1 . What My Year Abroad Taught Me About Cultural Differences
Imagine going to study abroad. You walk into the local shop and bam!, Golliwogs (黑面木偶) everywhere. I’m talking salespeople dressed as Golliwogs. Surprised, you go to the junk food section as that’s the only thing that will give your body the sugar rush it needs to shock your body out of the state of bewilderment (困惑). And there they were: Golliwog cookies.
I’m using the word “Golliwogs” because to a British person abroad that’s what they are. But in the Netherlands and Belgium the image is known as Zwarte Piet (Black Pete). There has been much discussion about whether or not it’s racist.
Working as a trainee with the European Commission, I met people from all over the world, not just Europe. Working alongside my German, Spanish and Italian colleagues, I learned some valuable lessons.
Another lesson was the value of the coffee break. Coffee breaks in Brussels were not just time to get coffee. It was a chance to develop new ideas with colleagues in a more informal setting. At first I declined the invitation to attend, but after a while I began to notice that almost everyone went on these trips to the coffee machine and decided to join them.
Graduates and students who have worked abroad gain an understanding of what it means to be truly European and how this can benefit you at work. Not only do you bring home experiences, skills and practices from other countries, but you also seek to take your work further afield (向远方).
A.You might be amazed by the quantity of work and innovative concepts that can emerge during informal coffee breaks. |
B.This marked my initial experience in comprehending diverse cultures. |
C.As British people, we need to stay low-profile in what we do. |
D.So, how did I apply these acquired abilities? |
E.As individuals from Britain, we must produce more influence in our pursuits. |
F.This was my first lesson in understanding British cultures. |
2 . Travel Manners
Every culture has its own unwritten list of behavior that is acceptable. Every society also has its taboos, or types of behavior that are considered a violation (违反) of good manners.
The word taboo comes from the Tongan language and is used in modern English to describe verbal and nonverbal behavior that is forbidden or to be avoided.
Verbal taboos usually involve topics that people believe are too private to talk about publicly, or relate to one’s manner of speaking. In many cultures, for example, it is considered bad manners to discuss subjects such as sex or religion in public. In some countries, the volume of one’s voice may annoy people.
Certain gestures made with the hands can have very different meanings depending on the country you are in. Crossing your middle finger over your forefinger is the sign for good luck in many western countries.
Behavior that is acceptable and non-offensive in one culture can be highly offensive in another. When visiting a foreign country, be aware of some of the basic differences, as this will help to ensure a more enjoyable trip.
A.Nonverbal taboos usually relate to body language. |
B.In Vietnam and Argentina, however, it is a rude gesture. |
C.In spite of what some people may think, taboos are not universal. |
D.Cancer is a taboo subject and people are frightened to talk openly about it. |
E.Learn a country’s customs so that you don’t hurt the local people unconsciously. |
F.They might think that someone who is speaking or laughing loudly is rude or aggressive. |
Interesting Traditions Around the World
Traditions are passed down from generation to generation to inform us of our history. Some are widespread and taken on by one and all, like celebrating New Year and birthdays, and then there are some that are quite strange or interesting and practiced only by a small group of people.
Famadihana, also called the turning of the bones, is a festival in Madagascar that honors the dead and celebrates family ties. Every seven years or so, families who can afford rich dinners for guests and new clothes for the living families and the dead, celebrate the festival. They give out gifts for the dead and crying is discouraged during the celebration.
Bali’s Day of Silence, or Nyepi, as they call it, is a holiday celebrated with eating little or no food as well as meditation, the practice of thinking deeply in silence. The whole island shuts off all sounds, lights, and all other activities, so there is peace all around. Days before the actual celebration, Balinese people make the ogoh-ogoh (dangerous animals) statues (雕像) that will be used and paraded through the streets the day before Nyepi. The statues are then usually burnt after supposedly attracting dangerous animals.
Having started in Middle Ages, flag throwing has long been popular in Tuscany. As the Italians love a good celebration, army parades were held with marching bands and flag bearers. Since flags are considered sacred, the flag bearers have to make sure that they do not fall to the ground. Today, flag throwing is not just popular in Tuscany but also in the whole of Italy.
Some traditions may sound strange, yet people hold them close to their hearts and still practice the age-old rituals to this day. These rituals are part of their culture and history and are able to shape and describe people.
Outline:
I. Introduction
As a form of historic culture, some traditions are shared altogether and others are
II. Body part
People in Madagascar celebrate Famadihana to honor the dead and
During Nyepi in Bali, people eat little or no food and
Flag throwing features army parades and gains popularity in Italy.
III. Conclusion
People still hold fast to some age-old rituals, because these traditions can
Han Guorui, a folk artist specializing in making Dongming grain pictures, is generally busy in autumn as he needs to collect materials for his work. This year, he has been even busier, as he has attended fairs to demonstrate his skills and promote grain art.
