1 . POETRY CHALLENGE
Write a poem about how courage, determination, and strength have helped you face challenges in your life.
Prizes
3 Grand Prizes:Trip to Washington, D.C. for each of three winners, a parent and one other person of the winner’s choice. Trip includes round-trip air tickets, hotel stay for two nights, and tours of the National Air and Space Museum and the office of National Geographic World.
6 First Prizes:The book Sky Pioneer:A Photobiography of Amelia Earhart signed by author Corinne Szabo and pilot Linda Finch.
50 Honorable Mentions:Judges will choose up to 50 honorable mention winners, who will each receive a T-shirt in memory of Earhart’s final flight.
Rules
Follow all rules carefully to prevent disqualification.
■Write a poem using 100 words or fewer. Your poem can be any format, any number of lines.
■Write by hand or type on a single sheet of paper. You may use both the front and back of the paper.
■On the same sheet of paper, write or type your name, address, telephone number, and birth date.
■Mail your entry to us by October 31 this year.
1. How many people can each grand prize winner take on the free trip?A.Two. | B.Three. | C.Four. | D.Six. |
A.A plane ticket. | B.A book by Corinne Szabo. |
C.A special T-shirt. | D.A photo of Amelia Earhart. |
A.Typing your poem out. | B.Writing a poem of 120 words. |
C.Using both sides of the paper. | D.Mailing your entry on October 30. |
2 . Patrick, Scheels store’s fishing manager, always helps customers with their angling (垂钓) needs, but one
One day, a young boy named Xander entered the store with his mother, Brynn. Patrick noticed his eye were filled with
Brynn shared the
However, Patrick’s generosity didn’t
Patrick’s kindness was
A.argument | B.journey | C.adventure | D.encounter |
A.curiosity | B.nervousness | C.concern | D.regret |
A.debated over | B.bonded over | C.stuck to | D.turned to |
A.wisdom | B.evidence | C.significance | D.definition |
A.missing | B.blaming | C.admiring | D.persuading |
A.Annoyed | B.Touched | C.Amused | D.Surprised |
A.gifted | B.lent | C.showed | D.made |
A.ambitious | B.strange | C.genuine | D.urgent |
A.practical | B.avoidable | C.secure | D.common |
A.root | B.stop | C.appear | D.reach |
A.recording | B.postponing | C.organizing | D.canceling |
A.reveal | B.stress | C.prove | D.ensure |
A.accompanied | B.monitored | C.assessed | D.sponsored |
A.possibly | B.initially | C.truly | D.mainly |
A.deal | B.experience | C.task | D.performance |
3 . For Western designers, China and its rich culture have long been an inspiration for Western creative.
“It’s no secret that China has always been a source(来源) of inspiration for designers,” says Amanda Hill, chief creative officer at A+E Networks, a global media company and home to some of the biggest fashion(时尚) shows.
Earlier this year, the China Through A Looking Glass exhibition in New York exhibited 140 pieces of China-inspired fashionable clothing alongside Chinese works of art, with the aim of exploring the influence of Chinese aesthetics(美学) on Western fashion and how China has fueled the fashionable imagination for centuries. The exhibition had record attendance, showing that there is huge interest in Chinese influences.
“China is impossible to overlook,” says Hill. “Chinese models are the faces of beauty and fashion campaigns that sell dreams to women all over the world, which means Chinese women are not just consumers of fashion — they are central to its movement.” Of course, not only are today’s top Western designers being influenced by China—some of the best designers of contemporary fashion are themselves Chinese. “Vera Wang, Alexander Wang, Jason Wu are taking on Galliano, Albaz, Marc Jacobs—and beating them hands down in design and sales,” adds Hill.
For Hill, it is impossible not to talk about China as the leading player when discussing fashion. “The most famous designers are Chinese, so are the models, and so are the consumers,” she says. “China is no longer just another market; in many senses it has become the market. If you talk about fashion today, you are talking about China—its influences, its direction, its breathtaking clothes, and how young designers and models are finally acknowledging that in many ways.”
1. What can we learn about the exhibition in New York?A.It promoted the sales of artworks. | B.It attracted a large number of visitors. |
C.It showed ancient Chinese clothes. | D.It aimed to introduce Chinese models. |
A.They are setting the fashion. | B.They start many fashion campaigns. |
C.They admire super models. | D.They do business all over the world. |
A.learning from | B.looking down on | C.working with | D.competing against |
A.Young Models Selling Dreams to the World |
B.A Chinese Art Exhibition Held in New York |
C.Differences Between Eastern and Western Aesthetics |
D.Chinese Culture Fueling International Fashion Trends |
4 . Yellowstone Poster Exhibition to Be on View at UW’s Coe Library
A first-of-its-kind exhibition that focuses on the history of Yellowstone National Park posters will be on display at the University of Wyoming’s Coe Library beginning Tuesday, February 1.
