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文章大意:本文是一篇说明文。文章介绍了英国人在各种场合均会自发排队,       且对插队的行为,他们缺少以直接的方式表达愤怒的信心或社交技巧,他们经常用肢体语言来阻止插队者。

1 . The English expect each other to observe the rules of queuing, feel highly offended(冒犯) when these rules are broken, but lack the confidence or social skills to express their annoyance in a straightforward manner. In other countries, this is not a problem: in America, where a queue-jumper has committed a kind of rudeness rather than a sin(罪过), the response is a loud warning: the offender is simply told “Hey, you, get back in line!” or words to that effect. On the European continent, the reaction tends to be loud and argumentative; in some other parts of the world, queue-jumpers are likely to get away with the offense. Only rarely do the English actually speak up and tell the jumper to go to the back of the queue.

Queuing is almost a national pastime for the English, who automatically arrange themselves into orderly lines at bus stops, shop counters, ice-cream vans, entrances, exits and lifts.

In 1946, a Hungarian humorist described queuing as English “national passion”. “On the continent,” he said, “if people are waiting at a bus stop they walk around in a seemingly relaxed fashion. When the bus arrives they run towards it quickly… An Englishman, even if he is alone, forms an orderly queue of one.” In an update over thirty years later in 1977 he confirmed that this was still the case. After nearly another thirty years nothing much seems to have changed.

In many cases in Britain, queue-jumping is effectively prevented by non-verbal signals alone. When someone is considering jumping a queue, the queuers will start looking at him sideways, through narrowed, suspicious eyes. Then they move a bit closer to the person in front of them, just in case the jumper might try to insert himself in the gap. Frowns, glares and raised eyebrows—accompanied by heavy sighs, pointed coughs—are usually the worst that the person will suffer if he jumps a queue. Faced with all this the jumper will think better of it and retreat to the back of the queue.

1. According to paragraph 1, in England, queue-jumping is ________.
A.a common practice in many public places
B.a serious social problem in modern times
C.warned and prevented by shouting and pushing.
D.tolerated though it is considered highly offensive.
2. By quoting the description of a Hungarian humorist, the author intends to show ________.
A.queuing is a kind of automatic behavior for Englishmen
B.Englishmen are stubborn and too strict with themselves
C.other Europeans are more open-minded than Englishman
D.queuing is essential in keeping the public in order
3. According to the author, queue-jumping can usually be stopped ________.
A.by shouting and loud warning
B.with a confident and aggressive attitude
C.by using body language that shows annoyance
D.with signs of public rules
4. What is the author’s tone in writing this passage?
A.Indifferent.B.Humorous.C.Subjective.D.Objective.
2022-10-28更新 | 166次组卷 | 2卷引用:重庆市第一中学2021-2022学年高二下学期期末考试英语试题
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文章大意:这是一篇应用文。文章主要介绍了四个在夏季庆祝的节日。

2 . Let’s celebrate some festivals in summer.

The Cariwest Festival

It is one of Edmonton’s most colourful summer festivals! It’s three days of fun as Caribbean Canadians share their music, cuisine and carnival culture! Local performers bring you amazing dance, music and fun. Bring Cariwest atmosphere into your home this year with these amazing online events.

Indigenous Festival

The annual Summer Solstice Indigenous Festival (SSIF) in Edmonton has done a wonderful job to make their annual off-line festival a number of online events this year because of COVID-19. The events take place from June 1 to 21. SSIF has partnered with BMO to provide Education Days for students to learn together about indigenous history. These classes for which only a small fee will be charged include art workshops, book readings and museum tours.

Bluegrass Festival

Just 45 minutes from the heart of downtown Edmonton is the town of Stony Plain that works hard to keep ties to its agricultural background, and here you’ll see old-styled lamp posts and historical wall paintings with a long history everywhere. It’s also the site of Western Canada’s largest bluegrass festival, which has been a main attraction for more than 25 years and in July every year draws in all the big names, including Grammy winners.

Cowboy Festival

You like poetry, music, art and cowboys? Then you can’t miss it. Heading into its 24th year, Cowboy Festival in Stony Plain in August is a showcase of the cowboy life. The events include good old-fashioned BBQ meals and some other entertainment.

