In China, Tree Planting Day falls on March 12, but more often people plant trees during Qing Ming Festival in early April. Newly-planted trees can survive more easily with a     1     (warm) climate and frequent spring rainfall at that time.

China set March 12     2     the National Tree-Planting Day in 1979 to memorize Sun Yat-sen (孙中山),     3     died on March 12, 1925. Sun had called for planting trees.

Since 2013, President Xi Jinping has joined Beijing citizens in tree planting activities for nine years in a row. President Xi called on the public     4     (stick) to the tradition of planting trees in spring. “Students should establish an awareness of protecting     5     environment and cherish the green plants,” Xi said in 2017 when     6     (attend) a tree planting activity in Chaoyang district of Beijing.

China has seen a remarkable     7     (grow) in forest resources and afforestation(造林) projects. Nationwide voluntary tree planting campaigns in China over the past four decades     8     (see) increased participation by members of the public and nearly 79 billion trees have been planted. The campaign has made China the country with the largest increase in forest resources and the largest area of     9     (plant) forests.

In the future, China will launch more effective     10     (measure) to fulfill the country’s climate commitment to peak (达到峰值) carbon dioxide emissions before 2030 and achieve carbon neutrality (碳中和) before 2060.

2 . Angela Pozzi didn’t like seeing plastic trash washing up on the shore near her home in Bandon, Oregon. She wanted to unite her community to clean it up, so she started an organization and called it Washed Ashore: Art to Save the Sea.

Volunteers help clean up Oregon’s 300 miles of shoreline. Then, using only plastics from the beach cleanup, Ms Pozzi and her staff and many, many volunteers create sculptures of sea animals. Ms Pozzi says, “I want to create sculptures that, hopefully, will make people consider their plastic purchases and be aware of how so much plastic ends up in the oceans.”

Since 2010, more than 10,000 volunteers have collected 21 tons of trash and helped create more than 70 works of art. Four traveling exhibits have displayed the sculptures in more than 18 places. Shedd Aquarium in Chicago, Illinois, hosted an exhibit through September 2018.

People have used plastics to create life-saving medical devices, inexpensive containers and gadgets, and toys, of course. But unlike wood, cotton, and other natural materials, plastics don’t break down into anything useful to other living things. Instead, they stay for years in landfills, waterways, and the oceans. The materials are harmful to some sea animals, such as turtles, sea lions, and birds. Some of these creatures eat plastic objects that look like food. Others become entangled (被缠住) in plastic nets or packaging.

Ms Pozzi gives credit to everyone who helps. “One person didn’t create these sculptures,” she says. “Some people have picked up the plastic; others have sorted the items by color. Still others have washed each piece of plastic trash. Volunteers have drilled holes or helped to make the small wire-stitched panels, while others welded (焊接) the giant frames. I do the heads and detail work, and my staff and I take all the pieces everyone contributes to finish the work.” Says Ms Pozzi, “Until we run out of plastic on the beach, the work will continue.”

3 . The worldwide 20th century “Green Revolution”, which saw huge year-by-year increases in global grain yields (产量),was fueled by the development in the 1960s of new high-yielding dwarfed (矮小) varieties known as Green Revolution Varieties (GRVs).

These dwarfed GRVs are common all over the world in today’s wheat and rice crops. Because they are dwarfed, with short stems, GRVs devote relatively more resources than tall plants to the growth of grains rather than stems, and are less likely to suffer yield losses from wind and rain damage. However, the growth of GRVs requires farmers to use large amounts of nitrogen fertilizers (氮肥) in their fields. These fertilizers are costly to farmers and cause extensive damage to the natural environment. The development of new GRVs combining high yields with reduced fertilizer requirements is thus a global agricultural goal.

