1 . What are pillows really stuffed with? Not physically, but symbolically? The question occurred to me with the photos of the international pillow fight in the news and social media from the 50 cities around the world. Armed with nothing more than bring-our-own pillows, strangers struck heavily each other from Amsterdam to Atlanta, Warsaw to Washington DC. But why? Is there anything more to this delightful celebration?
Actually, since at least the 16th century, the soft pillow has been given symbolic meanings. The Chinese playwright, Tang Xianzu, told a famous story in his work, Handan Notes. It was about a wise man who met a depressed young scholar at an inn and offered him a magic pillow. The scholar had a sweet afternoon nap on this pillow, dreaming that he had a more fulfilling life. When the young man awakened to discover that all was just a dream. The magic pillow’s power shifts from wonder to terror. What’s more, the 19th-century English novelist, Charlotte Bronte, poetically observed “a ruffled mind makes a restless pillow”. Perhaps Bronte learned this from the philosopher, Montaigne, who once insisted that “lack of thoughts in mind is the softest pillow on which a man can have a good rest”. On Montaigne’s thinking, intelligence and happiness compete against each other forever in a pillow fight that only one can win.
With the above information, we can perhaps more easily measure the attraction of the global pillow fight. Just like a ceremony of release, the annual international pillow fight amounts to a kind of cleansing, a brushing off of daily worries: an emptying of the world’s restless mind.
1. How did the writer lead into the topic of the passage?| A．By giving reasons. | B．By telling stories. |
| C．By using sayings. | D．By raising questions. |
| A．To state how pillows help people take a good rest. |
| B．To explain why pillows connect with people’s minds. |
| C．To claim that pillows can symbolically convey the meaning. |
| D．To describe that pillows always symbolize the good dreams. |
| A．A mind without any thoughts. | B．A mind with messy thoughts. |
| C．A mind that is peaceful. | D．A mind that is simple. |
| A．It mainly celebrates daily worries. |
| B．It contains a profound meaning of history. |
| C．People will feel relieved during the fight. |
| D．People will lose their inner peace during the fight. |
2 . How Sociologists Define Culture
Sociologists recognize that culture plays a crucial role in our social lives. It is important for shaping social relationships, maintaining social order, and in shaping our actions and experiences in society.
In brief, sociologists define the non-material aspects of culture as the values and beliefs, language and practices that are shared in common. Expanding on these categories, culture is made up of our knowledge, common sense, the norms and morals; the symbols we use to express meaning and ideas.
Sociologists see the two sides of culture — the material and non-material — as closely connected. Material culture emerges from the non-material aspects.
| A．Material culture is composed of the things that humans make and use. |
| B．This is why cultural products tend to follow patterns. |
| C．Without culture, we would not have relationships or society. |
| D．Culture is also what we do and how we behave and perform. |
| E．In other words, what we value and believe influences the things that we make. |
| F．Culture is distinct from social structure and economic aspects of society. |
| G．It is composed of both non-material and material things. |
May 18 was made as the International Museum Day every year by the International Council of Museums
The center of the Day this year
The Shaanxi History Museum Qin-Han Hall was opened to the public on this day
China continues to see a museum craze with 6,833 registered museums across the country—increased by 267 over the past year, according to statistics
In the past year, more than 40 thousand exhibitions and 380 thousand
4 . MUSICAL HERITAGES FROM ANCIENT CHINA
Since remote antiquity, Chinese people have used music to record their lives and describe the ideals in their hearts. Catchy tunes are not only played on precious instruments, but also visualized in carvings, paintings, and buildings. Feel free to explore here!
Han Dynasty (202 BC — AD 220)
This period marked the significant development of the manufacturing of guqin and its music. The example unearthed from the Mawangdui Han Dynasty Tomb in Changsha, Hunan province, proves that guqin had developed into the form known today during that period.
Northern Wei Dynasty (386 — 534)
Buddhism (佛教) and its musical culture spread extensively during this period. Buddhist temples provided places for musical activities, which were recorded in many of the-existing stone carvings. Located in Gongyi, Henan province, the Grotto Temple is famous for its reliefs (浮雕) representing musical events. They are precious historical materials reflecting the music characteristics of the dynasty.
Song Dynasty (960 — 1279)
With economic development, a variety of musical cultures emerged to meet the entertainment needs of different social classes. Part of the painting “Riverside Scene at Qingming Festival” vividly reveals a storytelling performance. The painter adopted delicate techniques to truly record a street performer, whose superb skills are reflected by each listener’s show of appreciation.
Ming Dynasty (1368 — 1644)
At this time, traditional Chinese operas developed rapidly, promoting the formation of many singing styles. People began to enjoy operas and drama stages were built. Covering a construction area of more than 160 square meters, the Fancun village drama stage in Shanxi province provides rich materials for the study of the local folk culture.
