1 . Are you addicted to computer games? Do you stay up all night playing them? Do you feel happy after you play computer games?
There’s no doubt that the excitement and appeal of games these days make them hard to put down. We are attracted by the choice when it comes to gaming: You can role play — creating your own fantasy characters and stories, giving you chance to step out of everyday life into an imaginary world. And there are shooting games where you can let out your anger and depression in violent situations where you kill people with guns. You can get excited from the games.
However, can these kinds of games really be fun and can being absorbed in virtual reality be good for us? Should we worry about their effects on our health? Popular games like Grand Theft Auto have been blamed for everything from falling results at school to causing acts of extreme violence. Internet safety advisor, Alan MacKenzie, thinks “many people understandably will just think that a game is just a game and not realizing the exact content that’s in there”. He gives an example of the violence, which he says is “wholly inappropriate for anybody, not to mention children” .
Others will argue that gaming is a harmless form of entertainment. There is evidence that playing video games could actually be good for us. Some games like Game of Thrones and World of Warcraft are educational and using games certainly can help children learn good qualities. Studies have also shown that the skills used in playing games can cause growth in certain areas of the brain, the ability to think in 3D and even improve our eyesight.
Video game players are also no longer just simple creatures. For some, gaming is having a positive effect on their social lives with games like Halo and World of Warcraft often being played in groups. When your group works together to win the game, your sense of achievement is higher than when winning by yourself.
So every coin has two sides. It seems today, gaming isn’t just for game fans and if used in a proper way, we can all take part. If video games have two sides, which side do you stand by?
1. The writer used a lot of questions at the beginning to .A.lead into the topic of the passage |
B.show his worries about the effect of playing computer games on health |
C.doubt the advantage of playing computer games |
D.ask the readers for their own opinions about games |
A.games contain extreme violence |
B.the contents of the game are complex |
C.gaming is a harmful form of entertainment |
D.popular games lead to students’ falling results at school |
A.Li Hua learnt many English words from playing games. |
B.Han Meimei passed the exam after playing the games. |
C.Yang Li let out her anger and depression. |
D.Sun Yang worked well with his teammates. |
A.with descriptive words |
B.by giving some examples |
C.with some research results |
D.by providing some numbers |
2 . Not Waving but Drowning
Stevie Smith (1902-1971)
Nobody heard him, the dead man, but still he lay moaning:
I was much further out than you thought, and not waving but drowning.
Poor chap, he always loved larking, and now he's dead.
It must have been too cold for him, his heart gave away, they said.
Oh, no no no, it was too cold always (Still the dead one lay moaning).
I was much too far out all my life, and not waving but drowning.
‘Not Waving But Drowning’ by Stevie Smith describes the emotional situation of a speaker whose true sufferings go unnoticed by all those around her. The poem begins with the speaker stating that there is a dead man who is not really dead. He is not dead because his story has more to offer to the world. His death came at the hands of apathy (冷漠). The speaker knows this to be true as she is struggling out in the ocean waters. She’s trying desperately to get someone’s attention but all the onlookers believe her to be “waving” rather than “drowning”. Then the speaker criticizes the emotionless reaction of the beach-goers by describing their words regarding the dead man. They see him, attempt to recall something about his life, and then declare him dead without ceremony They believe that it must have been “too cold” for him and that his heart gave out. The speaker continues to say that it has always been “too cold” for her. She has always been too far out to the sea to make people understand her, especially now when she needs understanding the most.
On the surface the poem is about a man who drowns because his movements are mistaken for friendly waving. Taken less literally, however, it speaks to the pain of being misunderstood and the frequent failure of communication between human beings, closely related to which is its potential suggestion of mental illness. That is, the poem can be taken as an extended metaphor (暗喻) for the specific pain of diseases like depression, which makes the man feel like “drowning” yet unable to effectively ask for help. It’s worth noting here that Smith herself struggled with depression for much of her life, and her own experience likely informed the poem. The man’s mistaken gestures, in this reading, indicate the divide between appearance and reality, between how people dealing with such illness are feeling inside and how the world sees them or how they present themselves to the world.