“Wonderland Illustrated” will present posters and poster-style illustrations of the park spanning from the 1870s through 2022. The exhibition will be located on Level 3 of Coe Library. It will be on view through Tuesday, May 31.
The exhibition takes place at the same time as this year’s 150th anniversary of the creation of Yellowstone National Park. The posters in the exhibition serve the purpose of both advertising and art.
“We’re thrilled to be working with Yellowstone collectors Jack and Susan Davís, and Larry and Thea Lancaster to bring this exhibition to the University of Wyoming as part of year-long celebrations recognizing Yellowstone’s 150th anniversary,” says Tamsen Hert, head of UW Libraries’ Emmett D. Chisum Special Collections. “This exhibition involves the history of printing, art, photography and advertising over 16 decades. The images reproduced are found on travel brochures, postcards and maps—many of which are held in our collections.”
One poster from the exhibition—Henry Wellge’s “Yellowstone National Park” from1904—was recently purchased with donated funds and is now part of UW Libraries’ Emmett D. Chisum Special Collections. Wellge, a productive bird’s-eye-view artist, designed the piece for the Northern Pacific Railroad, which used it to advertise the park. This is a unique piece, as posters such as this one were printed on soft paper and very few have survived.
1. How long will the exhibition “Wonderland Illustrated” last?A.Two weeks. | B.Three months. | C.Four months. | D.One year. |
A.To remember a famous artist. | B.To raise fund for Coe Library. |
C.To mark the anniversary of a national park. | D.To tell the history of the University of Wyoming. |
A.It is rare in the world. | B.It is in black and white. |
C.It is printed on cloth. | D.It is owned by a professor. |
5 . When you ask people to judge others by their speech, a trend emerges: Listeners dislike disfluency. Slow talkers producing loads of ums and pauses(停顿)are generally perceived as less charming. But science tells us there may be even more to disfluency.
Disfluencies do not occur in arbitrary positions in sentences. Ums typically occur right before more difficult or low-frequency words. Imagine you’re having dinner with a friend at a restaurant,and there’re three items on the table: a knife, a glass, and a wine decanter(醒酒器). Your friend turns to you and says, “Could you hand me the...um...” What would you assume they want? Since it’s unlikely that they will hesitate before such common words as knife, and glass, chances are you’ll pick up the decanter and ask, “You mean this?”
This is exactly what we demonstrated through controlled eye-tracking studies in our lab. Apparently, listeners hear the um and predict that an uncommon word is most likely to follow.Such predictions, though, reflect more than just simple association between disfluencies and difficult words; listeners are actively considering from the speaker’s point of view. For example, when hearing a non-native speaker say the same sentence but with a thick foreign accent, listeners don’t show a preference for looking at low-frequency objects. This is probably because listeners assume non-native speakers may have as much trouble coming up with the English word for a common object, like a knife, as for unusual ones and can’t guess their intention.
In another experiment, listeners were presented with an atypical speaker who produced disfluencies before simple words and never before difficult words. Initially, participants displayed the natural predictive strategy: looking at uncommon objects. However, as more time went by, and they gained experience with this atypical distribution of disfluencies, listeners started to demonstrate the contrary predictive behavior: They tended to look at simple objects when hearing the speaker say um.
These findings represent further evidence that the human brain is a prediction machine: We continuously try to predict what will happen next, even though not all disfluencies are created equal.
1. What does the underlined word “arbitrary”mean in paragraph 2?A.Random. | B.Strategic. | C.Obvious. | D.Consistent |
A.They can be understood easily. | B.They actively put themselves in others’ shoes |
C.Their vocabularies are limited. | D.Their disfluencies are a little less predictive. |
A.Simple things are difficult in some cases. | B.Listeners can adjust predictions accordingly. |
C.Distribution of disfluencies is changeable. | D.Disfluencies in communication can be avoided. |
A.Pauses Coexist with Prediction. | B.Brains Are Powerful Prediction Machines. |
C.Active Listeners Simplify Talks. | D.Disfluency Says More Than You Think. |
6 . Saying farewell to someone you love, even for a night, can be difficult, much less saying goodbye for a lifetime or forever in death. Juliet bid Romeo adieu (再见) for the evening with the words, “Parting is such sweet sorrow.” Sweet sorrow is an oxymoron. But this seeming contradiction is true in the context of relationships.
Relationships are based on feelings, emotions, and passion. Deep friendships and loving relationships are measured by the level of emotional attachment. Emotions intensify over time. People spend time with the people they like. The more one person likes another person, the closer the relationship becomes. Each person in the relationship receives an emotional benefit from knowing the other person.
