2 . If you look around your city, you might spot girls wearing hanfu in subways or people wearing, T-shirts with Chinese characters on the streets. A new trend is taking hold in China-guochao or “China-chic”.
According to a recently published report, searches related to guochao on Dianping, a lifestyle information platform, have risen by 170 percent from the same period last year, and reviews have risen by nearly 40 percent. China-chic is happening, but what is it?
The term characterizes the rise of China’s native fashion trends. It has expanded the concept of “Made in China”, which has been recognized as the representation of Chinese culture and aesthetics (审美) offered by homegrown Chinese brands, according to CGTN.
China-chic came into the spotlight in 2018. Before that, big-name foreign companies dominated the world market. To win market share, many Chinese brands followed in the footsteps of these Western brands. But that year, Chinese sportswear brand Li-Ning changed things up. During the 2018 New York Fashion Week, Li-Ning introduced its Taoism-inspired Wu Dao collection. The collection not only had a trendy look, but also included elements of traditional Chinese culture. It immediately grabbed attention at home and abroad. As a result, the company recorded 20 percent revenue growth in 2018, marking the first time the brand’s revenue had hit the 10-billion-yuan mark since its founding.
The trend to embrace (欣然) domestic brands has since spread rapidly to various sectors (领域) and products, from food and drinks to clothing, mobile phones and electric vehicles. For example, White Rabbit, whose sweet candy brings back childhood memories for many, launched its perfume (香水) and lip balm (唇膏). “We want White Rabbit to be a brand that young people want to share,” Shen Qinfeng, the company’s marketing manager, told People’s Daily.
Now, the guochao trend is “moving to the next stage”, where its success will rely, first and foremost on gaining cultural confidence rather than Western validation (认可), according to Kerra Zhou, founder or brand strategy consultancy Kerrisma.
This March, several Western brands boycotted Xinjiang cotton over “forced labor” allegations (指控). To show national pride and cultural confidence, the “I support Xinjiang cotton” campaign spread across the country. Many Chinese boycotted these Western brands and turned to Chinese domestic brands support Xinjiang cotton, like Li-Ning and Anta.
“No matter how the guochao trend evolves, there’s one thing that won’t change: Behind the craze is people’s positive attitude toward the country’s development and their recognition of and growing confidence in national culture,” said Yao Linqing, a professor in the School of Economics and Management at Communication University of China.
1. What is China-Chic according to the text?| A．Interest in Chinese features in fashion. |
| B．Young Chinese peoples preference for ancient culture. |
| C．The international popularity of products made in China. |
| D．The growing role of Chinese native brands in promoting aesthetics. |
| A．It took the lead in the similar brands. |
| B．It adopted Western design in its sportswear. |
| C．Its revenue hit the 10-billion-yuan mark that year. |
| D．Its products followed the trend and reflected Chinese elements. |
| A．It upgraded its packaging. |
| B．It expanded its domestic market. |
| C．It increased the variety of its products. |
| D．It brought their childhood memories back. |
| A．Chinese products are better than Western ones. |
| B．Chinese native brands are facing false allegations. |
| C．Cheap and high quality native materials are more popular. |
| D．Chinese people’s cultural confidence drives the guochao trend. |
3 . It was one of those moments every new parent dreads (恐惧). My baby son was screaming as if I’d just dipped him in a bucket (桶) of battery acid. It felt as if he’d been screaming like that for years, though he was only two months old. Even worse, this was happening in public— I was sitting with my howling baby in the food court of a Los Angeles mall, despairing (绝望) as other diners silently judged me while watching us over plates of food.
Until, that is, one woman— a complete stranger— did something and taught me a lesson about kindness that lingers to this day. She walked over to me and put her hand on my shoulder. “This won’t last forever,” she said. “I know it doesn’t seem like it right now, but things will get better. He’ll stop crying. You’ll get some sleep.”
It was such a small thing, a tiny kindness, really, but it made all the difference. It was 2001 and I was living in a foreign city with a newborn, without friends or family, and I was terribly lonely. This woman had seen me, if only for a moment, and taken the time to make a human connection. It was just a minute out of her day, but it has stayed with me for nearly two decades.
We all want to be better in the world and more giving to others. But we can easily get hung up on the sheer (完全的) importance of that challenge— making time to regularly volunteer or finding money to donate to a cause. Doing good doesn’t have to be an important task, though; it can be incremental (递增的). It can be as quick as a smile, a word, a phone call, an email. It can be the note you send to a friend who is feeling blue or the baby carriage you help carry down the subway stairs for a parent on their own, even though you’re late for work.
I’m reminded of a line from Brian Goldman’s bestseller, The Power of Kindness: “The opposite meaning of empathy is apathy (冷漠).” That is, the opposite of doing good isn’t doing harm; it’s doing nothing. Every tiny act of generosity— every door held open, every coffee bought for a stranger— builds a bridge to another person. It says, “I see you.” Today, when we spend most of our time looking at our phones, and not at people’s faces, that’s invaluable.
