A.Preparing his school project. | B.Catching the school bus. |
C.Making the final touch on the food. | D.Handing in his homework. |
A.Making the wearer feel tired. |
B.Gradually weakening an adult’s eyes. |
C.The loss of vision in children. |
D.Permanent change of the eye structure. |
A.Working hard. | B.Wearing sunglasses. |
C.Watching TV in poor light. | D.Reading in bed. |
A.Ways of choosing eye glasses. |
B.Suggestions of eyesight protection. |
C.Untruths of eye glasses and eyesight. |
D.Proven facts of the benefits of eye glasses. |
A.Tony hopes to change his role in the play. |
B.Tony lacks confidence in playing the part. |
C.Professor Wright will help Tony remember the lines. |
D.Professor Wright will give Tony hints during the show. |
A.The mall must be overcrowded. |
B.It’s hard to find the way in the mall. |
C.They should come to the mall some other day. |
D.They can get into the mall through the south gate. |
A.Return the dog to her relative. | B.Place a ban on dogs. |
C.Clean her apartment. | D.Stay with her relative. |
A.The play started early. | B.She went back to get her ticket. |
C.Tom walked with her to the bus stop. | D.It was a long way from the theatre. |
Drawing High Schoolers to Science
A group of educators and plant scientists at Michigan State University (MSU) are connecting to reshape science classes. And this particular partnership isn’t just helping students get a better understanding of biology; it’s turning them into young scientists, even if only during class.
It doesn’t take long to see that the curriculum born from this collaboration makes for a much different experience than the traditional high school biology classes. For starters, it has a comic book for a workbook. Secondly, students are getting their hands dirty growing plants. MSU researchers are also studying the plant. The high schoolers are asking some of the same questions professional plant scientists are trying to answer.
“We’re getting them engaged with science in science practices, not just having them learn about science,” says Hildah Makori, a researcher at MSU. “They learn to look at things differently. That’s a life-time impact.”
The main characters of the comic book are a pair of young field scientists. They invite the high school students to help with plant research inspired by a real project at MSU. By growing their own plants, the students learn about genetics, evolution and how these interact with the environment.
The team has seen how this practice could keep students in the driver’s seat of their learning. To help the characters out, students set up different experiments to test their ideas.
The program is working. “This comic personally gave me a click that sparked my curiosity,” reads one student’s survey response. “The comic book put a lot of creative atmosphere into the story instead of just looking at words, instead of just listening to the teacher talk,” says another.
Teachers also had positive reviews. In a survey, one remarked how helpful it was to have the comic to refer to. The students could see the comic’s characters doing something in the lab and realize, “I’m able to do this right here at my table and I can do the same thing,” the teacher says.
__________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________8 . I write this on a spring morning, in the van I have called home for two years now.
From one small window, I have a view of joggers pounding the sunny path by the Oxford Canal, and the other looks onto the busy railway line along which trains travel from Southampton Docks to Birmingham.
The woods where I’ve parked my van have grown up between them. This ancient van, a vehicle designed for freedom and the open road, has proved a stable solution for surviving the current housing crisis.
I became a travel writer after my studies ended, committing to brief “residencies” with museums and art centres—where temporary accommodation is often provided in exchange for producing new work about a community. Over the years that followed, living and working on location in the polar regions or Scandinavia or the Alps, not settling down for very long, meant wherever I landed was always “home”.
During the pandemic it was necessary to adopt a more permanent engagement with locality. Oxford had often drawn me back. It’s a crossroads of reality and the imagination, the perfect city for a writer.
It takes a surprising amount of work to keep a tiny home in order: buying a used van online; ensuring the smooth running of a gas cooker and car batteries; fetching water and emptying the mobile toilet. I began to enjoy taking care of my immediate surroundings. Over the summer, I worked to turn waste-ground into a wild garden, replacing weeds with wild plants.
I made friends with the self-sufficient boaters living nearby, always ready to share knowledge on the low-carbon simplicity of life without electricity. I’ve learnt that comfort can be found away from the bright infrastructure of urban life: in watching the birds that nest in the tree and the foxes playing in the woods at dawn, in making a cup of coffee on a spring morning.
My step away from conventional housing has been a necessary act of personal economy, but the benefits include taking nothing for granted, and unexpected delight.
1. Why did the writer make the van his home?A.Because the feature of the van and that of his occupation are matching. |
B.Because the van is equivalent to a crossroads of reality and the imagination. |
C.Because the views of joggers and trains outside the van can relieve his pressure. |
D.Because living and working on location in the polar regions are appealing to him. |
A.a used van | B.a gas cooker | C.a wild garden | D.a mobile toilet |
A.Joining joggers to do exercise. | B.Keeping a tiny home in order easily. |
C.Improving the economy of Oxford. | D.Embracing delightful surprises. |
A.Cautious. | B.Ironical. | C.Favorable. | D.Neutral. |
9 . I’m pretty good at sticking with things even when they get hard. Bad relationships, unpleasant workplaces,
After all, isn’t every success story littered with
All of us are constantly making tricky choices between going further into familiar territory and
Of course, this doesn’t mean you shouldn’t quit something just because you’ve put a lot of time into it. Economists call this the sunk cost fallacy (谬误): People are more likely to
If you don’t get energy out of doing something, it can be a(n)
In fact, dogged persistence in the face of energy-sucking disappointment can
But the good news is that people can learn to pay better attention to these moments when they’re happening and make
A.engaging | B.demanding | C.inevitable | D.leisure |
A.worsen | B.occur | C.improve | D.continue |
A.frustrations | B.determinations | C.attempts | D.inspirations |
A.Therefore | B.Additionally | C.For example | D.However |
A.amaze | B.scare | C.distress | D.compliment |
A.breaking up | B.looking up | C.standing up | D.backing up |
A.venture | B.specialize | C.explore | D.relax |
A.benefit from | B.approve of | C.stick with | D.withdraw from |
A.evaluate | B.avoid | C.overlook | D.cut |
A.human | B.crazy | C.sensible | D.tricky |
A.indication | B.desire | C.occasion | D.recognition |
A.accomplish | B.upgrade | C.modify | D.maintain |
A.prevent | B.trigger | C.relieve | D.contract |
A.researches | B.choices | C.changes | D.resolutions |
A.shortcut | B.barrier | C.guarantee | D.pathway |
The Sisterhood of the Traveling Diary
Kyra Peralte thought keeping a diary might help her sort out her troubled feelings. In April 2020, the mother of two in New Jersey, started writing about the challenges of handling work, marriage and motherhood during a global crisis.
Writing released emotions, but Peralte, now 46, wanted to know how other women were doing. So she made an unusual offer. She invited women from near and far to fill the
So many wanted to participate
So far, more than 2,000 women from 30 countries
Each participant fills the pages with her own handwriting, narrating her experiences, recounting obstacles she faced, and sharing
Kirsty Nicol, 31 from London, received the journal in March 2021. She said reading the entries allowed her to transport her into the lives of
One such pearl came from a woman in Australia. She had written: “Working with the setbacks. Not against them. Patience and gratitude. It’s a dance. Life is moving and we
“It has really evolved into a community,” Peralte says. She sends participants a weekly newsletter and often hosts online meetings so the women get the chance to get to know one another more, share stories and feel