2 . Many people love to listen to music while driving. Thanks to the world’s musical roads, drivers now don’t need to turn the radio on.     1    

A musical road can create music when a car tires go over grooves (凹槽) on the road. To produce beautiful music, drivers must pass over the grooves at a certain speed. Signs often tell drivers the right speed.

    2    . Since the mid-1990, musical rads have appeared in many different countries.     3    . To warn drivers to the incoming music, all the roads are marked by colored musical notes that are painted on these roads. Drivers can decide whether to go over the grooves or not because they are set on the side of the road.

In Hungary, there is a musical road in honor of one of the country’s most popular musical performers — Laszlo Bodi. Bodi was the lead singer for the band Republic.     4    . Sadly, Bodi passed away in 2013. But people still remember him as there’s a road where drivers can hear 30 seconds of the Republic song “Road 67”.

    5    . In Indonesia, a road plays the first six notes of “Happy Birthday”. The fifth note is a little out of tune, though. This “mistake” keeps drivers awake and aware, and it has reduced the number of traffic accidents. Such is the power of music and musical roads.

4 . Pullman is a superb writer and Seagull is a brilliant communicator. They had a debate after Seagull posted a question on his social media platform: “When you were trying to create an environment for learning, what were your best pieces of classical music to listen to?” He received hundreds of suggestions — and one negative reply, from Pullman: “That’s not what classical music is for. Treat it with respect.”

That did it! Everyone — professional musicians, students, teachers — weighed into the argument, and the majority supported Seagull and were criticizing Pullman.

It’s easy to see why people are annoyed. We all want classical music to be as accessible as possible, especially to the young. If some of them are using Bach or Schubert as a tool to help them study, what’s the problem? They may also develop an attachment to classical music.

So is Pullman ridiculous and supercilious by objecting to classical music being used as background music? At first sight, his idea seems stuffy and extreme. By suggesting that classical music should be “treated with respect” and not used as background music, Pullman seems to be closing classical music of to millions of people.

It’s worth pointing out, however, that he isn’t the first to express concerns about classical music being devalued by becoming too commonplace in today’s technologically shaped world. In Benjamin Britten’s 1964 speech, the composer expressed exactly the same worries as Pullman. Britten suggested, “The true musical experience demands some preparation, some effort, a journey to a special place, saving up for a ticket, some homework perhaps”. In short, it demands as much effort from listeners as from composers and performers.

I don’t agree with such an extreme viewpoint, but I do think it touches on a reality. You will never fully grasp the beauty of classical music if you half-hear it only in the background. That doesn’t necessarily matter. Music can be enjoyed on many levels. What Pullman and Britten are really saying is that, in a drive for “accessibility”, we shouldn’t deny the emotional and intellectual complexity underpinning (构成) much classical music.

8 . I suffered a stroke (中风) in March 2013, then mostly recovered (康复) and realized I had been very ________. Six months after the stroke, I began to take piano lessons. Some people believe students can only learn music well when they’re ________. Money problems meant I never had that ________ as a child. But I had a dream, so this belief did not ________ the 52-year-old me.

I learned slowly with my first teacher. Then after two years, I started with a man. He seemed ________. In our first lesson, he asked me how my last teacher taught. I ________ how she would play each new song for me first and then help me work it out.

“I won’t be doing that,” he said. “I expect you to learn the ________ yourself and I expect you to practice. If not, you will have to find another ________.”

Our class lasted three months. However, in our last lesson before Christmas, he strongly criticized (批评) me, saying that I played with the ________ rhythm and tone (节奏和音调). I went home in a state of ________.

When I saw him again, I played the same ________ again and then said, “I practiced this piece about 500 times.”

There was silence. Then, surprisingly, he said he could see I had put ________ into it.

From that day, he changed. He became kind and warm. He ________ explained difficult terms and took care to ________ my creativity. Through him, I fell deeply in love with ________.

It is the piano that helps me get over the stroke and find my confidence again.

9 . This is Your Dream Dance

With growing evidence that dancing helps boost brain health and manage symptoms of neurocognitive (神经认知的) and movement disorders, accessible dance programmes and movement therapists are helping improve the lives of millions.     1    .

There’s actually a lot more happening inside the brain when trying to follow even the simplest choreography (舞蹈编排). “In dance class, we have to learn patterns, and remember sequences,” says David Leventhal, a programme director. The effect extends beyond the dance class to the real world.     2    .

In addition to the physical and neurological benefits, dance can also help people living with disease make out what their bodies can and can’t do. Rather than trying to control, or “fix” our body, dance is about developing greater body awareness and moving at our capacity, regardless of physical or cognitive difference.

    4    . Dancing with others not only makes people feel less different in their abilities when dealing with neurological and movement disorders, it also helps to combat the loneliness and social isolation of living with a chronic illness.

Still, researchers say they’re only scratching the surface of understanding how dance can be used therapeutically.     5    . Researchers are also trying to find out the most effective types of dance movements and the optimal length and frequency of classes.

10 . Xinjiang has long been known as a place of music and dancing.

No matter which ethnic group is living in Xinjiang, music and dancing are an inseparable part of our lives. From festive holidays to ________ and parties, music, singing and dancing are must-haves, with people of all genders and ages taking part in them. Even young children in Xinjiang, upon ________ music, start moving their hands and stepping on the beat. It is often the case that people say, “Everyone in Xinjiang knows how to dance.” Dancing shows our ________ for life.

When it comes to folk dancing in Xinjiang, the first thing people will ________ is “neck moving”, or more ________, the “head slide”. To do this, you move your cheek to each side.

The moment when I ________ people’s love for the ethnic dances of Xinjiang came during the COVID-19 ________ in 2020. I launched an open course on Douyin. Every day I live-streamed (直播) for an hour. In the 12-day period, more than a million people ________ my course.

Every day I would assign my viewers ________, asking them to shoot a short video and interact with me on the platform. I was flooded with ________ . I could see people of all ages and ethnic groups, even overseas Chinese showing their passion for Xinjiang dances. Many of them even ________ Xinjiang-style clothes and did their hair. I was quite ________ by my students during that period.

Short video and live-streams do not only ________ tourism and sell products, they also serve an important role in ________ a communication channel with the majority of netizens.

I believe so many people would like to connect with me on the Internet because they see me as a down-to-earth, relatable and real director of the ________ and tourist bureau (局).