1 . Good news for all Wes Anderson fans — the US director is back with the film The Wonderful Story of Henry Sugar which hit Netflix, an online film provider, on Sept 27. It is a film adaptation of UK novelist Roald Dahl’s novel under the same name.

The film stars UK actor Benedict Cumberbatch as a wealthy man named Henry Sugar, who develops the ability to see through objects. At the very beginning he uses this power to cheat at cards and win big while gambling (赌博), and later turns his fortune into a global network of orphanages (孤儿院).

Dialogue style

Running for just 40 minutes, the film features Anderson’s quick-paced dialogue style. He also asked the actors to recite lines directly to the audience by looking at the camera, creating “the effect of listening to a podcast (播客) while turning the pages of a lovely picture book quickly”, commented CNN.

Visual style

Anderson’s work is immediately recognizable for his visual style as well. The “Anderson aesthetic (美学)” often uses bright color palettes (调色板) to both add visual appeal and make various ideas known to the audience, reported Yahoo News. In The Grand Budapest Hotel for example, Anderson uses a color palette of deep blues, rich greens and warm pinks to recreate an old-world European feel. In The Royal Tenenhaums the red tracksuits worn by Chaz, one of the main characters, show deep-seated anger resulting from parental trauma (创伤).

Symmetrical style

Another style is his use of symmetry (对称). Many of the shots involve (涉及) a person facing the camera, with the elements around the character set up in a sense of order and balance. Anderson explained to the media that it is out of his nature to “arrange things in a frame”, which he compares to how people can’t change the individuality of their handwriting. “You might try to write very well, but really, you have something your brain tends to do”, he said.

However, his obsessive repetition of these stylistic choices in his films has led some to question his ability to innovate (创新). In response to this, Anderson stated, “It’s not something I make any effort to do. I just want to make films that are personal but interesting to an audience.”

We have three lovely dogs. On the National Day of one year, we drove to my mother’s home for     1     holiday. We brought all three dogs     2     us so that they wouldn’t be alone back home when neighbors’ fireworks (烟花) went off. They were all     3     (terrible) afraid of fireworks.

When night fell that day, we had the dogs     4     (lock) in the laundry room of my mother’s house, and we went to the lake to set off fireworks. My mother’s house was far away from the place     5     we would light the fireworks. So we thought the noise might not     6     (notice) by dogs.

After enjoying the fireworks, we went back to the house     7     (check) on the dogs. Try to imagine our     8     (shock) faces when we saw a huge mouse hole in the laundry-room door. The dogs were all lying there, looking very innocent (无辜的) .

Now all these years later, the three dogs are gone, and all we have are     9     (memory) of them. But none is as memorable as how they celebrated this holiday by     10     (cut) through that laundry-room door with their teeth.

6 . Diving in the ocean, marine biologist Erika Woolsey has seen how coral reefs (珊瑚礁) are being damaged by climate change. It has made her decide to find a way to share her experience —including those who can’t easily explore the ocean.

Through her non-profit, The Hydrous, Woolsey is using virtual reality to bring the ocean to everyone. Scientists, filmmakers and divers are taking people on immersive (沉浸式的) virtual dives, attracting attention to reef damage and expecting action to protect our sea. About 25% of marine species depend on coral reefs. However, climate change, pollution and overfishing have done harm to around half the world’s shallow water coral reefs.

Twenty years of underwater exploration has given Woolsey a detailed understanding of the dangerous situations facing reefs. “I’ve seen this first-hand shift. Healthy colourful coral reefs become what look like the moonscape step by step,” Woolsey says.

It is through this experience that The Hydrous team set out to recreate with their award-winning film Immerse. Intended to watch with a VR headset, viewers join Woolsey for a nine-minute guided virtual div e on the coral reefs, immersed in a 360-degree underwater view.

They swim alongside sea turtles and sharks before witnessing the worsening of the reefs. The experience often brings out strong feelings. “As soon as people take off that headset and look me in the eye, they want to tell me a story about their ocean experience,” Woolsey says. “It’s that human connection to our ocean that will solve our ocean problems.”

Woolsey hopes advances in camera technology will allow her team to take more and more people to places in the ocean that are underexplored and places further away from human civilization. They are developing a virtual experience that will put the people in the role of a marine biologist, carrying out biodiversity surveys underwater, and even transporting the viewers to space to monitor global sea surface temperatures.

What does traveling mean? Visit, enjoy and discover.

Every year hundreds and thousands of people come to the UK. And London, the capital city     1     (be) usually their first stop. What can they see? What can they experience?

    2     (get) around in London is not difficult. There is the underground train, the oldest in the world, or the     3     (tradition) double-decker bus (双层公共汽车). A boat trip along the River. Thames takes you     4     the Tower of London.

Going around the city center on foot is easy. The maps in the streets will show you     5     is around you in five-minute walk. You can     6     (amaze) get a great view of the city from meters upon a huge wheel, the London Eye. Look across the river     7     you will see the Houses or of Parliament and the famous clock tower, Big Ben.

There are over 240     8     (museum) in the capital, but the two most popular are in South Kensington and cost nothing to get into. In the Natural History Museum, the keyword is Big. Next is the Science Museum. It     9     (have) those great British inventions, the history of fight and     10     (explore) of space.