1 . Theatres and Entertainment
St David’s HallSt David’s Hall is the award winning National Concert Hall of Wales standing at the very heart of Cardiff’s entertainment centre. With an impressive 2,000-seat concert hall, St David’s Hall is home to the annual Welsh Proms Cardiff. It presents live entertainment, including pop, rock, folk, jazz, musicals, dance, world music, films and classical music.
The Hayes, Cardiff CF10 1AHwww.stdavidshallcardiff.co.uk
The Glee Club
Every weekend this is “Wales” premier comedy club where having a great time is the order for both audiences and comedy stars alike. It is hard to name a comedy star who hasn’t been on the stage here. If you are looking for the best comedies on tour and brilliant live music, you should start here.
Mermaid Quay, Cardiff Bay, Cardiff CF10 5BZwww.glee.co.uk/cardiff
Sherman Cymru
Sherman Cymru’s theatre in the Cathays area of Cardiff reopened in February 2012. This special building is a place in which theatre is made and where children, artists, writers and anyone else have the opportunity (机会) to do creative things. Sherman Cymru is excited to present a packed programme of the very best theatre, dance, family shows and music from Wales and the rest of the world.
Senghennydd Road, Cardiff CF24 4YEwww.shermancymru.co.uk
New Theatre
The New Theatre has been the home of quality drama, musicals, dance and children’s shows for more than 100 years. Presenting the best of the West End along with the pick of the UK’s touring shows, the New Theatre is Cardiff’s oldest surviving traditional theatre. Be sure to pay a visit as part of your stay in the city.
Park Place, Cardiff CF10 3LNwww.newtheatrecardiff.co.uk
1. Where is the Welsh Proms Cardiff hosted?
| A．At the New Theatre. | B．At the Glee Club. |
| C．At Sherman Cymru. | D．At St David’s Hall. |
| A．Watch musicals. | B．Enjoy comedies. |
| C．See family shows. | D．Do creative things. |
| A．www.newtheatrecardiff.co.uk | B．www.shermancymru.co.uk |
| C．www.glee.co.uk/cardiff | D．www.stdavidshallcardiff.co.uk |
2 . Race walking shares many fitness benefits with running, research shows, while most likely contributing to fewer injuries. It does, however, have its own problem.
Race walkers are conditioned athletes. The longest track and field event at the Summer Olympics is the 50-kilometer race walk, which is about five miles longer than the marathon. But the sport’s rules require that a race walker’s knees stay straight through most of the leg swing and one foot remain in contact (接触) with the ground at all times. It’s this strange form that makes race walking such an attractive activity, however, says Jaclyn Norberg, an assistant professor of exercise science at Salem State University in Salem, Mass.
Like running, race walking is physically demanding, she says, According to most calculations, race walkers moving at a pace of six miles per hour would burn about 800 calories(卡路里) per hour, which is approximately twice as many as they would burn walking, although fewer than running, which would probably burn about 1,000 or more calories per hour.
However, race walking does not pound the body as much as running does, Dr. Norberg says. According to her research, runners hit the ground with as much as four times their body weight per step, while race walkers, who do not leave the ground, create only about 1.4 times their body weight with each step.
As a result, she says, some of the injuries associated with running, such as runner’s knee, are uncommon among race walkers. But the sport’s strange form does place considerable stress on the ankles and hips, so people with a history of such injuries might want to be cautious in adopting the sport. In fact, anyone wishing to try race walking should probably first consult a coach or experienced racer to learn proper technique, she says. It takes some practice.
1. Why are race walkers conditioned athletes?| A．They must run long distances. |
| B．They are qualified for the marathon. |
| C．They have to follow special rules. |
| D．They are good at swinging their legs. |
| A．It’s more popular at the Olympics. |
| B．It’s less challenging physically. |
| C．It’s more effective in body building. |
| D．It’s less likely to cause knee injuries. |
| A．Getting experts’ opinions. |
| B．Having a medical checkup. |
| C．Hiring an experienced coach. |
| D．Doing regular exercises. |
| A．Skeptical. | B．Objective. |
| C．Tolerant. | D．Conservative. |
3 . Jenifer Mauer has needed more willpower than the typical college student to pursue her goal of earning a nursing degree. That willpower bore fruit when Jennifer graduated from University of Wisconsin-Eau Claire and became the first in her large family to earn a bachelor's degree.
