1 . Good news for all Wes Anderson fans — the US director is back with the film The Wonderful Story of Henry Sugar which hit Netflix, an online film provider, on Sept 27. It is a film adaptation of UK novelist Roald Dahl’s novel under the same name.

The film stars UK actor Benedict Cumberbatch as a wealthy man named Henry Sugar, who develops the ability to see through objects. At the very beginning he uses this power to cheat at cards and win big while gambling (赌博), and later turns his fortune into a global network of orphanages (孤儿院).

Dialogue style

Running for just 40 minutes, the film features Anderson’s quick-paced dialogue style. He also asked the actors to recite lines directly to the audience by looking at the camera, creating “the effect of listening to a podcast (播客) while turning the pages of a lovely picture book quickly”, commented CNN.

Visual style

Anderson’s work is immediately recognizable for his visual style as well. The “Anderson aesthetic (美学)” often uses bright color palettes (调色板) to both add visual appeal and make various ideas known to the audience, reported Yahoo News. In The Grand Budapest Hotel for example, Anderson uses a color palette of deep blues, rich greens and warm pinks to recreate an old-world European feel. In The Royal Tenenhaums the red tracksuits worn by Chaz, one of the main characters, show deep-seated anger resulting from parental trauma (创伤).

Symmetrical style

Another style is his use of symmetry (对称). Many of the shots involve (涉及) a person facing the camera, with the elements around the character set up in a sense of order and balance. Anderson explained to the media that it is out of his nature to “arrange things in a frame”, which he compares to how people can’t change the individuality of their handwriting. “You might try to write very well, but really, you have something your brain tends to do”, he said.

However, his obsessive repetition of these stylistic choices in his films has led some to question his ability to innovate (创新). In response to this, Anderson stated, “It’s not something I make any effort to do. I just want to make films that are personal but interesting to an audience.”

1. What do we know about the film The Wonderful Story of Henry Sugar?

A．Watching this film is actually listening to a podcast.

B．It reflects the unique style of the director Wes Anderson.

C．It is based on a real story of a wealthy man named Henry Sugar.

D．Its main character gains nothing in gambling in the end.

2. What’s the similarity between the films The Grand Budapest Hotel and The Royal Tenenbaums?

A．They both use colors to get various ideas across to the audience.

B．They both reflect deep-seated anger.

C．They both present an old-world European feel.

D．They both have colorful costumes to add to their appeal.

3. Why did Anderson use symmetrical style in his films?

A．Out of curiosity.	B．Out of innovation.
C．Out of habit.	D．Out of kindness.

4. What is the most probable type of the text?

A．A film script.	B．A film lecture.
C．A film survey.	D．A film review.

2 . Statistics from the China Film Administration, China’s box office revenue during the Spring Festival holiday hit a record high of 8 billion yuan, or more than 1.1 billion U. S. dollars, the milestone being achieved in the shortest time span in the history of the Chinese film industry.

Seizing a lot of attention due to actress-director Jia Ling’s weight loss of up to 50 kilograms in one year, YOLO—a comedy recounting Jia’s portrayal of an oversized woman striving to become her better self —earned 2.72 billion yuan, topping the festival box-office charts. Many people wanted to watch the comedy film with their families during this ‘festival of reunions’, because the film went far beyond expectation whose story in Yolo was so inspiring. So, it was a good thing to watch it with children.

Pegasus 2, the sequel to a 2019 blockbuster racing film by writer-director Han Han, ranked second at the box office with 2.4 billion yuan. Boonie Bears: Time Twist, the latest installment in the Boonie Bears animated film series, took the third spot with 1.39 billion yuan, and Zhang Yimou’s Article 20 ranked fourth with 1.33 billion yuan.