1. What is true about SSIF?
A.It takes place in two cities.B.It focuses on students.
C.It is annually held online.D.It is free of charge.
2. What do we know about Stony Plain?
A.It’s a city with modern appearance.B.It has produced many musicians.
C.It has deep roots in agriculture.D.It often hosts national festivals.
3. Which festival will you be most interested in if you’re a poem lover?
A.Cowboy Festival.B.Indigenous Festival.
C.Bluegrass Festival.D.The Cariwest Festival.
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文章大意:本文是说明文。介绍了如何泡茶品茶。

3 . Traditional Chinese tea ceremonies are often held to welcome guests into one’s home. If you want to perform one, start by gathering all the tools you’ll need.    1    Once you get hold of one, follow the steps for performing a traditional Chinese tea ceremony.

Prepare the Chinese tea set and appreciate the tea.

To prepare the Chinese tea set, heat water in a kettle. Then place the teapot and teacups in the bowl and pour the heated water over them to warm up the tea set.     2     In a traditional Chinese tea ceremony, the tea is passed around for participants to examine and admire its appearance, aroma, and quality.

    3    

Using the tea-leaf holder, pour the tea leaves into the teapot. This step is called “the black dragon enters the palace”. Heating water to the proper temperature is important when making Chinese tea, and ideal temperatures vary by tea type.

Next, place the teapot into the bowl, raise the kettle at shoulder length, and pour the heated water into the teapot until it overflows. Place the lid on the teapot.

Discard the tea and pour to brew (泡茶) again.

Pour the brewed tea into the tea pitcher. Using the tea pitcher, fill the tea cups with tea. But do not drink the tea. Instead, it is discarded.

Keeping the same tea leaves and holding the kettle just above the teapot, pour the properly heated water into the teapot. The water should be poured just above the teapot so as to not remove the flavor from the tea leaves too quickly. Place the lid on the teapot.     4    

Time to enjoy your tea.

Pour all the tea into the tea pitcher, and then pour that tea into your tea snifters. It is good manners that tea drinkers hold the cup with both hands enjoy the tea’s aroma and take a sip.     5     The first sip should be small; the second sip is the largest main sip; the third is to enjoy the after taste and empty the cup.

A.Watch out for the brewing temperatures.
B.Brew the tea leaves at proper temperatures.
C.The cup should be drunk in sips of different sizes.
D.Then, remove the teapot and cups from the bowl.
E.It is finally time for you to enjoy a nice cup of Chinese tea.
F.A traditional Chinese tea set can be bought at Chinatowns around the world.
G.The size of the tea leaves and their quality determine the length of the brewing time.
2022-09-25更新 | 250次组卷 | 1卷引用:重庆市巴蜀中学校2022-2023学年高三高考适应性月考卷(二)英语试题
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文章大意:这是一篇说明文,文章主要介绍了“三牛精神”及牛在中国传统文化中的象征意义。

4 . The “three ox spirit” (三牛精神) first appeared in President Xi Jinping’s speech at a New Year’s gathering last December. The ox is a symbol of diligence (勤劳), progress and strength. On Feb 18, the first working day of the new year, Hua Chunying, Foreign Ministry spokeswoman, explained it on the social media to encourage people with the “three ox spirit”—the serving-the-people ox, the pioneering ox, the persisting ox.

Centuries ago, most people earned their living through farming. The ox was used to help in the field and carry heavy goods.

The ox has played an important place in Chinese culture. Ancient Chinese poets and writers often described the ox in literature. In the Classic of Poetry, the oldest collection of Chinese poetry, the animal was mentioned in nine out of the 305 pieces.

Oxen seldom bully (欺负) the weak or fear the strong. They work hard and make sacrifices (牺牲). A poem by Lu Xun (1881-1936) — “Fierce-browed, I coolly defy a thousand pointing fingers; Head bowed, like a willing ox I serve the children (横眉冷对千夫指,俯首甘为孺子牛)” fully expresses the poet’s love to our country and the people.

So naturally, those who were born in the Year of the Ox are often expected to be hardworking and dependable. “They never want to be the center of attention or look for praise,” the website China Highlights noted.

