1 . The Memorial Art Gallery (MAG) opened its doors again this weekend for the University of Rochester’s Clothesline Arts Festival. This event has been an annual tradition at the Centennial Sculpture Park right outside the MAG for the last 62 years. Initially organized with less than 100 artists showing their work on clothes lines and fences, this festival has attracted over 500 artists from across the nation.

The park was decorated with colorful tents where artists proudly displayed their works. Each tent was a story within itself — a display of skill, creativity, and years of experience.

Piche Design, a unique custom creation art store owned by Chuck Peashy, had one of the most interesting tents: an eye-catching, old setting with lamps shaped like musical instruments. “People come to me with objects that belonged to their long-gone loved ones, and I make beautiful items out of those for them. It is, indeed, rewarding,” said Peashy.

Jill Schiller started doodling (涂鸦) when she was very young. Her hobby gave way to a series of super cool modern designs. She now draws with Swedish weaving techniques on scarves, carpets, bags, and T-shirts in her tent. Schiller believes that it is evidently a great method of expressing creativity and emotion.

George Banagis’ tent, which presented watercolor and pen and ink pieces, had a variety of options. His complicated pen and ink illustrations were available in the original full-size versions, which were made after weeks of effort, and also small, affordable postcards, notepads, and other souvenirs. Visitors loved this inexpensive form of art and flooded inside to buy.

Visitors also experienced all seven continents in one tent, Tatarzyn Photography. From penguins lined up on an Antarctic coastline to swans and wandering African elephants, Ted Tatarzyn has traveled all around the world to catch these moments of amazing creatures with a camera. “This is actually my second career,” said Tatarzyn, who interestingly worked at Kodak for many years before its shutdown. He then started touring around the world for the pictures.

Strolling across the little artistic showcases is a learning experience that every student should take advantage of. And Clothesline had many other stories to tell.

2 . According to the National Audubon Society, about 60 percent of all North American bird species have experienced northward shift during migration over the past four decades. This is symbolic of habitat loses from human development, as well as climate change. Without taking action to protect migratory bird’s habitats, many of these species will eventually die out, which in turn can destroy the ecosystems that depend on the bird species. While these numbers are based in North American, bird extinction is a worldwide problem.

World Migratory Bird Day was established in 2006 as a holiday to help educate the public and raise awareness about the growing problems that are affecting the habitats of bird species around the world. It has since become a holiday recognized by the United Nations, and it helps to organize events in numerous countries. World Migratory Bird Day was established at the height of the age in which humans were starting to understand the influence of climate change.

Since World Migratory Bird Day is held over the second weekend of May, the dates can differ. In 2014, the holiday started on Saturday, May 10^th. In 2015, the starting date was May 9^th. Celebrating the holiday over an entire weekend gives families and bird enthusiasts alike a chance to get outdoors and learn more about migratory birds.

Education is at the center of World Migratory Bird Day celebration. The number of programs and festivals continue to grow each year, the content differing by area. World Migratory Bird Day provides people with the opportunity to learn about their favourite birds, and there are often bird watching tours planned for that weekend.

While World Migratory Bird Day can be a fun way to learn about birds and their habitats, the weekend holiday is also focused on some serious notes surrounding conservation. At events and festivals, the public can learn exactly how their native birds’ habitats are being destroyed, and more importantly, people can learn how to stop the destruction.

Yours,

Li Jin

Confucius Institute is a non-profit public institute which aims at promoting Chinese language and culture and supporting local Chinese teaching internationally through affiliated Confucius Institutes. Its headquarters is in Beijing and is under the Office of Chinese Language Council International or Hanban in Chinese.

Over the past three decades, Chinese economy is booming. The world is watching China and many foreigners have realized the importance of seeking cooperation, so they want to do business with Chinese people and learning our language works better, Confucius institute provides the place to learn mandarin.

As the world is crazy about Chinese, more and more foreigners have interest in our language and culture. With the purpose of promoting our language and culture, Confucius institute program was set up in Korea in 2004, now the Confucius institute is all around the world. The foreigners practise Chinese so hard. They learn how to pronounce and write, even use the chopsticks.

The Confucius institute program works well. There is a biggest competition for the foreigner to show their Chinese. When we watch the show, we will realize they can speak Chinese so well and admire them so much, because it is so hard to learn. Some foreigners not only speak mandarin well, but also know much about Chinese culture.

The Confucius institute program works to promote Chinese language and culture and the achievement is great. Today, the world is learning Chinese.

Old trains are very attractive and mysterious, whether it’s because of their history and their function or simply because they look so fierce and huge. Many old derailed trains have been transformed into anything like homes, art galleries and even amusement parks. As part of a recovery program to restore a failed railway, Ecuadorian design firm Al Borde transformed a tired, old train into a mobile cultural center, which they call “Wagon of Knowledge” (Vagon del Saber).

Selected by the Ecuadorian(厄瓜多尔)Ministry of Culture and Heritage, the community oriented project is to reactivate settlements along its route. After more than a decade of absence, these areas not only recover a means of communication but are enhanced economically, as the cultural promoters use the train car as an activator of public space and a meeting point for the locals. The multifunctional nature of the carriage — it is without a strictly defined architectural program and can therefore be designed flexibly — allows for musical performances, theater shows, training programs and celebrations.

The train was renovated(修复)to achieve the greatest number of uses with the minimum number of elements.

