1 . Frederick Phiri, known as the junk-art king of Zambia, set out on a remarkable journey at the age of 22 when he began earning an international reputation for being able to make complex and elegant sculptures from deserted metal found in his community.
Phiri’s path to artistic recognition was filled with challenges. His childhood was marked by the loss of his father and his mother leaving him behind, making him under the care of his grandfather. While his grandfather provided for his basic education, Phiri faced financial struggles when he entered secondary school, forcing him to take on various jobs to fund his studies. Yet, despite these obstacles, his passion for art remained growing, and he dedicated his free time to drawing and crafting in the classroom.
Upon completing his education, Phiri sought to support himself by creating wire animal sculptures (雕塑品), which he sold to tourists. It was during this period that his exceptional talent caught the attention of Karen Beattie, the director of Project Luangwa, a nonprofit organization committed to education and economic development in central Africa.
Teaming up with local welder (焊接工) Moses Mbewe in 2017, Phiri contributed to the creation of a complex set of doors for Project Luangwa during the rainy season. Impressed by his work, Beattie presented Phiri with a challenge: to create art from abandoned waste metal. Undiscouraged, Phiri embraced the opportunity, transforming forgotten keys, broken bike chains, and old metal bottles into attracting abstract animal sculptures, including elephants, cranes, giraffes, and monkeys.
Today, Phiri’s artistic pursuits continue to flourish as he transforms deserted junk into striking sculptures showcased at the Project Luangwa headquarters. His talent has earned recognition and admiration from the community, fueling his dreams of pursuing formal art education at the Evelyn Hone College in Lusaka and creating even more magnificent sculptures in the future. Through creativity and determination, Phiri has turned adversity (逆境) into artistic success, leaving a lasting impact on Zambia’s art scene.
1. What is Phiri distinguished for?| A．Serving his community. | B．Collecting works of art. |
| C．Being the king of Zambia. | D．Turning trash into treasure. |
| A．His struggle to pay for primary schooling by himself. |
| B．The loss of his father and abandonment by his mother. |
| C．His dedication to part-time jobs while attending school. |
| D．His responsibility to support his grandfather financially. |
| A．To create sculptures from wire. |
| B．To sell his sculptures internationally. |
| C．To create art from deserted waste metal. |
| D．To design a complex set of doors for Project Luangwa. |
| A．Uncertain. | B．Confident. | C．Depressed. | D．Confused. |
2 . Pullman is a superb writer and Seagull is a brilliant communicator. They had a debate after Seagull posted a question on his social media platform: “When you were trying to create an environment for learning, what were your best pieces of classical music to listen to?” He received hundreds of suggestions — and one negative reply, from Pullman: “That’s not what classical music is for. Treat it with respect.”
That did it! Everyone — professional musicians, students, teachers — weighed into the argument, and the majority supported Seagull and were criticizing Pullman.
It’s easy to see why people are annoyed. We all want classical music to be as accessible as possible, especially to the young. If some of them are using Bach or Schubert as a tool to help them study, what’s the problem? They may also develop an attachment to classical music.
So is Pullman ridiculous and supercilious by objecting to classical music being used as background music? At first sight, his idea seems stuffy and extreme. By suggesting that classical music should be “treated with respect” and not used as background music, Pullman seems to be closing classical music of to millions of people.
It’s worth pointing out, however, that he isn’t the first to express concerns about classical music being devalued by becoming too commonplace in today’s technologically shaped world. In Benjamin Britten’s 1964 speech, the composer expressed exactly the same worries as Pullman. Britten suggested, “The true musical experience demands some preparation, some effort, a journey to a special place, saving up for a ticket, some homework perhaps”. In short, it demands as much effort from listeners as from composers and performers.
I don’t agree with such an extreme viewpoint, but I do think it touches on a reality. You will never fully grasp the beauty of classical music if you half-hear it only in the background. That doesn’t necessarily matter. Music can be enjoyed on many levels. What Pullman and Britten are really saying is that, in a drive for “accessibility”, we shouldn’t deny the emotional and intellectual complexity underpinning (构成) much classical music.
