2 . As we know, queues (队列) have always been related to the theme park experience. Disliked by many, attractions do their best to stop them from having a bad influence on the guest experience. However, queues remain a necessity for gated attractions with popular rides.

The most obvious problem with queues is that they waste time, and for guests, wasting their limited time during their visit leads to a poor experience. For attraction operators, queues can be a letdown too. Even though long queues might be a sign that business is good, the more time guests spend tied up in long lines, the less opportunity they have to spend money on on-site retail and food offerings.

Thankfully, technology is developing to meet changing guest expectations. Many theme parks are taking guests out of physical queues and putting them into virtual queues through an app or wearable device.

Free from queues, guests are likely to spend their time and money far more freely around the attraction. Even though no one has to wait in line, attractions can still offer queue upgrades within a virtual queue system. According to a recent survey done by Attractions.io, over 84% of theme park visitors said they would rather use virtual queuing.

But queuing isn’t all bad, either. Making a queue part of the experience can also create an opportunity for better guest management. For example, Disney observes queues on many of their rides to give worried kids a space to relax. For smaller attractions, physical queues can be useful for judging how busy different rides are likely to be.

So to queue or not to queue? We say, why not both. In an ideal world, every attraction will have both virtual and physical queues. While virtual queuing can ensure that no one has to stand in line for hours, not every ride will need one. Short physical queues may still work for smaller or less popular rides, which guests can even enjoy while they wait in line virtually for another ride.

3 . Santosh Jadhav, a 28-year-old farmer from Maharashtra’s Sangli district, had never dreamed he would be trending on YouTube tending to his land. But as you watch his videos on Indian Farmer—the channel he runs with his friend, Akash Jadhav, 27—you quickly understand why he is attracting millions of views.

Set up in 2018, Indian Farmer was a result of the two friends’ love of farming, technology and filmmaking. Their videos offer tips, advice and information on various aspects of agriculture, including direct-farming techniques, agriculture-related activities, new farming tools, and agricultural apps. In addition to explaining how agricultural markets function, the channel shares success stories from across the country. A section that draws the most attention features workable solutions to everyday problems and do-it-yourself mechanical quick-fixes.

“We were looking to do something together. Agriculture was something we had in common. Plus, we were young and idealistic—we wanted to do something with a social impact,” says Santosh.

The channel has certainly made a mark, as the numbers show. Since 2018, their channel has built a user base of 21.5 million, thanks to the affordable mobile data revolution and the increasing popularity of smartphones in India. While Akash takes charge of the production side of things, Santosh offers his hands-on knowledge obtained from running his family farm. According to them, the Indian Farmer channel adds an average of 60,000 subscribers and earns between 70,000 and 100,000 in revenue every month.

“Knowledge in this sector is often inter-generational: a farmer is limited to what the others nearby know and do. There was very little by way of books or culture channels that addressed the needs, mistakes and scarcities of farmers. Social media has changed things, enabling cross-sharing of knowledge, all for free,” Akash says.

6 . A career in comics (漫画) is a dream for many talented, creative artists. It’s an opportunity to express one’s imagination through powerful stories. Traditionally, it was difficult, and sometimes expensive, to make it in the comic world. However, webtoons, comic platforms for viewing on the web and mobile devices, are changing the situation for independent artists. Artists can gain a following on webtoons platforms without having to depend on large publishing agents (代理商). It’s a fantastic opportunity for comic book lovers to find exciting new stories.

WEBTOON is the largest and most well-known webtoons platform, and it offers creators the chance to gain deals with famous agents and publishers. Some creators who got their start on WEBTOON have seen their stories adapted (改编) for TV series or movies. American Netflix has published two live-action adaptations of webtoons. WEBTOON has also worked with brand-name comics. For example, DC Comics, one of America’s oldest and largest comic book producers, produced a comic book series Batman: Wayne Family Adventures with WEBTOON. The popular DC series got more than 76 million views on WEBTOON.

In addition to all that, webtoons have helped independent artists and writers make it in the comic world. Azumi was a webtoons follower, who even won a webtoons competition, but he had no means to continue comic book writing full-time. In 2021, a WEBTOON producer found his great work and employed him to write. This opportunity allowed Azumi to give up his job and focus on his art. Azumi explains, “Many groups and stories that have not been shown in traditional publishing can have a voice and space on WEBTOON.”

“WEBTOON creators are some of the most talented and creative people the history of comics. In a time when comics have never been more popular, we’re proud of the growing Creator Economy and the ecosystem we’ve built to celebrate and support WEBTOON creators,” said CEO, Ken Kim.

7 . When Amelia thinks about her freshman year two years ago, she remembers being tardy to her 8 a.m. first period class from time to time. “It was so hard to wake up in the morning,” she said. “I had to bike to school and I lived on the other side of the island.”

Like other teens, mornings area struggle because she had several hours of homework and extracurricular activities the night before, but research shows that’s not the entire story. According to psychotherapists, Heather Turgeon and Julie Wright in their book Generation Sleepless, today's teens are sleepier than ever and earlier school start time is disturbing their body's circadian (昼夜节律的) rhythm.

“One of the things that happens somewhere around age 12 is that their brain clock becomes set to a later pace,” said Turgeon, which put sateen about two hours behind the sleep schedule of a young child or an adult. “That means they want to go to sleep later and they want to wake up later,” she said.

“We consider adequate sleep —the very lowest amount—to be about eight hours,” said Wright. However, the average sleep time for high school students is usually about 6.5 hours. And missing out on just a couple hours of rest each night has negative consequences for developing teenage brains.

When a teen is tired, the amygdala—which is the part of the brain that responds to danger—will become more active. And the parts of the brain that are in charge of judgment become less active. Sleep issues are commonly associated with anxiety, depression, bipolar disorder (双相情感障碍) and ADHD (多动症). “We see teens with very serious mental health issues and accidents and soon things that parents really worry about—and getting enough sleep addresses those issues.”

Even with research showing that letting students sleep well contributes to better academic performance, lower truancy (旷课) rates and improved mental health, there has been pushback from parents and school districts about delaying the start of the school day.