1. What’s the first paragraph mainly about?A.An introduction of the poet. | B.The explanation of the poem’s content. |
C.The appreciation of the poem's images. | D.An analysis of the poem's creation background. |
A.Casually. | B.Definitely. | C.Formally. | D.Violently. |
A.His inner desire for death. | B.His misleading gestures for help. |
C.His being drowned for so long a time. | D.His failed communication with people around. |
A.People usually believe what they see. |
B.People can't turn a blind eye to whoever is in trouble. |
C.People should re late to what those in need truly need. |
D.People with mental illnesses must help themselves out. |
3 . Some of the world’s most famous musicians recently gathered in Paris and New Orleans to celebrate the first annual International Jazz Day. UNESCO (United Nations Educational, Scientific and Cultural Organization) recently set April 30 as a day to raise awareness of jazz music, its significance, and its potential as a unifying (联合) voice across cultures.
Despite the celebrations, though, in the U.S. the jazz audience continues to shrink and grow older, and the music has failed to connect with younger generations.
It’s Jason Moran’s job to help change that. As the Kennedy Center’s artistic adviser for jazz, Moran hopes to widen the audience for jazz, make the music more accessible, and preserve its history and culture.
“Jazz seems like it’s not really a part of the American appetite,” Moran tells National Public Radio’s reporter Neal Conan. “What I’m hoping to accomplish is that my generation and younger start to reconsider and understand that jazz is not black and white anymore. It’s actually color, and it’s actually digital.”
Moran says one of the problems with jazz today is that the entertainment aspect of the music has been lost. “The music can’t be presented today the way it was in 1908 or 1958. It has to continue to move because the way the world works is not the same,” says Moran.
Last year, Moran worked on a project that arranged Fats Waller’s music for a dance party, “Just to kind of put it back in the mind that Waller is dance music as much as it is concert music,” says Moran. “For me, it’s the recontextualization. In music, where does the emotion lie? Are we, as humans, gaining any insight (感悟) on how to talk about ourselves and how something as abstract as a Charlie Parker’s record gets us into a dialogue about our emotions and our thoughts? Sometimes we lose sight that the music has a wider context,” says Moran, “so I want to continue those dialogues. Those are the things I want to foster.”
1. Why did UNESCO set April 30 as International Jazz Day?A.To remember the birth of jazz. | B.To protect cultural diversity. |
C.To encourage people to study music. | D.To recognize the value of jazz. |
A.Jazz becoming more accessible. | B.The production of jazz growing faster. |
C.Jazz being less popular with the young. | D.The jazz audience becoming larger. |
A.It will disappear gradually. | B.It remains black and white. |
C.It should keep up with the times. | D.It changes every 50 years. |
A.In a newspaper. | B.In a travel guide. |
C.In a math textbook. | D.In a fiction novel. |
4 . Working for a big company in London on a salary (薪水)of over £100,000, you might expect Grayden Reece-Smith to have a luxurious (奢侈)lifestyle, going on expensive holidays or driving a sports car around south London, where he lives. In fact, the 28-year-old lives a very different existence from his colleagues. He gives away everything he earns over £42,000–a figure that he thought he could comfortably live on.
Over the past five years, Reece-Smith has handed over more than £250,000 to organizations such as International Care Ministries, which helps poor families in the Philippines, and the Against Malaria Foundation. He is part of a growing number of young professionals described as “effective altruists”. Effective altruists typically donate regularly to a charity which they think will have a great impact (影响). Some change careers to make more money, which can then be given away.
Reece-Smith considered working in the charity sector after graduating from university, but thought that he could make a bigger difference by donating a large part of his salary. He had volunteered as a teacher at a school in Tanzania, but then realized that earning and giving would be more effective. “The cost of my flights there could have paid the salaries of two teachers for an entire year,” he says. Instead, he could “stay at home, living a nice life and still make a huge difference in the world”.
He is not mean with money-last year he went to Cuba on holiday, and spent several thousand pounds on a new sofa. But his lifestyle isn’t as luxurious as some of the people he works with. “I usually don’t buy supermarket-branded food products, but I don’t own a car. Other people on my salary might have a bigger house. Some of my colleagues have four-bedroom houses, but we only bought what we needed-a two-bedroom flat.£42,000 is more than enough to live on and still save,” he says.
1. How much money does Grayden spend on donation every year?A.Less than £42,000. | B.Over £100.000. |
C.£50,000. | D.Any income over £42,000. |
A.Donate to impactful charities. | B.Make more money to enjoy lives. |
C.Create a good public image. | D.Enter a teaching profession. |
A.To access his inner life. | B.To create a stronger effect. |
C.To give away all of his salary. | D.To be a teacher at a school. |
A.He leads an expensive lifestyle. | B.He buys food produced by supermarkets. |
C.He lives in a four-bedroom house. | D.He balances his life and donation. |
5 . T. S. Eliot wrote of “Distracted from distraction by distraction /Filled with fancies and empty of meaning.” T. S. Eliot never had a smartphone.