Mauer, of Edgar, Wisconsin, grew up on a farm in a family of 10 children. Her dad worked at a job away from the farm, and her mother ran the farm with the kids. After high school, Jennifer attended a local technical college, working to pay her tuition(学费), because there was no extra money set aside for a college education. After graduation, she worked to help her sisters and brothers pay for their schooling.
Jennifer now is married and has three children of her own. She decided to go back to college to advance her career and to be able to better support her family while doing something she loves: nursing. She chose the UW-Eau Claire program at Ministry Saint Joseph's Hospital in Marshfield because she was able to pursue her four-year degree close to home. She could drive to class and be home in the evening to help with her kids. Jenifer received great support from her family as she worked to earn her degree: Her husband worked two jobs to cover the bills, and her 68-year-old mother helped take care of the children at times.
Through it all, she remained in good academic standing and graduated with honors. Jennifer sacrificed(牺牲)to achieve her goal, giving up many nights with her kids and missing important events to study. ''Some nights my heart was breaking to have to pick between my kids and studying for exams or papers,'' she says. However, her children have learned an important lesson witnessing their mother earn her degree. Jennifer is a first-generation graduate and an inspiration to her family-and that's pretty powerful.
1. What did Jennifer do after high school?| A．She helped her dad with his work. |
| B．She ran the family farm on her own. |
| C．She supported herself through college. |
| D．She taught her sisters and brothers at home. |
| A．To take care of her kids easily. | B．To learn from the best nurses. |
| C．To save money for her parents. | D．To find a well-paid job there. |
| A．Her health. | B．Her time with family. |
| C．Her reputation. | D．Her chance of promotion. |
| A．Time is money. | B．Love breaks down barriers. |
| C．Hard work pays off. | D．Education is the key to success. |
4 . According to a recent study in the Journal of Consumer Research, both the size and consumption habits of our eating companions can influence our food intake. And contrary to existing research that says you should avoid eating with heavier people who order large portions(份), it's the beanpoles with big appetites you really need to avoid.
To test the effect of social influence on eating habits, the researchers conducted two experiments. In the first, 95 undergraduate women were individually invited into a lab to ostensibly(表面上)participate in a study about movie viewership. Before the film began, each woman was asked to help herself to a snack. An actor hired by the researchers grabbed her food first. In her natural state, the actor weighed 105 pounds. But in half the cases she wore a specially designed fat suit which increased her weight to 180 pounds.
Both the fat and thin versions of the actor took a large amount of food. The participants followed suit, taking more food than they normally would have. However, they took significantly more when the actor was thin.
For the second test, in one case the thin actor took two pieces of candy from the snack bowls. In the other case, she took 30 pieces. The results were similar to the first test: the participants followed suit but took significantly more candy when the thin actor took 30 pieces.
The tests show that the social environment is extremely influential when we're making decisions. If this fellow participant is going to eat more, so will I. Call it the “I’ll have what she's having” effect. However, we'll adjust the influence. If an overweight person is having a large portion, I'll hold back a bit because I see the results of his eating habits. But if a thin person eats a lot, I'll follow suit. If he can eat much and keep slim, why can't I?
1. What is the recent study mainly about?| A．Food safety. | B．Movie viewership. |
| C．Consumer demand. | D．Eating behavior. |
| A．Big eaters. | B．Overweight persons. |
| C．Picky eaters. | D．Tall thin persons. |
| A．To see how she would affect the participants. |
| B．To test if the participants could recognize her. |
| C．To find out what she would do in the two tests. |
| D．To study why she could keep her weight down. |
| A．How hungry we are. | B．How slim we want to be. |
| C．How we perceive others. | D．How we feel about the food. |
5 . For Western designers, China and its rich culture have long been an inspiration for Western creative.
“It’s no secret that China has always been a source(来源) of inspiration for designers,” says Amanda Hill, chief creative officer at A+E Networks, a global media company and home to some of the biggest fashion(时尚) shows.
