3 . As the clocks strike midnight one by one on New Year’s Eve, one song will ring out more than any other from the world’s crowds — “Auld Lang Syne”, the Scots-language ode (颂歌) to friendship and good times past, which was first set to paper by the Scottish poet Robert Burns, though he claimed he was not its original author, only a documentarian of one part of an old oral folk tradition. According to historian Dr. Morag Grant, the concept of   “auld lang syne” was once a Jacobite tradition.

Burns’ version quickly became popular in Scotland after it was published in 1799, and thanks to that Scottish diaspora—which carried its folk traditions to places like the States, Canada and New Zealand — snatches (音乐片段) of   “Auld Lang Syne” are productive throughout history.

It was in 19th-century England that the New Year’s Eve tradition emerged. At St Paul’s in London, Scotts who went abroad would gather together and belt out the words to “Auld Lang Syne”. “To miss it in the eyes of some Scots would amount to little less than a crime,” the Edinburgh Evening Courant wrote at the time.

An increasingly connected world helped to promote the song’s spread. The inventor of the telephone, Alexander Graham Bell, sang it down the mouthpiece to demonstrate the new telecommunications equipment. Later, another scientist called Emile Berliner chose it as one of the first songs to be recorded on the gramophone. In 1929, the bandleader Guy Lombardo began the tradition of playing “Auld Lang Syne” from Times Square, first on radio and then on television.

From its folkloric beginnings, “Auld Lang Syne” has travelled far, shapeshifting and acquiring new meaning as it passes between people and cultures. Today, it symbolises friendship and fond memory for communities across the globe, and it becomes the second most sung song in the English language, beaten only by “Happy Birthday”. It’s quite a success for a poem written in a Scottish minority language.

4 . The Music Educator Award, this year, went to Annie Ray, an orchestra(管弦乐队)director at Annandale High School.She was recognized for her efforts to make music accessible to all students, particularly those with disabilities.Ray got to attend the awards ceremony in Los Angeles and bring home a $10,000 prize.

Ray created the Crescendo Orchestra for students with severe intellectual and developmental disabilities, as well as a parent orchestra that teaches nearly 200 caregivers a year to play the same instrument as their child.Ray also works with a local charity to give damaged instruments a second life in her classroom.

The orchestra is about much more than just making music.The most important is to give students a chance to develop their cooperation skills, make mistakes and learn the art of refining something.Ray pushes her students to be brave, go outside their comfort zone and realize they have to learn how to make bad sounds before learning how to make good sounds.And they teach her a lot in return.” They changed my educational philosophy.I understand what it truly means to meet a student where they’re at and apply that elsewhere,” she said.

The warm reception on the ceremony was meaningful.Actually, not many people understand what exactly music educators do or how much their work matters.While her administration is supportive, that lack of understanding is a problem facing the profession in general.Another is resources.She says her school “desperately” needs new instruments.She will use some of her prize money to buy more.

Ray also plans to put some of the money towards an ongoing scholarship for students who want to pursue music when they graduate.She knows of several, those particularly interested in music, and aims to offer financial support needed to realize their musical dreams” It is hard but truly satisfying,” Ray said.“And there’s nothing else like it for them.”

6 . Mary Dickins had been a member of the audience at poetry nights before and knew “the poetry clap”. She made a polite tapping of fingers. But when she made her debut (首次演出) as a performer at the age of 62 at the legendary Bang Said the Gun night in south London, she said, “It was so wild — like nothing I had ever seen before.” The audience stamped their feet and shook shakers. “It felt transformative. I thought, ‘I’ve got to have more of this,’ ” Dickins said. Becoming a performance poet has given her a place on a stage of her own making.

All her life she has written, mostly without being seen or heard. Her mother died when she was nine, and, after she went into a care home at 13, Dickins’ writing stayed in notebooks. Really, she says, a lot of her adult life has been about getting over childhood shyness. At university — she studied education — she met her husband of 40 years, but in three years of seminars she did not say a word. Some of this results from her years at the children’s home. She says, “It gave me a sense of what it’s like to be excluded. I never fitted in anywhere.”

After she graduated, she discovered that she loved working with people with learning disabilities. She became an expert in inclusive education. “That was my niche (称心的职业),” she says. She published books and returned to the University of North London as a senior lecturer in early childhood studies.

Dickins now sees that in adulthood she has been giving herself permission to be silly. “The sillier I allow myself to be, the better the writing is,” she says. Her observations are humorous.

“Putting things into words and giving shape to your emotions is an important part of coming to terms with the things that happen in life,” she says.

Does she still feel like an outsider?

“I think I’ve made it into a virtue. I celebrate the fact that I don’t fit into a box. Finally! You have to wait till you’re 62 to feel confident!” she says. “But I have a sense of who I am and I'm proud of it. I wouldn’t be anyone else now — and it took me a long time to say that.”

9 . An orchestra is attempting to bring people living with dementia (痴呆) back into the present. The work being done by Manchester Camerata has never been more important, given that there are about 900,000 people with the condition in the UK, a number that is predicted to nearly double by 2040.

People with dementia often find listening to music can reignite old memories from long ago. Much more overlooked, though, is the impact that making music can have on the present. While some with dementia can often feel trapped in the past, some researchers believe the act of creating music—as well as listening to it—can help to reconnect then to the here and now.

A new BBC documentary—Dementia, Music and Us—follows the work of Manchester Camerata and its principal flautist (长笛手) Amina Hussain. who, also a professional music therapist, leads classes across the north-west of England that have been described as life-changing. Classes for the community consist of improvisation (即兴创作), singing, and writing their own music.

Keith, 62, was diagnosed with dementia when he was 53. Like many, he really struggled to come to terms with his new reality. He found the sessions to be genuinely life-changing. “I think the thing that saved us was the first ever music group we went to because from that group it opened other groups up for us.” he said. “The workshops make you smile, enjoy life and it just brings the best out of you.”

Researcher Dr Dowlen is seeking to better understand the “in the moment” benefits of music-making for people with dementia. She believes the improvisational music workshop experience allows people to “create something that is held now in the moment.” She added, “Improvisational music-making is particularly important for people with dementia, especially when it comes to building their confidence and their self-esteem.”

10 . At the age of 12, I withdrew into my bedroom with my guitar. I had neither musical talent — many_______music lessons had proved that — nor musical training. My fingers ached as I tried to press down on the strings without making them buzz (发出嗡嗡声). _______, I worked my way through 2-, 3- and even 5-chord (和旋) songs and discovered the _______ thrills of these musical notes. No one _______ me to do this. I did this myself and of my own free will for a week, and the sense of happiness－ true happiness _______ in absorption in something － has _______ me. Fifty years later, that week’s self-directed practice became a model and _______ for almost every meaningful thing I have done since. It makes me understand the _______ between achievement and accomplishment.

The world favors achievement while _______ accomplishment. The former is the completion of the task imposed (强加) from the outside — the ________ being a path to the next task. The latter is the end point of an activity we have chosen, whose bonus is the sudden ________ of happiness.

The seeking of accomplishment always ________ people. I learned so long ago in that ________ week that simply lifting one finger from the guitar’s C chord, you should get the most moving ________ in tune. I didn’t know then it was a major 7th chord, a favorite of some masters’. I just ________ accomplishment. That’s real human “achievement”.