1 . For years and years people have been saying that railways are dead. “We can do without railways,” people say--as if motorcars and planes have made those railways unnecessary. We all keep hearing that trains are slow, lose money and are dying. But this is far from the truth. In these days of expensive oil, railways have become highly competitive with motorcars and planes. If you want to carry people or goods from place to place, they’re cheaper than planes. And they have much in common with planes. A plane goes in a straight line and so does a railway. What’s more, a railway takes you from the city centre into another centre. It doesn’t hold you up as a car does in endless traffic jams. And a single train can carry goods which no plane or motorcar could ever do.
Far from being dead, railways are very much alive. Modern railway lines give you a smooth, untroubled journey. Where else can you eat well, sleep in comfort, feel safe and enjoy the scene while you are travelling at speed at the same time? And we are only at the beginning, for we have just entered the age of super-fast trains, which are travelling at 250 miles an hour or more. So we will be wondering why we spend so much on motorcars we can't use and planes we can't fly in. After all, we have not enough money to buy the oil.
1. People say railways are unnecessary because they think ______.A.trains cause traffic jams |
B.trains carry goods only |
C.trains go in a straight line |
D.trains are slow and lose money |
A.motorcars and planes are better than trains |
B.trains go as fast as motorcars and planes |
C.we still need railways in modern times |
D.trains have nothing in common with motorcars |
A.can take you from place to place |
B.carry goods and people cheaply |
C.don't hold you up on the way |
D.can travel at 250 miles an hour |
A.It is more expensive to travel by train than by plane. |
B.No railway station is at the city centre. |
C.It is comfortable travelling on a train. |
D.Planes and motorcars have replaced trains. |
A.Railways, Still Alive. |
B.Planes Are Dead. |
C.Trains, Motorcars or Planes? |
D.Super-fast Trains. |
2 . I walked to the park after school and sat under a tree. I pulled my sketchbook(素描册)and colored pencils from my school bag and looked around for ideas. I turned my
"No offence(冒犯),"the boy laughed, pulling his sketchbook out of his school bag and
About an hour later, we
A.attention | B.stomach | C.wheel | D.bag |
A.designed | B.printed | C.tore | D.closed |
A.handing | B.sending | C.returning | D.posting |
A.Out of curiosity | B.Out of control | C.Out of order | D.Out of breath |
A.angry | B.busy | C.disappointed | D.impressed |
A.embarrassed | B.delighted | C.talented | D.educated |
A.struggle | B.work | C.start | D.meet |
A.girls | B.people | C.boys | D.nature |
A.search | B.exchange | C.imagine | D.destroy |
A.began | B.made | C.finished | D.sold |
3 . As a people-pleaser, you care about pleasing other people so much because you want to be liked and don't want other people to think ill of you. It's a bad, never ending way of life, because people are always going to ask things of you.
Here's how you can stop being such a people-pleaser:
Wait!
Next time someone texts or emails a request, wait to reply. Wait up to 24 hours if you can! Show people how to treat us. And train them on what to expect from us.
Provide a choice
For those who want to say no in a gentle way, instead of giving an excuse, you can provide a choice. It's more useful too! Something like," I'd love to help you pick out a new sofa but not this weekend. Lucy has an excellent eye for sofas." is much more helpful.
Realize you have a choice
More times than you think, you can say no. Stop for a second when a choice comes up that feels uncomfortable. Then decide if, finally, a yes or no feels like freedom--and choose that.
K(no)w it gets easier
Saying no needs practice. The more you do it, the more used to it you become and the less people expect from you. Once you say you are unavailable a few times, people stop asking so much from you.
Recognize you can't please everybody
Other people will always control our lives if we let them. You can't please everyone. And a rich, wonderful life has lots of those "yes" moments--as well as plenty of loving "nos".
1. The passage is written for the people ________.A.who like satisfying everyone |
B.who always make requests |
C.who need to buy sofas |
D.who want more freedom |
A.Pretend not to see it. |
B.Give an immediate answer. |
C.Teach him a good lesson. |
D.Avoid giving a quick reply. |
A.less helpful |
B.more important |
C.less believable |
D.more acceptable |
A.Lose touch with you. |
B.Leave you immediately. |
C.Stop asking you so much. |
D.Consider you to be impolite. |
A.3. | B.4. |
C.5. | D.6. |
4 . Mr. Hadley was my 6th grade teacher. At that time I was a short girl weighing 70 kilograms. Boys always laughed at me because of it. So I became an extremely shy young lady.