Saying goodbye means separating from the people who make up a significant part of your emotional identity. Separation, even a temporary absence, from the people you have a deep emotional connection with can cause sorrow because you will no longer be able to enjoy their company.
The sweet side of saying goodbye is the emotional fulfillment of being in a close relationship. The time spent together is emotionally rewarding, especially if that person is seen as a soulmate. Humans are social beings. We seek the love and comfort of other people. Loneliness devastates the human condition and leads to sadness. Sad people will do anything they can to find fulfilling relationships. Likewise, happy people will do anything they can to maintain or enhance relationships. Herein lies the essential point of the emotional problem.
The more intense relationships become, the more devastating the emotional loss that is felt upon separation. The exhilaration of relationships cannot be truly measured without experiencing the overwhelming loss of a deep emotional connection.
Enjoy the company of the person you are with as long as you can; knowing the pain you will feel at the end of the relationship is the true measure of the relationship. If it doesn’t hurt to say goodbye, perhaps it wasn’t worth saying hello.
1. Which of the word group can create the same effect as “sweet sorrow”?A.icy cold | B.clicking sound | C.deafening silence | D.endless speech |
A.Saying goodbye is unavoidable in our daily life. |
B.The companion of close friends can lessen sorrow. |
C.A person’s identity is connected with relationship. |
D.Separation is the sorrowful part of saying goodbye. |
A.Making more communication with others. |
B.Building deep emotional connections with others. |
C.Comforting friends with love and intense feelings. |
D.Being a thoughtful person by standing in others’ shoes. |
A.Sweet sorrow is very common in close relationships. |
B.The pain of separation is the measure of relationships. |
C.Human beings are eager to get emotional fulfillment. |
D.Happiness is meaningless without sadness to compare it. |
7 . Dance Classes
Ballet
Ballet teaches grace, posture (姿势) and flexibility. Students focus on the use of proper ballet items (物品), expanding their knowledge of classical ballet techniques and improving motor skills for classical ballet practice. The class is a formal ballet class.
Age: 8 — 10
Date: September 7, 2019 — May 16, 2020
Time: 10:30 am — 12:00 am on Saturdays
Creative Movers
Students can explore creative movement, balance, focus, the development of skills, motor planning and balance. The class helps build strength, flexibility and self-confidence, and allows children to realize expression in a positive and encouraging environment. Children use their imagination to celebrate movement and have lots of fun.
Age: 3 — 5
Date: September 7, 2019 — January 18, 2020
Time: 9:00 am — 9:45 am on Saturdays
Jazz
Jazz includes movements from both classical ballet and dance techniques. This class will focus on traditional Jazz dance. Students will be introduced to jazz-style rhythms and movements. In order to ensure proper placement for your child, we invite all students to participate in a sample (示例) class. Students and parents work with program staff to meet students’ personal dance goals.
Age: 5 — 6
Date: September 7, 2019 — May 16, 2020
Time: 2:00 pm — 3:00 pm on Saturdays
Hip Hop
Students will be introduced to several different aspects of hip hop dance including Popping, Locking, Breaking and Tutting in a high-energy environment. Our hip hop instructors are highly knowledgeable and will provide students with a wonderful view of hip hop dance.
Age: 7 — 10
Date: September 7, 2019 — May 16, 2020
Time: 1:00 pm — 2:00 pm on Sundays
1. Which class is suitable for 4-year-old children?A.Ballet. | B.Creative Movers. | C.Hip Hop. | D.Jazz. |
A.Make use of all the ballet items. | B.Learn the long history of jazz. |
C.Dance with famous modern jazz dancers. | D.Get to know jazz-style movements. |
A.It is open in the afternoon. | B.It is available on Sunday. |
C.It teaches traditional dances. | D.It has the most skilled teachers. |
8 . On a long trip to Brisbane we stopped into a service station in Kilcoy for a bathroom break and some fuel. We went into the shop to the bathroom first and then the
He told my son that he loved his moves and it was a
Not many people
A.company | B.counter | C.apartment | D.hall |
A.tending | B.pointing | C.singing | D.adapting |
A.used | B.addicted | C.devoted | D.opposed |
A.clear | B.change | C.read | D.cross |
A.expanded on | B.concentrated on | C.commented on | D.insisted on |
A.mistake | B.delight | C.pity | D.comfort |
A.frustrated | B.pleased | C.annoyed | D.tired |
A.thanked | B.accepted | C.invited | D.assisted |
A.prize | B.treasure | C.treat | D.pleasure |
A.tough | B.significant | C.typical | D.small |
A.take | B.draw | C.waste | D.use |
A.outgoing | B.willing | C.optimistic | D.energetic |
A.hopefully | B.slightly | C.curiously | D.obviously |
A.gesture | B.attitude | C.thought | D.determination |
A.help | B.build | C.make | D.ruin |
9 . “I like pigs,” Winston Churchill supposedly once said. “Dogs look up at us, cats look down on us, but pigs treat us as equals.” Whether Churchill’s contemporary George Orwell also liked pigs is less clear. But he, too, surely saw something in them that was lacking in other domestic beasts, for it was they who ended up running the show in novel Animal Farm. Pigs, then, are intelligent social creatures.