1. What did Seagull’s posting result in?| A．Great admiration for Seagull. |
| B．Public criticism of classical music. |
| C．A discussion about learning environments. |
| D．An argument over the role of classical music. |
| A．Self-important. | B．Open-minded. | C．Impatient. | D．Considerate. |
| A．To show his affection for classical music. |
| B．To introduce young people to classical music. |
| C．To demonstrate classical music is demanding. |
| D．To support Pullman’s idea over classical music. |
| A．Favorable. | B．Doubtful. | C．Objective. | D．Uninterested. |
3 . Many people ask this question, “Why is body language so important?” Studies have shown that in the process of communication, non-verbal (非语言的) expression has 65% to 93% more influence than actual words. This means that “how to say” is more important than “what to say”. Of course, this does not mean that you don’t need to make preparations for your interviews and nor does it mean that you can take any shortcuts. On the contrary, this means that you have more things to pay attention to and prepare for.
In the real workplace, body language is much more important than you think. Without proper body language, you may find yourself trapped in a circle where you can’t integrate (融合) with the external environment, not to mention the difficulties in the absence of body language in the workplace.
“People can often make inferences (推断) from actions, and the results of these inferences directly affect lives: for example, who will be employed and who will be promoted.” Academician Amy Cuddy said in a TV talk show. She also said that “our body language will also affect our perception of ourselves. When you try to make more authoritative actions, your brain will unconsciously receive signals and actually create an idea that you are more authoritative (权威的) , so that you have more confidence in yourself”.
Therefore, before interviews or important meetings, try not to lean on any object or have your back bent forward. Instead, you should try to keep your body upright. You can even stand straight with a relatively authoritative posture. Of course, you may need to do these things in the bathroom or places where no one could see you.
So, as a green hand, every time you are nervous or feel that you can’t do it, stretch your body, smile, and tell yourself, “Fake it till you become it!”
1. What does the underlined word “this” in paragraph l refer to?| A．Your words have a greater effect than the way you express yourself. |
| B．The way you express yourself has a greater effect than your words. |
| C．You should pay much attention to the beginning of communication. |
| D．You should attach importance to the process of communication. |
| A．They may not be accepted as a member of a social group. |
| B．They may not make others completely understand them. |
| C．They may not make a bigger achievement in their career. |
| D．They may not have much control over their feelings. |
| A．Medicine. | B．Philosophy. | C．Psychology. | D．Biology. |
| A．To show they have trust in themselves. |
| B．To demonstrate they show respect to others. |
| C．To prove they are in good physical condition. |
| D．To indicate they tend to be friendly to others. |
4 . The cost of living crisis is causing suffering for millions this winter. One in five people are worried about where their next meal will come from. Parents who live near you are burdened with anxiety about how they will afford to feed their children. Families are struggling and don’t know where to turn. Yet while people go hungry, three million tonnes of surplus(剩余的) food is being wasted every year.
Fare Share is a national charity working to get that food to people who are struggling—but we need your help. A gift of £90 could provide three meals a day to a family of four for a whole month. Plus, you may be entitled to recover 25p of tax on every £1 you give as gift money.
Your gift will help us redistribute food to our network of 8,500 local charities and community groups across the UK. You’ll also help people to access other services and support through these groups, strengthening communities and easing loneliness through food.
WILL YOU DO YOUR FARESHARE? PLEASE HELP PEOPLE GOING HUNGRY THIS WINTER | |||
| How could your £90 help feed a family in your community? |
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We’d love to keep you up to date on Fare Share’s work including fundraising updates. Please get in touch by calling us on 0300 302 3677 or emailing fundraiser@fareshare.org.uk
To give online, please visit fareshare.org.uk/community 1. For more information please scan the QR code.
| A．Providing gifts for families. | B．Redistributing surplus food. |
| C．Organizing festival events. | D．Offering tax recovery services. |
| A．They will receive a tax refund. |
| B．They will help run the local charities. |
| C．They will be recognized as organizers. |
| D．They will receive free meals for themselves. |
| A．A travel blog. | B．A news report. |
| C．A community noticeboard. | D．An entertainment magazine. |
5 . It is frequently said that the best camera is the one you already have with you. Amazingly, the cameras on modern phones can take killer images without a professional camera. But if you’re struggling to get the quality you want, try a few of these helpful tips.