Neither did I for a long time. No Facebook account; not even email. But according to my date of manufacture, I’m supposed to be a digital native. Perhaps it’s because by the age of 20 I was living in the Welsh countryside with no signal and no Wi-Fi.
When I finally fell into the digital world, I fell hard. Unlike my friends for whom social media and mobile technology had grown and flowered around them, for me it was a sudden immersion. I got Facebook, Twitter and Gmail accounts at the same time that I got an iPhone 4. I would check my phone; five minutes later I would check my phone again. I was addicted and it started to affect my relationships with friends and family
One night, without a word, I abandoned my iPhone and bought a Nokia 3310 and became the talk of the town. Soon I became aware that not only had I stolen secret time back from the hurried days, but somehow a secret space as well. I could stretch out, free to think again, to be wholly creative and to learn meaningfully.
But, wherever I went I got bloody lost. Wandering blindly around London, only to miss appointments, became a frequent pastime (消遣). What did we do before Google Maps? I was useless. The change was worth it, though. I’ll sound like an overstatement but I think it changed my life. My choices are broader and healthier because I’m not being screamed at all day.
I bought a new Samsung phone last week. I had been scared of the rate of progress, crying: “Stop the train! Stop the madness.” But I want to be part of building the future, and to do that, you’ve got to swim in contemporary waters. Rejecting the modern world doesn’t help anyone. It slows you down and I need to be efficient. Time will tell whether I’ve mastered the wisdom to reject constantly checking my phone.
1. What can be learned about the author when she lived in the Welsh countryside?A.She read a lot of T. S. Eliot. | B.She had no friends to talk with. |
C.She had no access to the Internet. | D.She was afraid of the digital world. |
A.She thought she needed a spare phone. | B.She found her iPhone stopped working. |
C.She wanted to attract people’s attention. | D.She hoped to break her smartphone addiction. |
A.She led a simple and healthy life. | B.She found her life was in a mess. |
C.She spent more time with her friends. | D.She became an example for other people. |
A.To seek wisdom. | B.To stop her madness. |
C.To keep pace with the times. | D.To get back to the real world. |
6 . Like flavors of ice cream, people have different tastes and preferences for music. You need to map out your playlist based on the theme of your essay. Here are a few film scores for different themes, you can decide which is the best music for writing:
Nutmeg by Alexandre Desplat
Fear Will Find You by Hans Zimmer
The Station Inspector by Howard Shore
If you are a student writing a reflection paper about a movie your teacher asked you to watch, listening to its film score would get your creative juices flowing. Besides, you can even add what you feel about the music and its impact on the movie. So less work for you and more additional points on your paper.
Some would be happy to listen to anything while others are more specific. For example, there are people who would happily listen to any music while some are more particular and prefer classical music to jazz. If you are one of them, here are a few classical pieces you can listen to while writing:
Tambourin chinois, Op. 3 by Fritz Kreisler
The Gadfly Suite, Op. 97a: VIII. Romance by Dmitri Shostakovich
The Lark Ascending by Ralph Vaughan Williams
The number one problem that writers complain about is writer’s block. Even if you are not a professional and just writing a 2000-word research paper, you can still experience writer’s block and not know how to get started. With that, here are a few songs to get you all pumped up to write:
Iron Maiden’s by The Trooper
Run Boy Run by Woodkid
Knights of Cydonia by Muse
If popular songs are not your thing, then you can just listen to famous scores from movies.
1. Which is classical music?A.Nutmeg. | B.Run Boy Run. |
C.Iron Maiden’s. | D.The Lark Ascending. |
A.Hans Zimmer. | B.Howard Shore. |
C.Muse. | D.Fritz Kreisler. |
A.Listen to famous songs from movies. |
B.Listen to songs recommended by others. |
C.Listen to songs sung by famous singers. |
D.Listen to songs created by famous artists. |
7 . Last week, I sent the same request to ChatGPT, the latest artificial-intelligence chatbot from OpenAI. “Upon the Firth of Forth, a bridge doth stand,” it began. In less than a minute, the program had created in full a rhyming Shakespearean sonnet (莎士比亚十四行诗). Tools like ChatGPT seem poised to change the world of poetry — and so much else — but poets also have a lot to teach us about artificial intelligence. If algorithms (算法) are getting good at writing poetry, it’s partially because poetry was always an algorithmic business.