A report from Maoyan, one of the country’s largest ticketing services, revealed that 39.2 percent of the audiences purchased movie tickets while returning to their hometowns or traveling, which was the highest in the past four years. Industry analysts say family-friendly comedies align perfectly with the cultural atmosphere surrounding New Year celebrations. The films of this festive season focus on diverse and relevant topics that resonate with the viewers — such as family values and inspirational stories.

So, they attract people from all walks of life.

1. What milestone has the Chinese film industry achieved during the Spring Festival holiday?

A．Earning 2.72 billion yuan.

B．Setting a record of 8 billion yuan.

C．Making 50 million U. S. dollars.

D．Breaking the record of 2.2 billion U. S. dollars.

2. Which genre does the highest-grossing film, “YOLO” belong to?

A．Comedy.

B．Action.

C．Crime thriller.

D．Romance.

3. Which movie ranks third at the box office according to the text?

A．YOLO.	B．Pegasus 2.
C．Boonie Bears: Time Twist.	D．Article 20.

4 . This question has fascinated behavioural scientists for decades: why do we give money to charity?

The explanations for charitable giving fall into three broad categories, from the purely altruisic (利他的)— I donate because I value the social good done by the charity. The “impurely” altruistic— I donate because I extract value from knowing I contribute to the social good for the charity. And the not-at-all altruistic— I donate because I want to show off to potential mates how rich I am.

But are these motives strong enough to enable people to donate as much as they would want to? Most people support charities in one way or another, but often we struggle to make donations as often as we think we should. Although many people would like to leave a gift to charity in their will, they forget about it when the time comes.

Many people are also aware that they should donate to the causes that have the highest impact, but facts and figures are less attractive than narratives. In a series of experiments, it was found that people are much more responsive to charitable pleas that feature a single, identifiable beneficiary(受益者), than they are to statistical information about the scale of the problem being faced. When it comes to charitable giving, we are often ruled by our hearts and not our heads.

The good news is that charitable giving is contagious—seeing others give makes an individual more likely to give and gentle encouragement from an important person in your life can also make a big difference to your donation decisions— more than quadrupling them in our recent study. Habit also plays a part— in three recent experiments those who volunteered before were more likely to do donate their time than those who had not volunteered before.

In summary, behavioural science identifies a range of factors that influence our donations, and can help us to keep giving in the longer term. This is great news not just for charities, but also for donors.

1. What can we learn about people who do charitable giving?

A．Most people support charity as often as they think they should.

B．Some people don’t want to leave a gift to charity until the time comes.

C．Those who donate because they can gain an advantage are purely altruistic.

D．Some people send money to charity simply to tell others they are wealthy.

2. In which way will people donate more willingly?

A．Not revealing the names of the donors.

B．Showing figures about the seriousness of the problem.

C．Telling stories that feature a single, recognizable beneficiary.

D．Reminding people to write down what to donate in the will in advance.

3. What does the underlined sentence in paragraph 5 mean?

A．People will learn from others and follow the suit.

B．Many people are familiar with charitable giving.

C．Charitable giving helps the beneficiary in all aspects.

D．Charitable giving can bring a lot of benefits to donors.

4. What is the writing purpose of the passage?

A．To persuade more people to donate.

B．To explain the science behind why people donate.

C．To criticize some false charitable giving behaviours.

D．To explore approaches to making people donate more.

5 . A One-woman Cinderella Show Is Coming to Fairfield

A one-woman show that reimagines the classic fairytale Cinderella is coming to the Fairfield Community Arts Center. The Children’s Theatre of Cincinnati will present Cinderella Wore Cowboy Boots for one night only on Jan.26. The traveling show is for children ages 4 and up and promises “knee-slapping” comedic moments and heartwarming life lessons.

“I love children's theatre,” says Rosvic Siason, who plays Cinderella. “Kids are our future and we introduce them to these stories. We all have situations at one point in our life that look like this conversation. It just kind of helps you develop your brain and learn how to think as a developing person. It’s really important to expose kids to theatre and well-rounded actors they can talk to for guidance.”

