1 . 阅读下面短文，在空白处填入1个适当的单词或括号内单词的正确形式。

Grain Rain marks a significant period in the traditional Chinese calendar. As the     1     (six) of the 24 Solar Terms, Grain Rain usually falls around April 20 and lasts until the beginning of May. This period is     2     (traditional) associated with the onset of the rainy season, providing much-needed water that helps crops grow.

Grain Rain symbolizes the end of spring and marks the time     3     (begin) preparations for summer, making it crucial for farmers to ensure that their crops     4     (plant) in time to take full advantage of the growing season. During this time, activities like planting rice, corn, and beans are common due     5     the favorable conditions of warmer temperatures and increased rainfall. Grain Rain’s significance extends beyond just agriculture. It represents     6     time of growth, both in nature and within communities.

Grain Rain is a period rich with festivals, cultural events and communal gatherings. Communities often celebrate with various festivities,     7     (appreciate) nature’s renewal. It’s common to see people engaging in outdoor activities, celebrating with traditional performances, and enjoying the blooming of spring flowers,     8     are especially significant during Grain Rain.

Grain Rain not only highlights the practical aspects of agricultural planning but also embodies a deeper connection to the cycles of nature and the community’s cultural practices. It is a     9     (reflect) of the wisdom embedded in the traditional Chinese way of life, where observing natural phenomena guides daily activities and     10     (season) preparations.

3 . 阅读下面短文，在空白处填入1个适当的单词或括号内单词的正确形式。

Xiangsheng, or crosstalk, is arguably the most popular comic performance in China, appealing to people of all ages.

Xiangsheng first appeared in China during the Ming Dynasty. But it was not until the middle and late Qing Dynasty     1     xiangsheng, established itself as     2     unique and independent art form.

Performed mainly in Beijing or Tianjin dialect, xiangsheng is     3     (essential) known for its humorous and satirical (讽刺的) nature. It could be a comedic monologue, dialogue or multiplayer sketch.

As the     4     (early) form of xiangsheng, dankou, or monologue, is performed by an actor who mainly cracks jokes or simply narrates humorous stories. It’s known as qunkou when it is performed by three or more people.

But most of the time, xiangsheng is performed by two actors,     5     is called duikou. The two actors usually discuss or argue over a subject or a social phenomenon     6     a satirical and humorous manner. The main purpose is     7     (cause) laughter among the audience.

In the early years, xiangsheng performers typically came from a humble background,     8     (start) off as street performers. The most popular     9     (venue) of xiangsheng used to be Beijing Tianqiao, Tianjin Quanyechang and Nanjing Confucius Temple. Later, they began to perform in teahouses and theaters. With the     10     (arrive) of radio and television, xiangsheng began to reach audiences everywhere.

4 . It felt as if we had been climbing for hours. I stopped to catch my breath as a wave of dizziness swept over me in the thin mountain air. I was on an amazing trip with my family to experience the festival of Qoyllur Riti, which takes place at 4,300 meters high in the southern Andes of Peru.

As I looked back down the trail we had climbed, and up towards where we had to go, the colorful sight struck me a lot. Entire families wearing local costumes were travelling to this unique festival from all over Peru. Among them were old men, mothers with small babies and children all following the same route. Many of them had horses and donkeys carry their food, blankets, cooking pots and tents. Others had made their way on foot through the mountains for days to attend this remarkable event.

We continued climbing upward for another hour and a half before reaching the Sinakara Valley. Right across this flat piece of ground people were putting up shelters and tents to protect themselves from the freezing mist and rain. It was clear, however, from the sound of the drums and singing rising from the campsite that the weather was not going to weaken the festival spirit. The air of excitement, even from our place more than a mile away, was palpable.

After dinner, we went to bed fully clothed inside our sleeping bags. We were up early the next morning, the main day of the festival, despite having slept badly on the frozen ground. The ukukus, men wearing black masks and costumes, had left the campsite in the early hours to climb the nearest mountain by the light of the full moon.

From time to time during the procession, they stopped to dance on the glaciers, believing this would bring luck to their villages for the year to come. In the dawn light, we watched them winding their way back down like a large black snake. As they descended, they were joined by groups of dancers in bright traditional costumes. They performed wherever there was space. Although there did not seem to be anyone organizing them or any timetable, the whole festival had become a huge harmonious celebration.

1. What do we know about family’s climb up and down the trail?

A．They were too tired to enjoy the sight.

B．They regretted extremely taking the trip.

C．They were fascinated by the scenes there.

D．They were greeted warmly by local people.

2. The underlined word in Paragraph 3 is closest in meaning to _______.

A．suitable

B．endurable

C．noticeable

D．understandable

3. What can be inferred from the festival participants?

A．They were all dressed in plain clothes.

B．They were determined to reach the festival.

C．They only continued their journey during daylight hours.

D．They performed dances to demonstrate their traditional costumes.

4. Where is this text most likely from?

A．A health report.	B．A sports newspaper.
C．A fashion forum.	D．A culture magazine.

5 . The horse-face skirt, or mamianqun in Chinese, is receiving renewed attention on the fashion stage.

Far from being photoshoot prop, wearing the horse-face skirt has become almost trend among many Chinese celebrities and influencers for various international social occasions. On Douyin, China’s TikTok, individuals who sport the horse-face skirt on city streets in Paris and other international cities can easily gain millions of likes. A popular blogger on Xiaohongshu appeared on a British television program to discuss the development of the English Premier League in China while wearing a horse-face skirt.

From its first appearance during the Song Dynasty to becoming a standout representation of Chinese clothing, mamianqun has crossed nearly a millennium of history. In the current trend of traditional Chinese clothing reconstruction, how has the horse-face skirt stood out to become the most famous clothing?

