.lacking | C.weak | D.engaged |
A.definitely | B.slightly | C.scarcely | D.indirectly |
A.call back | B.get along | C.hurry up | D.settle down |
A.favorites | B.assignments | C.advertisements | D.ambitions |
A.performance | B.career | C.school | D.training |
A.incredible | B.ridiculous | C.simple | D.obvious |
A.classes | B.concerts | C.families | D.weddings |