1 . Walt had a strong commercial sense of what would appeal to the public.Disneyland, Walt Disney World, and finally the other Disney theme parks around the world all came about because Walt Disney insisted that he could build an amusement park that was so much bigger and better than other amusement parks that it shouldn’t even be called an amusement park.
In 1940, he disclosed a plan to show Disney characters in their fantasy surroundings at a park across the street from the Disney studio in Burbank.
The idea of an amusement park grew in Walt’s mind as he traveled through the US and Europe and visited attractions of all kinds.Walt was sure that an amusement park would be successful in the United States if it offered a “good show” that families could enjoy together, was clean, and had friendly employees.
In 1948, he shared his concept with trusted friends, a modest amusement park with a central village including a town hall, a small park, railroad station, movie theater, and small stores.Outlying areas would include a carnival(联欢) area and a western village.Soon he added spaceship and submarine rides, a steamboat, and exhibit halls.
Four years later, he decided on “Disneyland” for the name and formed a company to develop the park, Disneyland, Inc.
In 1953, he got Stanford Research Institute to examine the economic future of Disneyland and to find the perfect location.
They broke ground in July, 1954, and one year later, Disneyland opened.Within 7 weeks, a million visitors had visited Disneyland, making it one of the biggest tourist attractions in the US.
Walt combined his talent and his sense of what the public would want with lots of hard work. In 1960, with a mixture of huge successes and failures, Disney had created something that was successful beyond Walt’s own dreams.
1. What did Walt Disney want to show in his plan?A.His commercial sense. |
B.Disney studio. |
C.Disney characters. |
D.Fantasy surroundings. |
A.Its service was free. |
B.It could show fantastic programs. |
C.It included attractions of all kinds. |
D.It could make families satisfied. |
a. It opened.
b. The perfect location was found.
c. They broke ground.
d. It proved to be a great success.
e. Its name was decided.
f. Walt shared its outline with his friends.
A.f, e, b, c, a, d | B.e, b, c, a, d, f |
C.f, e, c, b, a, d | D.a, e, b, c, f, d |
2 . Does happiness have a scent?
When someone is happy, can you smell it?
You can usually tell when someone is happy based on seeing them smile, heating them laugh or perhaps from receiving a big hug. But can you also smell their happiness? Surprising new research suggests that happiness does indeed have a scent, and that the experience of happiness can be transmitted through smell, reports Phys.org.
For the study, 12 young men were shown videos meant to bring about a variety of emotions while researchers gathered sweat samples from them. All of the men were healthy and none of them were drug users or smokers, and all were asked to abstain from drinking or eating smelly foods during the study period.
Those sweat samples were then given to 36 equally healthy young women to smell, while researchers monitored their reactions. Only women were selected to smell the samples, apparently because previous research has shown that women have a better sense of smell than men and are also more sensitive to emotional signaling—though it's unclear why only men were chosen to produce the scents.
Researchers found that the behavior of the women after smelling the scents--particularly their facial expressions--indicated a relationship between the emotional states of the men who produced the sweat and the women who sniffed them.
"Human sweat produced when a person is happy brings about a state similar to happiness in somebody who breathes this smell," said study co-author Gun Semin, a professor at Koc University in Turkey.
This is a fascinating finding because it not only means that happiness does have a scent, but that the scent is capable of transmitting the emotion to others. The study also found that other emotions, such as fear, seem to carry a scent too. This ensures previous research suggesting that some negative emotions have a smell, but it is the first time this has proved to be true of positive feelings.
Researchers have yet to isolate(分离) exactly what the chemical compound for the happiness smell is, but you might imagine what the potential applications for such a finding could be. Happiness perfumes, for instance, could be invented. Scent therapies (香味疗法) could also be developed to help people through depression or anxiety.
Perhaps the most surprising result of the study, however, is our broadened understanding of how emotions get communicated, and also how our own emotions are potentially managed through our social context and the emotional states of those around us.
1. What is the main finding of the new research?A.Men produce more sweats. |
B.Negative emotions have a smell. |
C.Pleasant feelings can be smelt out. |
D.Women have a better sense of smell. |
A.avoid | B.practice |
C.continue | D.try |
A.Perfumes could help people understand each other. |
B.Some smells could be developed to better our mood. |
C.Perfumes could be produced to cure physical diseases. |
D.Some smells could be created to improve our appearance. |
A.happiness comes from a scent of sweat |
B.positive energy can deepen understanding |
C.people need more emotional communication |
D.social surroundings can influence our emotions |
3 . Salvador Dali (1904-1989) was one of the most popular of modern artists. The Pompidou Centre in Paris is showing its respect and admiration for the artist and his powerful personality with an exhibition bringing together over 200 paintings, sculptures, drawings and more. Among the works and masterworks on exhibition the visitor will find the best pieces, most importantly The Persistence of Memory. There is also L’Enigme sans Fin from 1938, works on paper, objects, and projects for stage and screen and selected parts from television programmes reflecting the artist’s showman qualities.
The visitor will enter the World of Dali through an egg and is met with the beginning, the world of birth. The exhibition follows a path of time and subject with the visitor exiting through the brain.
