The Sanxingdui Museum in southwest China’s Sichuan Province enjoyed huge popularity during the three­day Qingming Festival holidays by receiving nearly 20, 000 visitors on the peak day, after the new archaeological discoveries brought international attention.

According to media reports, the museum saw over 15, 000 visitors on Saturday, the first day of the Qingming Festival, breaking its record for daily visitors. And on the next day, more visitors swarmed into the museum to exceed (超过) 19, 800. To cope with the large flow of people, on Sunday afternoon, the official Weibo account of the Sanxingdui Museum released the message to remind visitors of avoiding rush hours or rescheduling their visiting time.

The Sanxingdui Museum showcases various kinds of precious cultural relics unearthed at the site, such as the 2. 62­meter­tall standing statue, 1. 38­meter­wide bronze mask, 3. 95­meter­high bronze tree. Earlier on March 20, Chinese archaeologists announced some new major discoveries made during the 37th excavation (挖掘) since its last excavation 35 years ago. The ruins were first discovered in the late 1920s and first excavated in 1934. More than 500 important cultural relics have been unearthed in the six newly­found pits. Since the new discoveries were known to the public, the number of people visiting the Sanxingdui Museum has increased sharply.

The museum said although they are open as usual, the newly­found pits have not opened to the public yet and the newly­excavated cultural relics are still under restoration and cannot meet the public currently. But a hall for cultural relic conservation and restoration will be in pilot operation in April and officially open on May 18. Visitors to it can see how the relics are restored, according to Zhu Yarong, vice director of the Sanxingdui Museum.

Dating back about 3, 000 years, the Sanxingdui Ruins have shed light on the ancient Shu civilization and cultural origins of the Chinese nation, and have been regarded as one of the most important archaeological discoveries in the 20th century.

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You might think of martial arts movies when you see people performing graceful moves down a river, all standing on a bamboo strip, but actually it is a form of intangible cultural heritage: single bamboo drifting (独竹漂).

Over 2,000 years ago, the high-quality wood, nanmu, in Guizhou was in great demand by the royal court in the north. With no better transportation, people had to stand on one log to drift down the river. Later, local people began to compete along the way and the game of wood drifting was born. In the Qing Dynasty, wood drifting became single bamboo drifting because of bamboo’s lower price. Due to various skills it takes for one to master this act, single bamboo drifting was included in the national intangible cultural heritage list in 2021.

Yang Liu, an inheritor(继承者) of single bamboo drifting, learned it at 7. “Usually, the bamboo under our feet is about 9 meters long, and the bamboo in our hands is about 5 meters. If the length of the bamboo is not long enough, it will not float. Keeping our feet firmly positioned on the narrow bamboo pole is the key, so we should fight against the current(水流) by constantly changing the angle. I lost my balance and fell into the water many times while practicing. Once I fell, I gave it another try until I knew how to handle the most difficult part,” she said.

The love for the ancient skill keeps Yang going. Yang also shows creativity when spreading the culture of single bamboo drifting. For example, she includes dance in single bamboo drifting to make it more graceful. As hanfu culture has been on the rise, Yang started wearing hanfu while performing, creating a more beautiful feel. In 2020, Yang began to post her videos on social media. “I’m extremely proud to get the response from viewers that single bamboo drifting makes the line between what is possible and impossible unclear. It’s my mission to keep it alive and make it known to more people,” Yang Liu told China Daily.