Dumpling is a Chinese cuisine. Actually, the tradition of eating dumplings during winter solstice has its     1     (originate) in early times.

It is said that dumplings were invented by Zhang Zhongjing, a     2     (fame) physician from the Eastern-Han Dynasty. He was once     3     official in Changsha.When he returned home for private life, he saw people lived an     4    (extreme) hard life and that their ears were red with cold in the snowing winter. He was sad and let his follower cook     5     (drive) out the chill with mutton, hot pepper and some medicine. Zhang let him boil them first and cut them up, then wrap them with flour. After     6     (boil) them, he gave the medicinal food to the people there on the day of the winter solstice. Zhang Zhongjing called it “cold dispelling dumpling soup”. By eating this kind of ear-like food, people’s ears     7     (cure).

Thereafter, every winter solstice Zhang Zhongjing made “cold dispelling dumpling soup” in order to prevent and cure ailments     8     (cause) by the cold. Then there became a saying that     9     you eat dumplings during the winter solstice, then you won’t freeze your ears off.

Afterwards, Zhang Zhongjing died on the day of winter solstice.     10     honor of him, every household makes dumplings every year on the day of the winter solstice.

On the north bank of Fuxian Lake in Chengjiang County, Yunnan Province sits a straw-hat-shaped mountain     1     (call) Maotian Mountain,     2     a 512-hectare site is praised as a “world-class treasure trove of fossils” by the international scientific community. On July 1,1984, young paleontologists in China discovered a fossil of the arthropod (节肢动物化石) with a long tail in Maotian Mountain. “    3     we had studied in China were just shell of fossils. The arthropods, lifelike fossils with legs, which belonged to fossils of soft-bodied animals, are     4     game changer in the research of China’s paleontology (古生物学)”, Hou Xianguang, a paleontologist said.

Scientists have obtained a large number of research results on Chengjiang Fossil Site. The reason why Chengjiang fauna (动物群) is     5     great significance is that it is closely related to the emergence of the animal tree of life.

Up to now, more than 20 phyla and more than 280 species     6     (record)in the Chengjiang Fossil Site, of which, 80% are new species. On July 1, 2012, the Chengjiang Fossil Site     7     (be) inscribed on the World Heritage List by UNESCO,     8     (become) China’ s first World Heritage Site for paleontological fossils.

The UNESCO evaluation says the Chengjiang Fossil Site is one of the     9     (early) records of a complex marine ecosystem of the early Cambrian communities. The property displays excellent quality of fossil     10     (preserve). It presents an exceptional record of the rapid diversification of life on Earth during the early Cambrian period.

On 1 June, 1910, the race to the South Pole     1     the Norwegian and the British     2    . Amundsen left on 8 September 1911.He     3    great progress because he had teams of dogs     4     (pull) the sledges and all his men were on skis.They arrived at the Pole on 14 December, 1911 and became the first     5     (arrive)there.Scott left on 1 November     6     his two sledges broke     7     first and then his horses had difficulties with the cold and the snow. They finally made it to the Pole and were       8     (shock) to find that they had failed to win the race.On their     9    (dead)return journey, they still found time to look for rocks.Their great courage made them into     10    (hero).

6 . In 1879, an 8-year-old girl made a discovery that would rock our understanding of human history. On the walls of Altamira cave in northern Spain, she spotted amazing drawings of wild cows, painted in vivid red and black. More striking even than the images was their age: they were made thousands of years ago by modern humans’ supposedly primitive ancestors. Today, nearly 400 caves across Europe have been found decorated with hand stencils (模板), strange symbols and beautiful images of animals created by these skillful artists.

The discoveries led to the view that artistic talent arose after modern humans arrived in the region some 40,000 years ago, as part of a “cultural explosion” reflecting a flowering of the human mind. But more recent evidence has blown this idea out of the water. For a start, modern humans might not have been the first artists in Europe. What’s more, a collection of cave paintings emerging in Indonesia has dismissed the idea that Europe was the centre of creativity.

Local people have long known that the caves of the island of Sulawesi, Indonesia, contain many painted images. Modern humans are thought to have reached the region some 65,000 years ago, but nobody imagined the art could be very old because ancient paintings seem unlikely to survive in the environment of high temperatures. A team of researchers led by Maxime Aubert, now at Griffith University in Australia, upended this idea using a technique that is shifting our understanding of cave art. Using this technique in seven caves, they found a hand stencil was at least 39,900 years old, making it the oldest known hand stencil at that time.

This opened a floodgate to new discoveries in Indonesia. These included a hunting scene created at least 43,900 years ago, and by far the oldest descriptive artwork. “When we found that image, we were absolutely delighted, but when it turned out to be that old, we were almost jumping with joy,” says Adam Brumm, also at Griffith University.

During China’s dynastic period, emperors planned the city of Beijing     1     arranged the residential areas according to social classes. The term “hutong”,     2     (original)meaning “water well” in Mongolian, appeared first during the Yuan Dynasty.

In the Ming Dynasty, the center was the Forbidden City,     3     (surround)in concentric(同心的)circles by the Inner City and Outer City. Citizens of higher social classes     4     (permit)to live closer to the center of the circles. The large siheyuan of these high-ranking officials and wealthy businessmen often     5     (feature)beautifully carved and painted roof beams and pillars(柱子). The hutongs they formed were orderly, lined by     6     (space)homes and walled gardens. Farther from the center lived the commoners and laborers. Their siheyuan were far smaller in scale and     7     (simple)in design and decoration, and the hutongs were narrower.

Hutongs represent an important cultural element of the city of Beijing. Thanks to Beijing’s long history     8     capital of China, almost every hutong has its stories, and some are even associated with historic     9     (event). In contrast to the court life and upper-class culture represented by the Forbidden City, the Summer Palace, and the Temple of Heaven, the hutongs reflect     10     culture of grassroots Beijingers.

10 . If you travel to nearly any Chinese city in the summertime, you will see people, mostly men wearing T-shirts, sitting out on the sidewalks on low chairs in the shade, playing a game with large round disks of wood.     1     Xiangqi dates back as early as the Warring States period. While experts have different opinions as to who created Xiangqi and how it is linked to Western chess, there is no doubt that by the Tang Dynasty Xiangqi was a popular game in China.     2     And in the 20th century both Sun Yat-sen and Zhou Enlai were big fans of the game.

And, though it may look quite a bit different than Western chess, Xiangqi is actually quite similar in what the pieces can do and how the game is played. Like Western chess, the object of the game is to capture the other player’s “king”.     3    

Unlike Western chess, instead of placing the pieces in squares, the pieces are placed on the intersections of lines. Another big difference between Western chess and Xiangqi is that there is a large empty space in the middle of the board, which the elephants cannot cross.     4     This space refers to an area in China where Liu Bang and Xiang Yu had a life-or-death war. The war was so influential that “the Chu River and the Han Boundary” has become a metaphor(隐喻)referring to any boundary between two opposing armies. When the Chinese people today see this name on the board, the battle scenes come to their mind, as though they are surrounded by thick smoke, able to hear the beating of war drums.     5