Researchers at the University of Oxford and the Chinese Academy of Science have discovered for the first time a gene that can help reach the goal. Comparing 36 different dwarfed rice varieties, the researchers identified a novel natural gene that helps increase the rate at which plants make use of nitrogen from the soil. This gene, called GRF4, can increase the amount of a protein (蛋白质) in plant cells. GRF4 is actually a promoter that encourages the activity of other genes—genes that promote nitrogen uptake (摄入). Professor Harberd said, “Increasing GRF4 levels could contribute to an increase in the grain yields of GRVs, especially at low fertilizer input levels.”

The researchers say the latest rice variety containing GRVs should now become a major target for farmers in increasing crop yields and fertilizer use efficiency, with the aim of achieving the global grain yield increases necessary to feed a growing world population at a reduced environmental cost. It is very urgent at the moment.

Professor Harberd added, “This study is an example of how studying fundamental science objectives can lead rapidly to potential solutions to global challenges. It shows how the discovery can enable chances for food security and future new green revolutions.”

5 . Nature is all about relationships: the interconnected links between the living and lifeless, and how they harmonize beautifully into a whole that might not be immediately apparent to us humans, as the complexities of the world sometimes escape the grasp of our relatively short-sighted understanding. Perhaps that's why the urgency of the climate crisis and other environ-mental issues don't truly hit home for some; because that important data is presented in a dry, factual way that doesn't touch the deeper parts of our collective soul, in a way that would move us to realize what is being lost.

Clare Celeste is an environmentally-minded artist creating artworks that aim to highlight the precious biodiversity of the planet. Using paper that is complexly cut and then hand-assembled piece by piece, Celeste forms imaginary landscapes of plants and animals that are folded or pressed between glass.

Growing up in Brazil, Celeste says that her earliest childhood memories were of green, tropical ecosystems slowly being eaten up by the rapid expansion of nearby cities.

Celeste said, “When I made a series of combinations, I realized that many of the species in the illustrations had already gone extinct. Humans have wiped out 68 percent of all our planet's biodiversity since 1970, so working with old illustrations can be very heartbreaking as much of the diversity in these beautiful old illustrations has been wiped out by human activities.”

Celeste explains some of the motivations behind this series of paper works: “I wanted to convey the beauty of our planet's plants and animals, while also introducing a more architectural or human-made element with the geometric (几何图形的) patterns. Having grown up in Brazil, I was surrounded by dense urban spaces that often had rich jungle growth just wanting to break through the concrete architecture. I suggest we go back to our love: our love of nature, of our children, of future generations. Because when we love something deeply, we are required to act—to save it when it is threatened.”

6 . More than half the world’s population live in cities, and by 2050 the UN expects that proportion to reach 68%. This means more homes, roads and other infrastructure. In India alone, a city the size of Chicago will have to be developed every year to meet demand for housing. Such a construction increase is a bad sign for dealing with climate change, because making steel and concrete, two of the most common building materials, generates around 8% of the world’s CO2 emissions (排放). If cities are to expand and become greener at the same time, they will have to be made from something else.

Wood is one of the most promising sustainable (可持续的) alternatives to steel and concrete. It is not, however, everyday wood that is attracting the interest of architects.

Rather, it is a material called engineered timber. This is a combination of different layers, each designed to meet the requirements of specific parts such as floors, panels and beams (横梁). Designers can use it to provide levels of strength like steel, in a product that is up to 80% lighter. In addition, engineered timber is usually made into large sections in a factory for future use, which reduces the number of deliveries to a construction site.

According to Michael Ramage of the University of Cambridge, a wooden building produces 75% less CO2 than a steel and concrete one of the same size. However, if building with wood takes off, it does raise concern about there being enough trees to go round. But with sustainably managed forests that should not be a problem, says Dr Ramage. A family-sized apartment requires about 30 cubic metres of timber, and he estimates Europe’s sustainable forests alone grow that amount every seven seconds. Nor is fire a risk, for engineered timber does not burn easily. Besides, fireproofing layers can be added to the timber. All in all, then, it looks as if wood as a building material may get a new lease of life.