A.Impatient. | B.Confused. | C.Sincere. | D.Comfortable. |
A.What the man is reading is too difficult. | B.The man misjudges Mary’s expression. |
C.Mary’s habit caused her trouble in work. | D.Mary dislikes reading books after work. |
A.Read the speech to her. | B.Give a different speech. |
C.Finish writing the speech. | D.Stop worrying about the speech. |
Are You Ready to Hug a Robot?
Getting hugged tends to be a powerful positive emotional experience. Hugs have been shown to enhance social bonding and emotional well-being. However, not everyone can get a hug
How can this problem be solved?
A new study, which
The findings of the study indicate that it is possible to design a robot that people enjoy to hug. Details matter here, as the intra-hug gestures played a significant role in determining how much the human volunteers enjoyed the hug.
5 . From Marie Tussaud’s Chamber of Horrors to Disneyland’s Haunted Mansion (鬼屋) to horror-themed escape rooms, haunted house attractions have terrified and delighted audiences around the world for more than 200 years.
These attractions turn out to be good places to study fear. They help scientists understand the body’s response to fright and how we perceive some situations as enjoyably thrilling and others as truly terrible. One surprising finding: having friends close at hand in a haunted house might make you more jumpy, not less so.
Psychologist and study co-author Sarah Tashjian, who is now at the University of Melbourne, and her team conducted their research with 156 adults, who each wore a wireless wrist sensor during their visit. The sensor measured skin responses linked to the body’s reactions to stress and other situations. When the sensor picked up, for example, greater skin conductance — that is, the degree to which the skin can transmit an electric current — that was a sign that the body was more aroused and ready for fight or flight. In addition to this measure, people reported their expected fear (on a scale of 1 to 10) before entering the haunted house and their experienced fear (on the same scale) after completing the haunt.
The scientists found that people who reported greater fear also showed heightened skin responses. Being with friends, Tashjian and her colleagues further found, increased physiological arousal during the experience, which was linked to stronger feelings of fright. In fact, the fear response was actually weaker when people went through the house in the presence of strangers.
Other investigators have used haunted houses to understand how fear and enjoyment can coexist. In a 2020 study led by Marc Malmdorf Andersen, a member of the Recreational Fear Lab at Aarhus University in Denmark, scientists joined forces with Dystopia Haunted House. The Danish attraction includes such terrifying experiences as being chased by “Mr. Piggy”, a large, chain-saw-wielding man wearing a bloody butcher’s apron and pig mask. People between the ages of 12 and 57 were video recorded at peak moments during the attraction, wore heart-rate monitors throughout and reported on their experience. People’s fright was tied to large-scale heart-rate fluctuations; their enjoyment was linked to small-scale ones. The results suggest that fear and enjoyment can happen together when physiological arousal is balanced “just right”.
1. Studying haunted house attractions helps scientists to learn about ________.A.the psychological effects of fear on individuals |
B.the history of horror-themed entertainment |
C.the body’s response to material rewards |
D.the impact of technology on people’s enjoyment |
A.By surveying participants. | B.By analyzing historical records. |
C.By employing wireless wrist sensors. | D.By using virtual reality simulations. |
A.Being with friends elevated level of physiological arousal. |
B.The fear reaction was stronger in the company of strangers. |
C.Psychological effect was unrelated to intensified feelings of fright. |
D.Those reporting lightened fear showed increased skin responses. |
A.fear and enjoyment can not happen at the same time |
B.large-scale heart-rate fluctuations were linked to enjoyment |
C.the age of the participants was not related to the study’s findings |
D.fear and enjoyment can coexist under certain conditions |
A.He desperately needs an explanation. |
B.He knows why Sam is in a bad mood. |
C.He will make Sam feel better. |
D.He will keep his distance from Sam. |
A.He is usually not bad-tempered. | B.He doesn’t like the man. |
C.He started the semester in a bad mood. | D.He has few responsibilities. |
A.Happy. | B.Angry. |
C.Relaxed. | D.Confused. |
9 . You constantly find yourself apologizing to a friend when you’ve done nothing wrong. You feel you must obey someone’s demands, or they will be upset with you or even harm you or themselves. An unclear or specific threat is made that causes you to fear that someone will reveal a secret or weakness, so you do what that person wants. Or perhaps a relative is trying to make you feel obliged to do something by saying, “That’s what friends or family do for each other.” They arouse feelings of guilt in you for not meeting their needs.
If you have had experience with any of these cases, then you are the victim of emotional blackmail (勒索). This style of handle controls you through your emotions. Fear, obligation and guilt - FOG - are used by an emotional blackmailer to get what they want from people.
Anyone - a friend, colleague, parent, partner or other family members - could be that person. Their demands are intended to control their victim’s behavior in unhealthy methods. Intentional or unintentional, if your needs are always brushed aside in favor of the other person’s, things need to change.
Dr. Susan Forward identifies six stages in emotional blackmail. Implied or obvious demands come first. “I don’t think you should do things with that person. They’re not good for you.” After this kind of statement, the ball is in the victim’s court, so stage two is resistance. The victim often avoids the blackmailer or suggests alternatives instead of saying no. Stage three is persistent pressure by the blackmailer: “If we were really friends, you’d do it.” Stage four involves threats: “If you don’t do this...then I will ...” The victim doesn’t want the blackmailer to make good on their threats, so obedience, which is stage five, often leaves the victim feeling guilty or resentful. In stage six the blackmailer backs off until the next demand.
What can you do? First, recognize if you are being pressured, threatened or controlled. Stay calm, and stop so you can consider other possibilities. Identify your triggers; don’t be pressured into an immediate response. Offer a compromise (妥协). Tell the blackmailer how you feel, and give them a chance to acknowledge their behavior and change. If they won’t, walk away from the relationship. Under no circumstances should you let your fears be used against you.
1. According to the passage, emotional blackmail means ______.A.a kind of emotion that can be mailed to others online |
B.a kind of action to influence others by means of emotion |
C.a colour that can greatly influence others’ emotion |
D.a situation where emotion can be stored and given out freely |
A.To illustrate the process of emotional blackmail. |
B.To explain the origin of emotional blackmail. |
C.To prove the existence of emotional blackmail. |
D.To demonstrate the theory of emotional blackmail. |
A.amazed | B.frightened | C.indifferent | D.angry |
A.wherever you are, it is impossible to avoid emotional blackmail in life |
B.whenever you’re emotionally blackmailed, just let it be with no response |
C.it’s an advisable way to give a proper response when emotionally blackmailed |
D.it’s a correct response to sincerely negotiate with emotional blackmailer then |
10 . The Dance of Life
Before children learn to talk, and without having seen anyone dance, they express happiness through simple rhythmic movements or what we later recognize as simple dances.
Nevertheless, it is only human beings who have adapted dance to therapeutic purposes. Dance as therapy goes back a long time. Primitive people first danced by themselves instinctively and found, after a while, that repeated rhythmic movements produced a good feeling.
But the “primitive” use of dance as therapy has recently seen a huge revival.
A.Dance has always seemed to have a magic healing power. |
B.And it’s not only humans that dance-animals and insects dance as well. |
C.Never before has there been such interest in courses offering dance therapy. |
D.Those with medical problems can’t tell they are in therapy because they are just having fun. |
E.Associations were formed between dance and this positive effect on the mind and emotions. |
F.They dressed up as animals and jumped up and down making animal movements and noises. |