The grain pictures, which take their name from Dongming county in Heze, Shandong province, are a traditional folk craft with a history of more than 200 years. The practice was listed as a provincial intangible cultural heritage(非物质文化遗产) in 2016 by the Shandong Provincial Department of Culture and Tourism.
After being treated to prevent decay and insect infestation, grains, grass and vegetable seeds are glued together to form a picture.
“We use the different shapes and colors of grains and seeds, which are all collected from the field,” says Han.
Born in Dongming, a county along the banks of the Yellow River, he attended a regional fair in mid-October. His pictures attracted many children who asked questions, such as, “will these seeds sprout”, and “can these grains be eaten?”
Han answered the children’s questions while showing them how to use grains and seeds to make a picture.
“Only now, when food is sufficient, can people make a picture with surplus grain,” he says.
To make pictures that more people like, Han works in the style of Chinese ink and Western oil paintings. Now his grain pictures are not only sold in cities across China, but also to overseas markets, including some European countries, South Korea and Japan, he says.
“Grain pictures have become a cultural product that is helping to enrich farmers living on the Yellow River plain,” says Han.
The Yellow River, the country’s second longest, is considered the cradle of Chinese civilization. For thousands of years, the people living along its banks have nurtured rich and vibrant cultures that have endured to this day.
To give people the opportunity to familiarize themselves with its rich culture and plentiful products, Shandong province has organized fairs named after the river throughout the year, with some events held in communities to involve more people.
At the fairs, intangible cultural heritage items, handicrafts, local delicacies, performances, and agricultural products are available.
At one fair in a community in Jinan, the capital city of Shandong, in late October, more than 10 types of handicrafts were on show, including gourd-carving, paper-cutting, textiles and hemp rope weaving.
“The fair builds a bridge between intangible cultural heritage producers and consumers. Using items that are embodied with traditional culture is a good way to pass on culture,” says Sun Xicai, deputy director of Jinan Folk Literature and Art Association.
At the fair, 60-something Yu Shaoqing, who was selling animal-shaped textile products, attracted a lot of buyers.
“Many young people show an interest in my products. They buy them to decorate their rooms and cars,” says Yu.
Yu, who worked in embroidery design before retiring, designs her products, which take the shape of animals like tigers, rabbits and ducks. Currently, she is working on a dragon design for next year to welcome the Year of the Dragon.
1. What do the grains undergo before being used in the artwork?A.Grains are carefully selected, painted in various colors and air-dried. |
B.Grains and seeds are bonded following certain preservative treatment. |
C.Grains and seeds are well preserved so that they will spout. |
D.Grains are carved and then assembled into a picture. |
A.due to advancements in technology |
B.because of nurtured rich and vibrant cultures along the Yellow River |
C.in situations where there is a sufficient and excessive supply of grains |
D.as a result of government’s financial supports for local artists |
A.Electronics and fashion items; performances showcasing modern technology |
B.Handicrafts, local delicacies, performances, and items embodied with traditional culture |
C.Industrial machinery and tools; demonstrations of manufacturing processes |
D.Luxury goods and designer fashion; fashion shows featuring international designers |
5 . Chinese Teapot Escaping from British Museum Goes Viral
Chinese state media has praised a viral video series telling the story of a jade teapot coming to life and fleeing the British Museum to make its way back home.
The set of three short videos, entitled Escape from the British Museum, shows the teapot turning into a young woman in a green dress, who then engages a London-based Chinese journalist to help her reunite with her family. It appears to have struck a chord (弦) in China after first being released by independent vloggers on Douyin. By Monday evening, it had reportedly received more than 310 million views. The plot line taps into growing Chinese criticism of the British Museum after reports last month that more than 1,500 priceless objects, including gold jewelry, semi-precious stones and glass, were missing, stolen or damaged.
In August the state media Global Times called for the return of Chinese artifacts from the museum “free of charge” in the wake of the controversy. “The huge holes in the management and security of cultural objects in the British Museum exposed by this scandal (丑闻) have led to the collapse of a long-standing and widely circulated claim that ‘foreign cultural objects are better protected in the British Museum’,” it said. It strongly supported the video series for touching on a “powerful message” about the importance of cultural heritage and reflecting “Chinese people’s desiring for the repatriation of the Chinese cultural relics.”
State broadcaster CCTV also gave the short films a glowing review saying: “We are very pleased to see Chinese young people are passionate about history and tradition... We are also looking forward to the early return of Chinese artifacts that have been displayed overseas.”
The museum scandal made headlines around the world and reawakened earlier demands by the Chinese media to restore the country’s relics. The new three-part show has triggered a wave of nationalism among viewers, with many praising the creative plot that reduced them to tears by showing how the teapot experienced the happiness of returning to China to see pandas and watch a flag-raising ceremony on Tiananmen Square.