1. Which heritage would a fan of classical instruments explore?| A．The Ming Dynasty drama stage. | B．The Song Dynasty painting. |
| C．The Northern Wei Dynasty temple. | D．The Han Dynasty tomb. |
| A．Religion. | B．Economy. | C．Politics. | D．Technology. |
| A．Ming Dynasty witnessed the boom of traditional Chinese operas. |
| B．Most of the drama stages were built during the Northern Wei Dynasty. |
| C．The musical culture of Buddhism was developed during the Han Dynasty. |
| D．Buddhist temples were the main places for music al activities in the Song Dynasty. |
5 . It may seem as if Mother’s Day was invented by a company named Hallmark, but people have been giving a shout-out to Mom for a long time. A more recent tradition was Mothering Sunday, which developed in the British Isles during the 16th century. On the fourth Sunday in April, young men and women who were living and working apart from their families were advised to return to their mothers’ houses.
Mother’s Day as it is observed in the United States started in the 1850s with Ann Jarvis, a West Virginia woman who held “Mothers’ Work Days” to promote health and hygiene at home and in the workplace. During the Civil War, Jarvis organized women to improve sanitary conditions for soldiers on both sides, and after the war she became a peacemaker, bringing together mothers of Union and Confederate soldiers and promoting a Mother’s Day holiday.
Jarvis’s work inspired another 19th-century woman, Julia Ward Howe. In 1870, Howe published her “Mother’s Day Proclamation”, which envisioned the day not as appreciation of mothers by their children but as an opportunity for women to exercise their collective power for peace. Howe started holding annual Mother’s Day celebrations in Boston, her hometown, but after about a decade the tradition faded away.
It was Jarvis’s daughter, Anna, who succeeded in getting Mother’s Day recognized as a national holiday. After her mother died in 1905, Anna started holding yearly ceremony on the anniversary. In 1912, West Virginia and a few other states adopted Mother’s Day. Two years later, Woodrow Wilson signed a resolution naming the second Sunday in May as Mother’s Day, making it an official US holiday.
It wasn’t long before whatever ideals the day was supposed to celebrate were buried under an amount of greeting cards and candy. By the 1920s, Anna Jarvis was campaigning against the holiday she had created. “I wanted it to be a day of emotionalism, not profit,” she said.
1. Who plays the most important role in creating Mother’s Day?| A．Ann Jarvis. | B．Julia Ward Howe. | C．Woodrow Wilson. | D．Anna Jarvis. |
| A．In 1914. | B．In 1912. | C．In 1905. | D．In 1870. |
| A．Because the festival was not profitable. |
| B．Because the festival made her feel emotional. |
| C．Because the celebrations went against the original spirit. |
| D．Because she had no passion on holding celebration activities. |
| A．The Objection to Mother’s Day |
| B．The Argument on Celebrating Mother’s Day |
| C．The Story Behind the Creation of Mother’s Day |
| D．Different Forms of Celebrations on Mother’s Day |
A 63-year-old Chinese grandpa’s traditional carpentry skills are delighting tens of millions of viewers online as he creates woodwork
The Chinese master carpenter, Wang Dewen,
The master carpenter
7 . Walking through his neighborhood supermarket in Australia, where packs of Chinese sauerkraut line the shelves, Huang Xiqing feels like he’s shopping in his hometown of Shenyang in Liaoning province.
Chinese sauerkraut, a pickle made of wombok, or Chinese cabbage, is a traditional specialty of the northeastern region and is now sold across the country and exported.
In the past, only a few fresh vegetables were available during the cold northeastern winters. Wombok, which was cheap and could be stored for a relatively long period of time, gained popularity with ordinary households.
In Shenyang, 70-year-old Wang Shuqing still maintains the habit of making Chinese sauerkraut every winter. After harvesting wombok from her garden, she puts the leaves into a big jar along with water and salt and two months later, it is ready to eat.
However, it is no longer the main course on her menu for Lunar New Year’s eve, which now includes braised prawn, fried beef and carp cooked with sweet-and-sour sauce. “Now that our livelihood has improved and the logistics have developed, we can find whatever we want to eat during the winter,” she says.
“Now people have more food to choose from, they don’t just want enough food to eat, but also to eat well,” says Zhang Sining, a research fellow from the Liaoning provincial academy of social sciences.
Chinese sauerkraut has become a signature northeastern dish, and restaurants there now serve sauerkraut burgers and sauerkraut pizzas to cater (满足…的需要) to the tastes of young people.
For Huang however, Chinese sauerkraut is largely about nostalgia (对往事的怀恋) and an enduring link to home.