One day Mr. Hadley told us that we would be required to come to the front of the class and read the reports that we had completed.
When my turn came, I refused to stand in front of all those students and open up to their tricks. Mr. Hadley handed me my report and asked me to read it. I gave it back to him. He walked to the font and said, “Martha has a very good report here and I think everyone needs to hear her read it. If you make strange noises or make fun of her in any way, I will let you fail right here and now. OK?”
Mr. Hadley walked back to me and handed me the paper again, asking me to go to the front of the class. I walked there on legs that were shaking and I felt a rabbit in my chest. Everyone was all quiet, including those boys. I stood there trying to be calm.
Mr. Hadley walked over to me and put his arm around me, “You can do it. I have confidence in you!” His words helped me calm down. I read the report and instead of the kids laughing at me and making fun of me, they all stood up and clapped their hands.
From that day on the kids never made fun of me and some actually made friends with me. I continued to be quiet and shy all through school but 1 knew if I had to stand up in front of the class, I could do it.
1. Martha felt extremely shy because of her ______.A.study | B.age | C.appearance | D.beauty |
A.she didn't like the teacher of the 6th grade | B.she knew her report was not good |
C.the teacher wouldn't listen to her | D.she was afraid of being laughed at |
A.Curious | B.Excited | C.Nervous | D.Angry |
A.Martha's report was well written | B.Martha had a rabbit as her pet |
C.Martha was a good-looking girl | D.the teacher helped Martha with her report |
A.satisfaction | B.self-confidence | C.humor | D.happiness |
5 . George Gershwin, born in 1898, was one of America's greatest composers. He published his first song when he was eighteen years old. During the next twenty years he wrote more than five hundred songs.
Many of Gershwin's songs were first written for musical plays performed in theatres in New York City. These plays were a popular form of entertainment in the 1920s and 1930s. Many of his songs have remained popular as ever. Over the years they have been sung and played in every possible way — from jazz to country.
In the 1920s there was a debate in the United States about jazz music. Could jazz, some people asked, be considered serious music? In 1924 jazz musician and orchestra leader Paul Whiteman decided to organize a special concert to show that jazz was serious music. Gershwin agreed to compose something for the concert before he realized he had just a few weeks to do it. And in that short time, he composed a piece for piano and orchestra which he called Rhapsody in Blue. Gershwin himself played the piano at the concert. The audience were thrilled when they heard his music. It made him worldfamous and showed that jazz music could be both serious and popular.
In 1928, Gershwin went to Paris. He applied to study composition (作曲)with the wellknown musician Nadia Boulanger, but she rejected him. She was afraid that classical study would ruin his jazzinfluenced style. While there, Gershwin wrote An American in Paris. When it was first performed, critics (评论家)were divided over the music. Some called it happy and full of life, to others it was silly and boring. But it quickly became popular in Europe and the United States. It still remains one of his most famous works.
George Gershwin died in 1937, just days after doctors learned he had brain cancer. He was only thirtynine years old. Newspapers all over the world reported his death on their front pages. People mourned the loss of the man and all the music he might have still written.
1. Many of Gershwin's musical works were ________.A.written about New Yorkers | B.composed for Paul Whiteman |
C.performed in various ways | D.played mainly in the countryside |
A.It proved jazz could be serious music. |
B.It attracted more people to theatres. |
C.It made Gershwin leader of the orchestra. |
D.It caused a debate among jazz musicians. |
A.He studied with Nadia Boulanger. | B.He created one of his best works. |
C.He argued with French critics. | D.He changed his music style. |
A.The death of Gershwin was widely reported. |
B.Many of Gershwin's works were lost. |
C.A concert was held in memory of Gershwin. |
D.Brain cancer research started after Gershwin's death. |
A.Serious and boring. | B.Talented and productive. |
C.Popular and unhappy. | D.Friendly and honest. |
6 . Ancient Chinese folk paintings and many other art styles have been passed down from generation to generation, and are still practised in different parts of China. Here's a look at four unique Chinese folk art forms.