So, while I’m not particularly good at regularly volunteering or running marathons to raise money for charity, I’m committed to small gestures. I try to send a note of praise every day to someone whose work I admire. I’ve become phone friends with a lonely 87-year-old woman who contacted me about something I wrote, and who lives in a city far from her own children and grandchildren. On airplanes, I find the new parents with panicked eyes and offer to hold their babies. I remember what it felt like when the screaming baby was mine. I remember when a tiny kindness felt monumental, enough to change the world.
1. Why did the author mention her baby son’s crying in Paragraph 1?| A．To create a disappointing atmosphere. | B．To prove her opinion. |
| C．To show her helplessness. | D．To introduce the topic. |
| A．Always trying to do important deeds. | B．Being short of time. |
| C．Being lacking in money. | D．Keeping looking at their phones. |
| A．doing harm to others is better than doing nothing |
| B．people are supposed to pay more attention to others’ faces |
| C．every small gesture counts in connecting people |
| D．spending most of our time looking at our phones is invaluable |
| A．The Kind Strangers | B．The Small Mercies |
| C．The Power of Words | D．The Power of Kindness |
5 . In the long history of humans, women’s stories have often been overlooked. Yet as modern society has allowed women to speak for themselves, more and more women are standing up to choose how to live their lives. Here are five powerful films that just might inspire you to re-imagine what it means to be a woman.
Hi, Mom (2021)
Directed by Chinese comedian Jia Ling, this heartwarming comedy, about a woman who accidentally meets her mother during time travel, became a hit with audiences this year, leading the mainland box office right after Chinese New Year. The success of the movie also became a milestone to mark the growth of “She power” in the man-dominated film industry in the last decade.
Leap (2020)
This 2020 film about the Chinese national women’s volleyball team presents their history from 1981, when they won the Women’s World Cup, to the year 2016. Actress Gong Li stars as the legendary volleyball player Lang Ping, and Peter Chen from Hong Kong is the director.
The Joy Luck Club (1993)
Based on Amy Tan’s 1989 best-selling novel The Joy Luck Club, Chinese director Wang Ying tells the stories of four women who were born in China and eventually came to America, and of their daughters. The misunderstanding and arguments between mothers and daughters will most likely never go away. They also reflect the conflict between traditional Chinese culture and American culture.
Coco Avant Chanel (2009)
The life of Coco Chanel serves as a guide to all women wishing to establish their own careers. Audrey Tautou, famous for her iconic performance in Amelie, stars as the glorious French fashion designer. It is French director Anne Fontaine’s most famous film.
1. What do the four films have in common?| A．They speak highly of great mothers. |
| B．They support women’s fight for equality. |
| C．They give an insight into the world of women. |
| D．They make the actress become famous worldwide. |
| A．Hi, Mom | B．Leap |
| C．The Joy Luck Club | D．Coco Avant Chanel |
6 . As the Editor-in-Chief of Cosmopolitan magazine, Jessica Pels is responsible for managing the content of one of the world’s largest young women’s media brands. Pels has ambitiously navigated her career to the top role relatively quickly, but the path she took wasn’t traditional.
Pels learnt ballet as a child and found her way to New York City dancing for a summer, but eventually gave up dance when she knew she “wasn’t good enough to be a star”. She didn’t give up her dream of working in the big city, though. Pels attended a film school at New York University and as a sophomore (大学二年级), got her first internship at The New Yorker. After graduation in 2008, many brands were in a hiring freeze. But Pels was not affected. She got a job doing communications for a charity.
Six months into her first job, Pels got a job at Glamour Magazine to work for the Editor-in-Chief Cindy Levy. She would turn this first assistant role into her career, and finally found her way to Cosmopolitan, where she became the youngest editor-in-chief in the magazine’s history.
Reflecting on her career and the worst advice she’s ever received, Pels said it was “to say yes to everything”. It was a habit she had to learn to break. And while she acknowledges the importance of seizing opportunities, she doesn’t think that strategically saying “no” would have been a damage to her career.
She remembers the conversation with her boss Kate Lewis that changed her perspective on over-committing. “I had just started at Marie Claire as the digital director, and she said, ‘I worry you’re going to burn out because you’re saying yes to everything and you are acting in such an aggressive way, and you need to take a step back and prioritize.’ And that really changed my life. I thought that was an incredible career moment.”
1. Why did Jessica Pels give up dancing?| A．She wasn’t eager to be a star. |
| B．She didn’t want to practice hard. |
| C．She didn’t think she was a gifted dancer. |
| D．She wanted to take an untraditional career. |
| A．She lost confidence in her future. |
| B．She gave up her hobby of dancing. |
| C．She was employed at The New Yorker. |
| D．She succeeded in landing herself a job. |
| A．She always refused to help others. |
| B．She didn’t seize opportunities in time. |
| C．She didn’t know how to ask for advice. |
| D．She seldom refused others’ requests. |
| A．Creative and generous. | B．Ambitious and determined. |
| C．Humorous and confident. | D．Considerate and energetic. |
1. How long will the woman wait for the man at most?
| A．10 minutes. | B．30 minutes. | C．40 minutes. |
| A．The man was asleep. |
| B．The man helped a person. |
| C．The man had an accident. |
| A．Understanding. | B．Apologetic. | C．Annoyed. |
