1 . Mary Shelley bends over her latest creation. Although the carving is only half complete, the image of a waitress holding a plate of eggs comes out from the board. Of Shelley’s nearly seven hundred carvings, many show scenes with cows on farms and people in restaurants.
From memories to carvings
“My work is a visual diary, ” Shelley says. “The carvings describe things I have experienced and felt at different times in my life.”
Every one of her carvings tells a story. Many of the stories in Shelley’s woodcarvings come from memories of her childhood in a rural (乡村的) area outside of Doylestown, Pennsylvania. Shelley’s family managed a small farm. Mary was a serious girl who spent a lot of time raising animals, exploring outdoors, and reading. Although Shelley never felt especially artistic as a child, there was always an art project in the works in the Shelley household. Her grandmother painted. Her father was a commercial artist, who drew and wrote to make a living.
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Shelley attended Cornell University and hoped to become a writer, but an unusual present took her in another direction. At age 23, she received a gift her father had made-a woodcarving of her as a girl on the farm. The gift caught her interest. After gathering boards from a building site where she worked as a carpenter, Shelley bought some tools and taught herself to carve.
Shelley soon realized that she loved the slow, thoughtful process of working with wood and painting. “A carving is like a jigsaw puzzle (拼图游戏),” she explains. “I didn’t know how it would all fit together, but the process of solving the puzzle kept me going.”
The Shelley style
Early in her career, people hired Shelley to carve special pieces that took four or five weeks to complete. The money she received motivated her to try more complicated scenes created by carving deeper in the wood. Over time, Shelley’s art began to have its own style. In a typical Shelley woodcarving, some objects seem to reach out of the frame while others drop back, creating a feeling of depth.
1. What can we infer from the “From memories to carvings” part?| A．Art is from but beyond life. | B．Life is short and art is long. |
| C．It is great art to laugh at your own misfortune. | D．Knowledge without practice makes but half an artist |
| A．Life in School | B．A Dream Come True |
| C．A Life-Changing Gift | D．Jigsaw Puzzles and Carving |
| A．The dream to be an artist in her childhood. | B．Her father’s low-relief carving for her. |
| C．The rugs hooked by her grandmother. | D．Her school life in Cornell University. |
| A．is very popular | B．is very expensive |
| C．has simple scenes | D．creates a feeling of depth |
1. What is the man’s problem?
| A．He forgot his password. | B．He can’t use the system. | C．He can’t find his computer. |
| A．Beside the stairs. | B．At the back of the lift. | C．Next to the reception desk. |