Even the most rebellious (叛逆的) poets follow more rules than they might like to admit. When schoolchildren are taught to imitate the structure of sonnet, they are effectively learning to follow algorithmic constraints. Should it surprise us that computers can do so, too?
But considering how ChatGPT works, its ability to follow the rules for sonnets seems a little more impressive. No one taught it these rules. It is based on a newer kind of AI known as a large language model (LLM). To put it simply, LLMs analyze large amounts of human writing and learn to predict what the next word in a string of text should be, based on context. One frequent criticism of LLMs is that they do not understand what they write; they just do a great job of guessing the next word.
When a private verse by Dickinson makes us feel like the poet speaks directly to us, we are experiencing the effects of a technology called language. Poems are made of paper and ink — or, these days, electricity and light. There is no one “inside” a Dickinson poem any more than one by ChatGPT. Of course, every Dickinson poem reflects her intention to create meaning. When ChatGPT puts words together, it does not intend anything. Some argue that writings by LLMs therefore have no meaning, only the appearance of it. If I see a cloud in the sky that looks like a giraffe, I recognize it as an accidental similarity. In the same way, this argument goes, we should regard the writings of ChatGPT as merely imitating real language, meaningless and random as cloud shapes.
When I showed my friends the sonnet by ChatGPT, they called it “soulless and barren.” Despite following all the rules for sonnets, the poem is predictable. But is the average sonnet by a human any better? If we now expect computers to write not just poems but good poems, then we have set a much higher bar.
1. What is the main idea of paragraph 1 and paragraph 2?A.ChatGPT will make a difference to poetry based on algorithms. |
B.There is no doubt that AI can copy the grammatical rules of poetry. |
C.Poetry guidelines provide a possibility for AI’s poetry writing. |
D.There is a similarity between algorithms and poetry. |
A.ChatGPT is trained to follow the rules by LLMs. |
B.ChatGPT can analyze and predict human languages. |
C.ChatGPT is technologically supported by LLMs. |
D.ChatGPT itself learn to follow the rules. |
A.He talks about cloud to describe the meaninglessness of AI’s poetry. |
B.He tells of Dickinson to describe the meaninglessness AI’s poetry. |
C.He mentions cloud to suggest its close relationship with AI’s poetry. |
D.He refers to Dickinson to suggest her close relationship with AI’s poetry. |
A.Acceptable and favorable | B.Amazed and admiring |
C.Indifferent and uncaring | D.Doubtful and uneasy |
8 . Whitman was one of the most original and inspiring American poets, well known for his art and his role as a poet. He devoted himself to poetry praising the native American’s experience. As America’s first epic poem, Leaves of Grass ran nine editions with more than 400 poems all written in free forms, that is, poetry without a fixed beat or regular rhyme scheme. The tide implies rebirth, renewal, or green life. As Whitman once said, “Leaves of Grass was the outcropping of my own emotional and other personal nature — an attempt, from first to last, to put a person, a human being freely, fully and truly on record.”
For Whitman, science, democracy (民主) and spirituality (灵性) were the three things that underlay the structure of modern poetry. Whitman tried to combine the world of science, the democracy and the spiritual feeling of life into his poetry. For Whitman, the poetic form should be free. Therefore, he threw aside the traditional form and had his own form. Both the form and content of his poems are revolutionary. With its frequent use of oral language and everyday events, his poem represented a turning point in the history of American poetry — poetry fashioned out of specially American experience in a clear American idiom. Whitman’s unique poetic creation has developed a very significant tradition in American poetry.
In his poems, he celebrated new America rather than regretted it. He was against slavery, idolized (崇拜) Lincoln, supported strikes, and combined the ideal of the common people and that of the ragged individual.
1. Which of the following is RIGHT?A.Whitman called on others to write poems like him. |
B.Whitman praised the native rich Americans. |
C.Whitman wrote poems to tell about the native American’s experience. |
D.He wanted to become a great poet. |
A.There are fixed beats and regular rhyme schemes |
B.We could see rebirth, renewal or green life |
C.We could only see science, wars and damage |
D.There is no emotional nature |
A.by giving up the traditional form |
B.without colloquial (通俗的) language |
C.by telling English history |
D.against poetic creation |
A.The rich people. |
B.The poor people. |
C.The poem writers. |
D.The American lawyers. |
9 . Have you ever listened to the sound of a raindrop? You might call the small sounds earth songs. Is it possible to catch earth songs, to put them into words?