1. When was the “three ox spirit” first appeared?
A.2018.B.2019.C.2020.D.2021.
2. What is NOT in the “three ox spirit”?
A.The progressing ox.B.The serving-the-people ox.
C.The pioneering ox.D.The persisting ox.
3. Why did Lu Xun choose the ox to use in his poem?
A.Because the ox is weak.B.Because the ox is loving.
C.Because the ox is helpful.D.Because the ox is proud.
4. What are the people born in the Year of the Ox like?
A.They always want to look for praise.B.They want to be the center of attention.
C.They are hardworking and dependable.D.They bully the weak and fear the strong.
2022-08-17更新 | 123次组卷 | 1卷引用:重庆育才中学校2021-2022学年高一上学期入学考试英语试题
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文章大意:本文是一篇议论文,主要论述了传统食物是文化的重要组成部分,每一道菜都是了解文化的一扇窗户。

5 . There is more of a connection between food and culture than you may think. On an individual level, we grow up eating the food of our culture. It becomes a part of who we are. Many associate food from our childhood with warm feelings and good memories and it ties us to our families, holding a special and personal value for us. Food from our families often becomes the comfort food we seek as adults in times of frustration and stress.

On a large scale, traditional food is an important part of culture. It also operates as an expression of cultural identity. Immigrants bring it wherever they go, and it is a symbol of pride in their culture and means of coping with homesickness.

Many immigrants open their own restaurants and serve traditional dishes. However, the food does not remain exactly the same. Some materials needed to make traditional dishes may not be readily available, so the taste and flavour can be different from what they would prepare in their home countries. Additionally, immigrants do not only sell dishes to people from the same countries as them, but to people from different countries. Therefore, they have to make small changes in the original dishes to cater to a wider range of customers. Those changes can create new flavours that still keep the cultural significance of the dishes.

We should not only embrace our heritage (传统) through our culture’s food, but also become more informed about other cultures by trying their food. It is important to remember that each dish has a special place in the culture to which it belongs, and is special to those who prepare it. Food is a window on culture, and it should be treated as such.

1. What’s the function of food mentioned in the text?
A.To help motivate homesickness.
B.To show cultural identity.
C.To reflect a country’s history.
D.To show a community’s superiority.
2. What does the underlined word “it” in Paragraph 2 refer to?
A.The specific traditional food.
B.The national culture.
C.A traditional expression of food.
D.The old-fashioned taste.
3. Why do some immigrants have to change the original dishes in their restaurants?
A.To attach cultural importance to their dishes.
B.To announce the beginning of their life on foreign soil.
C.To make the dishes popular among customers.
D.To present their own food culture in a new way.
4. What’s the author’s attitude towards different food cultures?
A.Negative.
B.Balanced.
C.Unfair.
D.Unchangeable.
2022-08-15更新 | 379次组卷 | 27卷引用:重庆市开州中学2021届高三二模英语试题
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文章大意:这是一篇记叙文。文章主要讲述了作者通过实地参观三和瓦窑意识到了它的文化价值并介绍了其历史和制砖的过程。

6 . “We’re stopping here? At this shabby old building?” Then I was told that the Sanhe Tile Kiln (三和瓦窑) was a national treasure. Seriously? My heart sank as we walked toward what appeared to be a mass of dirt. The place looked like no national treasure I’d ever seen. My disappointment soon melted into expectation as we walked into the Sanhe Tile Kiln. I soon realized that this wasn’t just any old building. This place, hidden in the heart of Kaohsiung, revolutionized the production of bricks in Taiwan. The piles I had mistaken for dirt were actually clay: a key ingredient in bricks.

Long ago, many buildings around Taiwan were made from bricks sourced from Fujian Province. But this all changed when hundreds of brick of kilns popped up all over the island. Of the 130-plus brick-making kilns that once operated in Kaohsiung, the Sanhe Tile Kiln is the last one standing. This traditional brick and tile factory has been in operation for over 100 years. Considered a national treasure, the factory is part of the cultural heritage of the island.

At the Sanhe Tile Kiln, making quality bricks is serious business. Good clay and water are essential, and fortunately, the Dashu District of Kaohsiung has exceptional clay and water. Workers dig clay out of the ground and put it through a machine to break it up. Water is then added, and the mixture is put into another machine to form clay blocks. When the blocks are the desired shape, they are set aside to dry. Then the bricks are stacked in the kiln. Next, workers start a fire with straw and slowly raise the kiln’s temperature until it reaches 1000 degrees Celsius. Throughout this process, the temperature must rise steadily or else the bricks will break.