1. What excuse does Britain give for keeping other nations’ cultural objects in its museum?A.It has taken possession of these objects by all lawful means. |
B.These objects are safer and taken better care of in its museum. |
C.It is requested by other nations to protect their cultural objects. |
D.These objects may come to life, flee their countries and go viral. |
A.Repair. | B.Reflection. | C.Reserve. | D.Return. |
A.China had already demanded the restoration of its cultural relics before the scandal. |
B.The museum’s awful management and security systems are involved in the scandal. |
C.The Britain Museum is under pressure to return the cultural relics to China sooner or later. |
D.A London-based Chinese journalist has contributed a lot to the viral three-part video series. |
A.To appeal to Britain to return China’s cultural objects. |
B.To introduce a viral video series about a fleeing jade teapot. |
C.To arouse readers’ concern about Chinese cultural objects abroad. |
D.To praise Chinese young people’s passion for history and tradition. |
6 . Students’ Journey to Empower Rural Heritage
From Aug. 18 to 22 a team of 15 Tsinghua University students, representing diverse backgrounds from China, South Korea, Malaysia, and Indonesia, set foot on an overseas research exploration focusing on rural revitalization(振兴) in Indonesian villages, particularly within Nusa Tenggara Barat(NTB).
With the diverse cultural heritage, Indonesia is home to over 83,000 villages, each radiating its own charm and character.
The research mission took the students to Sukarara and Sade villages, two of NTB’s tourist destinations.
As the journey came to an end, the students carry with them not only the memories of their experiences there, but also the responsibility to make a positive impact on these remarkable places.
A.While these villages possess undeniable fascination, many remain underdeveloped. |
B.This effort includes the knowledge exchange between the students and local villagers |
C.Both were selected for revitalization efforts led by the Village Revitalization Team. |
D.In Sukarara, a local tradition requires girls master weaving skills before marriage |
E.They decide to be a bridge between tradition and progress, united for their growth |
F.It’s about preserving the cultural heritage and ensuring traditions being passed down |
7 . Despite the fact that American companies have been “global” for a very long time now, many people today inside companies still misunderstand cultural differences. They misperceive potential foreign-born workers, for example, as too “shy” or not “confident” enough.
In many cultures, it is just not appropriate to make small talk with someone you don’t know, especially someone above you in the corporate level.
In addition, the US is basically a “straight-shooter (坦率的人)” style culture, where it is cultural valued to tell it like it is. But this isn’t necessarily true worldwide. For example, in Japan, people prefer to communicate indirectly, especially when it comes to a sensitive topic. To avoid accidentally damaging a relationship, people approach problems through subtle hints or general statements. If someone were to directly state a problem, it would make them look ungraceful, immature, and untrustworthy.
Americans tend to be relatively informal in a business context.
The above discussion just hits the tip of the iceberg of the different cultural misinterpretations in corporate America. For American employers to succeed in selecting, training, inspiring and keeping their top foreign-born talent, it is high time that they started taking account of these cultural differences in their leadership selection process.
A.There is a significant problem in corporate America today with foreign workers. |
B.In fact, many people are quite surprised at the level of informality in American businesses. |
C.Someone who avoids making small talk can be seen as unfriendly or not a team player. |
D.However, in reality, with a moderate amount of training, these high-performing individuals could be corporate leaders of tomorrow. |
E.It can also be impolite and even dangerous to openly express your opinion. |
F.But from the perspective of American culture, this more indirect style appears as if someone is “hiding” the truth. |
8 . A report consistently brought back by visitors to the U.S. is how friendly, courteous and helpful most Americans were to them. To be fair, this observation is also frequently made of Canada and Canadians, and should best be considered North American. There are, of course exceptions. Small-minded officials, rude waiters and ill-mannered taxi drivers are hardly unknown in the U.S. Yet it is an observation made so frequently that it deserves comment.
For a long period of time and in many parts of the country, a traveler was a welcome break in an otherwise dull existence. Dullness and loneliness were common problems of families who generally lived distant from one another. Strangers and travelers were welcome sources of diversion, and brought news of the outside world.
The harsh realities of the frontier also shaped this tradition of hospitality. Someone traveling alone, if hungry, injured or ill, often had nowhere to turn except to the nearest cabin or settlement. It was not a matter of choice for the traveler or merely a charitable impulse on the part of the settlers. It reflected the harshness of daily life: If you didn’t take in the stranger and take care of him, there was no one else who would. And someday, remember, you might be in the same situation.
Today, there are many charitable organizations which specialize in helping the weary travelers. Yet, the old tradition of hospitality to strangers is still very strong in the U.S., especially in the smaller cities and towns away from the busy tourist trails. “I was just traveling through, got talking with this American, and pretty soon, he invited me home for dinner — amazing.” Such observations reported by visitors to the U.S. are not uncommon, but are not always understood properly. The casual friendliness of many Americans should be interpreted neither as superficial nor as artificial, but as the result of a historically developed cultural tradition.
