Hello, everyone! I’m honored to share with you how I spent this Spring Festival.

Thanks for listening!

4 . The Memorial Art Gallery (MAG) opened its doors again this weekend for the University of Rochester’s Clothesline Arts Festival. This event has been an annual tradition at the Centennial Sculpture Park right outside the MAG for the last 62 years. Initially organized with less than 100 artists showing their work on clothes lines and fences, this festival has attracted over 500 artists from across the nation.

The park was decorated with colorful tents where artists proudly displayed their works. Each tent was a story within itself — a display of skill, creativity, and years of experience.

Piche Design, a unique custom creation art store owned by Chuck Peashy, had one of the most interesting tents: an eye-catching, old setting with lamps shaped like musical instruments. “People come to me with objects that belonged to their long-gone loved ones, and I make beautiful items out of those for them. It is, indeed, rewarding,” said Peashy.

Jill Schiller started doodling (涂鸦) when she was very young. Her hobby gave way to a series of super cool modern designs. She now draws with Swedish weaving techniques on scarves, carpets, bags, and T-shirts in her tent. Schiller believes that it is evidently a great method of expressing creativity and emotion.

George Banagis’ tent, which presented watercolor and pen and ink pieces, had a variety of options. His complicated pen and ink illustrations were available in the original full-size versions, which were made after weeks of effort, and also small, affordable postcards, notepads, and other souvenirs. Visitors loved this inexpensive form of art and flooded inside to buy.

Visitors also experienced all seven continents in one tent, Tatarzyn Photography. From penguins lined up on an Antarctic coastline to swans and wandering African elephants, Ted Tatarzyn has traveled all around the world to catch these moments of amazing creatures with a camera. “This is actually my second career,” said Tatarzyn, who interestingly worked at Kodak for many years before its shutdown. He then started touring around the world for the pictures.

Strolling across the little artistic showcases is a learning experience that every student should take advantage of. And Clothesline had many other stories to tell.

Yours,

Li Jin

It was a dark and stormy night. The ferocious wind shook the windows wildly, as though someone outside were beating on the glass. It was also New Year’s Eve. We were having our annual party and had a house full of people just starting to celebrate.

Suddenly, we heard loud explosions. Looking outside and up into the hills, we saw sparks(火花) flying from electrical transformers(变压器). One area after another went dark up in those hills. Then there was the loudest explosion of them all and our house went dark too. I tried to find every candle we had and lit them. The candles made everything look lovely. But we had problems. We had fifteen people standing around and we still had to cook dinner. How would we do that without electricity?

The barbecue! Why not cook on the barbecue? We men went outside, some holding flashlights and others cooking. We did a wonderful job. The women stayed inside and got the salads ready. Everything was delicious. There were still a few hours to go before the beginning of the new year, so we all sat around the dining room table and sang up until a few minutes before midnight. We couldn’t watch the ball drop in Times Square on television but that wouldn’t stop us from celebrating. I stood on a chair and, with the help of someone’s watch to tell us the time, we all counted down and I dropped a tennis ball! We all screamed Happy New Year. We didn’t need electricity for that!

Nowadays, we still get together with the same group to celebrate the New Year and we still talk about that special night. I don’t think we have ever laughed so much as we did on that New Year’s Eve.

9 . Everyone “talks” with their hands at least sometimes. Some people’s hand-talking, or gesturing (手势) matches their messages well. Other people like to make gestures that can be confusing. And still others don’t use their hands much at all. No matter which group you are in, it’s important to pay attention to your hand gestures while you are communicating. And also remember hand gestures can have cultural meanings.

A few years ago, I was a speaker at a conference in Lisbon, Portugal. It was my first time in Portugal, and I became immediately fond of the special pastries (糕点) that Lisbon and Portugal are known for. One morning I went into a bakery and ordered two of the pastries. I did so by holding up two fingers, similar to the “victory” or “peace” gesture in the United States. The person behind the counter put three pastries in the box. I later learned that the gesture for two would raise thumb and index finger. Even though my thumb wasn’t showing, the person behind the counter thought I was signaling for three.

I was lucky that I didn’t get into more trouble than an extra pastry. Many hand gestures are not universal. Before speaking in a country that you are not familiar with, do some research to find out which gestures might be misunderstood, not understood at all or rude.

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10 . Imagine a dog you don’t need to train. Instead, you can program it to do whatever you want. Now, you don’t need to imagine it. Meet Spot, a dog-like robot from US company Boston Dynamics.

In March, the Archaeological Park of Pompeii (庞贝考古公园) in Italy gave Spot a new job. Pompeii is a famous “time capsule (胶囊)” from the ancient world. Thousands of years ago, a nearby volcano covered the city in ash. Many people died, but the ash kept buildings safe until someone found it in 1748.

So, what is Spot doing in Pompeii? It walks around the site with a 3D scanner (扫描仪). There are many narrow, underground tunnels in Pompeii. Thieves used the tunnels to steal things. The tunnels bring safety problems to the ancient buildings. Robot dogs are small enough to go through these tunnels and find any changes to the buildings.

According to Gabriel Zuchtriegel, new director of the site, this is the first time anyone has used a robot to help protect an archaeological site. “It’s a breakthrough and it would allow us to protect the ruins with greater speed and in total safety,” said Zuchtriegel.

Spot will also work with a 3D-scanning drone (无人机). The two tools will check the site regularly. They will look for any damage that may need a repair. As art magazine ARTnews said, Pompeii is turning into a “Smart Archaeological Park”.