4 . 听下面一段独白，回答以下小题。

Chang’an Tower, also known as the Great Wild Goose Pagoda, is an architectural wonder     1     (locate) in Xi’an, China. With its rich historical significance and stunning beauty, this ancient tower stands as a masterpiece of China’s cultural heritage.

    2     (original) built during the Tang Dynasty in the 7th century, Chang’an Tower served as a Buddhist pagoda, housing Buddhist materials that the monk Xuanzang brought from India. Its construction     3    (order) by Emperor Gaozong to promote Buddhism and facilitate (使……便利) the translation of Buddhist scriptures (佛经)     4     Chinese.

Rising to a     5     (high) of 64 meters, the square-shaped, thirteen-storey tower showcases the splendid craftsmanship of ancient Chinese craftsmen, each storey of     6     exhibits unique architectural features,     7     (reflect) the cultural influences of the time. Visitors can go up the internal staircase to the top for magnificent     8     (view) of the city. Surrounding the pagoda, the serene gardens and the Da Ci’en Temple offer a peaceful retreat as well.

Whether it is for experiencing a piece of history     9     exploring cultural wonders, Chang’an Tower is     10     essential destination for those exploring China’s vast historical landscape.

6 . As archaeologists (考古学家) examined ancient tombs in Turfan in western China, they discovered some surprisingly well-preserved and familiar relics. Though hardened from over 1,000 years, there sat little dumplings.

Exactly who invented dumplings remains a mystery. But some scholars suspect they were first spread by nomadic (游牧的) Turkic peoples living in western China and Central Asia. This is thought to be the case because “manti,” meaning “dumpling” or “steamed bun” in many Turkic languages, appears to be the root word for dumpling in several other languages. Ancient Turkic people probably filled their dumplings with meat. But it’s unclear when this practice began, or whether they learned the art of dumpling-making from others. However this happened, dumplings certainly gathered steam in ancient China.

Dumplings continued to take off and diversify in China over the next thousand years. Instead of the traditional meat filling, some communities chose vegetarian (素食) dumplings. People developed new cooking methods. The relationship between Chinese dumplings and those in other areas is tricky to trace, but food historians have made their best guesses based on available clues.

Besides Turkic tribes, some scholars believe that the Mongol Empire also contributed to the spread of dumplings, perhaps introducing them to parts of Eastern Europe. These dumplings could have come by way of China or directly from some of the Turkic peoples the Mongols hired to run their empire. One theory is that this gave rise to dumplings like pelmeni in Russia, pierogi in Poland and vareniki in Ukraine. The Mongol Empire also controlled Korea and might have likewise introduced dumplings there. Later, after Chinese dumpling varieties were introduced to more countries, English speakers began calling them dumplings, which means “little lumps”. During the Second World War, Chinese “jiaozi” were brought to Japan. So what about the Italian dumpling-like pasta? Some historians think it might be brought by Arab conquerors.

It’s unlikely that all dumpling dishes came from the same root tradition. However, we can appreciate the mysterious historical web that made dumplings so various.

Xi’an, capital city of Shaanxi, served as the capital of 13 dynasties in Chinese history, which in total     1    (last) about 1,100 years. Consequently, the ancient history of Shaanxi is to some degree the ancient history of China. Shaanxi History Museum considers     2     a duty to be a showcase of Chinese ancient civilization.

People call Shaanxi History Museum “Bright Pearl in Ancient Capital and Precious Treasure of China”, for it is an art palace     3    (full) showing Shaanxi history and culture as well as Chinese ancient civilization. Its architectural buildings and exhibits have made it famous as a first-class museum in China     4     it was opened to the public in 1991. It covers     5     total area of 65, 000 square meters.

The basic halls in the museum are divided into three exhibition halls     6     2,000 cultural remains to display the history of ancient times in chronological (编年的) order. The first exhibition hall     7    (locate) on the ground floor while the other two are on the second floor.

While     8    (design) the buildings in Shaanxi History Museum, the great designer used     9    (tradition) palace construction of Tang Dynasty for reference. Adopting symmetry axis (轴对称) layout with main and supporting buildings in order, the complex     10    (architecture) show the unique presence of Tang Dynasty.

The recent opening of a new exhibition building at the Sanxingdui Museum, in Guanghan, in Sichuan province, made the place     1     instant tourist hot spot. The bronze heads, golden masks, holy trees and various statues reveal the    2     (mystery) faces of a culture dating back more than 3,000 years.

For those who cannot make it to Guanghan,     3     the extensive site of Sanxingdui is located, an immersive exhibition     4    (equip) with digital technology, titled Hello Sanxingdui,     5     (offer) an alternative means to be awed by the magnificence of this Bronze Age culture. It is running at the Longfu Art Museum in Beijing until Feb 29.

It provides a time-travel experience for both an educational and artistic appeal. The journey begins     6     a brief timeline of texts, photos and videos, showing how Sanxingdui was first discovered in the 1920s, when objects were found by farmers digging an irrigation ditch (灌溉沟渠); and it highlights the important moments in the past century’s continued archaeological efforts, to reveal the myths surrounding Sanxingdui and the secrets yet     7     (uncover).

On show     8     life-size reproductions of dozens of astonishing artifacts, supervised by Sanxingdui Museum, such as 2.6-meter bronze statues, 3.8-meter-wide bronze masks and “the holy tree” standing nearly 4 meters.

Images of these objects found at Sanxingdui and their     9     (pattern) have been digitalized, animated and projected on screens, leading the audience into the ancient kingdom of Shu, a     10     (civilize) that thrived for centuries in the southwest during the Zhou Dynasty, and disappeared suddenly, leaving many myths and legends.

Located in Guanghan city of Southwest China’s Sichuan Province and covering an area of 12 square kilometers. Sanxingdui Site is the remains of the ancient Shu culture, which dates back     1     4,800-2,600 years ago, and is considered to be one of the     2     (great) archaeological (考古的) discoveries in the 20th century. This particular discovery is a strong proof of the     3     (exist) of the ancient Shu State and the integrative pattern of the multi-cultures of the Chinese nation.

In fact, as a cultural site,, Sanxingdui had come into the notice of archaeologists in as early as the 1930s, and     4     (exploration) were made soon. It all began     5     a farmer called Yan Daocheng dug out a number of treasures     6     (accidental) in the spring of 1929. In the summer of 1986, thousands of rare treasures were unearthed from two large newly-discovered sacrificial pits (祭祀坑). The unearthed objects are unique in shape and superior in techniques,     7     (confirm) the extraordinary creativity of the ancient Shu people and their desires     8     (connect) with and understand the universe.

After sleeping for 3,000 years, their awakening has shocked the world. When our eyes     9     (caught) by the creations of the ancient Shu ancestors, it is     10     encounter with a civilization lost for 3,000 years.