2 . 听下面一段对话，回答以下小题。

3 . Tickets for the New Year’s Eve and New Year’s Concerts

Due to extremely high demand, tickets for the three traditional end of year concerts of the Vienna Philharmonic are drawn by lot (抽签) over this website at the beginning of each year. In this way, music lovers from all over the world have an equal chance to purchase these highly desired tickets.

During this period, interested persons are invited to apply on this website for tickets to the Preview Performance (December 30, 2020, 11:00 am), the New Year’s Eve Concert (December 31, 2020, 7:30 pm), and the New Year’s Concert (January 1, 2021, 11:15 am).

The number of the tickets for the New Year’s Concert is limited to two, and the number of the tickets for the Preview Performance and New Year’s Eve Concert can be up to four. The ticket prices range between $35 and $1,200 for the New Year’s Concert, $25 and $860 for the New Year’s Eve Concert, and $20 and $495 for the Preview Performance.

You can view the status of the draw at any time under your personal account. Should you make a change in your application, you would only do so during the application period (February 1—28). In March, you will be informed of the results of the draw in the “My Account” area and by e-mail.

Lonely Warrior, the theme song of the film Arcane: League of Legends,    1    (come) out last November, the lyrics by Tang Tian and the singer Eason Chan. It has become    2    (particular) popular among Chinese children.

One woman began singing the song on the street, and dozens    3    children spontaneously began singing with her. In another instance,    4    kindergarten teacher set the song as an alarm, and children    5    were taking a nap woke at the same time when it began playing.

So what’s the secret to this song’s    6     (succeed)? Not only does it have a    7     (move) melody (旋律), but also heart-touching lyrics. It seems that these inspire children,     8     (empower) them to overcome difficulties. One child wrote in relation to the song: “Who said heroes can’t be ordinary souls?I’ll be a man like a lonely warrior and defy life’s storms.”

     For Tang Tian the song is autobiographical. When she was 29, she was diagnosed with cancer of the nose and larynx. She had a passionate desire    9     (hear) Chan, her idol, sing one of her songs. Not only was that desire    10     (fulfill), but Tang beat the cancer and regained her health.

6 . Some of the world’s most famous musicians recently gathered in Paris and New Orleans to celebrate the first annual International Jazz Day. UNESCO (United Nations Educational, Scientific and Cultural Organization) recently set April 30 as a day to raise awareness of jazz music, its significance, and its potential as a unifying (联合) voice across cultures.

Despite the celebrations, though, in the U.S. the jazz audience continues to shrink and grow older, and the music has failed to connect with younger generations.

It’s Jason Moran’s job to help change that. As the Kennedy Center’s artistic adviser for jazz, Moran hopes to widen the audience for jazz, make the music more accessible, and preserve its history and culture.

“Jazz seems like it’s not really a part of the American appetite,” Moran tells National Public Radio’s reporter Neal Conan. “What I’m hoping to accomplish is that my generation and younger start to reconsider and understand that jazz is not black and white anymore. It’s actually color, and it’s actually digital.”

Moran says one of the problems with jazz today is that the entertainment aspect of the music has been lost. “The music can’t be presented today the way it was in 1908 or 1958. It has to continue to move because the way the world works is not the same,” says Moran.

Last year, Moran worked on a project that arranged Fats Waller’s music for a dance party, “Just to kind of put it back in the mind that Waller is dance music as much as it is concert music,” says Moran. “For me, it’s the recontextualization. In music, where does the emotion lie? Are we, as humans, gaining any insight (感悟) on how to talk about ourselves and how something as abstract as a Charlie Parker’s record gets us into a dialogue about our emotions and our thoughts? Sometimes we lose sight that the music has a wider context,” says Moran, “so I want to continue those dialogues. Those are the things I want to foster.”

Instruments are a necessary part of making music, but what music sounds like will also depend upon     1     (it) style and rhythm. Music is often divided     2     two main groups: classical and popular. These names can mean different things to different people, and their meanings can change over time.

Popular music is what many people play or listen to for fun. It could be folk, country, pop and rock, or jazz. Often the music style     3     (change) with each new generation of musicians. All over the world there are talented    4     (music) who perform this style of music     5     (earn) a living or just for fun. A band of musicians usually play a certain style of music that they like,     6     (create) a sound that is special to them.

Classical music is     7     (most) used to describe more formal music, often performed in front of a seated silent audience. Most of this music     8     (write) a long time ago. Classical music is often played by an orchestra (管弦乐队) in     9     musicians play either woodwind, brass, or string instruments.

There are many famous orchestras throughout     10     world, with many countries having their own special ones.

9 . Some of the world’s most famous musicians recently gathered in Paris and New Orleans to celebrate the first annual International Jazz Day. UNESCO( United Nations Educational, Scientific and Cultural Organization) recently set April 30 as a day to raise awareness of jazz music, its significance, and its potential as a unifying (联合) voice across cultures.

Despite the celebrations, though, in the U.S. the jazz audience continues to shrink and grow older, and the music has failed to connect with younger generations.

It’s Jason Moran’s job to help change that. As the Kennedy Center’s artistic adviser for jazz, Moran hopes to widen the audience for jazz, make the music more accessible, and preserve its history and culture.

“Jazz seems like it’s not really a part of the American appetite,” Moran tells National Public

Radio’s reporter Neal Conan “What I’m hoping to accomplish is that my generation and younger start to reconsider and understand that jazz is not black and write anymore. It’s actually colorful, and it’s actually digital.”

Moran says one of the problems with jazz today is that the entertainment aspect of the music has been lost. “The music can’t be presented today the way it was in 1908 or 1958. It has to continue to move, because the way the world works is not the same,” says Moran.

Last year, Moran worked on a project that arranged Fats Waller’s music for a dance party, “Just to kind of put it back in the mind that Waller is dance music as much as it is concert music,” says Moran. “For me, it’s the recontextualization. In music, where does the emotion (情感) lie? Are we, as abstract as a Charlie Parker record gets us into a dialogue about our emotions and our thoughts? Sometimes we lose sight that the music has a wider context,” says Moran, “So I want to continue those dialogue. Those are the things I want to foster.”