Peking opera, known as China’s national opera, is a combination of music, dance and art and is widely regarded as a full expression of Chinese culture. Today, this art form is facing the danger of extinction as the younger generation is mostly interested in pop culture.

A Peking opera project for primary and secondary schools was launched by China’s Ministry of Education. But it has met with a cold reaction from the public. More than half of the 1, 000 respondents from ten big cities expressed doubts about the practical meaning of the project in the survey conducted by the Social Survey Institute of China.

The project plans to add 15 Peking opera pieces into music courses in 200 schools in ten provinces. The pilot programs will last from March to July next year. At present, teaching materials and video tapes are still in production, China News Service reported. The Ministry of Education hopes that the promotional course can help students better appreciate Chinese culture and cultivate a love for the mother country.

The surveyed people do recognize Peking opera as a comprehensive (综合性的) art form and a representative of the traditional culture. They also understand the purpose of the educational project. However, they wonder whether it is necessary for every student to learn to sing Peking opera, when they are already stressed from endless exams. In fact, most music teachers themselves know little about this ancient art form, and thus are not confident in arousing (激起) students’ Interest in its slow pace and abstruse (深奥的) lyrics.

5 . Nowadays, it is common to see people wearing Hanfu, the traditional clothing of the Han ethnic group, at parks and attractions. More and more people are falling in love with Hanfu culture. The development of Hanfu culture has witnessed (见证) numerous changes in recent years and is taking on various forms.

Zhang Xiaomin has been a fan of Hanfu for five years now. Thanks to the popularity of social media, she can easily learn the latest trends and knowledge about Hanfu online now. “People used to only collect or appreciate Hanfu privately,” Zhang said. “But now it has moved to the mass market.” In the past, many people had the misunderstanding that “Han” refers to the Han Dynasty. Now more people are knowledgeable about Hanfu, and even expert in distinguishing (区分) the differences in Hanfu from different dynasties.

Miss Tang has also noticed a similar change. “Fans have become particular about the design and style of Hanfu,” Miss Tang said. “For advanced hobbyists, those seemingly fairy-like Hanfu dresses are not enough, since this style has been adapted to meet the tastes of the masses. They care more about how original Hanfu style are, like Quju (曲裾) and Mamianqun or ‘horse-face skirts’, which look more serious and complicated.”

The development of Hanfu has also triggered (引发) different events. You Gancheng has been in Hanfu circles for 13 years. “The Hanfu festival that a museum held in April offered many interesting activities like lectures, ceremonies, concerts and fairs,” she said. “Hanfu culture weeks, festivals and academic forums all provide platforms for fans to communicate.”

The rise of Hanfu culture also means the birth of an emerging business. Miss Cang has been running a Hanfu store for four years. The store provides Hanfu rental and photography services. “Many international schools now come to us for Hanfu events on traditional holidays,” Miss Cang said. Her store also actively participates in Hanfu festivals. “We often run a stand in Hanfu fairs, selling and displaying Hanfu we’ve designed. Sometimes we even provide Hanfu as prizes for competitions,” she said.

9 . Lawrence Ganti from the US has lived in Switzerland, Japan, and India. When his work with Merck, a company that develops treatments for many of the world’s most challenging diseases, first took him to Japan, he was struck by how comfortable his Japanese co-workers were with silence. During meetings in the US, people are usually uneasy with quiet and fill a quiet period with talk. Not so in Japan. “You don’t break the silence unless you have something important to say,” says Ganti. Surprisingly, when he next lived in India, he found conversations were typically lively, loud and full of interruptions (打岔). “Silence is never expected,” he says.

The Japanese value the building of trust and relationships, Ganti adds. In Japan, nothing might be accomplished (完成) in the first meeting, and no real progress may be made until the parties sit down for a lunch or dinner. Ganti remembers greeting foreigners who flew to Japan with the intention of holding their meeting and flying out that same day. “It’s just a half-hour discussion,” they told him. He replied, “That half-hour discussion won’t go anywhere.”

Cyrus Sabouri from New Jersey, the US, had similar experiences in the Middle East. He lives in Bahrain, where he works for American Express Middle East. “Meetings can require personal introductions, which often consume more of the meeting than the things to be discussed,” he says. He was frustrated by this custom when he first moved to the island nation. “You eventually learn that it is hard to draw the line between business and personal life,” he says. “Warm and friendly relationships can be the difference between a deal or no deal with the Bahraini.”

Ganti’s current job with Merck takes him throughout Latin America. While each country presents its own cultural puzzle to figure out, Ganti has found that cultures have a lot in common. In many parts of Latin America, for instance, giving straight advice or criticism in conversation isn’t typical. To make a point, he did just that in meetings, and attendees were often shocked. “I’m usually sent to places where change is needed,” Ganti says. “You have to make changes.”