2 . Certainly, there are many non-verbal cues that have completely different meanings in different cultures. One of the most important means of non-verbal communication in any culture is eye contact.

Eye Contact in Western Europe

On the one hand, the European customs of eye contact—especially in such countries as Spain, France and Germany—are similar to those in the United States. It is considered proper and polite to keep almost continuous eye contact with another person.     1    

On the other hand, Europeans often avoid eye contact in crowded public situations—such as while walking through a busy downtown or riding public transportation.     2     This may happen when he is interested in them and try to express his interest by making eye contact. Therefore, it is important for visitors to understand the full meanings of what they may be suggesting by returning the eye contact given by someone else.

Eye Contact in the Middle East

    3     But they do have similarities in their rules for the proper eye culture. Eye contact is much less common and considered less proper in many of these cultures than it is considered in the United States.     4     These rules are connected to religious laws. Only a short moment of eye contact would be permitted between a man and a woman, if at all.

As you can see, it is important to know what eye contact communicates before you visit a new culture.     5     Learn how to use eye contact and other body language wisely so that you are regarded as polite, and so that you can better connect with people in a culture that is foreign to you!

3 . While the term cultural heritage is used to refer to both physical and intangible qualities, it is not limited to physical objects. It can also refer to beliefs, traditions, language, and food. These are often passed down from generation to generation.     1    The preservation of these cultural treasures can help promote global understanding and mutual respect.

    2    Determining what constitutes(构成) “cultural heritage” is often a challenging and contentious task, and advocates of cultural preservation and integrity are often accused of making false assumption(假设)about the cultures they study.

It is important to recognize that cultural heritage is not limited to physical objects and monuments. It also includes living expressions of culture inherited from our ancestors. Intangible cultural heritage refers to knowledge and practices related to the environment and traditional crafts.     3    It is essential to protect these valuable assets for their protection and appreciation.

    4     It is essential to preserve these objects in order to preserve their significance. And it is necessary to protect the intangible cultural heritage, because it is often overlooked. These works of art have symbolic and aesthetic(美学的) value and are valuable to the people of the country. Some of them are even more significant than the physical objects.

As cultural heritage is a part of a culture, it can be protected. However, if someone is trying to patent a design, you have to ensure that you do not copy it.     5    Whether they’re paintings, sculptures, or food, they’re worth protecting. Fortunately, it’s important to protect and conserve our cultural heritage. It’s the legacy of the culture and the way it was once lived.

7 . Between the 16th and 17th century, the efforts of France’s Jesuits played a key role in the transportation of science and culture between China and the West. Their first mission to reach China dates back to 1552, when St. Francis Xavier arrived on a Chinese island. He died on the island a year later, having never reached the mainland. But three decades later, the Jesuits made a second and successful attempt. During their stay, the Jesuits introduced Western science, mathematics, astronomy, and visual arts to China and took part in philosophical conversations with representatives of Confucianism. Importantly, the Jesuits also took precious art and cultural artworks back to France. Their furniture, architecture and design all became influenced by the Chinese style.

At the beginning of the 19th century, the popularity of chinoiserie (中国风格) continued to increase, particularly in England. Many of the architectures were covered with chinoiserie wallpaper relating to flowers, birds and trees. But shortly after, the popularity began to wane. The appeal of China and East Asia had to compete with other tastes, such as Turkish, Egyptian and Greek.

The first three decades of the 20th century witnessed a revival (复兴) in the popularity of chinoiserie both in Europe and America. Chinese dragons were drawn on cushions, curtains and wallpaper, while Chinese coats and hairstyles proved popular with women. The style was associated with modernity and was a by-product of World War I. Chinoiserie was associated with wealthy, stylish women and attached itself to the boom in entertainment as people dressed up to visit cinemas.

In 2024, chinoiserie is making yet another comeback. The rise of social media and home blog lifestyle pages has seen demand increase for imitations (模仿) of Chinese artwork and furniture. But critics point out how much of it is based on an idea of Chinese art and design and who actually creates it.