Making bricks is a long process, taking three to four months. It requires a lot of hard work, patience and dedication. But in the end, it’s worth it. I left the Sanhe Tile Kiln with a greater appreciation for the art of brick making.

1. The author was disappointed at first because of ________.
A.the value of the kiln.B.the appearance of the kiln.
C.the location of the kiln.D.the history of the kiln.
2. What can be inferred from paragraph 2?
A.Sanhe Tile Kiln is still functioning now.
B.Bricks used to come from Shangdong Province.
C.Thousands of brick of kilns were set up all over the island.
D.Making bricks requires a lot of hard work.
3. How is paragraph 3 mainly developed?
A.By listing figures.B.By presenting causes.
C.By describing process.D.By following time order.
4. What is the best title of the text?
A.A Place Worth RebuildingB.Treasure or Clay?
C.A Cultural TourD.Welcome to the Factory!
2022-07-13更新 | 71次组卷 | 1卷引用:重庆市2021-2022学年高二下学期期末测试卷英语试题
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文章大意:本文是一篇新闻报道。文章主要讲述周二晚上,中国空间站核心舱航天员们为地球上的人们献上了一场零重力音乐表演,以庆祝元宵节。

7 . BEIJING—Wang Yaping, a taikonaut onboard China’s space station core module (舱), offered people on Earth a zero- gravity musical performance on Tuesday evening to celebrate the Lantern Festival. The space show was shared via a video released at an annual TV gala for the festival celebration. In the video, Wang was seen floating in the space module while playing a guzheng, or Chinese zither. She played a segment of the popular Chinese folk song “Jasmine Flower”.

The Lantern Festival falls on the 15th day of the first month of the Chinese lunar calendar. People usually hang colorful lanterns, play riddle games and express their wishes and hopes for the future.

The crew members, who traveled to the space station core module on the Shenzhou-13 mission, kept some festive traditions alive as they continued to rotate around the Earth. Commander Zhai Zhigang wrote riddles on red paper scrolls with a brush pen. He displayed the calligraphy together with taikonaut Ye Guangfu and extended festival greetings to the audience. They also sent blessings to athletes at the ongoing Beijing Winter Olympics: “We hope that you all achieve success, gain friendship and harvest your best Olympic experience.”

The video of the space performance was received with much enthusiasm after it was shared on social media platforms. It drew nearly 2 million clicks in one hour after several national media outlets posted it on the Chinese micro-blogging site Sina Weibo. The Weibo account of Zhurong, China’s first rover on Mars, reposted the video, commenting, “The music was so beautiful, and it made me homesick, too.”

The Lantern Festival also marks the last day of the lunar New Year celebration. Though far from home, the festive sentiments in space are the same. The China Manned Space Agency released a video on social media platforms on Tuesday, showing that the taikonauts had decorated the orbiting core module with red lanterns, Chinese knots and paper-cutting decorations. Wearing new clothes, the trio (三人小组) enjoyed the traditions of eating dumplings and posting spring couplets on walls. During the Chinese New Year holiday, they were also spotted watching the Winter Olympics and doing workouts in orbit.

1. How did the mass enjoy the musical performance according to the text?
A.By watching a video coming from a TV gala.
B.By logging on the Internet through computers.
C.By watching the Lantern Festival gala at the scene.
D.By watching a video posted online by Wang Yaping herself.
2. What does the underlined word “rotate” mean according to the context?
A.Access.B.Circle.C.Replace.D.Launch.
3. What can we learn from the text?
A.Wang Yaping shared puzzles on red paper scrolls.
B.Zhai Zhigang showed the calligraphy on his own.
C.The video of the space performance became a great hit.
D.The Beijing Winter Olympics had come to an end when the astronauts sent their regards.
4. Which is the best title of the passage?
A.Chinese folk song “Jasmine Flower” is played on space station.
B.China makes major breakthroughs in the outer space exploration.
C.Taikonauts send blessings to the Beijing Winter Olympics athletes
D.Taikonauts keep Lantern Festival traditions alive on space station.
2022-06-28更新 | 153次组卷 | 20卷引用:2022届重庆市缙云教育联盟高三第二次诊断性检测英语试题
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文章大意:这是一篇说明文。文章主要介绍了我国三星堆遗址和玛雅文明的相似之处,并告诉我们文化知识交流的重要性。

8 . Discoveries at the famous Sanxingdui ruins in Southwest China show that the region’s ancient Shu Kingdom Civilization shared similarities with the Maya.

