1 . Workers at the National Galleries of Scotland recently experienced quite a surprise after they X-rayed a painting by Vincent van Gogh. Hidden on the back of the painting Head of a Peasant Woman, which Van Gogh completed in 1885, was a self-portrait (自画像) of the Dutch painter. No one had ever found it.

The hidden self-portrait had been covered by glue and cardboard that had been attached to the back of the painting. “It was absolutely exciting,” Lesley Stevenson, the museum’s worker, said about the discovery. “We weren’t expecting much of the little painting when we performed the scans,” she said. But museum experts quickly changed their expectations when they looked at the X-rays. “We didn’t see much of the peasant woman, but we saw the lead white that Van Gogh used for his face showing up after the X-ray went through the cardboard,” she added.

Van Gogh painted Head of a Peasant Woman as part of a series of works focused on the working-class residents of Nuenen, a small farming community in the southern part of the Netherlands where he lived briefly in the 1880s. The woman in the painting is Gordina de Groot, a farm worker. She wears a white headpiece. In a letter that Van Gogh penned about the series in 1885 to Anton Kerssemakers, a friend, he described his excitement at his working-class subjects. “I’m working with great pleasure these days, for I would rather paint people than paint anything else,” he wrote.

Van Gogh also loved creating self-portraits, producing about 20 paintings of himself by the end of his life while he was living in Paris. Recreating his own image was a cheap way for him to practice portraiture as he didn’t have to spend money hiring models, according to a report.

Art historians at the National Galleries hope that the hidden self-portrait may help us understand the life of the artist. The museum is currently considering how to best remove the unwanted protective materials without harming the painting.

6 . Dragons, a famous imaginary beast born from fantasy, are often present in stories in the west and east. In both cultures, dragons are generally recognized as massive creatures capable of flight. They have great power and are often associated with magical abilities. However, due to their different cultural roots and images, there exist significant differences in the way dragons are regarded in the west and east, particularly in China.

Chinese dragons most resemble snakes, and have four claws and no wings. They often have features of other animals, including carp, tigers, and eagles. In the contrast, Western dragons look like huge lizards with big claws and large bat-like wings, and are often shown with spines or rough scales.

In traditional Chinese culture, a dragon is a symbol of luck, power and high status. They can cause weather changes and bring rainfall to the fields to ensure rich harvests. They are considered divine (神圣的) creatures, which hold an important position as the head of the four spirits. Therefore, to symbolize their power, ancient Chinese emperors decorated their clothes with dragon patterns. These clothes are known as dragon robes. Many Chinese view the dragon as a national symbol, proudly referring to themselves as “descendants of the dragon”. In the west, however, a dragon symbolizes an evil creature that spreads violence and terror throughout the land. They are believed to be transformed by the devil, with the ability to breathe fire or spit poison. Many western tales show dragons being defeated and killed to protect people from danger.

Today, dragons continue to evolve, exceeding traditional boundaries and finding new significance in global culture. They are no longer associated with evil or good, but rather as complex characters with their own unique personalities and motivations. For example, Toothless from How to Train Your Dragon begins as a dangerous dragon but evolves into a misunderstood being with love and compassion. This challenges the idea of dragons as naturally evil, presenting them as complex beings with emotions and motivations.

As the Year of the Dragon approached, sales of products with dragon elements have seen explosive     1     (grow) on major e-commerce platforms. Dragon, or long in Chinese,     2     (consider) as an important symbol of Chinese traditional culture, is believed to bring good luck and fortune.

Since January, products with dragon-themed elements, such as clothing, daily necessities and gold jewelry     3     (gain) popularity. Items such as red envelopes, mobile phone cases designed for the Chinese Year of the Dragon have also been favored by consumers, and    4     (they) sales have surpassed those in the Year of the Rabbit last year.

Chinese consumers who buy dragon-themed goods are hoping     5     (live) a better life in the new year and displaying a strong sense     6     national pride and confidence in Chinese culture. The rich cultural meanings and the good wishes     7     the dragon carries have not only stimulated people’s passion for buying, but also satisfied their rising demand for personalized and     8     (create) products with unique cultural symbols.

Spring Festival is the traditional festival Chinese people attach the most importance to, and it’s also     9     peak season for consumption. The shopping craze for dragon-related products ahead of Lunar New Year is essential for     10     (promote) the recovery of the consumer market.

9 . The doorbell rang one mid-December evening. I frequently had unexpected visitors in those early days after my husband’s ________. But when my 6-year-old son opened the door, nobody was there. ________, on the doormat was a box, tied with a silver ________ and a note that said “On the First Day of Christmas...” A mystery.

Sam had died that fall, ________ me the single parent of our two boys, 6 and 8. My sons and I had already ________ to deal with Halloween, and Thanksgiving without Daddy. Still, I was afraid of Christmas. How could December have ________ without my husband?

The next night, the doorbell rang again. Another ________ came, decorated with the same silver ribbon (带子) and ________ the same card reading “On the Second Day of Christmas...”

For the next couple of nights, my boys waited near the front door to see who was leaving the gifts, but the bearer would always choose the moment they left to ________.

I didn’t know who the secret Santa was. But there was one thing I did know. In those dark days of ________, somebody was shining a light our way with a simple but ________ message: “You are loved.” It was such a strange feeling, to be left in darkness on the one hand and drawn so firmly toward ________ on the other. I believe hope will make a(n) ________.

After 11 days of offerings, we weren’t sure what to ________ when we approached home on that 12th night. I trusted there would be ________.

10 . The Africa Sourcing and Fashion Week held in Ethiopia in November attracted over 5,000 visitors. Though the number is not extremely high, the continent is becoming a new global fashion leader, according to a UNESCO report.

Although most African fashion businesses are small and medium-sized enterprises (企业), the report identified a growing number of high-fashion brands concentrated in key markets on the continent. What makes African fashion unique is its authenticity (真实性), according to Kenyan designer Aulga Nato. “If you check most fashion houses elsewhere in the world, they have done so much that they have less creativity in what they are putting out now. Africa, on the other hand, is rich in cloth. We are huge cotton growers, and we are rich in every single way. That’s our fashion,” she explained.

Africa is a major producer of raw materials (原材料) for the fashion industry, with 37 out of 54 African countries producing cotton and textile exports from the continent averaging $15.5 billion (about 110.2 billion yuan) a year. The continent also has a huge animal population from which it sources animal skins. However, there’s a huge shortage of chemicals to make the materials needed to treat the leather (皮革) from animals used in the clothing industry. And the continent still faces challenges related to the movement of people.

Despite these challenges, African designers are giving their best to their work and leading the world in sustainable fashion and practices. African governments have also taken measures to help designers in achieving their aims. It seems that their efforts have paid off. After checking clothing exhibits at a fashion event, Ghanaian exhibitor Solomon Dodoo noticed that every single cloth is unique and there are no two pieces of cloth that look alike.