Chinese Opera (戏剧) is the traditional form of Chinese drama. According to incomplete statistics, in China's various ethnic regions there are about more than 360 kinds of operas. The most famous ones include Peking Opera, Kunqu Opera, Yueju Opera, Yuju Opera, Sichuan Opera, Fujian Opera, Hebei opera, Huangmei Opera arid so on, in total more than 50, among which Peking Opera is the most popular in China.
Shadow Play (皮影戏) dates back to Western Han Dynasty in Shaanxi more than 1,000 years ago. The moving figures, usually carved out from leather, are operated by folk artists, accompanied by music and singing. It is the world's first dubbed (配音的) motion picture art form, thus considered the "ancestor" of modern film. Today this art form is still popular in northern China.
Paper-cutting (剪纸) is one of the most popular traditional decorative arts in China with a long history. Paper-cutting can be seen across China and it has even developed into different local genres (流派). They are usually used to decorate gates and windows during festivals.
The Kite was invented by Chinese people. According to legend the earliest kite in China was a wooden bird by Mo Di in the Eastern Zhou Dynasty. Later his student Lu Ban improved the tech and used bamboo as material to make a kite. Today, various kite-flying activities can be found in different regions of China. Shandong Weifang Kite Festival is held every year and attracts lots of kite lovers and travelers.
1. Which Chinese Opera is the most popular in China?A.Peking Opera. | B.Kunqu Opera. |
C.Yueju Opera. | D.Yuju Opera. |
A.It has a history of more than 1,000 years. |
B.It was operated by ancient folk artists. |
C.It is accompanied by music and dances on the stage. |
D.It is the world's first dubbed motion picture art form. |
A.Different local genres. |
B.Traditional decorative pictures. |
C.Paper-cutting art works. |
D.Popular Chinese handwriting. |
A.Paper. | B.Wood. |
C.Bamboo. | D.Leather. |
A.Chinese folk art. | B.Chinese folk paintings. |
C.Chinese operas. | D.Chinese folk plays. |
7 . I took down the violin I made in the past two months, and walked towards the farmland outside. The violin shined in the sunlight, and I admitted, unwillingly, that it looked good. But I knew it was a mockery (笑柄) of my failure to find beauty.
“What makes a violin beautiful?”
I first asked this question as a three-year-old child and now again as a teenager. When I listened to a violin for the first time, I was so astonished by its beauty that I imagined a fairy living in the wooden frame. But fairies faded when I grew older. I wanted a reasonable answer to the question.
I referred to Professor Ruan, my violin teacher, who introduced the violin to me 14 years ago. This 85-year-old man rhapsodized about (热烈赞美) the legend of Antonio Stradivari. “His violins are the most beautiful works human has ever crafted.” “Make a violin with your own hands,” Professor Ruan suggested,“When you play it, you’ll know.”
However, when Professor Ruan introduced to me a violin workshop, what I saw was far from my expectation. In front of me was a fat worker, shirtless and sunburned, soon to become my master. What shocked me most was that the “master” knew nearly nothing about music. His rough hands had been tending crops, not instruments, for most of his life.
Two months later, standing outside the workshop, I was disappointed. Yes, I just finished or copied a Stradivarius violin. But I didn’t find beauty in it. Then I remembered Professor Ruan’s words, “When you play it, you’ll know.” So I closed my eyes, and focused on where my fingers and strings touched. Music flowed suddenly so beautifully that for a moment I doubted my own ears. Slowly I opened my eyes, and with surprise found the fairy of my childhood fantasy dancing to my music — the two-year-old daughter of the master.
Professor Ruan was right. I didn’t find beauty until I played music with the violin, because beauty isn’t in the instrument itself. It’s just here, deep down, in ourselves.