The Sanxingdui ruins belonged to the Shu Kingdom that existed at least 4,800 years ago and lasted more than 2,000 years, while the Mayan civilization built its city-states around 200 AD.

The bronze-made remains of trees unearthed at the ruins of the Shu Kingdom resemble the sacred ceiba tree, which symbolized the union of heaven, earth and the underworld in the Mayan civilization. “They are very important similarities,” says Santos, a Mexican archaeologist (考古学家) stressing that “the representations of trees in both cultures provide a symbolism that is very similar”.

The findings at the Sanxingdui ruins, considered one of the greatest archaeological discoveries of the 20th century, also show a new aspect of Bronze Age culture, indicating the ancient civilization already had technologies that were thought to have been developed much later.

While the time span between the Shu kingdom and the Mayan culture is great, the findings highlight the closeness between the two civilizations. They developed in areas with comparable climates and reflected their worldview through related symbols. “In the end, man is still man, independent of time and space. What we have is that, at this latitude (纬度), both the Shu people and the Mayans looked at the same sky and had the same stars on the horizon,” the expert says.

One notable feature of the recent discoveries at Sanxingdui was the cross-subject work and technology applied by teams of Chinese archaeologists, which allowed the unearthing of artifacts as fragile as silk remains, which other types of less careful digging methods would not have been able to register.

Cooperation between Chinese and Mexican archaeologists could benefit projects in the Mayan world, where the rainy climate and humidity are problematic for the conservation of ruins.

“Every time our cultural knowledge increases, regardless of whether we speak one language or another, what it shows us is that we continue to be sister cultures and, therefore, the exchange of such knowledge is fundamental,” says Santos.

1. What is a similarity between the Shu Kingdom and Maya civilization?
A.Their starting time.B.Their historical origins.
C.Their cultural symbols.D.Their ceremony traditions.
2. The findings at the Sanxingdui ruins have proved that ________.
A.silk was a common clothing material then
B.some technologies were developed much earlier
C.the Bronze Age started earlier than previously assumed
D.the Shu Kingdom and the Mayan world had close contact
3. What is a common challenge for the conservation of both ruins?
A.Damp weather.B.Positioning of ruins.
C.High latitude.D.Language barriers.
4. What is the focus of Santos quote in the last paragraph?
A.Our cultural knowledge is increasing.
B.The benefits of speaking a different language.
C.The increasing sisterhood in culture between China and Mexico.
D.The importance of the exchange of cultural knowledge.
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文章大意:本文是一篇说明文。文章介绍了纽约市一个新的博物馆展览。该展览讲述了中国食物和厨师的故事,介绍了厨房及家常菜在移民生活中起的关键作用,结合厨师Ni Biying的故事指出,家常菜为餐桌带来了更多乐趣。

9 . When you think of Chinese food in the US, fried rice, or General Tso’s chicken may first come to mind. But a new museum exhibition in New York City is trying to expand visitors’ palates (味蕾). It features stories of famous cooks like Martin Yan and home cooks whose food represents 18 different regional cooking styles of China.

“I think it’s unfair to just classify Chinese cooking as one,” says Kian Lam Kho, an organizer of “Sour, Sweet, Bitter, Spicy: Stories of Chinese Food and Identity in America” at the Museum of Chinese in America. “Even with the same dish or same cuisine, every family has a different variation.” That’s why the organizers say if you want to taste the full range of Chinese cuisine in the US, you’ll need to go beyond restaurants and into home kitchens, which can play a central role in many immigrants’ lives.

“The kitchen itself is kind of a comfort when you come to a new country. That’s the one place where you set up as your home base, and you cook things that you remember from your past,” explains Audra Ang, another organizer.