As is true of any developed society, in America, a complex set of cultural signals, assumptions and conventions underlies all social interrelationships. And, of course, speaking a language does not necessarily mean that someone understands social and cultural patterns. Visitors who fail to “translate” cultural meanings properly often draw wrong conclusions. For example, when an American uses the word “friend,” the cultural implications of the word may be quite different from those it has in the visitor’s language and culture. It takes more than a brief encounter on a bus to distinguish between courteous convention and individual interest. Yet, being friendly is a virtue that many Americans value highly and expect from both neighbors and strangers.
1. In the eyes of visitors from the outside world, __________.A.rude taxi drivers are rarely seen in the U.S. |
B.small-minded officials deserve a serious comment |
C.Canadians are not as friendly as their neighbors |
D.most Americans are ready to offer help |
A.social patterns and historical traditions are inseparable |
B.people in remote and difficult areas used to be more friendly |
C.various virtues exposed to strangers or neighbors are superficial |
D.being friendly to strangers is particularly important to Americans |
A.tends to be superficial and artificial |
B.is generally well kept up in the United States |
C.is always understood properly |
D.has something to do with the busy tourist trails |
A.American culture is confusing to most travelers. |
B.Americans usually don’t mean what they say. |
C.Words don’t always translate American culture properly. |
D.Learning English is the first thing to known American culture. |
9 . “The worst gift is a fruitcake,” said Johnny Carson once in his popular TV show. “There’s only one fruitcake in the entire world, and people keep sending it to each other.” Most Chinese have never heard of Carson, a beloved American television host who died in 2005.
Mooncakes are often dense, cloyingly sweet — and, as Carson suggested, re-gifted. Chinese people usually eat them with their family members. They play a central role in celebrations of the traditional midautumn festival, a popular Chinese holiday that falls on September 10th.
Despite the outbreak of the pandemic, this year China is expected to produce 437,000 tones of mooncakes, according to iiMedia Research, a consultancy. Sales are likely to reach 24bn yuan ($3.5bn), up by 11.8% compared with last year. As most industries are gradually accustomed to functioning along with the pandemic, the mooncake industry, likewise, is now bouncing back to its pre-pandemic norms.
Most bakeries and restaurants offer mooncakes in their traditional form, with a heavy crust that puts in fillings such as red-bean paste, egg yolks or lotus seed. But expensive fillings, such as shark’s fin and edible bird’s nest, are sometimes added.
Officials, therefore, have been inspecting mooncakes for sale in malls, supermarkets, hotels and restaurants.
A.The media have published photos of stuff wearing uniforms on the hunt for overpackaged and overpriced mooncakes. |
B.However, the American host expressed his love for mooncakes on his show many times. |
C.The expensive materials, however, come from the animals under strict protection by law. |
D.But in the months leading up to the celebration, mooncakes have become the object of intense government inspection. |
E.Luxury hotels and designer brands have packaged these fancy mooncakes together with gold leaf, jade and expensive tea or liquor. |
F.Yet many would get his joke. China has its own fruitcake equivalent: mooncake. |
10 . Day of the Dead
Here’s one thing we know: Día de los Muertos, or Day of the Dead, is not a Mexican version of Halloween.
Day of the Dead originated several thousand years ago with the Aztec, Toltec, and other Nahua people, who considered mourning the dead disrespectful.
Today’s Día de los Muertos celebration is a mash-up(混聚) of pre-Hispanic religious rites and Christian feasts. It takes place on November 1 and 2—All Saints’ Day and All Souls’ Day on the Catholic calendar—around the time of the fall maize harvest.
Cultural heritage is not just monuments and collections of objects. The United Nations Educational, Scientific and Cultural Organization (UNESCO) says that cultural heritage also includes living expressions of culture—traditions—passed down from generation to generation.
Day of the Dead is an extremely social holiday that spills into streets and public squares at all hours of the day and night. Dressing up as skeletons is part of the fun. People of all ages have their faces artfully painted to resemble skulls, and, mimicking the Calavera Catrina, they don suits and fancy dresses.
A.In 2008, UNESCO recognized the importance of Día de los Muertos by adding the holiday to its list of Intangible(无形的) Cultural Heritage of Humanity. |
B.Some families place their dead loved one’s favorite meal on the altar(祭坛). |
C.Though related, the two annual events differ greatly in traditions and tone. |
D.Many revelers wear shells or other noisemakers to fuel the excitement—and also possibly to rouse the dead and keep them close during the fun. |
E.Today, the calavera Catrina, or elegant skull, is the Day of the Dead’s most ubiquitous symbol. |
F.For these pre-Hispanic(前西班牙时期的) cultures, death was a natural phase in life’s long continuum. |