Long ago, poets in Japan listened, watched, and did catch the beauty of the earth’s songs. They did this with the tiniest poems in the world, called haiku. A haiku is a poem that is just three lines and seventeen syllables long. And the poets who wrote them watched and listened, not only with their eyes and ears, but also with their hearts!
In their haiku, the early Japanese poets caught the colors, sounds, and beauties of the seasons of the year. They sang of their islands’ beauties. Their miniature poems were not meant to fully describe a scene or to explain it but rather were a flash impression.
The old poets are not the only writers of haiku. Today Japanese farmers, shopkeepers, grandparents, and students write it, and because of its strong appeal, haiku is written in many other countries throughout the world.
Interestingly enough, Japanese poetry has had a long and colorful history. In the prehaiku period in the early eighth century, Japanese poets wrote katauta, poems in a question-and-answer form, using two people. Each three-line verse (诗节) contained about seventeen syllables that could be delivered easily in one breath — just as one would naturally ask or answer a question. This has remained the basic pattern for traditional Japanese poetry throughout the centuries.
Another form that appeared was the tanka, which contained five lines and thirty-one syllables (5-7-5-7-7), written by either one or two persons. From that evolved (发展) the renga, which contained more than one verse, or link. Written by three or more people, it could have as many as 100 links! The first verse of the renga introduced a subject. It had three lines and was called the hokku, or starting verse. Renga parties became a great pleasure.
Around 1450, haikai no renga became popular. This style of linked verse contained puns (双关) and was humorous and amusing. The opening three lines were still called a hokku, and from haikai and hokku the term haiku evolved.
1. What does the underlined word “miniature” in Paragraph 3 mean?A.Easy. | B.Little. |
C.Detailed. | D.Selected. |
A.was humorous and amusing |
B.contained thirty-one syllables |
C.could have as many as 100 links |
D.was written in a question-and-answer form |
A.Creating a group poem. |
B.Changing haiku into tanka. |
C.Studying the history of renga. |
D.Competing to write earth songs. |
A.teach how to write haiku |
B.research the history of haiku |
C.compare Japanese and American poetry |
D.find suggestions about hosting a renga party |
10 . Although I love watching Olympic diving, I’ve never understood why athletes hurry off to the showers and then proceed to relax in a hot tub (热水浴池) after each dive. They’re already wet. They’re only in the pool for a handful of seconds, so it’s not like they need to get cleaned up. And doesn’t taking a shower serve the same purpose as sitting in a hot tub?
Actually, that’s what Olympic divers usually do between dives as they know very well about the importance of warm-ups and cool-downs. So, what’s the actual reason?
As it turns out, showers and hot tubs are used pretty interchangeably by the swimming pool. However, there is a need for both. First, let’s start with why divers need to take a shower between dives. It has to do with body temperature and keeping their muscles relaxed. As you can imagine, practicing dives in the pool, then having to keep your body warm in a shower, and then jumping off a 10-meter platform and into cold water couldn’t be comfortable for anyone. Going back and forth between these warm and cool temperatures can cause a diver’s muscles to tense or cramp up (痉挛), which can lead to injuries to the muscles. Showers allow an Olympic diver to recover and prevent that.
In that way, showers and hot tubs serve the same purpose. A hot tub is generally used if you have a bit more time between dives and have already stretched. The shower walls on the pool deck can typically provide enough space for more divers at the same time, and they’re especially helpful for athletes who need to stretch or who only have a few minutes between dives. Just like Olympic swimmers depend on thick clothes to keep their muscles warm, Olympic divers rely on these methods to stay loose. If you ask me, it’s not a bad way to pass the time!
1. What does the underlined word “proceed” in Paragraph 1 mean?A.Prefer. | B.Continue. | C.Tend. | D.Stop. |
A.To fully clean their body. | B.To rest and wait for the results. |
C.To avoid possible muscle injuries. | D.To stop themselves from catching a cold. |
A.Hot tubs are as important as showers for divers. |
B.Olympic swimmers need to stay warm using hot tubs. |
C.Hot tubs are often used by divers having little time between divers. |
D.The shower walls are designed for divers who have already stretched. |
A.To provide some diving advice for us. |
B.To compare cold showers with the hot bath. |
C.To explain the difference between warm-ups and cool-downs. |
D.To tell us why divers take a shower and sit in a hot tub after diving. |