1 . Pullman is a superb writer and Seagull is a brilliant communicator. They had a debate after Seagull posted a question on his social media platform: “When you were trying to create an environment for learning, what were your best pieces of classical music to listen to?” He received hundreds of suggestions — and one negative reply, from Pullman: “That’s not what classical music is for. Treat it with respect.”

That did it! Everyone — professional musicians, students, teachers — weighed into the argument, and the majority supported Seagull and were criticizing Pullman.

It’s easy to see why people are annoyed. We all want classical music to be as accessible as possible, especially to the young. If some of them are using Bach or Schubert as a tool to help them study, what’s the problem? They may also develop an attachment to classical music.

So is Pullman ridiculous and supercilious by objecting to classical music being used as background music? At first sight, his idea seems stuffy and extreme. By suggesting that classical music should be “treated with respect” and not used as background music, Pullman seems to be closing classical music of to millions of people.

It’s worth pointing out, however, that he isn’t the first to express concerns about classical music being devalued by becoming too commonplace in today’s technologically shaped world. In Benjamin Britten’s 1964 speech, the composer expressed exactly the same worries as Pullman. Britten suggested, “The true musical experience demands some preparation, some effort, a journey to a special place, saving up for a ticket, some homework perhaps”. In short, it demands as much effort from listeners as from composers and performers.

I don’t agree with such an extreme viewpoint, but I do think it touches on a reality. You will never fully grasp the beauty of classical music if you half-hear it only in the background. That doesn’t necessarily matter. Music can be enjoyed on many levels. What Pullman and Britten are really saying is that, in a drive for “accessibility”, we shouldn’t deny the emotional and intellectual complexity underpinning (构成) much classical music.

Recently, Ma Xiaohui, a famous Chinese erhu     1     (perform) and composer with the Shanghai Chinese Orchestra, held     2     erhu concert with the theme of “Erhu Holding Hands with the World, New Music Trend, New Cultural Tour” in the Delegates’ Room at the UN headquarters in New York City.

Attendees from different backgrounds and participants in the World Madam Global Awards Ceremony were     3     (deep) moved by the unique charm of traditional Chinese musical instruments     4     (display) during the concert.

The concert began     5     the song “Woman Flower”. In the first movement, “Seven Colors of Erhu, Walking with Beauty, Colorful Silk Road,” melodies from Chinese and Western songs created an “ink painting” of the Silk Road.

In the next three     6     (movement), a classical repertoire (曲目) including “Butterfly Lovers”, “Thoughts on a Silent Night”     7     “The Spirit of My Erhu” attracted the audience. Next     8     (come) the theme song from the movie “Crouching Tiger, Hidden Dragon”,     9     beautifully celebrated the classic dialogue between erhu and cello (大提琴).

“This beautiful and     10     (inspire) concert wonderfully mixed classical, Chinese, and cross-cultural themes. It was a feast (盛宴) for the ears and souls,” multimedia artist Ranjit Bhatnagar said.

4 . Highly emotional music causes networks in the brain to release dopamine. This brain chemical plays a role in feelings of pleasure. It also turns on the brain’s motor network that makes us want to move. That physical response to a strong beat can be used to help people with brain-related disorders, research has shown. It aids their ability to time their body’s movements, which can help them with speech issues or trouble moving around.

Olivia Brancatisano, a researcher at Bond University in Robina, Australia, studies music and aging. She found that music can offer a number of benefits, from movement and emotion to communication and thinking. That led her to find music-based therapies (治疗) that might aid people who struggle in these areas.

Older people who have dementia (痴呆) may struggle to remember things. But they did better on mental (精神的) tasks while listening to music they knew and enjoyed. The selected music had to be highly emotional and personal, Brancatisano notes, Listening brought back memories and improved their attention. Since then, she has developed the Music Mind and Movement program for people with dementia.

Music helps young people, too. International students in Australia took part in a recent study at the University of Queensland in St, Lucia. Students may often feel lonely while far from home. Those in the Tuned In program, however, learned to better manage their anxiety using music. They also got better at identifying their emotions. That helped them take action when they were struggling.

The benefits of music seem to cover people of all ages. “We use it to meet basic human needs and to improve our emotional states,” says Brancatisano, “Now, more than ever, we have the ability to engage in music in a variety of ways. We can use it as a tool in everyday life to energize and comfort us.”

6 . In the 1970s, a new supermarket selling LPs arrived in my hometown and I began devoting my pocket money to acquiring records. I swiftly developed an affection for Beethoven’s Moonlight Sonata, harboring dreams of performing that music myself. Despite the absence of a piano at home, there was one at my grandmother’s care home, where I learned to play Beethoven by ear, with pigeons cooing and farmers working in the fields. It was truly magical.

Entering the Royal Academy of Arts at 16 marked the beginning of my artistic journey. In my 30s, I took another significant step in life — marriage. My wife worked at Elephants World, a reserve dedicated to the care of rescued domestic elephants. These elephants have worked for humans all their life and many are blind or disabled from being treated badly, so I wanted to make the effort to carry something heavy myself. For my 50th birthday, my wife successfully persuaded the manager to allow us to bring a piano into the reserve, bringing music to the elephants’ lives.

Initially, when I started playing, it was hard to hear the piano above the sounds of nature and the elephants chewing grass. However, everything changed when a blind elephant ceased eating and tuned into my playing. It struck me that this elephant, trapped in a world of darkness, had a profound love for music. From that moment on, there was no longer any concern about disturbing their peace. We occasionally film these performances, and now, we proudly have nearly 700,000 YouTube subscribers.

I continue to play for these elephants that run freely in the reserve, despite the constant potential danger. Surprisingly, it’s the moody male elephants who show the most fascination with the music. I firmly believe it has a calming effect. These elephants’ breathing actually slows down when I play, which tells me they are relaxed and happy. I’ve even witnessed elephants seemingly dancing to Beethoven’s tunes. With their exceptional hearing and the ability to sense vibrations (震动) through their feet, I am convinced that elephants grasp the language of human expression. This serves as a powerful illustration that music serves as a universal language, connecting us all.

7 . 听下面一段独白，回答以下小题。

8 . Four unique European music traditions that are protected by UNESCO

Inuit drum dancing, Greenland

In 2021, UNESCO(United Nations Educational, Scientific, and Cultural Organization) recognised Greenland’s Inuit drum dancing and singing as an intangible cultural heritage (非物质文化遗产) of humanity. The drum dance typical of the tradition can be performed by one dancer alone or accompanied by a group of people singing songs about love, humour and hunting.

Uilleann piping, Ireland

Uilleann piping was included in the UNESCO’s list in 2017. It involves playing Irish music on a particular type of bagpipe (风笛) known as the “uilleann”. It is a highly developed and complex instrument, with some functions that cannot be found elsewhere. It often accompanies music played at weddings and parties, and it’s been passed on through several generations of Irish musicians.

Kaustinen folk music, Finland

In 2019, UNESCO added to its list Finland’s Kaustinen folk music, a tradition where the violin, with or without accompanying instruments, is played by ear. The style is characterised by rhythms or accents that make it easy to dance to. The 250-year-old tradition is played during wedding parties, public concerts and at music festivals in the small village of Kaustinen.

Fado, Portugal

Fado music, which originated in Portugal in the early 19th century, is now a symbol of Portuguese culture and tradition. It combines poetry and music to create a sometimes sorrowful, and always passionate melody, usually performed by a solo singer accompanied by guitars. It was included in the UNESCO’s list in2011.