“Now that I have tried delicacies (美味佳肴) from across the globe, Chinese sauerkraut is still one of my favorites, and reminds me of my hometown,” Huang says.
1. Where is Huang Xiqing at the moment?| A．His neighborhood supermarket in Australia. | B．Chinese sauerkraut supermarket in Liaoning. |
| C．Shenyang in Liaoning province. | D．Supermarket in his hometown. |
| A．It is a traditional specialty of the northeastern region. | B．It is fresh vegetables. |
| C．It is inexpensive and kept for a long time. | D．It is a better snow artwork. |
| A．When people have more food to choose from, they don’t want food to eat. |
| B．If people don’t want food to eat, they will eat well. |
| C．Chinese sauerkraut is no longer the main course on her menu for Lunar New Year’s eve. |
| D．People not only have enough food to eat, but want to eat healthy and good nowadays. |
| A．Nostalgia and an enduring link to home | B．Delicacies from across the globe |
| C．A signature northeastern dish | D．Sauerkraut burgers and sauerkraut pizzas |
The guqin is the most classical of Chinese instruments with over 3,000 years of history. There is a lot of literature around the guqin, and information about the guqin is
To learn to play the guqin used to
Being at the top of the four traditional arts, the guqin has historically been regarded as one of the most important
In the classical repertoire (曲目), there is a famous piece called “High Mountain and Flowing Water” — derived from the ancient story of how the guqin master Bo Ya met his good friend Zi Qi
A stuffed toy named “Happy Loong” from Gansu Provincial Museum has recently differentiated
Modeled after a Ming Dynasty gold
Besides “Happy Loong”, the museum also
This
The success of these innovative (创新的) souvenirs lies in the ability to meet the demands of young people
Looking ahead, the museum souvenir market in China
10 . Accompanied by the rhythmic sound of bamboo strips (竹板), Yang Ziqi, 17, from Xi’an Qujiang No l High School, listens to interesting stories in the Shaanxi dialect. The stories range in subject greatly from the story of the Monkey King to instructions on garbage sorting.
“Shaanxi kuaiban is amazing. It can not only bring you great joy, but also broaden your horizons” said Yang. Shaanxi kuaiban is a traditional Chinese form of storytelling in the Shaanxi dialect to the rhythm of bamboo clappers. In June, it was recognized as an intangible cultural heritage at the national level. It can be performed by a group or solo. The art form can be traced back to the late Qing Dynasty (1644 — 1911). According to its performers, the art was originally used by farmers to share their knowledge and earn money. But now, more people perform Shaanxi kuaiban on different occasions-for example, at festival celebrations, parties and art shows.
Yang Jinlong, 45, is an experienced Shaanxi kuaiban artist. He first learned the art at the age of 9. Before that, he often went with his father, an amateur performer, to watch kuaiban performances.
“As a young boy, I was attracted to the art form because many of the stories are about heroes. The performer tells stories while playing kuaiban, and it’s easy for the audience to remember the stories since all the lines rhyme,” Yang said. He has practiced Shaanxi kuaiban for more than 30 years. Since 2003, he has been teaching the art form to young people. At 9 am on weekdays, he drives to primary and middle schools in Xi’an and teaches students about Shaanxi kuaiban until about 6 pm. Then, he returns home to prepare classes for the next day. On the weekends, he teaches for six hours each day at art education institutions in Xi’an.
Yang has made some adaptations to the art form to relate more to students. When he tells modern stories, Yang abandons the traditional gown and wears a suit. He also integrates many pop elements like tap dance, ballet, jazz dance and the rhythm of popular music into kuaiban performances. His stories focus on more trendy topics, like stories of heroes who have worked to alleviate poverty (扶贫), as well as the Chinese Olympic team.
“Art education is important for students in China. Just as many students learn to play Western musical instruments like the piano and violin, there are many people learning traditional Chinese folk arts, including Shaanxi kuaiban. They are committed and passionate,” Yang said.
1. What do we know about Shaanxi kuaiban?| A．It dates back to the late Ming Dynasty. |
| B．People perform it in Shaanxi dialect. |
| C．It was originally used by teachers for teaching. |
| D．It focuses on Chinese ancient literature. |
| A．Because all the lines rhyme. | B．Because he liked stories about heroes. |
| C．Because it was away to earn money. | D．Because he wanted to be like his father. |
| A．He wore local clothes of Shaanxi. |
| B．He told stories about superheroes. |
| C．He added pop elements to performances. |
| D．He performed Shaanxi kuaiban in We stem countries. |
| A．Talented and modest. | B．Patient and capable. |
| C．Determined and creative. | D．Humorous and responsible. |