Mao Zhaoxi, who is a hanfu enthusiast, told the Global Times that Hanfu is the external demonstration of culture, integrating the life philosophies, values, and aesthetic (美学) views formed and inherited (继承) by the Chinese people generation after generation. She said, “Many young people believe that the horse-face skirt is not just a fashion item, but also a cultural symbol. This shows the awakening of traditional aesthetic genes among the younger generations, indicating that the confidence in our own culture is constantly increasing.”

Moreover, Hu Xiao, one of the founders of the ancient Chinese costumes restoration team, analyzed one main reason of this phenomenon lies in the fact that the horse-face skirt has managed to remain relevant, never falling out of fashion. “Many people thought the horse-face skirt had disappeared for a while, but in fact, Chinese brides can always be seen in the costume of mamianqun.” The horse-face skirt possesses a strong sense of inheritance while also possessing fashionable features. This perhaps is the cultural DNA that enables it to become a fashion item.

The momentum (潮流) of Chinese-style clothing has begun, and how to lead the trend of Chinese-style clothing through design and how to stay at the forefront of the national trend is an issue that will not disappear in a short time.

1. What does the underlined word “sport” mean in paragraph 2?

A．Compete.

B．Display.

C．Exercise.

D．Decorate.

2. What can be learned from the text?

A．Horse-face skirts are Chinese clothing with a long history.

B．Horse-face skirts had become fashionable in Song Dynasty.

C．Horse-face skirts have been the main clothing for a millennium.

D．Horse-face skirts are leading the clothing design around the world.

3. Which of the following best describes the impact of the horse-face skirt?

A．It develops everyone’s aesthetic and philosophy view.

B．It represents the ancient Chinese costumes and life.

C．It wakens the young to love their own traditional culture.

D．It demonstrates the importance of Chinese-style clothing.

4. How does the author consider the future development of Chinese-style clothing?

A．Good beginning and it will lead the world fashion.

B．Good beginning and it will fall into the disfavors.

C．Good beginning and it will own fashionable DNA.

D．Good beginning and it will have a long way to go.

7 . 阅读下面短文，在空白处填入1个适当的单词或括号内单词的正确形式。

Shortly after the silk and feather umbrellas became popular in China, their manufacturers managed     1     (discover) a new kind of material from wood paper, enabling the     2     (create) of highly stylized, decorative and lightweight umbrellas.

In addition to providing protection from sun and limited protection from rain, oil-paper umbrellas     3     (view) as symbols of wealth, and power in the past. During the height of umbrella popularity in China, you could easily recognize the owners by the designs and colors of their umbrellas—royal family members used yellow or red colors,     4     the wealthy carried blue. Even in today’s Chinese and Japanese society, umbrellas play     5     important role. They are one of the most essential items     6     (present) to newly -wed brides, symbolizing blessing, protection from evil spirits and wishes    7     more babies.

The beauty of the Chinese paper umbrellas had     8     an impact on worldwide trends that their     9     (elegant) crafted materials and their canopy designs showcasing dragons, flowers, and landscapes quickly traveled via trade routes to distant Europe. Paper umbrellas today represent one of the best -known Chinese traditional exports, with businessmen selling them to     10     (passer-by) on streets worldwide.

8 . 阅读下面短文，在空白处填入1个适当的单词或括号内单词的正确形式。

The Spring Festival Gala (Chunwan) is an annual television show broadcast on China Central Television (CCTV) on the eve of the Chinese New Year. The Gala is a four-hour TV show featuring     1     (diversity) performances, including traditional and modern dance acrobatics (杂技), comedic acts, and musical performances by popular singers and     2     (celebrity). It also features special parts     3     (highlight) Chinese culture, history, and achievements.

The Gala     4     (become) an important part of the Chinese New Year celebrations since 1983. Families and friends gather around their televisions to watch the show,     5     is seen as a symbol of unity, prosperity (繁荣), and good luck for the coming year.

The Gala is     6     (typical) four hours long, but it can sometimes run longer. It is estimated that over 10,000 people     7     (involve) in its production. The Gala is hosted by a team of popular CCTV hosts, and it features performances by some of the biggest names in China.

The Spring Festival Gala is     8     unique and remarkable event that shows the best of Chinese culture and     9     (entertain). It is a cherished (珍贵的) tradition that brings people together     10     helps to create a festive and joyous atmosphere for the Chinese New Year.

10 . 阅读下面短文，在空白处填入1个适当单词或括号内单词的正确形式。

Every Lunar New Year, China introduces a zodiac(生肖) sign from a cycle of 12 lucky animals. This year, it’s the Year of the Dragon, or more     1     (accurate), ”the Year of the Loong”. Then what’s the difference?

The Western     2     (describe) of dragons as “fire-breathing winged creatures” was inspired by literature such as Beowulf - the Old English epic about a Scandinavian hero     3    contribution was killing monsters, including a dragon. Greek fairy tales also presented dragons    4    violent sea monsters or guards of valuable     5     (possession). By contrast, “loong”, a word    6     (create) in the 19th century, reminds people of strength and fortune, and should    7     (distinguish) from its Western cousin. In Shiji,     8    2, 000-year-old Chinese history book, the emperor’s mother dreamed of a dragon lying on her body,     9     (predict) the birth of a future emperor. Exactly for this reason, Chinese people proudly claim they are “descendants of the Loong” .

Therefore, some culture experts have been calling for a switch to ”loong”     10     (tell) the Chinese dragon from the frightening monsters of Western tales. The call is also in line with the push for cultural confidence to choose the preferred translation of the Mandarin word for a creature long respected in Chinese culture.