Earlier this year, the China Through A Looking Glass exhibition in New York exhibited 140 pieces of China-inspired fashionable clothing alongside Chinese works of art, with the aim of exploring the influence of Chinese aesthetics(美学) on Western fashion and how China has fueled the fashionable imagination for centuries. The exhibition had record attendance, showing that there is huge interest in Chinese influences.
“China is impossible to overlook,” says Hill. “Chinese models are the faces of beauty and fashion campaigns that sell dreams to women all over the world, which means Chinese women are not just consumers of fashion — they are central to its movement.” Of course, not only are today’s top Western designers being influenced by China—some of the best designers of contemporary fashion are themselves Chinese. “Vera Wang, Alexander Wang, Jason Wu are taking on Galliano, Albaz, Marc Jacobs—and beating them hands down in design and sales,” adds Hill.
For Hill, it is impossible not to talk about China as the leading player when discussing fashion. “The most famous designers are Chinese, so are the models, and so are the consumers,” she says. “China is no longer just another market; in many senses it has become the market. If you talk about fashion today, you are talking about China—its influences, its direction, its breathtaking clothes, and how young designers and models are finally acknowledging that in many ways.”
1. What can we learn about the exhibition in New York?| A．It promoted the sales of artworks. | B．It attracted a large number of visitors. |
| C．It showed ancient Chinese clothes. | D．It aimed to introduce Chinese models. |
| A．They are setting the fashion. | B．They start many fashion campaigns. |
| C．They admire super models. | D．They do business all over the world. |
| A．learning from | B．looking down on | C．working with | D．competing against |
| A．Young Models Selling Dreams to the World |
| B．A Chinese Art Exhibition Held in New York |
| C．Differences Between Eastern and Western Aesthetics |
| D．Chinese Culture Fueling International Fashion Trends |
6 . When “Rise of the Planet of the Apes” was first shown to the public last month, a group of excited animal activists gathered on Hollywood Boulevard. But they weren’t there to throw red paint on fur-coat-wearing film stars. Instead, one activist, dressed in a full-body monkey suit, had arrived with a sign praising the filmmakers: “Thanks for not using real apes (猿)!”
The creative team behind “Apes” used motion-capture (动作捕捉) technology to create digitalized animals, spending tens of millions of dollars on technology that records an actor’s performance and later processes it with computer graphics to create a final image (图像). In this case, one of a realistic-looking ape.
Yet “Apes” is more exception than the rule. In fact, Hollywood has been hot on live animals lately. One nonprofit organization, which monitors the treatment of animals in filmed entertainment, is keeping tabs on more than 2,000 productions this year. Already, a number of films, including “Water for Elephants,” “The Hangover Part Ⅱ” and “Zookeeper,” have drawn the anger of activists who say the creatures acting in them haven’t been treated properly.
In some cases, it’s not so much the treatment of the animals on set in the studio that has activists worried; it’s the off-set training and living conditions that are raising concerns. And there are questions about the films made outside the States, which sometimes are not monitored as closely as productions filmed in the States.
1. Why did the animal activists gather on Hollywood Boulevard?| A．To see famous film stars. |
| B．To oppose wearing fur coats. |
| C．To raise money for animal protection. |
| D．To express thanks to some filmmakers. |
| A．The cost of making “Apes.” |
| B．The creation of digitalized apes. |
| C．The publicity about “Apes.” |
| D．The performance of real apes. |
| A．Listing completely. |
| B．Directing professionally. |
| C．Promoting successfully. |
| D．Watching carefully. |
| A．They may be badly treated. |
| B．They should take further training. |
| C．They could be traded illegally |
| D．They would lose popularity. |
7 . Fancy, feathered, and fascinating, these birds surprised portrait photographer Alex ten Napel with their beauty and charisma.
In the Netherlands, Alex ten Napel makes miniature (微型的)runways in barns and backyards to capture the essence of chickens such as this Polish rooster. “I consider them walking pieces of art, “ he says.