1. When he listened to a violin for the first time, what happened to the writer?A.He found the violin looked beautiful. |
B.He was astonished to see a fairy in the violin. |
C.He became interested in the violin. |
D.He began to learn how to play violin. |
A.The person who makes the violin. |
B.The person who plays the violin. |
C.The appearance of the violin. |
D.The sound of the violin. |
A.He listened to the legend of Antonio Stradivari. |
B.He taught the master knowledge of music. |
C.He played music with the violin for the daughter of the master. |
D.He made his own violin with the help of the master. |
A.He created an ugly-looking violin. |
B.His master knew little about music. |
C.He failed to find beauty in the violin. |
D.He had to work in a terrible workshop. |
A.music brings beauty | B.beauty lies in our hearts |
C.we should develop a hobby | D.teachers are important to students |
8 . A scientist working at her lab bench and a six-old baby playing with his food might seem to have little in common.After all,the scientist is engaged in serious research to uncover the very nature of the physical world,and the baby is,well, just playing…right?Perhaps,but some developmental psychologists have argued that this “play” is more like a scientific investigation than one might think.
Take a closer look at the baby playing at the table. Each time the bowl of rice is pushed over the table edge, it falls in the ground—and, in the process, it belongs out important evidence about how physical objects interact; bowls of rice do not flood in mid-sit, but require support to remain stable. It is likely that babies are not born knowing the basic fact of the universe; nor are they ever clearly taught it. Instead, babies may form an understanding of object support through repeated experiments and then build on this knowledge to learn even more about how objects interact. Though their ranges and tools differ, the baby’s investigation and the scientist’s experiment appear to share the same aim(to learn about the natural world), overall approach (gathering direct evidence from the world), and logic (are my observations what I expected?).
Some psychologists suggest that young children learn about more than just the physical world in this way—that they investigate human psychology and the rules of language using similar means. For example, it may only be through repeated experiments, evidence gathering, and finally overturning a theory, that a baby will come to accept the idea that other people can have different views and desires from what he or she has. For example, unlike the child, Mommy actually doesn’t like Dove chocolate.
Viewing childhood development as a scientific investigation throws on how children learn, but it also offers an inspiring look at science and scientists. Why do young children and scientists seem to be so much alike? Psychologists have suggested that science as an effort—the desire to explore, explain, and understand our world—is simply something that comes from our babyhood. Perhaps evolution provided human babies with curiosity and a natural drive to explain their worlds, and adult scientists simply make use of the same drive that served them as children. The same cognitive systems that make young children feel good about figuring something out may have been adopted by adult scientists. As some psychologists put it, “It is not that children are little scientists but that scientists are big children.”
1. According to some developmental psychologists, ________.
A.a baby’s play is nothing more than a game. |
B.scientific research into babies; games is possible |
C.the nature of babies’ play has been thoroughly investigated |
D.a baby’s play is somehow similar to a scientist’s experiment |
A.scientists and babies seem to observe the world differently |
B.scientists and babies often interact with each other |
C.babies are born with the knowledge of object support |
D.babies seem to collect evidence just as scientists do |
A.exploring the physical world |
B.investigating human psychology |
C.repeating their own experiments |
D.observing their parents’ behaviors |
A.The world may be more clearly explained through children’s play. |
B.Studying babies’ play may lead to a better understanding of science. |
C.Children may have greater ability to figure out things than scientists. |
D.One’s drive for scientific research may become stronger as he grows. |
A.Convincing. | B.Confused. |
C.Confidence. | D.Cautious. |
We experience this tiredness in two ways: as start-up fatigue(疲惫) and performance fatigue. In the former case, we keep putting off a task because it has either too boring or too difficult. And the longer we delay it, the more tired we feel.
Such start-up fatigue is very real, even if not actually physical, not something in our muscles and bones. The solution is obvious though perhaps not easy to apply: always handle the most difficult job first.
Years ago, I was asked to write 102 essays on the great ideas of some famous authors. Applying my own rule, I determined to write them in alphabetical(按字母顺序), never letting myself leave out a tough idea. And I always started the day’s work with the difficult task of essay-writing. Experience proved that the rule works.
Performance fatigue is more difficult to handle. Though willing to get started, we cannot seem to do the job right. Its difficulties appear so great that, however hard we work, we fail again and again. In such a situation, I work as hard as I can-then let the unconscious take over.