These one-man, one-woman shows have so much beauty because it is very raw. People actually follow along much easier than you think. It’s easy to share a feeling. They will be expected to interact, deliver lines and repeat after Cinderella throughout the production. Cinderella Wore Cowboy Boots will deliver a funny, meaningful twist on the classic fairytale that encourages audiences to expand their imagination.

“Using imagination helps kids to think of things in more ways than one,” Siason says. “It opens them up and makes them think, ‘Hey, this is one way this could work.’ Or, ‘I could try this way,’ and then see what happens.”

Visit fairfield-city. org for tickets and more information.

1. What is Cinderella Wore Cowboy Boots?

A．A book.

B．A theatre.

C．A performance.

D．A lesson.

2. Siason thinks stories in children’s theatre can _________.

A．offer temporary amusement	B．help deal with life’s challenges
C．allow individuals to avoid reality	D．provide opportunities to make friends

3. What might Siason encourage children to do?

A．Stick to the rules.	B．Dare to dream big.
C．Always follow the crowd.	D．Think outside the box.

6 . Plenty of audiences have warned: don’t see the new French movie The Taste of Things on an empty stomach. Juliette Binoche plays a longtime personal cook to a man who’s a gourmand (美食家). They share a passion for food. Filled with delicious meals, the film celebrates food, and all the work and love that go into making it.

When you see a delicious meal in a movie or an ad, chances are that it’s not fit to eat. Food stylists have been known to substitute glue for milk, and coat meat with motor oil. All this was a big “No” for Vietnamese French director Tran Anh Hung.

Tran says he wanted everything in The Taste of Things “to be real,” from the raw ingredients (食材) to the menu to the way the cooks move in the kitchen. Real food can’t always handle multiple takes. Plus, Tran needed to show dishes at different stages of preparation. So he needed a lot of everything. For a classic French dish, “we needed 40 kilos of meat for the shooting.” He also had to find vegetables that looked like they were harvested in the 19th century. “They’re not as beautiful as today,” he says, “They’re not straight, and they have many spots on the skin.”

After doing extensive research into the history of French cuisine and working with a historian, Tran enlisted three-star chef Pierre Gagnaire to make sure the menu he’d come up with worked in real life.

Gagnaire also cooked for Tran for five days, so the director could study his movements in preparation for filming. Tran says watching Gagnaire move around the kitchen taught him that “simplicity is important and you don’t need to have the perfect gesture for this or that. You need only to be very free.” Gagnaire says the movie feels like a gift. “For my creativity, it’s an honor,” he says. The famous chef agreed to take a small part in the film.

“When you leave this film, you feel calm because instead of violence, there’s tenderness,” Gagnaire says.

1. What can we say about The Taste of Things?

A．It shows that food represents love.

B．It gives audience a good appetite.

C．Its characters only focus on cooking.

D．Its story is based on a food stylist.

2. Which of the following best describes Tran as a film director?

A．Romantic.	B．Caring.
C．Demanding.	D．Humorous.

3. Why did Gagnaire cook for Tran for five days?

A．To get a role in Tran’s movie.

B．To give Tran some inspiration.

C．To test Tran’s menu for the film.

D．To show Tran his food creativity.

4. What’s the author’s purpose in writing the text?

A．To show a film shooting style.	B．To recommend a film.
C．To call on people to save food.	D．To promote food culture.

7 . Pullman is a superb writer and Seagull is a brilliant communicator. They had a debate after Seagull posted a question on his social media platform: “When you were trying to create an environment for learning, what were your best pieces of classical music to listen to?” He received hundreds of suggestions — and one negative reply, from Pullman: “That’s not what classical music is for. Treat it with respect.”

That did it! Everyone — professional musicians, students, teachers — weighed into the argument, and the majority supported Seagull and were criticizing Pullman.

It’s easy to see why people are annoyed. We all want classical music to be as accessible as possible, especially to the young. If some of them are using Bach or Schubert as a tool to help them study, what’s the problem? They may also develop an attachment to classical music.