Pick the right time of day
There are a variety of lighting options that change throughout the day.
Pay attention to lighting
Look for subjects with natural motion like a waterfall, stream, flowers in the wind, etc., and set your shutter speeds to 20 seconds or more. It is vital to have a small secure support to ensure your camera is as perfectly still as possible during the shot.
Photo editing apps
Don’t limit your photos to what you can capture straight out of camera (SOOC).
| A．Long exposure |
| B．Consider composition |
| C．Try to have access to many creative apps |
| D．You can control whether the background is in focus |
| E．Photography is often referred to as painting with light |
| F．It provides an attractive tone for your subject and scenery |
| G．Golden hour is the hour just after sunrise or just before sunset |
6 . Is future you? It might seem like a strange philosophical question. But the answer to how you think about your future self could make the difference between decisions you ultimately find satisfying and ones you might eventually regret.
The brain patterns that emerge on an MRI (核磁共振成像) when people think about their future selves most like the brain patterns that arise when they think about strangers. This finding suggests that, in the mind’s eye, our future selves look like other people. If you see future you as a different person, why should you save money, eat healthier or exercise more regularly to benefit that stranger?
However, if you see the interests of your distant self as more like those of your present self, you are considerably more likely to do things today that benefit you tomorrow. A paper in the journal PLoS One revealed that college students who experienced a greater sense of connection and similarity to their future selves were more likely to achieve academic success. Relationships with our future selves also matter for general psychological well-being. In a project led by Joseph Reiff, which includes 5, 000 adults aged 20 to 75, he found that those who perceived a great overlap (重叠) in qualities between their current and future selves ended up being more satisfied with their lives 10 years after filling out the initial survey.
So how can we better befriend our future selves and feel more connected to their fates? The psychological mindset with what we call ”vividness interventions“ works. We have found, for instance, that showing people images of their older, grayer selves increases intentions to save for the long term. Besides, you might try writing a letter to-and then from-your future self. As demonstrated by Yuta Chishima and Anne Wilson in their 2020 study in the journal Self and Identity, when high-school students engaged in this type of ”send-and-reply“ exercise, they experienced elevated (升高的) levels of feelings of similarity with their future selves.
Letter-writing and visualization exercises are just a couple of ways we can connect with our future selves and beyond, but the larger lesson here is clear: If we can treat our distant selves as if they are people we love, care about and want to support, we can start making choices for them that improve our lives-both today and tomorrow.
1. What’s the function of paragraph 2?| A．Generating further discussion. | B．Introducing a research result. |
| C．Showing the effect of the finding. | D．Concluding various viewpoints. |
| A．By offering relevant statistics. | B．By using quotations. |
| C．By referring to previous findings. | D．By making comparisons. |
| A．Benefits of befriending our future selves. |
| B．Ways of connecting with our future selves. |
| C．Methods of changing psychological mindsets. |
| D．Possibilities of us becoming our future selves. |
| A．Making future plans makes a difference. |
| B．Our future selves look like other people. |
| C．Getting to know your future self benefits. |
| D．Your choice affects the fates of strangers. |
7 . Friends always ask why I, a middle-aged woman with no athletic (运动) talent (天赋), travel to perilous places — the jungles (丛林) of Thailand or Borneo, for example, where the water is often unsafe and the food risky; places with infectious diseases, poisonous snakes and the wildest animals.
I never know how to answer. Nine years ago I suffered a stroke (中风). To prevent another stroke, my doctors told me, I’d have to take dangerously high levels of blood thinner (血液稀释剂) for the rest of my life and any travel would be risky (冒险的).
I had to think about what was important to me: family, of course, and friends. But then what? No matter how many times I thought about it, I could not be happy without travel. Then I had to decide how I might manage the risk.
