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题型:阅读理解-阅读单选 难度:0.65 引用次数:492 题号:3270325

I was born and raised in Minnesota, the USA, but as an adult I have mostly lived in Europe and Africa. I teach cross-cultural management at the International Business School near Paris. For the last 15 years, I’ve studied how people in different parts of the world build trust, communicate, and make decisions especially in the workplace.

While traveling in Tokyo recently with a colleague, I gave a short talk to a group of 20 managers. At the end, I asked whether there were any questions or comments. No hands went up, so I went to sit down. My colleague whispered to me, “I think there actually were some comments, Erin. Do you mind if I fry?” I agreed, but I guessed it a waste of breath. He asked the group again. “Any comments or questions?”

Still, no one raised a hand, but this time he looked very carefully at each person in the silent audience. Gesturing to one of them, he said, “Do you have something to add?” To my amazement, she responded “Yes, thank you.” and asked me a very interesting question. My colleague repeated this several times, looking directly at the audience and asking for more questions or comments.

After the session, I asked my colleague, “How do you know that those people had questions?” He hesitated, not sure how to explain it, and then said, “it has to do with how bright their eyes are.”

He continued, “In Japan, we don’t make as much direct eye contact as you do in the West. So when you asked if there were any comments, most people were not looking directly at you. But a few people in the group were looking right at you, and their eyes were bright. That indicates that they would be happy to have you call on them.”

I thought to myself I would never have learned from my upbringing in Minnesota. Since then, I try to focus on understanding behavior in other cultures I encounter, and keep finding the bright eyes in the room.

1. What can we conclude from the first paragraph?
A.Life in Minnesota has made the author worn out.
B.The author enjoys traveling around the world.
C.Different cultures are kind of familiar to the author.
D.The author may start his own business in the future.
2. Hearing the colleague whispering, the author ________.
A.went back to his scat and got seated
B.knew his colleague had some questions
C.owed a big debt of gratitude to his colleague
D.thought his colleague would get nowhere
3. Where does the author’s colleague probably come from?
A.Japan.B.America.
C.Africa.D.France
4. Which is the proper title for the passage?
A.Focusing on Behavior in Cultures.
B.Looking at Another Culture in the Eye.
C.Sharing Different Cultures in Tokyo.
D.Admiring the Beauty in the Eye.

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【推荐1】Foxes with nine tails, flying dragons that can spit fireballs and creatures with human-heads and snake-bodies. Many magical creatures are recorded in Chinese legends and myths. Now a group of young Chinese people has brought them to life.

Called “jialegeling”, the group is made up of three founding members—Zhang Jialing, Zhu Ying and Bao Kai. They personify the mythical figures from The Classic of Mountains ad Seas(《山海经》)with costume makeup and location shooting.

Recalling the origin of the idea, they spoke of their experience using social media six years ago. They found that cultural products from Japan, the US and Republic of Korea were popular among users. However, Chinese legends were unfamiliar to most of them.

To faithfully show the creatures in the legends, they learned special effects makeup and created props (道具) by themselves.

It takes Zhang at least four hours to apply makeup and get in the costume for each character, Zhu says. The team members often get up in the early hours so they can shoot during the day. Despite the lack of funding, the group insisted on shooting on location because the ancient texts had records of the natural features of the areas where the creatures emerged.

That means their journey could not sail smoothly. With some topography (地貌) having disappeared over the past thousands of years, they needed to find areas with similar natural features. Even though some places could be easily found, they still faced difficulties. Once when filming in a desert, Zhang became severely sunburned, resulting in her skin peeling. Another video with underwater scenes required Zhang to dive dozens of times and Bao to film in the water the entire time.

“Fortunately, our efforts seem to have been seen by people. Many of our viewers are even calling us ‘ancient culture inheritors’. When we set out on this journey, this is exactly what we hoped would come.”