And, like all animals, they sometimes fight. A study just published in Animal Cognition by Ivan Norscia, a biological anthropologist at the University of Turin, in Italy, and his colleagues, looked at how a group of 104 domestic pigs went about resolving such incidents. In total, Dr. Norscia and his team studied the details of 216 pig conflicts over the course of six months.
Some pigs tend to be attackers; others tend to be victims. Who is what depends largely on weight, for, among pigs pounds mean power. The attacker might bite, kick, bump or lift the victim (or string together a sequence of those actions). Most conflicts ended in seconds, but some lasted a minute or two.
In most animal species that would be that. However, many of the pig conflicts Dr. Norscia observed had interested parties beyond the protagonists (主角). He therefore wanted to understand the role of these bystanders in resolving fights —and what this says about pigs’ cognitive (认知) abilities.
Since there was usually not enough time for a bystander pig to intervene during the heat of a conflict (though this did occur), he and his colleagues looked at what happened in the three minutes directly following an aggressive interaction. Sometimes, they found, the protagonists made up on their own —for instance, by touching noses.
On other occasions, though, a third pig stepped in. Sometimes this bystander acted as a peacemaker, engaging with the attacker and reducing the number of subsequent attacks compared with what might otherwise have been expected. Sometimes, by contrast, the bystander engaged with the victim. This appeared to calm the victim down, for it reduced anxiety-related behavior such as shaking and scratching.
1. Why does the author mention Winston Churchill in the first paragraph?A.To prove pigs are clever. | B.To show pigs are inspirational. |
C.To state Churchill loves pigs. | D.To introduce the topic of the text. |
A.Their ages. | B.Their weight. |
C.Their safety needs. | D.Their cognitive abilities. |
A.To comprehend the role of bystanders in conflict resolution. |
B.To figure out the relationship between pigs. |
C.To record the details of 216 pig conflicts. |
D.To find out the reason for pigs’ conflicts. |
A.By shaking it. | B.By touching its nose. |
C.By scratching its back. | D.By offering comfort to it. |
10 . Most birds, in particular, exhibit some degree of patterns and colours. Australia’s zebra finch (斑胸草雀), for example, was so named because of the zebra-like black and white bars on its tail. But it also has many other colours and patterns, from a bright orange bill to fine white spotting along its reddish-brown sides.
The zebra finch is Australia’s widely distributed grass-finch species, occurring throughout most of mainland Australia. It’s a common and familiar bird in the drier parts of the country.
When we see such a highly patterned bird we presume all individuals of that species have their spots and bars in the same places. But look closer and we’ll see that the quantity and design of these patterns varies between individuals. And every now and then a bird exhibits a more obvious feather variation. Occasionally, we see one that has larger than usual pale areas of feathers or, more rarely, has lost its normal patterning altogether.
Colouration and patterning in all animals is caused by a range of pigments (色素). Melanin (黑色素) is responsible for blacks and browns, and a lack of this pigment can cause a partial or total loss of an individual’s dark patterning. The two main terms that describe these abnormalities are albinism (白化病) and leucism (白色亚种). Both conditions are genetic and both can lead to a very similar physical appearance. Leucism, however, causes a lack of the pigment cells that produce melanin. But albinism causes the production of melanin pigment to be reduced or absent.
Can we distinguish between the two conditions without the help of a cellular biologist? Yes. Albino animals have fully unpigmented red eyes. Leucistic animals, on the other hand, never completely lose pigment from the eye, although they can have blue eyes due to a partial loss of pigment.
Why don’t we see more albino or leucistic birds? Because the lack of melanin reduces the strength and lastingness of the affected birds’ feathers, making them more easily broken. Additionally, the birds’ vision and hearing is negatively affected, making them less able to hunt. The brighter feathers and lack of patterning also make them easier for attackers to see.
1. What can be learned about Australia’s zebra finch?A.It is one of the rarest birds in Australia. |
B.It is mostly covered with bright orange feathers. |
C.It acquires its name from its tail colours and patterns. |
D.It has the same spots and bars in the same places. |
A.Recall. | B.Suppose. | C.Deny. | D.Recommend. |
A.By setting assumptions. | B.By presenting opinions. |
C.By giving explanations. | D.By drawing conclusions. |
A.They have quite good hearing. | B.They have completely red eyes. |
C.They have easily broken feathers. | D.They have excellent hunting skills. |