The first real test of my travel courage came nine months after my stroke when I joined my husband, Jack, on a business trip to China. After we’d toured the remains of a Tang dynasty temple on a high mountain, Jack wanted to ride down on a toboggan (长雪橇).
Before the stroke it would’ve seemed like fun. But now? I hesitated. My mental klaxon (高音喇叭) screamed warnings about the consequences of a cut, a fall, and a crash. Then, gaining confidence from who knew where, I lowered myself carefully into the toboggan, which marked my adventure (冒险) travel come back.
In the years since then, I’ve traveled about twenty-five percent of the time. Through it all, my lucks held out — no deadly falls, no car accidents or serious infections. For me, adventure travel is a risk worth taking. Travel broadens my world and keeps me connected to nature. What’s more, saying “yes” to travel keeps me connected to myself.
1. What does the underlined word “perilous” in Paragraph 1 probably mean?| A．Energetic. | B．Dangerous. | C．Romantic | D．Famous. |
| A．Do proper exercise. | B．Enjoy the rest of her life. |
| C．Spend more time with her family | D．Keep away (远离) from traveling |
| A．It was her last adventure. | B．She recovered (恢复) her courage (勇气) through it. |
| C．She liked the beautiful scenery in China. | D．It was the most dangerous experience in her life. |
| A．A business trip to China | B．Stroke, a dangerous disease |
| C．How I overcame the fear of disease | D．Why I still travel to the wild |
8 . I live in Xizhou in Yunnan Province, on the historic Tea Horse Road. I have to admit that when I first heard that Paul Salopek was going to walk the entire globe on his own two feet, I was blown away. I couldn’t imagine that there could be such an unusual person in the world.
Last May, I met Paul. He told me that it was his first time in China. He talked to me with great excitement about the history, migrations, and discoveries in my region of China. He spoke of the Shu-Yandu Dao (the Southern Silk Road), the travels of the 17th-century Chinese explorer Xu Xiake, the Tea Horse Road and the early 20th-century American botanist Joseph Rock. He also talked of Xuanzang. Paul considered many of them heroes and in a sense Chinese pioneers of slow journalism.
I decided to accompany Paul on his walk toward Yunnan. On September 28, 2021, we set out. Our days were simple: walk, eat, sleep, and repeat. We woke up at sunrise, set off in high spirits, and rested at sunset, dragging ourselves into exhausted sleep.
We met many people on the road. Some were curious, surrounding us and watching us; some gave us directions; some invited us into their home to take a rest; some spoke of the charm of their hometown. We met many beautiful souls, simple souls and warm souls. We were walking with our minds.
Together, we were impressed by the biodiversity of the Gaoligong Mountains. As I walked on ancient paths through mountains, I seemed to hear the antique voices of past travelers urging me to be careful on the road.
Looking back on the more than 200 miles I walked with Paul, I came to a realization. Walking for its own sake, while healthy and admirable, is only a small part of the benefit of moving with our feet. A deeper reward is rediscovering the world around us, shortening the distance between each other, and sharing each other’s cultures.
1. How did the writer first respond to Paul’s travel plan?| A．Scared. | B．Puzzled. |
| C．Disappointed. | D．Surprised. |
| A．He was a western journalist. | B．He had a knowledge of China. |
| C．He came to China several times. | D．He was Joseph Rock’s acquaintance. |
| A．They honored the ancestors. | B．They set off in high spirits. |
| C．They satisfied the locals’ curiosity. | D．They built bonds with people. |
| A．To share and reflect on a journey. | B．To suggest a new way of travel. |
| C．To advocate protection of biodiversity. | D．To introduce and promote Chinese culture. |
9 . It’s been nearly two decades since the traditional clothing style Hanfu first started to reemerge in China. Since then it has gone from a small cultural movement celebrating an ancient fashion to a trend that is booming on social media, having been adopted by China’s Generation Z as a means of connecting with their past. Instead of following other cultures blindly, Generation Z now have different opinions about what trend is by promoting local culture while having an objective view of exotic cultural products.