When planning Encyclopaedia Britannica (《大英百科全书》), I had to create a table of contents based on the topics of its articles. Nothing like this had ever been done before, and day after day I kept coming up with solutions, but none of them worked. My fatigue became almost unbearable.
One day, mentally exhausted, I wrote down all the reasons why this problem could not be solved. I tried to convince myself that the trouble was with the problem itself, not with me. Relived, I sat back in an easy chair and fell asleep.
An hour later, I woke up suddenly with the solution clearly in mind. In the weeks that followed, the solution which had come up in my unconscious mind proved correct at every step. Though I worked as hard as before, I felt no fatigue. Success was now as exciting as failure had been depressing.
Human beings, I believe must try to succeed. Success, then, means never feeling tired.
1. People with start-up fatigue are most likely to ________.
A.delay tasks | B.work hard |
C.seek help | D.accept failure |
A.Writing essays in strict order. |
B.Building up physical strength. |
C.Leaving out the toughest ideas. |
D.Dealing with the hardest task first. |
A.Before starting a difficult task. |
B.When all the solutions fail. |
C.If the job is rather boring. |
D.After finding a way out. |
A.ignore mental problems | B.get some nice sleep |
C.gain complete relief | D.find the right solution |
A.Success Is Built upon Failure |
B.How to Handle Performance Fatigue |
C.Getting over Fatigue: A Way to Success |
D.Fatigue: An Early Sign of Health Problems |
First of all, students need to realize that conflict is unavoidable. A report on violence among middle school and high school students indicates that most violent incidents between students begin with a relatively minor insult (侮辱). For example, a fight could start over the fact that one student eats a peanut butter sandwich each lunchtime. Laughter over the sandwich can lead to insults, which in turn can lead to violence. The problem isn't in the sandwich, but in the way students deal with the conflict.
Once students recognize that conflict is unavoidable, they can practice the golden rule of conflict resolution (解决) stay calm. Once the student feels calmer, he or she should choose words that will calm the other person down as well. Rude words, name-calling, and accusation only add fuel to the emotional fir On the other hand, soft words spoken at a normal sound level can put out the fire before it explodes out of control.
After both sides have calmed down, they can use another key strategy for conflict resolution; listening. Listening allows the two sides to understand each other. One person should describe his or her side, and the other person should listen without interrupting. Afterward, the listener can ask non-threatening questions to clarify the speaker’s position. Then the two people should change roles.
Finally, students need f. consider what they are hearing. This doesn’t mean trying to figure out what's wrong with the other person. It means understanding what the real issue is and what both sides are trying to accomplish. For example, a shouting match over a peanut butter sandwich might happen because one person thinks the other person is unwilling to try new things. Students need to ask themselves questions such as these: How did this start? What do I really want? What am I afraid off As the issue becomes clearer, the conflict often simply becomes smaller. Even if it doesn't, careful thought helps both sides figure out a mutual solution.
There will always be conflict in schools, but that doesn’t mean there needs to be violence. After students in Atlanta started a conflict resolution program, according to Educators for Social Responsibility, “64 percent of the teachers reported less physical violence in the classroom; 75 percent of the teachers reported an increase in student cooperation; and 92 percent of the students felt better about themselves”. Learning to resolve conflicts can help students deal with friends, teachers, parents, bosses, and coworkers. In that way, conflict resolution is a basic life skill that should be taught in schools across the country.
1. This article is mainly about _______.
A.the lives of school children | B.the cause of arguments in schools |
C.how to analyze youth violence | D.how to deal with school conflicts |
A.violence is more likely to occur at lunchtime |
B.a small conflict can lead to violence |
C.students tend to lose their temper easily |
D.the eating habit of a student is often the cause of a fight |
A.To find out who to blame. |
B.To get ready to buy new things. |
C.To make clear what the real issue is. |
D.To figure out how to stop the shouting match. |
A.there was a decrease in classroom violence |
B.there was less student cooperation in the classroom |
C.more teachers fell better about themselves in schools |
D.the teacher-student relationship greatly improved |
A.complain about problems in school education |
B.teach students different strategies for school life |
C.advocate teaching conflict management in schools |
D.inform teachers of the latest studies on school violence |