8 . Resting her phone on a stand and making the light more suitable, 49-year-old Lyu Min started her livestreaming session — her daily job during the COVID-19 outbreak. Dressed in a qipao, a traditional Chinese dress, Lyu started the livestreaming session from her workshop at 10 in the morning, sharing the art of making Chinese knots with many handicraft (手工艺) lovers. Lyu, an inheritor (继承人) of the art of making Chinese knots, which is listed as an intangible (非物质) cultural heritage, became a livestreaming host.

“Though the sales of Chinese knots have dropped a lot, I’m still confident that I can get out of the trouble brought by the outbreak. I can make full use of this period to improve my skills and develop this traditional handicraft online,” she said. Lyu is quite new to the world of livestreaming, having bought all the necessary equipment (设备) after following her friends advice. She practises livestreaming every day and records a large number of educational videos. As face-to-face interaction is still impractical for many, even as the outbreak has been largely brought under control in China, she thinks livestreaming classes can meet more Chinese knot lovers’ needs to learn the handicraft.

She has integrated the anti-epidemic spirit into her works, expressing the determination (决心) and confidence of the Chinese people to win against the COVID-19. “I love Wuhan, where I showed my works in 2019. Chinese knots are popular among many local people, and I made lots of friends there,” Lyu said. She designed a special Chinese knot to express her thanks to the medics who were sent to support Wuhan several months ago.

She has more than 200 followers right now. There are more and more Chinese knot lovers on her online platform. She is using a length of colored string and determination to keep this traditional art of Chinese knots alive online and help more people understand the culture.

9 . Every year on June 21st, World Music Day is commemorated in over 120 countries, including its birthplace of France, to honor both amateur and professional musicians. Citizens of a city or country are permitted and encouraged to perform music outside in their neighborhoods, public areas, and parks on Music Day. Free concerts are also held, where musicians perform for the joy of it rather than for a fee.

In the 1970s, American musician Joel Cohen, who was then working for a French radio station, came up with the idea of having musicians perform on the evening of June 21 to celebrate the start of summer. It was finally accepted by France’s Ministry of Culture in 1982. The day started in France and has since extended to countries such as Belgium, the United Kingdom and others. It’s the ideal time to learn a new instrument or listen to songs they wouldn’t ordinarily include on their playlist. Every type of musician can celebrate World Music Day with friends, family, and even strangers, whether they are young, elderly, new, or seasoned professionals. The purpose is to promote music.

It makes no difference how good you are at making music; everyone can do it. This day can be used by even the most tone-deaf folks to sing their hearts out and appreciate the beauty and power of music. Music is not only a great way to express yourself, but it may also be beneficial to your health. A song might bring back a joyful memory or make you feel energized when you listen to it.

10 . When I first met Nao Junior, he was in his 40s and one of only nine members of his Indigenous(土著的) group, Great Andamanese, who still spoke the idiom of his ancestors. As a language specialist, I had researched more than 80 Indian languages. I was on the islands to document their Indigenous voices before they faded into whispers.

Words in this language consisted of two classes: free and bound. The free words were all nouns that referred to the environment and its inhabitants, such as ra for “pig”. They could occur alone. The bound words were nouns, verbs, adjectives and adverbs that always existed with markers indicating a relation to other objects, events or states. The markers came from seven zones of the body and were attached to a root word to describe concepts such as “inside”, “outside”, “upper” and “lower”. For example, the morpheme(词素) er-, which qualified most anything having to do with an outer body part, could be stuck to -cho to yield ercho, meaning “head”.

Just as a head, a bound word, could not conceptually exist on its own, the mode and effect of an action could not be divided from the verb describing the action. Great Andamanese had no words for agriculture but a great many for hunting and fishing, mainly with a bow and arrow. Thus, the root word shile, meaning “to aim”, had several versions: utshile, to aim from above; arashile, to aim from a distance; and eshile, aiming to make a hole with a sharp object.

The studies established that the language seems to be truly old in origin. In a multistage process of development, words describing diverse body parts had changed into morphemes referring to different zones and combined with content words to yield meaning. The structure alone provides an insight into an ancient worldview in which the macrocosm(宏观世界) reflects the microcosm, and everything that is or that happens inseparably connects to everything else.