The new tastes of Generation Z—young people born after 1995—are well represented on Bilibili. In the recent New Year’s Eve gala presented by Bilibili, it attracted more than 100 million views within 48 hours with a colourful set of programmes ranging from Peking Opera to classical Chinese cartoons. The same is also true of movie industry. Last year, for the first time, the top 10 most viewed films in China were all domestic films, while the ticket sales for imported films have dropped to only 16.28 percent.
”Generation Z grew up with the rapid development of China and under good economic conditions. With the development of the Chinese Internet industry, they have more access to diverse international information and culture, which bring them a much broader vision and makes them more open and confident in analyzing foreign culture. Apart from taking pride in China’s rapid development, this generation also pursues individuality and values devotion to the country,“ Professor Zhang Yiwu said.
He also noted that the popular rock and punk culture pursued by the 70s and 80s generation is more of a challenge against real life and local culture. Some people who were born in the 1970s and 1980s did not grow up in the Internet age—they experienced the transformation of China going from poor to rich first-hand. This kind of longing and admiration of the West came from a lack of confidence.
However, Generation Z now have the confidence to look at Western culture with equal status. This kind of cultural confidence will result in China being more active and creative in its development on the international stage in the future.
1. What does the underlined word ”exotic“ in Paragraph 1 mean?| A．Foreign. | B．Fashionable. | C．Traditional. | D．Elegant. |
| A．To confirm the rise of new media. |
| B．To promote Chinese Internet industry. |
| C．To highlight the popularity of domestic art. |
| D．To show the popularity of New Year’s Eve gala. |
| A．They have a stronger cultural identity. |
| B．They are longing for cultural diversity. |
| C．They have made China develop rapidly. |
| D．They are more fond of foreign culture. |
| A．Confident China, Better Future |
| B．China’s Progress Results in Cultural Confidence |
| C．China’s New Generation Redefine Local Culture as Trendy |
| D．Hanfu Style, Connector of Ancient Fashion and Modern Trend |
10 . As a young girl growing up in France, Sarah Toumi dreamed of becoming a leader who could make the world a better place. Her passion to help others was awakened when, from the age of nine, she accompanied her Tunisian father to his birthplace in the east of the country during holidays. There she organized homework clubs and activities for children.
Toumi witnessed first-hand the destructive effect of desertification (沙漠化). “Within 10 years rich farmers became worse off, and in 10 years from now they will be poor. I wanted to stop the Sahara Desert in its tracks.” A decrease in average rainfall and an increase in the severity of droughts have led to an estimated 75 percent of Tunisia’s agricultural lands being threatened by desertification.
Toumi recognized that farming practices needed to change. She is confident that small land areas can bring large returns if farmers are able to adapt by planting sustainable crops, using new technologies for water treatment and focusing on natural products and fertilizers rather than chemicals.
In 2012, Toumi consolidated (巩固) her dream of fighting the desert. She moved to Tunisia, and set up a programme named Acacias for All to put her sustainable farming philosophy (理念) into action. “I want to show young people in rural areas that they can create opportunities where they are. Nobody is better able to understand the impact of desertification and climate change than somebody who is living with no access to water.”
By September 2016, more than 130, 000 acacia trees had been planted on 20 pilot farms, with farmers recording a 60 percent survival rate. Toumi estimates that some 3 million acacia trees are needed to protect Tunisia’s farmland. She expects to plant 1 million trees by 2018. In the next couple of years, Toumi hopes to extend the programme to Algeria and Morocco.
1. How did Toumi’s holiday trips to Tunisia influence her?| A．They made her decide to leave the country. |
| B．They helped her better understand her father. |
| C．They aroused her enthusiasm for helping others. |
| D．They destroyed her dream of being a teacher. |
| A．Low rainfall. | B．Soil pollution. | C．Cold weather. | D．Forest damage. |
| A．To create job opportunities for young people. |
| B．To help the children obtain a basic education. |
| C．To persuade the farmers not to use fertilizers. |
| D．To promote the protection of their farmland. |
| A．Saving Water in Tunisia | B．Holding back the Sahara |
| C．Planting Trees of Native Species | D．Fighting Poverty in North Africa |