A public square and a theater with a capacity of 60-80 people, as well as work spaces for 20 users were incorporated by attaching three extensions to the train: a roof with several deployment( 部 署 )options, retractable furniture and two storage spaces — simple systems operated by the cultural romoters turn the cart into their desired requirements. Set to travel around the route, the cultural unit will begin to accumulate and facilitate new stories.

Intended to move from place to place without a strict set of limitations to define its use, it becomes something flexible that adapts to the needs of the moment, so that it “carries neither goods nor tourists, but culture and public space”. As we can see here, there are a lot of possibilities, thanks to various interchangeable components that can allow the train to shift from conference space to a performance venue in a snap.

It’s a creative way to give new life to a historically important train that was once even derailed, and to ensure that it can keep on serving the public. One more thing, people don’t have to go to this public space; it will travel to come to them.

8 . In 2015, the town of Carefree, in the USA was seeking a pumpkin carver to help their newly-planned Enchanted Pumpkin Garden Festival become an instant success. Luckily for them, the sculptor Ray Villafane fell in love with the four-acre Carefree Desert Gardens and agreed to carve pumpkins for the tourists. Then, the festival became a hit in 2015. Now the annual event, which took place from October 19-28, in 2008, includes many fun activities for both kids and adults. However, it is the pumpkin carvings that remain the star attraction.

This year, Villafane and his team reached the garden in early October to carve the popular “pickled (腌制的) pumpkins”. Placed inside tanks resembling a kind of plants to fit in with the environment, the 3D pumpkin artworks were put in a special liquid that helped preserve them for a longer period of time.

Throughout the festival, Villafane and his team also held several live demonstrations, adding to the impressive carved pumpkins on exhibition. They also volunteered to give many pumpkin-carving fans valuable tips.

Besides the wonderful carvings, guests had the chance to go into a pumpkin world, complete with tales. The tales featured pumpkin dead bodies running through the grass, and a group of helpless pumpkins attempting to free their peers imprisoned by a scary-looking figure with only bones. Then, there were the hard-working rats who were sewing a pumpkin.

The highlight of the festival came on October 27, when Villafane transformed a huge pumpkin into a dinosaur. The festival also featured activities including pie-eating matches, story-telling, face painting, and pumpkin-carving matches.

Villafane’s skill first came to light in 1993 after he sculpted a pumpkin for his students during Halloween. In 2004, while still teaching, he decided to use his skills to create action figures for Marvel Comics. Over the next two years, the artist created numerous popular characters. In 2006, Villafane accepted a full-time position about carving toys at DC Comics. In 2010, he finally decided to go after his true love—pumpkin carving. Since he first began carving, the expert has sculpted 2,576 pieces of outstanding works in 102 cities around the world.

The expert using basic carving tools for his most complex creations stands out in the festival.

It was a dark and stormy night. The ferocious wind shook the windows wildly, as though someone outside were beating on the glass. It was also New Year’s Eve. We were having our annual party and had a house full of people just starting to celebrate.

Suddenly, we heard loud explosions. Looking outside and up into the hills, we saw sparks(火花) flying from electrical transformers(变压器). One area after another went dark up in those hills. Then there was the loudest explosion of them all and our house went dark too. I tried to find every candle we had and lit them. The candles made everything look lovely. But we had problems. We had fifteen people standing around and we still had to cook dinner. How would we do that without electricity?

The barbecue! Why not cook on the barbecue? We men went outside, some holding flashlights and others cooking. We did a wonderful job. The women stayed inside and got the salads ready. Everything was delicious. There were still a few hours to go before the beginning of the new year, so we all sat around the dining room table and sang up until a few minutes before midnight. We couldn’t watch the ball drop in Times Square on television but that wouldn’t stop us from celebrating. I stood on a chair and, with the help of someone’s watch to tell us the time, we all counted down and I dropped a tennis ball! We all screamed Happy New Year. We didn’t need electricity for that!

Nowadays, we still get together with the same group to celebrate the New Year and we still talk about that special night. I don’t think we have ever laughed so much as we did on that New Year’s Eve.

10 . I’ve had the good fortune of spending a lot of time working in London over the years. I’m a typical American, _________ to making eye contact and smiling when speaking to others. But until I spent time abroad, I was never quite _________ of what my facial expressions could convey.

In the UK, I _________ not everyone made as much eye contact on the street as I did. And it was _________ to hold eye contact during a business meeting. My _________ smile could be considered as flirtatious (轻浮的). But my British colleagues _________: I was American. This forward attitude was not _________, but it was just my culture. _________, being expressively cheerful among those who keep _________ closer to their vest (背心 ) was accepted in the UK.

____________, in other countries a cultural misunderstanding of smiling can have serious results. While it’s unlikely that a mistimed smile will ____________ you a contract (合同),____________ interactions can make it much more difficult to build effective business relationships.

Different cultures ____________ smiling in different ways. In Russia, people do not smile because it ____________ that you are at best foolish or at worst, sneaky (卑劣的). Even in family photos, adults ____________ with stony faces. In Japan, smiling is a way to ____________ your feeling that you don’t want others to know. Australians have smiling cultures. While they might not have the same ____________ for giant white smiles as Americans, they smile more than our peers in Russia, Japan, Switzerland, and the UK.

If Americans have to work abroad, my ____________ is to make sure you do some research. It is ____________ to be yourself, but you should also learn about the culture you are going to visit. This will help you communicate ____________ and effectively with your peers.