A chicken “is not just an animal that gives us eggs, ” says Alex ten Napel, who’s been wandering his home country of the Netherlands in search of farm fowl since 2014. Taking inspiration from Melchior d’ Hondecoeter, a 17th-century Dutch artist known for his work with birds, ten Napel uses lighting, backdrops， and an elevated， catwalk-like stage to bring chickens out of the coop (笼子)and into an entirely new context.
“What I hope you see in the photos is that chickens can be proud beings or funny beings, “ he says. ”They can be like gymnasts or ballerinas. Not what most people think of when you talk about chickens. “ While each animal has different characteristics, ten Napel has noticed the emergence of some patterns throughout his travels. Roosters, or male chickens, tend to be large, visually striking, and imposing (仪表堂堂的)，he says. But it’s the females ten Napel finds himself drawn toward. “I have a heart for the hens. They’re so vulnerable, ” he says. “They move me in a way that I want to protect them. “
Ten Napel first came face-to-face with a chicken while he was camping in the Pyrenees Mountains about 10 years ago. He felt an immediate connection to the species, which then became his main photographic muse.
A specialist in portrait photography, ten Napel paid attention to children and older adults-for 25 years. The chickens, he says, have reignited his passion for this type of photography. “I can’t direct them. I have to be patient and feel how they will show themselves, ”he adds. “Everything they give you is a gift. “
1. What can we infer from the passage?| A．Alex took a photo for a chicken while he was camping. |
| B．When taking photos, Alex usually guides the chickens to show themselves. |
| C．When referring to animal characteristics, Alex prefers male chickens to female. |
| D．Alex makes miniature runways as catwalk-like stages to take photos for chickens. |
| A．Caring. | B．Curious. |
| C．Proud. | D．Surprised. |
| A．People. | B．Natural scenery. |
| C．Animals. | D．Historical sites. |
| A．Chickens-Proud and Funny Beings |
| B．Chickens-Going From Cage to Catwalk |
| C．Chickens-Visually Striking Farm Fowl |
| D．Chickens-Walking Photographic Master |
8 . Every year, thousands of teenagers participate in programs at their local art museums. But do any of them remember their time at museum events later in life? A new report suggests that the answer is yes — and finds that arts-based museum programs are credited with changing the course of alumni’s (毕业生的) lives, even years after the fact.
The Whitney Museum of American Art, the Walker Art Center and the Museum of Contemporary Art, Los Angeles recently asked researchers to conduct a study to find out how effective their long-standing teen art programs really are. They involved over 300 former participants of four programs for teens that have been in existence since the 1990s. Alumni, whose current ages range from 18 to 36, were invited to find out how they viewed their participation years after the fact.
Among the alumni surveyed, 75 percent of them thought the teen art program experience had the most favorable impact on their own lives, beating the family, school and their neighborhoods. Nearly 55 percent thought that it was one of the most important experiences they had ever had, regardless of age. And two-thirds said that they were often in situations where their experience in museums affected their actions or thoughts.
It turns out that participating in art programs also helps keep teens keen about culture even after they reach adulthood: Ninety-six percent of participants had visited an art museum within the last two years, and 68 percent had visited an art museum five or more times within the last two years. Thirty-two percent of alumni work in the arts as adults.
Though the study is the first of its kind to explore the impact of teen-specific art programs in museums, it reflects other research on the important benefits of engaging with the arts. A decade of surveys by the National Endowment for the Arts found that the childhood experience with the arts is significantly associated with people’s income and educational achievements as adults. Other studies have linked arts education to everything from lower dropout rates to improvement in critical thinking skills.
1. What is the main function of paragraph 1?| A．To make a comparison. | B．To propose a definition. |
| C．To provide the background. | D．To present the subject. |
| A．To change the course of alumni’s lives. |
| B．To introduce the art museums. |
| C．To explore the impact of teen art programs. |
| D．To invite people to participate in the art programs. |
| A．Students are more influenced by the family and school. |
| B．Teen art programs in museums are highly beneficial. |
| C．Many teens fail to realize the great value of art programs. |
| D．Most experiences in museums are boring for today’s teens. |
| A．They are intended to attract more adults. |
| B．They are designed to support art museums. |
| C．They create adults who are culturally aware. |
| D．They provide many job opportunities for adults. |
| A．All prove the good effects of art education. |
| B．All suggest the need to improve museum programs. |
| C．All show the growing popularity of art programs. |
| D．All focus on the link between art and education. |
9 . In 2000, Andréa Speranza achieved her dream of becoming a firefighter joining the Halifax Regional Fire Service. Her job was exactly as satisfying as she imagined it would be, except for one thing: she still hadn’t seen another woman in her role — not in a magazine, not on television, not in real life. Even today, less than five percent of firefighters in Canada are women. Speranza decided that she wanted to help young women see that they, too, could have a career like hers.