So is Pullman ridiculous and supercilious by objecting to classical music being used as background music? At first sight, his idea seems stuffy and extreme. By suggesting that classical music should be “treated with respect” and not used as background music, Pullman seems to be closing classical music of to millions of people.

It’s worth pointing out, however, that he isn’t the first to express concerns about classical music being devalued by becoming too commonplace in today’s technologically shaped world. In Benjamin Britten’s 1964 speech, the composer expressed exactly the same worries as Pullman. Britten suggested, “The true musical experience demands some preparation, some effort, a journey to a special place, saving up for a ticket, some homework perhaps”. In short, it demands as much effort from listeners as from composers and performers.

I don’t agree with such an extreme viewpoint, but I do think it touches on a reality. You will never fully grasp the beauty of classical music if you half-hear it only in the background. That doesn’t necessarily matter. Music can be enjoyed on many levels. What Pullman and Britten are really saying is that, in a drive for “accessibility”, we shouldn’t deny the emotional and intellectual complexity underpinning (构成) much classical music.

1. What did Seagull’s posting result in?

A．Great admiration for Seagull.

B．Public criticism of classical music.

C．A discussion about learning environments.

D．An argument over the role of classical music.

2. What does the underlined word “supercilious” in paragraph 4 probably mean?

A．Self-important.

B．Open-minded.

C．Impatient.

D．Considerate.

3. Why is the Benjamin Britten’s 1964 speech mentioned?

A．To show his affection for classical music.

B．To introduce young people to classical music.

C．To demonstrate classical music is demanding.

D．To support Pullman’s idea over classical music.

4. Which word best describes the author’s attitude to Pullman’s idea?

A．Favorable.

B．Doubtful.

C．Objective.

D．Uninterested.

9 . At The Rachael Ray Foundation^TM (RRF), we’re pretty big animal lovers. As a part of our work, we support a wide variety of organizations that do good for animals, from rescue to care and more. Get to know a few of them and the work we do together.

Pittsburgh Aviation Animal Rescue Team

RRF helped enable Pittsburgh Aviation Animal Rescue Team (PAART) to purchase a new and bigger plane for its rescue missions which bring animals from danger to safety. Whether it be flying dogs in overcrowded shelters to new homes, saving animals caught in the path of natural disasters, or bringing supplies to shelters in need, the brave PAART pilots are always ready to help.

National Disaster Search Dog Foundation

National Disaster Search Dog Foundation (SDF) works to find and train shelter dogs who have the talent and drive to become search and rescue animals. RRF supports SDF’s efforts to identify and transform rescued dogs into rescuers, to provide lifetime care for these dogs and to find homes for all dogs who enter the SDF training program.

Rachael Ray Save Them All Grants

This is a program administered by Best Friends Animal Society (BFAS) to support Best Friends’ network partners in their lifesaving efforts. The money has been awarded to organizations across the country to fund initiatives such as adoption drives and shelter intake prevention efforts.

North Shore Animal League America Disaster Relief Grants

This program, administered by North Shore Animal League America (NSALA), provides money for animal welfare organizations impacted by disasters. RRF is proud to help NSALA in its efforts to identify needs in disaster situations and provide targeted, effective relief.

1. What is special about PAART?

A．It provides necessities for-animals in need.	B．It conducts animal rescue missions by plane.
C．It is supported by the Rachael Ray Foundation.	D．It assists in finding adopters for rescued animals.

2. Which organization is devoted to training shelter animals to do rescue work?

A．SDF.

B．BFAS.

C．PAART.

D．NSALA.

3. What do the last two programs have in common?

A．They both strongly promote animal adoption.

B．They are both in charge of Best Friends Animal Society.

C．They both provide financial assistance to animal welfare initiatives.

D．They are both administered by welfare organizations impacted by disasters.