2 . Have you ever wondered what happens to your mobile phones and laptops after you throw them out to make way for a newer model? According to its latest Global E-Waste Monitor, India is the third top producer of e-waste in the world. E-waste in Indian landfill goes on to pollute soil and groundwater, affecting food supply systems and water sources.

Thankfully, the country has a new group of artists who are changing these thrown mechanical items-from mobile phones to old televisions- into large murals (壁画) and artworks to creatively show their concern for the waste problem.

Over the past quarter of a century, Mumbai’s Haribaabu Naatesan has transformed hundreds of tonnes of e-waste into art, integrating elements from nature and industry. “I get my waste material from friends, relatives and neighbours who know my interest in e-art and send me bags of thrown electronic appliances,” says Naatesan. Over his career, he has created huge murals for several companies. He has also showed his work at the India Art Fair, as well as several other national displays.

Another artist Vishwanath Davangere has also long worked with e-waste. He likes to take apart old laptops and reassemble (重新组装) them into birds, animals and plants. After retirement, he started pursuing this hobby more seriously and started selling his creations across the world. His most outstanding works include a robotic Egyptian statue with glowing red eyes and a Milky Way made from keyboard keys. He hopes to enable others to reconsider their own consumption habits and make more environmentally conscious choices.

“By giving e-waste a second chance, I aim to raise awareness about the environmental impact of electronic waste.” says Davangare, who today has a collection of more than 600 eco-art objects.

3 . Released on Aug 30, a three-episode web series titled Escape From the British Museum has gone viral online for its touching and innovative narrative (叙事). The series follows the journey home of a Chinese jade teapot that has come to life as a girl. She runs away from the British Museum and comes across a Chinese journalist who helps the artifact return to China. The series, created by two Chinese vloggers, aims to raise broader awareness of Chinese artifacts that were stolen or looted (掠夺) from China and are displayed or stored in the British Museum.

The video series echoes the Chinese people’s call for the British Museum to return these Chinese artifacts. However, some UK media outlets said that the video series promotes nationalism (民族主义). In fact, every country whose artifacts are displayed or stored in the British Museum wants them back. These countries, such as Greece, Nigeria and Sudan, have already issued their demands for the return of artifacts. It’s fair enough to say these demands are shared. They can correct centuries-old wrongs by having the UK return artifacts to their rightful homes.

An opinion in the UK newspaper The Telegraph said that if the British Museum gives back its collection of artifacts, then nationalism will win over humanity’s common heritage. It also said that the artifacts were “lawfully acquired (合法取得)” by the UK. By “lawfully acquired”, does the writer mean the artifacts were acquired with the “help” of machine guns and warships? Or does he mean that the cultural artifacts of African, Asian and American countries should be kept in the hands of looters, rather than in their land of origin?

5 . I have struggled with feelings of unworthiness since forever. My most painful moments were at parties. My friends made fun of me because I was rhythmically (有节奏地)__________ and I couldn’t get my__________ body to imitate the latest dance moves. I was never chosen to dance. I felt like I didn’t__________.

Around age 12, I decided that the way to__________ these feelings of unworthiness was perfection. If I was just perfect then I would fit in. But this strategy didn’t__________.My self-esteem (自尊心) was high when I got good grades and felt__________, but crashed when I didn’t do well__________, or was left out.

After several years of spiritual growth, it__________ me that for many of us, self-worth is tied to our__________. We experience low self-worth__________ we fail or lose approval. So I have begun to cultivate an unconditional self-worth. It’s not about doing things perfectly.__________, “Unconditional self-worth” is the______ that you deserve to be alive, to be loved and cared for.

The__________ to unconditional self-worth is not always easy. It takes courage to free yourself from the __________ you’ve placed on your worth. But this journey is beautiful and worth taking. So I challenge you to embrace yourselves and find your metaphorical (隐喻的) __________ floor and move freely.

6 . With such a wide range of platforms and devices available to the everyday reader, the physical book, while not yet extinct, may end up going that way. Why?     1    .

With a rapid increase in digital reading platforms, reading is no longer a common problem for bookworms.     2     They’re designed to simplify the process of reading on the go. You can select a book, track your progress, and even submit reviews. With no need to carry around physical books, readers are much more likely to pick up where they left off whenever and wherever they may be.

Readers can also carry around their favourite books within an e-reader. Common examples include the Amazon Kindle, Onyx Boox, and PocketBook. These hand-held devices offer fantastic portability, readability and variety.     3     They are much smaller and lighter than physical books, making them an ideal option for those always on the go.

Social media has had a great effect on our reading habits. It governs our daily life. With physical books no longer a key form of entertainment for children, it has been replaced with digital alternatives. Social media and video games have replaced the ways in which we traditionally read and tell stories.     4    .

As is known to us all, technology has changed the ways in which we read at home as well as in the classroom.     5     Exposure to the digital potential of reading is introduced at an early age. Virtual learning platforms have also exploded in popularity in recent years. Technology in the classroom is no longer a luxury but a necessity to keep up with the modern age.

8 . Studies show that females usually have better handwriting than males. University of Warwick researchers note that “Girls are generally better handwriters than boys. Girls also usually write faster than boys”. But why do females have better handwriting than males? There are a number of reasons.

Handwriting differences may be because of cultural label. Researchers asked boys and girls aged 7 and 8 to model after each other’s handwriting. When modeling after writing, boys tried to make theirs “smaller and neater” while all the girls said that they had made their handwriting larger, and half of them said they had made it less tidy. Do females work hard to write neater because there is an expectation that they have neat handwriting? Are females encouraged to write better because there is an expectation?

Handwriting may be influenced by the writer’s female hormones (激素). Babies before they are born receive various amounts of female hormones with males receiving less and females more. One sign of female hormone effect is the relative length of a person’s index finger to ring finger (called the “2D: 4D rate”). This study found that the higher the 2D : 4D rate for right-handed female writers,the neater their handwriting is.

Neural development differences between males and females may be the reason for the differences. During the early school years, when kids are learning to shape letters, the neural fibers that control fine motor skills in boys’ brains usually haven’t matured (成熟) as much as girls’ have. Boys’ brains finally catch up and their handwriting gets better than before, but it’s still usually not as neat as that of the girls. That’s because women usually have more neural connections between the two sides of the brain, which also helps with correctness.