Dunhuang is famous for its ancient Mogao Caves,     1     treasure house of Buddhist art and texts. Over the past 30 years, the concept of Digital Dunhuang     2     (emerge).

Digital Dunhuang involves the use of modern technology such as 3D scanning and virtual reality (VR) to create digital copies of the caves and their     3     (price) contents. By doing so, it breaks     4     geographical barriers and allows people from anywhere to experience the beauty of these artworks without physically being there.

One notable project within Digital Dunhuang is the creation of a virtual library where     5     (scan) Buddhist texts are stored and can be accessed online. This not only aids in the     6     (preserve) of the delicate documents but also facilitates research and education globally.

Furthermore, the VR headset offers such an authentic scene of the cave     7     users can have a close-up view of the wall paintings and sculptures. This technology even permits a behind-the-scenes look at restoration efforts,     8     (develop) an understanding of the challenges faced in protecting these ancient wonders.

In essence, Digital Dunhuang is a proof of     9     cutting-edge technology can serve as a powerful tool for cultural conservation. It provides a bridge between ancient history and the modern world, ensuring that the legacy of Dunhuang remains alive and accessible for generations     10     (come).

Ancient China covered a vast and ever-changing geopolitical landscape,     1     the art it produced over three thousand years is, unsurprisingly, just as varied. Still,     2     continuous technical developments, and the influence of foreign ideas, there are certain qualities inbuilt in Chinese art.

Among these essential qualities, a love of nature, a belief in morality, and an interest in viewing the subject from various respects     3     (include). An important difference between China and many other ancient cultures is     4     many Chinese artists were not professionals but amateurs who were also scholars. Art, throughout most of China’s history, was meant to express the artist’s good character and not merely be an     5     (interpret) of his practical artistic skills.     6     (natural), there were professional artists too, employed by wealthy officials     7     (decorate) the walls and insides of their fine buildings. Of course, there were, too, thousands of workmen     8     (make) precious materials into objects of art for the few who could afford them.

Chinese art remained highly influential throughout     9     history of the country, inspiring greatly that of its neighbours in East Asia. And the worldwide appreciation of its achievements, especially in carving, painting, and building     10     (continue) to this day.

As a pioneer bullet train (动车) driver, Li Dongxiao, 52, is part of the history of China’s high-speed railway network. In 2008, he drove China’s first high-speed train,     1     (reach) 350 kilometers per hour, between Beijing and Tianjin.

    2     number on Li’s bullet train driver’s license is 0001, which led the media to give him the name of China’s “first” bullet train driver. “Over 14 years, the length of the network has grown     3     zero to more than 40, 000 kilometers, and more varieties of Fuxing bullet trains have been developed and adopted, ”he said.

However, all those     4     (impress) achievements came from the ground up. Driving at high-speed is among certain     5     (profession) that require strict training. In March 2008, Li, along with some of China’s best train drivers,     6     (select) to undergo training to operate bullet trains at the manufacturer, China CNR Corp. He participated in more than 200 test runs and created a guidebook for bullet train drivers,     7     was named after him as the “Dongxiao Manual”.

China’s high-speed rail network     8     (see) rapid development over the past 20 years. Li’s development has been intertwined with the evolution of China’s high-speed railway system. He no longer     9     (operate) bullet trains himself, but is now head of the Huairou North locomotive depot (机务段) in Beijing, which is the center of train operations, repair and maintenance. Even more importantly, it is     10     all the drivers receive their training.

Yang Jiang was a well-known Chinese playwright, translator, and author. She belonged to     1     unique and beautiful existence in Chinese literature. She was the first Chinese academic     2    (translate) Miguel de Cervantes’ Spanish novel Don Quixote to Chinese and at that time, her translation     3     (honor) as the recreation of the original work       4     the basis of loyalty.

Yang was born into a rich family in 1911,     5    (original)named Yang Jikang. After eventually     6     (graduate) from Soochow University, she enrolled at the graduate school of Tsinghua University. She met her husband there, Qian Zhongshu, another acclaimed writer in China.

Other than translations, Yang     7     (author) many plays, novels, and essays during her writing career. Her short novel Mr. Wang,     8    (write) in 1984, was selected as an article in the textbook. In 1986, she got the Civil Order of Alfonso X the Wise, a famous Spanish civil order, for her     9     (achieve) in Don Quixote. Her bestseller was We Three in 2003,     10     sales exceeded 180,000 copies in two months. Yang passed away in 2016, at the age of 105.

China has nearly 5,000 years of     1     (record) history. However, the history of Chinese furniture is even longer than     2     of its writing, which can be traced back to the Hemudu Culture more than 7,000 years ago.

During the Ming and Qing dynasties, most of the furniture was hand-made using high-quality hardwood     3     raw materials, which are now rare and expensive. Ordinary people often use wood such as pine, elm, and beech, but the quality between the woods    4     (different) greatly.

Classical furniture is mostly made by hand. Modern machines cannot     5     (complete) replace handwork. The shapes carved by the machine are neat but the lines are rigid and lacking vitality.

The most delicate aspect of Chinese classical furniture is the structural part of the furniture-mountains-and-treetops (榫卯) work. Combining pieces of wood together,     6     (use) nothing more than the wood itself, is a basic skill of all carpenters (木匠) in ancient China. It was first discovered in the wooden structure of the Hemudu site     7     the ancestors lived more than 7,000 years ago. This structure is the wisdom of the Chinese working people and fully represents the     8     (create) and artistry (艺术性) of humanity.

Ancient Chinese     9     (philosophy) have been expressed in traditional Chinese furniture. For example, Confucianism emphasizes gentleness and moderation.     10     (achieve) that, skilled carpenters properly matched the curves and straight lines of the furniture. That’s why Chinese furniture always displays both balance and stability.