The exhibition shows how Dali draws the viewer between two infinities (无限). “From the infinity small to the infinity large, contraction and expansion coming in and out of focus: amazing Flemish accuracy and the showy Baroque of old painting that he used in his museum-theatre in Figueras,” explains the Pompidou Centre.
The fine selection of the major works was done in close collaboration (合作) with the Museo Nacional Reina Sofia in Madrid, Spain, and with contributions from other institutions like the Salvador Dali Museum in St. Petersburg.
1. Which of the following best describe Dali according to Paragraph 1?A.Optimistic. | B.Productive. |
C.Generous. | D.Traditional. |
A.One of his masterworks. | B.A successful screen adaptation. |
C.An artistic creation for the stage. | D.One of the beat TV programmes. |
A.By popularity. | B.By importance. |
C.By size and shape. | D.By time and subject. |
A.Artworks. | B.Projects. |
C.Donations. | D.Documents. |
Dogs Don’t Tell Jokes-By Louis Sachar![]() | Winners Never Quit-By Mia Hamm![]() |
Shackleton’s Incredible Voyage-By Alfred Lansing![]() The astonishing adventure of polar explorer Ernest Shackleton's survival for over a year on the ice-bound Antarctic seas, as Time t magazine put it, "defined heroism". To write the authoritative story, Lansing consulted with ten of the surviving members and gained access to diaries and personal accounts by eight others. The book has a first-hand account, expanded with maps and illustrations especially for this edition. | The Alchemist-By Paulo Coelho![]() The Alchemist, by Paulo Coelho, continues to change the lives of its readers forever. It tells the magical story of Santiago, an Andulusian shepherd-boy(牧童) who desires to travel in search of treasure. The story of the treasures Santiago finds along the way teaches us about the essential wisdom of listening to our hearts and above all, following our dreams. |
1. From Shackleton’s Incredible Voyage, we know the main character .
A.is a writer for Time magazine |
B.is a survival of one polar exploration |
C.has left a lot of diaries and accounts |
D.has formed a close friendship with Alfred Lansing |
A.Dogs Don't Tell Jokes | B.Shackleton’s Incredible Voyage |
C.Winners Never Quit | D.The Alchemist |
A.It has an everlasting influence on its readers |
B.It gives people magical power over their dreams |
C.It tells a story of how to find treasures |
D.It is mainly about the wisdom of listening to others |
5 . If a diver surfaces too quickly, he may suffer the bends. Nitrogen(氮) dissolved(溶解) in his blood is suddenly liberated by the reduction of pressure. The consequence, if the bubbles (气泡)accumulate in a joint, is sharp pain and a bent body—thus the name. If the bubbles form in his lungs or his brain, the consequence can be death.
Other air-breathing animals also suffer this decompression(减压) sickness if they surface too fast: whales, for example. And so, long ago, did ichthyosaurs. That these ancient sea animals got the bends can be seen from their bones. If bubbles of nitrogen form inside the bone they can cut off its blood supply. This kills the cells in the bone, and consequently weakens it, sometimes to the point of collapse. Fossil (化石)bones that have caved in on them selves are thus a sign that the animal once had the bends.
Bruce Rothschild of the University of Kansas knew all this when he began a study of ichthyosaur bones to find out how widespread the problem was in the past. What he particularly wanted to investigate was how ichthyosaurs adapted to the problem of decompression over the 150 million years. To this end, he and his colleagues traveled the world’s natural-history museums, looking at hundreds of ichthyosaurs from the Triassic period and from the later Jurassic and Cretaceous periods.
When he started, he assumed that signs of the bends would be rarer in younger fossils, reflecting their gradual evolution of measures to deal with decompression. Instead, he was astonished to discover the opposite. More than 15% of Jurassic and Cretaceous ichthyosaurs had suffered the bends before they died, but not a single Triassic specimen(标本) showed evidence of that sort of injury.
If ichthyosaurs did evolve an anti-decompression means, they clearly did so quickly—and, most strangely, they lost it afterwards. But that is not what Dr Rothschild thinks happened. He suspects it was evolution in other animals that caused the change.
Whales that suffer the bends often do so because they have surfaced to escape a predator (捕食动物) such as a large shark. One of the features of Jurassic oceans was an abundance of large sharks and crocodiles, both of which were fond of ichthyosaur lunches. Triassic oceans, by contrast, were mercifully shark- and crocodile-free. In the Triassic, then, ichthyosaurs were top of the food chain. In the Jurassic and Cretaceous, they were prey(猎物) as well as predator—and often had to make a speedy exit as a result.
1. Which of the following is a typical symptom of the bends?A.A twisted body. | B.A gradual decrease in blood supply. |
C.A sudden release of nitrogen in blood. | D.A drop in blood pressure. |
A.how often ichthyosaurs caught the bends | B.how ichthyosaurs adapted to decompression |
C.why ichthyosaurs bent their bodies | D.when ichthyosaurs broke their bones |
A.confirmed his assumption | B.speeded up his research process |
C.disagreed with his assumption | D.changed his research objectives |
A.failed to evolve an anti decompression means |
B.gradually developed measures against the bends |
C.died out because of large sharks and crocodiles |
D.evolved an anti decompression means but soon lost it |