1 . To stream or not to stream? That is a question facing both music listeners and musicians.

Taylor Swift made news recently by pulling her music off Spotify, the world’s biggest streaming music service and turned to iTunes downloading and stores for sales. Back in July, Swift swept the pop music industry by selling almost 1.3 million copies of her album, 1989 in its first week. In an article Swift wrote, “The music industry is not dying... it’s just coming alive.”

Her cheerful attitude surely comes from her own unique position. So far this year, Swift has made $64 million, according to Forbes. She’ll make plenty more by bringing in about 70 cents for each dollar paid to download her music. It is much more than the royalty (版税) rate paid out by Spotify of between $0.006 and $0.0084 per song stream.

According to the Recording Industry Association of America (RIAA), money from streaming on YouTube, Pandora and Spotify has helped bring in more money. But the small amount Spotify pays to musicians still caused many of them to withhold some or all of their music from the service, like artists from Beyoncé to The Beatles.

Yet for bands struggling to get by, struggling even to be heard, keeping their music off streaming services is not so easy. Such bands need to get their music out any way they can, and if they’re going to make money, they need to make their music easily accessible to listeners.

To stream or not to stream is a difficult choice for fans, too. The streaming model puts ownership (所有权) of the music in the hands of the music industry. Rather than letting you own your collection, the music business is moving toward a model similar to on-demand cable TV. Every song written is available online whenever and wherever you’d like to hear, but the problem is that you, the user, need to pay over and over again each time you stream it.

1. Why did Taylor Swift say “music industry is coming alive”?

A．Because she got a unique position in music industry.

B．Because her new album made a great offline success.

C．Because the birth of streaming brings great chances to music.

D．Because Spotify becomes the world’s biggest streaming music service.

2. What does the underlined word “withhold” in paragraph 4 probably mean?

A．Keep back.

B．Pick out.

C．Hold onto.

D．Put away.

3. What can we learn from the text?

A．Taylor Swift promotes free music streaming.

B．Streaming puts ownership of music in the hands of fans.

C．Some bands still depend on streaming for chances to be heard.

D．Fans can own music with a once-for-all pay on streaming platforms.

4. What can be a suitable title for this text?

A．The Music Industry Is Coming Alive

B．Streaming Leaves Musicians and Fans in a Dilemma

C．To Pay or Not to Pay: a Tough Choice for Music Fans

D．The Rise of Streaming: a Threat or Opportunity for the Music Industry

2 . 阅读下面短文，在空白处填入1个适当的单词或括号内单词的正确形式。

A new adaptation of Chinese mythological stories has won the heart of audiences with its distinctive style. The animation series, Yao—Chinese Folktales,     1     (gain) more than 110 million views online since it was released.

The series, co-produced by Shanghai Animation Film Studio and Bilibili, is     2     collection of 20-minute short films, consisting of eight separate stories     3     (feature) monster-like characters, or yao in Chinese. The collection,     4     ranges from ancient stories to science fiction, from emotional connection with hometowns to romantic love     5     from life themes to questions for humanity, presents Chinese culture and philosophy. For example, the first episode, named “Nobody”, tells a pig monster’s story     6     (base) on the classic Chinese novel Journey to the West. The creative team put the perspective on the little monsters who used to have blurry faces and didn’t even have names in the story.

Li Zao, general producer, said it was impossible     7     (predict) what the eventual outcome would be at first. Now, the     8     (favor) comments exceeded the expectations of the creative team. These contained both the audience’s     9     (recognize) of the work and their hopes of Chinese animation. Besides adapting     10     the taste of the masses, the team also wanted to guide them to appreciate different types of work.

3 . 阅读下面材料，在空白处填入1个适当的单词或括号内单词的正确形式。

As COVID-19 continues to spread in China, watching a fitness livestreaming (网络直播) video,     1     (host) by Liu Genghong, has been a daily must for millions of people stuck at home.

Liu,     2     was a little-known singer born in Taiwan, took the Internet by storm and became the hottest fitness broadcaster on Chinese social media, with his videos     3     (attract) 230 million followers. Since the popularity of Li Jiaqi, China’s “Livestreaming King” famous     4     his eye-catching online sales strategy, no one     5     (enjoy) such a rise in livestreaming field. A comment says, “Li empties our wallets, while Liu empties our bodies.”

Experts voiced     6     (different) on whether the new trend would last long. “It has driven people to exercise, but in the long term, I think     7     difficult to form a new area within livestreaming”, according to Wang Peng from Renmin University of China. But Huang Haidong,     8     expert from the Chinese online fitness platform Keep, says the fitness wave is certain to be a firm, long-term trend, whether it’s about Liu Genghong or not.

China has the largest fitness market in the world. However, whether this trend has long-lasting power will depend on how money     9     (give) to the livestreaming platforms. Now broadcasters mainly have three     10     (source) of income including fans offering cash “gifts”, advertising brands, and selling products through videos. Yet, organizers and networks haven’t found a better solution to the problem.