One of the home cooks showcased in the exhibition is Ni Biying, 80, of Manhattan. She worked as a live-in babysitter for years before she could finally afford to rent a home with her own kitchen. These days, you can usually find her moving around her one-bedroom apartment as a sweet smell of vinegar and rice wine floats from her stove. For Ni, a small dinner for friends and family means preparing almost a dozen different dishes. She learned some of her techniques from her father, who made most of her family’s meals when she was a child. “I still miss the beef with stir-fried celery my father used to cook,” she says. And it’s the kind of comfort food that defines Chinese food for Ni.

1. What is the new museum exhibition mainly about?
A.Cuisine of different countries.B.Exploration of famous restaurants.
C.History of Chinese immigration.D.Stories of Chinese food and cooks.
2. Why does the kitchen play a key role in many immigrants’ lives?
A.It provides a wealthy life.B.It brings a sense of belonging.
C.It helps them to accept new cultures.D.It enables them to forget the past.
3. What can we learn about Ni Biying from Paragraph 4?
A.She worked in a Chinese restaurant.
B.She made most meals as a child.
C.She learned cooking from her father.
D.She lives with a big family.
4. What can be a suitable title for the text?
A.Cuisine Gains New Variations
B.Home Cooking Brings More to the Table
C.Immigrants Seek Their Fortune in the US
D.Chinese Restaurant Tells Immigrant Tales
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文章大意:本文是一篇说明文。文章主要介绍了由于短视频行业的爆炸式增长,中国传统文化和艺术在短视频平台上站稳了脚跟,吸引了大量年轻粉丝。戏曲、刺绣、剪纸、印染、皮影戏、油纸伞、竹编等非物质文化遗产项目也在短视频平台上积极推广。

10 . At one time, the inheritance of traditional drama was difficult. People of insight screamed “save drama”. Many celebrities and big names put down their figures and went to the community to carry out public welfare performances of opera, and did everything possible to expand the coverage of drama. In recent years, traditional Chinese culture and art has gained a foothold on short video platforms and attracted a large number of young followers thanks to the explosive growth of the short video industry. Relaxing, emotional and fragmented, these video contents perfectly match the demands of the users. With the application of new technologies such as social communication and immersive experiencing, short video platforms are seeing more users, becoming a shining spot of new Internet media.

Recently, Huangmei Opera “ Female Consort Prince ” became a hit on short video platforms as a lot of young users covered the aria (咏叹调) in their own way and showed great artistic talents. The interactive platforms are expanding the charm of the traditional opera among young people.

Peking Opera was also well-received on short video platforms thanks to a series of augmented reality (AR) effects. Users love to film clips with a set of virtual facial makeup, headwear and costumes. Statistics indicate that these effects were applied by more than 18 million users, most of whom were young people.

In addition to Chinese operas, intangible cultural heritage items, such as embroidery, paper-cutting, printing and dyeing, shadow play works, oiled paper umbrella making, and bamboo weaving are also actively promoted on short video platforms. In a word, short video platforms are becoming an important channel to display China’s intangible cultural heritage.

Short video platforms, offering a fun, popular and easy way to explore the traditional art forms, are receiving a lot of positive feedbacks from China’s young generations. The seconds, or minutes long videos, along with unlimited possibilities as well as richness of styles, have produced remarkable achievements in promoting traditional Chinese culture.

1. What mainly made the inheritance of traditional drama difficult?
A.The slow growth of industry.B.The insufficient coverage of drama.
C.The poorly-met demands of the users.D.The severe shortage of the drama actors.
2. What led to the promotion of Peking Opera on short video platform?
A.The social communication.B.The set of virtual facial makeup.
C.The positive feedbacks from users.D.The application of new technologies.
3. Why are paper-cutting and bamboo weaving mentioned?
A.To expand the charm of traditional Chinese culture.
B.To prove traditional art forms are actively promoted.
C.To show the current situation of these cultural heritage.
D.To offer new channels to display China’s cultural heritage.
4. Which of the following is the best title for the text?
A.The Bright Future of Huangmei Opera.
B.The Explosive Growth of the Short Video Industry.
C.The Simple Way to Explore the Traditional Art Form.
D.The Creative Combination of Culture and Technologies.
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