Li Hongbo is a Chinese artist who makes     1     (incredible) complicated and stretchable paper sculptures, drawing on a rich history of traditional Chinese folk art. For thousands of years, paper     2     (use) to create lanterns, festive decorations and children’s toys.

“There is a Chinese saying, ‘Life is as fragile as paper,’ ” says Li. “It has had a huge impact     3     me.” Painstakingly constructed, each artwork opens out like the bellows (风箱) of an accordion(手风琴),     4     (reveal) a beautiful honeycomb pattern hidden between each layer. His works might be read as a visual challenge to     5     above-mentioned saying, arguing instead that, while life may indeed be as fragile as paper, there’s     6     (strong) in numbers.

Some of his larger artworks are made from 7,000 to 8,000 pieces of paper, all carefully     7     (glue) together at specific points by hand, resulting in a block     8     can move, bend and expand. Then this block     9     (carve) into shape with various tools.

These exceptional 3D paper sculptures are vivid and     10    (fascinate), showcasing Chinese craftsmanship, creativity and innovation.

Following the barbecue-induced travel craze to the city of Zibo in East China, Chinese social media has once again highlighted the next internet-famous city worthy of     1     (explore).

This time it’s Tianshui, a low-key city in China’s Gansu province that     2     (take) the spotlight recently. It has attracted considerable attention     3     food enthusiasts and social media influencers online,     4     (celebrate) the city’s iconic dish of hot pot.

Known as Tianshui Malatang, which     5     (literal) means spicy and hot, the local dish is popular for its large portion of skewered meat, vegetables,     6     hand-made potato noodles in a pot of boiling broth (肉汤).

Two food bloggers, with over 3 million followers in their account on the popular Chinese Weibo,     7     (be) among the influencers praising the deliciousness of Tianshui Malatang. Their vlogs show eager food enthusiasts lining up on the streets, many of     8     traveled from cities far away.

Dong Liangyan, 29, from Daqing in Heilongjiang province,     9     (locate) more than 2,000 km away from Tianshui, told Xinhua that she was absolutely delighted     10     (enjoy) the local delicacy.

Jiangsu, known for its unique blend of innovation and preservation, is a true treasure. I was     1     (incredible) fortunate to journey through the cities of Suzhou and Nanjing, both of which left me fascinated with their true impressiveness and eagerly     2     (long) to explore further.

My first stop was Suzhou.     3     (engage) myself in the local industrial atmosphere, I chose a hotel in the “industrial park”,     4     the coexistence of advanced manufacturing and natural beauty was most evident, as it was situated on the edge of a scenic lake, embraced by a vibrant landscape. As I adventured into the heart of the city, the Old Town’s ancient waterways led me on an     5     (explore) of history, and the classical gardens offered a glimpse into a     6     (story) past. However, what truly amazed me was the “energy of Suzhou” represented by its people who have enormous respect for their city’s time-honored history as well as     7     innovative eye on the future.

Actually, the mindset of modernization with deep respect for the past isn’t only unique to Suzhou     8     an indicative factor of Nanjing. High-rises decorate the city’s skyline, creating a distinct contrast     9     the ancient neighborhoods, temples, and buildings that     10     (occupy) previously by people. I never anticipated my expectations would be blown out of the water by “A tale of two cities”.

The awards ceremony for the Fifth Belt and Road Initiative (BRI)Short Video Competition took place in Chengdu, Sichuan Province. With     1    theme of “Open up a New Chapter Together through Connectivity”,the competition centered on the global practices of China’s modernization drive     2    highlighted the universal understanding of the BRI’s spirit and China’s strong desire to build a community with a     3    (share)future for mankind.

2023 marked the 10th anniversary of the BRI’s launch.By collecting short video stories from both builders and beneficiaries(受益者),the competition     4    (allow)audiences to grasp the key part of     5    (develop),social progress,cultural integration(融合),and people’s dreams in countries economic along the route.It also recreated     6    (memory) moments of genuine exchanges among people.

Among the over 1,000 entries from nearly 100 countries, 99 final winners were announced.“    7    one of the leading corporations engaged in the BRI, Dongfang Electric Corporation    8    (commit) to sustainable, high-standard development and people’s well-being since 2012,” noted Song Zhiyuan, a director of the company.“We’ve offered green energy equipment and services to over 100 countries and regions,    9    (project)a responsible image of China. Moving forward, we’ll grasp the opportunities to remain at the forefront of BRI’s joint construction and provide more top-level green energy     10    (global).”

In May, 2023, the National Museum of China (NMC) launched     1     (it) first original stage play, Joyful Songs In A Flourishing Age, as part of a project seeking to make cultural heritage active again.

Inspired by The Pottery Storyteller Beating A Drum, a piece in the NMC’s collection from the Eastern Han Dynasty,     2     play presented a fantasy “dialogue” between the ancient ceramic (陶瓷的) figures and the audience while     3     (integrate) art forms such as drama, musical and opera.

Dialogues    4     time and space are happening in new ways at the NMC. The bronze (青铜) exhibits from the Xia, Shang and Zhou dynasties    5     (display) inside the NMC’s Ancient China exhibition hall often lead visitors     6     (impress) by ancient Chinese civilization. Collectible cards featuring    7     (image) of the museum’s collections have also proven quite popular with visitors.

Since 2018, the NMC    8     (develop) virtual exhibition halls and published short videos on its social media platforms. Therefore, visitors can enjoy exhibitions online, getting a taste of Chinese culture without even leaving their homes. Not only can cultural and creative products bridge gaps,     9    they can also help visitors better relate to     10     (hide) cultural meanings.