The result is Camp Courage, a program for girls aged 15 to 19 who want to learn more about firefighting. In 2006, Speranza and about 20 volunteers welcomed their first 17 participants, recruiting (招募) attendees through advertising in schools and recreation centers. Over the course of eight days, the girls discovered the ins and outs of being first responders: learning how to put out fires, deliver first aid and even use the jaws of life (救生钳) on a car.
Camp Courage now runs one session every year in Halifax and is free to attend. To offset costs, Speranza and her fellow campers fundraise by holding everything from car washes to comedy nights. Hopeful campers must also submit an essay describing how they plan to help their community, or a specific individual in need. And they have to deliver on the plan—from building a bench (长椅) for a senior at a bus stop to launching a local chapter of the Kids Help Phone.
Hundreds of girls have passed through Camp Courage, and 36 percent are doing exactly what 52-year-old Speranza hoped they would: working as first responders across the country. This past summer, the camp held its first session for young women in Halifax, as well as its first national camp in Calgary with plans to roll out more in 2023.
1. What was probably Speranza’s wish in 2001?| A．To see more female firefighters. |
| B．To make contact with more teenage girls. |
| C．To be recruited to the Halifax Regional Fire Service. |
| D．To work part-time in schools and recreation centers. |
| A．Risks. | B．Chances. | C．Details. | D．Purposes. |
| A．It is a nonprofit international organization. |
| B．It teaches the value of being helpful to others. |
| C．It requires its campers to write an essay every week. |
| D．It introduces boys and girls to the emergency services. |
| A．She had a burning ambition to play comedy. |
| B．She used to be reserved and disciplined. |
| C．She is intellectual and scholarly. |
| D．She is brave and inspiring. |
10 . Online learning is a term used to describe distance courses that are offered over the Internet. The courses cover a wide range of subjects and audiences. This educational method is growing in popularity as an economical method of providing access to education for a large population.
There are two types of online course access: open and restricted. Open access allows actually anyone with an Internet user to view the course material. This type of online learning does not require interaction with an instructor. The material covered can range from very specific instructions to university level courses. This initiative removes the barriers to advanced knowledge and allows anyone with the interest to learn. The other type of online courses are restricted access courses. Restricted access is used to limit the class to registered students. These courses offer instructor interaction and are typically the method used by courses that require grades upon graduation.
It is more efficient for both the educator and the student to access course materials online. From the educator aspect, the course lectures can be recorded once and reused. This greatly reduced the staff time and costs. Meanwhile, online courses allow students to complete coursework from a wide range of locations and remove the time restriction to access course lectures. Students are no longer required to travel to the class and many course materials are included in the fee. The material for online courses has been carefully reviewed and approved before the course is offered. Many introduction and courses do not change, as the material is fixed. As a result, the courses are stable and can be reused as needed.
Technology continues to expand to meet the needs of online students. These tools include mobile audio and video viewers, improved online interactive tests, and tool and course management software. The continued development in this area will further enhance the quality of online courses and encourage more people to further their education.
1. Why is online learning winning more recognition?| A．It is cost-effective. | B．It is free to access. |
| C．No teacher is required. | D．Education is getting more important. |
| A．Learners are required to register. | B．Learners can learn without evaluation. |
| C．It is intended for advanced learners only. | D．It has no interaction with an instructor. |
| A．The participants. | B．The time restrictions. |
| C．The advantages. | D．The ever-changing materials. |
| A．Challenging. | B．Critical. | C．Worrying. | D．Promising. |