1. Why does the author mention many magical creatures in the first paragraph?
A.To make comparison.B.To provide examples.
C.To support an argumentD.To introduce the topic.
2. Why did they open up a social media account concerning Chinese legends and myth?
A.They were much impressed with Chinese legends and myth.
B.They were experienced in personifying the mythical figures.
C.They found it easier to profit from shooting culture-themed videos.
D.They intended to display ancient Chinese culture’s charm to the public.
3. What’s the biggest difficulty they face while shooting outside?
A.They suffer from a great lack of sleep.
B.A shortage of fund sets them a barrier.
C.They have trouble finding suitable places.
D.Making up and getting dressed are time-consuming.
4. Which of the following can best describe the group?
A.Creative and committed.B.Determined and careful.
C.Confident and grateful.D.Passionate and curious.
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【推荐2】Li Ziqi, a vlogger who enjoys a fan base of more than 21 million people on Sina Weibo and 7 million strong followers on YouTube, has made a name for herself in her videos that highlight a traditional Chinese way of life in the rural areas of Sichuan Province. Her videos cover a wide variety of crafts related to traditional Chinese culture. From making paper and ink to weaving cloth, from making a silk quilt comforter for her grandmother to building her own bread kiln with blocks, nothing seems impossible with Li’s crafty hands as they work their magic to bring these things into existence. But Li’s most eye-catching, and mouth-watering craft is cooking.

Li scarcely speaks in her videos. When she does open her mouth, the most common phrase that comes out is her calling her grandmother to come and eat. Instead of dialogue, Li focuses on how she works with her hands. Watching her videos, it is difficult not to appreciate their beauty and hold back that sense of nostalgia (怀旧) and longing for home. But it is even harder not to want to take a bite of her succulent dishes, which really remind viewers of taste of our childhood and home.

Glamorous as her present life may seem, life was difficult for her during her youth as she and her grandparents had little to live on. Li herself revealed that she was “economically supported” to continue schooling. She started to work in the city at 14 and would not have returned to her childhood home if not for her grandmother falling ill in 2012. After returning home, Li opened an online shop, Li Ziqi, to sell mostly edible products. To boost sales, she began making short films in 2016 about how these products were created, while covering her life in the rural area, all against the backdrop of traditional Chinese aesthetics (审美). “I started it because I wanted to create something for people to watch and relax. We are all under a lot of stress. I hoped that after a long and busy day, they could click on my videos and relieve some of their anxiety and pressure,” Li said.

However, Li is not without criticism, such as remarks about her “beautifying” life in the country and her use of a professional production crew to help her film. Others have expressed skepticism about how “real” her videos are, and how “amazing it is that she looks so picture perfect after a long day of work in the fields.”

1. According to the passage, we can know the following EXCEPT .
A.it was her grandmother‟ falling ill that made her return to her hometown
B.masses of viewers from both home and abroad are hooked by her videos
C.she never opens her mouth in her videos because she has difficulty in speaking
D.many viewers speak highly of her videos while some of them throw doubt on her
2. What words can be best used to describe Li Ziqi?
A.Aggressive and strong-willed.B.Crafty and considerate.
C.Humorous and stubborn.D.Ambitious and severe.
3. From Li Ziqi’s story, we can know that .
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C.Virtue is bold, and goodness never fearfulD.God helps those who help themselves
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In the story, the jade teapot transforms into a young woman and escapes from the museum. She meets a Chinese journalist named Zhang Yong’an in the United Kingdom and begs him to take her back to China. Upon returning home, she not only travels across the country but also carries “letters” written by other artifacts in the museum to their respective families in China.

Inspiration for the series came from a netizen’s suggestion to create a cartoon series where artifacts come to life and return home for Chinese New Year. Zhang turned this idea into a video and spent three months researching the British Museum and crafting the storyline.

The videos have deeply moved netizens, with scenes like “writing brushstrokes(笔画) on English newspapers” and intense dialogues among the artifacts striking a chord. Many netizens expressed their desire for cultural artifacts overseas to return home with dignity and honor.

The British Museum houses about 23,000 Chinese artifacts from the Neolithic Age to the present. These include paintings, prints, jades, bronzeware and so on. Some artifacts were collected during periods of unrest in China between the late 19th and early 20th centuries when British forces invaded Beijing twice.

The jade teapot featured in the video series is not a traditional cultural relic but created by Chinese modern jade artist Yu Ting. Yu expressed satisfaction with the. attention his work has received among young people and the enthusiasm for traditional culture shown through numerous comments. On the release of the video series, the British Museum announced the loss of several items, including gold jewelry and gems, believed stolen or damaged.

The creator of the series, Zhang Jiajun, expressed gratitude for the love the series has received and hopes that more attention would be paid to the issue of cultural relics located overseas.

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